♂ PONPONPON Chords ♂ by Kyary Pamyu Pamyu
Tempo:
127.9 bpm
Chords used:
C#m
E
A
B
F#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
As far as the upper [G#m] floor mission is to [F#] have a community for [C#m] everyone.
And you know in [A] a community there are many [G#m] smaller groups, but we all [B] have that one common interest [C#m] of dominant and submission.
So [A] just [G#m] many different groups in this house.
This house is so huge, you know, there's [C#m] room for everyone.
And [A] these groups we get together [G#m] to form this house.
[B] I am so fortunate to be here and to be a [A] part of [C#m] it.
[F#]
[B] [C#m]
[E]
[C#m]
[F#]
[C#] I'm so emotional.
These are those days of [A] us.
Look at you man, over here, you're the [F#m] one on every left.
Oh my, [G#m] oh my, he's your [C#m] friend.
Idiot son.
[A] You want to throw off what a [E] real man [G#m] has.
Who gets what he wanted [A] at.
Move, move, [E] move.
Cross cycle, mind, and [B] soul.
[C#] It's all the more emotional.
[F#]
Even though the [Bm] physical.
He's like a [C#m] pack of fucking frogs.
[F#]
[A] Cross [Bm] cycle, mind, and [B] soul.
[C#m] It's all the more [E] emotional.
Even though the [B] physical.
It's all the more emotional.
[E]
[C#m] [E]
[B]
[E] [G#]
[A] When I attended my last [G#] Chloe event, the choreographer said [F#] to me, when are you going to have a game [C#m] party up here?
[A] And I was totally blown [E] away.
I said, sure, why not?
[F#] And [C#m] the other boy had a special [A] place.
I want to keep it [G#] pretty much in line with [F#] his vision.
It's the 44 [C#m]-7 dominant [A] submission.
Ready,
[G#] set, go.
Stay, [F#m] go.
[G#]
Go.
[B] Cross [E]
cycle, mind, and [Bm] soul.
[C#m] It's all the more emotional.
[F#]
Even though the physical.
[B] He leans [C#m] like a pack of frogs.
He's [A] a boy.
Every left.
Mike.
[B] And so my [C#m] history's changed.
He is a.
[A] I want to [E] blow.
What a real man has.
[G#m] Who gets what he wanted [C#m] at.
Move, move, [E] move.
[A]
Cross cycle, [C#] mind, and soul.
[D#] It's all the [E] more emotional.
[F#]
Even though the physical.
[C#] He leans like a [E] pack of frogs.
[F#]
[B]
He's [C#m] a boy.
[E]
Mike.
[B] And so my history's changed.
He's a boy.
[E] Get your head out of me now, boy.
[C#m] [E]
[B]
[E]
[N]
And you know in [A] a community there are many [G#m] smaller groups, but we all [B] have that one common interest [C#m] of dominant and submission.
So [A] just [G#m] many different groups in this house.
This house is so huge, you know, there's [C#m] room for everyone.
And [A] these groups we get together [G#m] to form this house.
[B] I am so fortunate to be here and to be a [A] part of [C#m] it.
[F#]
[B] [C#m]
[E]
[C#m]
[F#]
[C#] I'm so emotional.
These are those days of [A] us.
Look at you man, over here, you're the [F#m] one on every left.
Oh my, [G#m] oh my, he's your [C#m] friend.
Idiot son.
[A] You want to throw off what a [E] real man [G#m] has.
Who gets what he wanted [A] at.
Move, move, [E] move.
Cross cycle, mind, and [B] soul.
[C#] It's all the more emotional.
[F#]
Even though the [Bm] physical.
He's like a [C#m] pack of fucking frogs.
[F#]
[A] Cross [Bm] cycle, mind, and [B] soul.
[C#m] It's all the more [E] emotional.
Even though the [B] physical.
It's all the more emotional.
[E]
[C#m] [E]
[B]
[E] [G#]
[A] When I attended my last [G#] Chloe event, the choreographer said [F#] to me, when are you going to have a game [C#m] party up here?
[A] And I was totally blown [E] away.
I said, sure, why not?
[F#] And [C#m] the other boy had a special [A] place.
I want to keep it [G#] pretty much in line with [F#] his vision.
It's the 44 [C#m]-7 dominant [A] submission.
Ready,
[G#] set, go.
Stay, [F#m] go.
[G#]
Go.
[B] Cross [E]
cycle, mind, and [Bm] soul.
[C#m] It's all the more emotional.
[F#]
Even though the physical.
[B] He leans [C#m] like a pack of frogs.
He's [A] a boy.
Every left.
Mike.
[B] And so my [C#m] history's changed.
He is a.
[A] I want to [E] blow.
What a real man has.
[G#m] Who gets what he wanted [C#m] at.
Move, move, [E] move.
[A]
Cross cycle, [C#] mind, and soul.
[D#] It's all the [E] more emotional.
[F#]
Even though the physical.
[C#] He leans like a [E] pack of frogs.
[F#]
[B]
He's [C#m] a boy.
[E]
Mike.
[B] And so my history's changed.
He's a boy.
[E] Get your head out of me now, boy.
[C#m] [E]
[B]
[E]
[N]
Key:
C#m
E
A
B
F#
C#m
E
A
_ _ _ _ As far as the upper [G#m] floor mission is to [F#] have a community for [C#m] everyone.
_ And you know in [A] a community there are many [G#m] smaller groups, but we all [B] have that one common interest [C#m] of dominant and submission.
So [A] just _ _ [G#m] many different groups in this house.
This house is so huge, you know, there's [C#m] room for everyone.
And [A] these groups we get together [G#m] to form this house.
[B] I am so fortunate to be here and to be a [A] part of [C#m] it. _ _ _
_ _ _ _ _ [F#] _ _ _
_ _ _ [B] _ _ _ _ [C#m] _
_ _ _ _ _ [E] _ _ _
_ _ _ [C#m] _ _ _ _ _
_ _ _ _ _ [F#] _ _ _
_ _ _ [C#] I'm so emotional. _ _
_ These are those days of [A] us. _
Look at you man, over here, you're the [F#m] one on every left.
_ Oh my, [G#m] oh my, he's your [C#m] friend.
Idiot son.
[A] You want to throw off what a [E] real man [G#m] has.
Who gets what he wanted [A] at.
Move, move, [E] move. _ _ _
_ Cross cycle, mind, and [B] soul. _ _
[C#] It's all the more emotional.
[F#] _ _ _
_ Even though the [Bm] physical.
He's like a [C#m] pack of fucking frogs.
_ [F#] _ _ _
[A] _ Cross [Bm] cycle, mind, and [B] soul. _ _
_ [C#m] It's all the more [E] emotional. _ _ _
_ Even though the [B] physical.
It's all the more emotional.
_ _ [E] _ _ _ _ _
_ _ _ _ _ _ _ _
_ [C#m] _ _ _ [E] _ _ _ _
_ _ _ _ _ [B] _ _ _
[E] _ _ _ _ _ _ _ [G#] _
_ _ _ _ _ _ _ _
_ _ _ _ _ [A] When I attended my last [G#] Chloe event, the choreographer said [F#] to me, when are you going to have a game [C#m] party up here?
_ _ [A] And I was totally blown [E] away.
I said, sure, why not?
[F#] _ And [C#m] the other boy had a special [A] place.
I want to keep it [G#] pretty much in line with [F#] his vision.
It's the 44 [C#m]-7 _ dominant [A] submission.
Ready, _
_ [G#] set, go.
Stay, [F#m] go.
_ [G#]
Go.
[B] _ Cross [E] _ _ _ _
_ cycle, mind, and [Bm] soul. _ _
[C#m] It's all the more emotional.
[F#] _ _ _
_ Even though the physical.
[B] He leans [C#m] like a pack of frogs.
He's [A] a boy.
Every left.
_ _ Mike.
_ [B] And so my [C#m] history's changed.
He is a.
[A] I want to [E] blow.
What a real man has.
[G#m] Who gets what he wanted [C#m] at.
Move, move, [E] move.
_ _ [A] _
_ Cross cycle, [C#] mind, and soul. _ _
[D#] It's all the [E] more emotional.
[F#] _ _ _
_ Even though the physical.
[C#] _ He leans like a [E] pack of frogs.
_ [F#] _ _ _
_ _ _ _ _ [B] _ _
He's [C#m] a boy.
[E] _ _ _ _ _
_ Mike.
_ _ [B] And so my history's changed.
He's a boy.
[E] Get your head out of me now, boy. _ _
_ _ _ _ _ _ _ _
_ [C#m] _ _ _ [E] _ _ _ _
_ _ _ _ _ [B] _ _ _
_ [E] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [N] _ _
_ And you know in [A] a community there are many [G#m] smaller groups, but we all [B] have that one common interest [C#m] of dominant and submission.
So [A] just _ _ [G#m] many different groups in this house.
This house is so huge, you know, there's [C#m] room for everyone.
And [A] these groups we get together [G#m] to form this house.
[B] I am so fortunate to be here and to be a [A] part of [C#m] it. _ _ _
_ _ _ _ _ [F#] _ _ _
_ _ _ [B] _ _ _ _ [C#m] _
_ _ _ _ _ [E] _ _ _
_ _ _ [C#m] _ _ _ _ _
_ _ _ _ _ [F#] _ _ _
_ _ _ [C#] I'm so emotional. _ _
_ These are those days of [A] us. _
Look at you man, over here, you're the [F#m] one on every left.
_ Oh my, [G#m] oh my, he's your [C#m] friend.
Idiot son.
[A] You want to throw off what a [E] real man [G#m] has.
Who gets what he wanted [A] at.
Move, move, [E] move. _ _ _
_ Cross cycle, mind, and [B] soul. _ _
[C#] It's all the more emotional.
[F#] _ _ _
_ Even though the [Bm] physical.
He's like a [C#m] pack of fucking frogs.
_ [F#] _ _ _
[A] _ Cross [Bm] cycle, mind, and [B] soul. _ _
_ [C#m] It's all the more [E] emotional. _ _ _
_ Even though the [B] physical.
It's all the more emotional.
_ _ [E] _ _ _ _ _
_ _ _ _ _ _ _ _
_ [C#m] _ _ _ [E] _ _ _ _
_ _ _ _ _ [B] _ _ _
[E] _ _ _ _ _ _ _ [G#] _
_ _ _ _ _ _ _ _
_ _ _ _ _ [A] When I attended my last [G#] Chloe event, the choreographer said [F#] to me, when are you going to have a game [C#m] party up here?
_ _ [A] And I was totally blown [E] away.
I said, sure, why not?
[F#] _ And [C#m] the other boy had a special [A] place.
I want to keep it [G#] pretty much in line with [F#] his vision.
It's the 44 [C#m]-7 _ dominant [A] submission.
Ready, _
_ [G#] set, go.
Stay, [F#m] go.
_ [G#]
Go.
[B] _ Cross [E] _ _ _ _
_ cycle, mind, and [Bm] soul. _ _
[C#m] It's all the more emotional.
[F#] _ _ _
_ Even though the physical.
[B] He leans [C#m] like a pack of frogs.
He's [A] a boy.
Every left.
_ _ Mike.
_ [B] And so my [C#m] history's changed.
He is a.
[A] I want to [E] blow.
What a real man has.
[G#m] Who gets what he wanted [C#m] at.
Move, move, [E] move.
_ _ [A] _
_ Cross cycle, [C#] mind, and soul. _ _
[D#] It's all the [E] more emotional.
[F#] _ _ _
_ Even though the physical.
[C#] _ He leans like a [E] pack of frogs.
_ [F#] _ _ _
_ _ _ _ _ [B] _ _
He's [C#m] a boy.
[E] _ _ _ _ _
_ Mike.
_ _ [B] And so my history's changed.
He's a boy.
[E] Get your head out of me now, boy. _ _
_ _ _ _ _ _ _ _
_ [C#m] _ _ _ [E] _ _ _ _
_ _ _ _ _ [B] _ _ _
_ [E] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [N] _ _