Go With the Flow Chords by Mf Doom
Tempo:
94.15 bpm
Chords used:
F#m
C
F
A#
G
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Key:
F#m
C
F
A#
G
F#m
C
F
[Gm] Enough [F] is enough.
Enough [F#m] is enough.
Let's go.
[F] Yeah, here we go.
[F#m] Let's go.
Yeah, [F] yeah, yeah, yeah, ho.
Here we go.
[F#m] .
Go with the flow.
Yo, [F] I'd like to check this microphone.
before I [D#] start right [E] quick.
Microphone check, 2-2-1-2-1-2.
[F] Big up all them [Bm] Monster Island masters.
[F#m] and beware before I triple dare you.
like the [C] last kid who asked me.
what we don't [F#m] got that you got son.
but one flow that's elementary, my [C] dear Watson.
Secondly, [F#] ever since I was [F#m] little.
not so much to riddle.
least rhyme to [C] the syllable.
Keep tracks and make [D] an A-rap D-clap.
with no hands, I stop these drums, I'm truly [C] yours.
G-rap, actual fact, [D] relax.
In this land of lyrical [F#m] lost black.
I'm not the [C] cool sleep stack.
the one who might stop and [F#m] talk to you.
Fortune to few, niggas who be buying styles.
I'm like, [A#] walk through, ooh.
What you got to [F#m] lose, let [C] money fly.
When I got blues, I true Ho Cruise, [A#] that's butt dry.
So I ask why, [Bm] the stars from [C] the set.
should be fucking with my eye.
as [D] I pull it to the [F] chest, a super motherfucking villain.
grip the [F#m] mic with an iron hand.
throwing them scenes to the fire from out the [C] frying pan.
It ain't no use in trying, [F#m] man, son, stop crying.
frontin' like you death defied.
need to [A#] stop lying, speak your piece.
[G] only once you're spoken to first.
now let me hear your verse.
while I'm [A#] smoking you whooped on refined rhymes like an editor.
[C] sold them to my collections of skulls and spines.
like [A#] Predator, fuck around.
only [F#m] niggas who can [G] hear the same sound.
was Chet Jaguar and [Gm] James Brown.
yeah, yeah, only them [D#] two.
and I'm glad I took the [C] time to write their names down.
just to pick [F#m] them up.
[F] I like to say hi.
it's I [D] Fly the Odd Merlin.
that's quick to [A] whip up a [F#] script like Rob [C] Sterling.
who I own bad bits who [F#m] used to whip the Sterling.
who Seaguar's Pope, I never see Gar [F] Erling.
or man Grim had his little [F#m] monkey like Space Ghost.
me, myself, I got flavors that I'll [F] taste most.
with num gums, some [F#m] rhymes is late toast.
back to you, MF Doom, you late show [A#] host.
I'm like, walk through, ooh.
S to the U to the [G] P-E-R-A.
who chronicle these times in a 3D [D#] horror.
I'm like, look, Bruno [Dm] Costara.
[G] in a real drama who break bread.
with Stingy Kinman, Indian [D#] borrower.
lone gunman who [C] candidly flip fly flows.
single handedly with one eye [Gm] closed.
in a fly pose.
[C] no search, a lay-ay, may.
see me stack a quarter mil cash pay.
that's that in a smash, wait, [F#m] man, how we did it.
motherfuckers probably couldn't keep it past a [F] minute.
if the woozy's [B] clips.
the [F#m] quicksit, the flow, the flow.
that's how we [F] do it, though.
[G] [F#m] yeah, yo, I'd like to give a special shout-out.
to my Emma's L [C] Rockwell.
who depth of hell [F#m] flow mathematics.
all the stacks like mathematics.
[F] CW, spring level off,.
[F#m] cuss level off.
I'm in at the sword [C] shotgun run.
I [F#m] hope I don't go up in face.
they don't know who that yo.
[A#] I'm not [F#m] [G] .
V.
S.
shout-out code, [A#] I'm not Quill the [A] magician.
[C] .
yeah, yeah.
cause you now.
[A#] yeah, here we go [G] yeah, yeah.
yeah, [Gm] here we go.
[B] come [C] on, let's go.
all over the city strong.
[N] yeah, here we go let's go.
yeah, here we go let's go.
yeah, here we go let's go let's go.
I want the flow.
I want the flow.
[C] metal [G] [D] .
[A] [F] face tube.
[Bm] your concurrence in the above
Enough [F#m] is enough.
Let's go.
[F] Yeah, here we go.
[F#m] Let's go.
Yeah, [F] yeah, yeah, yeah, ho.
Here we go.
[F#m] .
Go with the flow.
Yo, [F] I'd like to check this microphone.
before I [D#] start right [E] quick.
Microphone check, 2-2-1-2-1-2.
[F] Big up all them [Bm] Monster Island masters.
[F#m] and beware before I triple dare you.
like the [C] last kid who asked me.
what we don't [F#m] got that you got son.
but one flow that's elementary, my [C] dear Watson.
Secondly, [F#] ever since I was [F#m] little.
not so much to riddle.
least rhyme to [C] the syllable.
Keep tracks and make [D] an A-rap D-clap.
with no hands, I stop these drums, I'm truly [C] yours.
G-rap, actual fact, [D] relax.
In this land of lyrical [F#m] lost black.
I'm not the [C] cool sleep stack.
the one who might stop and [F#m] talk to you.
Fortune to few, niggas who be buying styles.
I'm like, [A#] walk through, ooh.
What you got to [F#m] lose, let [C] money fly.
When I got blues, I true Ho Cruise, [A#] that's butt dry.
So I ask why, [Bm] the stars from [C] the set.
should be fucking with my eye.
as [D] I pull it to the [F] chest, a super motherfucking villain.
grip the [F#m] mic with an iron hand.
throwing them scenes to the fire from out the [C] frying pan.
It ain't no use in trying, [F#m] man, son, stop crying.
frontin' like you death defied.
need to [A#] stop lying, speak your piece.
[G] only once you're spoken to first.
now let me hear your verse.
while I'm [A#] smoking you whooped on refined rhymes like an editor.
[C] sold them to my collections of skulls and spines.
like [A#] Predator, fuck around.
only [F#m] niggas who can [G] hear the same sound.
was Chet Jaguar and [Gm] James Brown.
yeah, yeah, only them [D#] two.
and I'm glad I took the [C] time to write their names down.
just to pick [F#m] them up.
[F] I like to say hi.
it's I [D] Fly the Odd Merlin.
that's quick to [A] whip up a [F#] script like Rob [C] Sterling.
who I own bad bits who [F#m] used to whip the Sterling.
who Seaguar's Pope, I never see Gar [F] Erling.
or man Grim had his little [F#m] monkey like Space Ghost.
me, myself, I got flavors that I'll [F] taste most.
with num gums, some [F#m] rhymes is late toast.
back to you, MF Doom, you late show [A#] host.
I'm like, walk through, ooh.
S to the U to the [G] P-E-R-A.
who chronicle these times in a 3D [D#] horror.
I'm like, look, Bruno [Dm] Costara.
[G] in a real drama who break bread.
with Stingy Kinman, Indian [D#] borrower.
lone gunman who [C] candidly flip fly flows.
single handedly with one eye [Gm] closed.
in a fly pose.
[C] no search, a lay-ay, may.
see me stack a quarter mil cash pay.
that's that in a smash, wait, [F#m] man, how we did it.
motherfuckers probably couldn't keep it past a [F] minute.
if the woozy's [B] clips.
the [F#m] quicksit, the flow, the flow.
that's how we [F] do it, though.
[G] [F#m] yeah, yo, I'd like to give a special shout-out.
to my Emma's L [C] Rockwell.
who depth of hell [F#m] flow mathematics.
all the stacks like mathematics.
[F] CW, spring level off,.
[F#m] cuss level off.
I'm in at the sword [C] shotgun run.
I [F#m] hope I don't go up in face.
they don't know who that yo.
[A#] I'm not [F#m] [G] .
V.
S.
shout-out code, [A#] I'm not Quill the [A] magician.
[C] .
yeah, yeah.
cause you now.
[A#] yeah, here we go [G] yeah, yeah.
yeah, [Gm] here we go.
[B] come [C] on, let's go.
all over the city strong.
[N] yeah, here we go let's go.
yeah, here we go let's go.
yeah, here we go let's go let's go.
I want the flow.
I want the flow.
[C] metal [G] [D] .
[A] [F] face tube.
[Bm] your concurrence in the above