Chords for "Jehovah Jireh" by Zak Williams & 1/Akord
Tempo:
91.75 bpm
Chords used:
G
C
C#
F#
D
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[G] Let's take it back old school.
Gee, [C] let's go.
Gee, ho, ha, gyro, micro, violent.
I tell you, that's what he is.
Come on.
That's what he is.
Do me.
Gee.
Gee, ho, ha, gyro, micro, violent.
Salute to my brother, Jermaine Walker.
Help me come up with this.
That's what he is.
Do me.
[G] [C] Gee, ho, ha, [Gm]
[C] gyro, micro, violent.
Duane Moore is on the bass.
That's what he is.
Do me.
[C#] Gee.
Gee, ho, ha, gyro, micro, violent.
Salute to Professor Kevin Springle.
That's what he is.
Do me.
Building history, y'all.
Come on.
Gee, ho, ha, gyro, [C#m] micro, [C#] violent.
That's what he is.
That's what he is.
Do me.
[D] Take it up.
Gee.
Gee, ho, ha, [G] gyro, [D] micro, violent.
Feys, that's what he is.
That's what he is.
Do me.
Gees.
Gee, ho, ha, [A#] gyro, [Dm] micro, violent. That's it.
[Em] [D] Now, y'all grooving out there.
That's what he is.
Come on.
That's what he [Dm] is.
Do me.
[Gm] Gee ho, [D#] ha, gee, ho, ha, [D#m] gyro, [D#] micro, [A#] violent.
[D#] That's what he is.
That's what he is.
Do me.
Gee, ho, ha.
[F#]
[D#] Come [A#m] [D#] on, that's what he is.
That's what he is to [B] me.
[E]
Shout out to my brother Aaron Trace, another Philly legend.
G!
[Em]
[C#] Come [E] on, that's what he is to me.
That's what he is to me.
Hang [F] it up, G!
He's home, I've [F#]
got [F] my provider.
That's what he is, come on.
That's what he is to [C] me.
G!
[F] He's home, I've [Fm] got my provider.
[D#] [F] That's what he is.
That's what he is to me.
[C#] G, holler!
[F#] He's home, [B] I've [G#] [C#] [F#] [C#] got my provider.
Now, does that one [F#] end?
That's what he [C#] is to [F#] me. [C#m] G, [F#] holler!
He's home, [D#m] I've [G#] got [C#] my [F#] provider.
[A#m] Come on say, that's what [B] it is to [D#m] me.
That's what he [C#] is to me.
[F#] [G] G, holler!
He's home, [C] I've [A] [D] [E] got my [B] provider.
[G] That's what he is to me.
That's what he [D] is [G] to me.
Put your hands together.
He's home, [C] I've [A] got [D] [Em] [B] my provider.
I said [G] that's what [C] he is to me.
That's what he [D] is.
[G] That's what he is to me.
[C] That's what [G] he is to me.
Come on, that's what it is to me.
Come on, that's what it [Gm] is to me.
[Em] That's what it is to me.
[C] Say it.
[D] [G]
Gee, [C] let's go.
Gee, ho, ha, gyro, micro, violent.
I tell you, that's what he is.
Come on.
That's what he is.
Do me.
Gee.
Gee, ho, ha, gyro, micro, violent.
Salute to my brother, Jermaine Walker.
Help me come up with this.
That's what he is.
Do me.
[G] [C] Gee, ho, ha, [Gm]
[C] gyro, micro, violent.
Duane Moore is on the bass.
That's what he is.
Do me.
[C#] Gee.
Gee, ho, ha, gyro, micro, violent.
Salute to Professor Kevin Springle.
That's what he is.
Do me.
Building history, y'all.
Come on.
Gee, ho, ha, gyro, [C#m] micro, [C#] violent.
That's what he is.
That's what he is.
Do me.
[D] Take it up.
Gee.
Gee, ho, ha, [G] gyro, [D] micro, violent.
Feys, that's what he is.
That's what he is.
Do me.
Gees.
Gee, ho, ha, [A#] gyro, [Dm] micro, violent. That's it.
[Em] [D] Now, y'all grooving out there.
That's what he is.
Come on.
That's what he [Dm] is.
Do me.
[Gm] Gee ho, [D#] ha, gee, ho, ha, [D#m] gyro, [D#] micro, [A#] violent.
[D#] That's what he is.
That's what he is.
Do me.
Gee, ho, ha.
[F#]
[D#] Come [A#m] [D#] on, that's what he is.
That's what he is to [B] me.
[E]
Shout out to my brother Aaron Trace, another Philly legend.
G!
[Em]
[C#] Come [E] on, that's what he is to me.
That's what he is to me.
Hang [F] it up, G!
He's home, I've [F#]
got [F] my provider.
That's what he is, come on.
That's what he is to [C] me.
G!
[F] He's home, I've [Fm] got my provider.
[D#] [F] That's what he is.
That's what he is to me.
[C#] G, holler!
[F#] He's home, [B] I've [G#] [C#] [F#] [C#] got my provider.
Now, does that one [F#] end?
That's what he [C#] is to [F#] me. [C#m] G, [F#] holler!
He's home, [D#m] I've [G#] got [C#] my [F#] provider.
[A#m] Come on say, that's what [B] it is to [D#m] me.
That's what he [C#] is to me.
[F#] [G] G, holler!
He's home, [C] I've [A] [D] [E] got my [B] provider.
[G] That's what he is to me.
That's what he [D] is [G] to me.
Put your hands together.
He's home, [C] I've [A] got [D] [Em] [B] my provider.
I said [G] that's what [C] he is to me.
That's what he [D] is.
[G] That's what he is to me.
[C] That's what [G] he is to me.
Come on, that's what it is to me.
Come on, that's what it [Gm] is to me.
[Em] That's what it is to me.
[C] Say it.
[D] [G]
Key:ย ย
G
C
C#
F#
D
G
C
C#
_ _ _ _ _ _ _ _
_ _ _ [G] _ _ Let's take it back old school.
Gee, [C] let's go.
Gee, ho, ha, gyro, micro, violent.
I tell you, that's what he is.
Come on.
That's what he is.
Do me.
Gee.
Gee, ho, ha, gyro, micro, violent.
Salute to my brother, _ _ Jermaine Walker.
Help me come up with this.
That's what he is.
Do me.
[G] [C] Gee, ho, ha, [Gm] _
[C] gyro, micro, violent.
_ Duane Moore is on the bass.
That's what he is.
Do me.
[C#] Gee.
Gee, ho, ha, gyro, micro, violent.
Salute to Professor Kevin Springle.
That's what he is.
Do me.
Building history, y'all.
Come on.
Gee, ho, ha, gyro, [C#m] micro, [C#] violent.
_ That's what he is.
That's what he is.
Do me.
[D] Take it up.
Gee.
Gee, ho, ha, [G] gyro, [D] micro, violent.
Feys, that's what he is.
That's what he is.
Do me.
Gees.
Gee, ho, ha, [A#] gyro, [Dm] micro, violent. That's it.
[Em] [D] Now, y'all grooving out there.
That's what he is.
Come on.
That's what he [Dm] is.
Do me.
[Gm] Gee ho, [D#] ha, gee, ho, ha, [D#m] gyro, [D#] micro, [A#] violent.
[D#] That's what he is.
That's what he is.
Do me.
Gee, ho, ha.
_ _ [F#] _
[D#] Come _ [A#m] _ [D#] on, that's what he is.
That's what he is to [B] me.
[E] _ _ _ _
Shout out to my brother Aaron Trace, another Philly legend.
_ _ G!
_ [Em] _ _
_ [C#] Come _ [E] on, that's what he is to me.
That's what he is to me.
Hang [F] it up, G!
He's home, I've [F#]
got [F] my provider.
_ That's what he is, come on.
That's what he is to [C] me.
G!
[F] He's home, I've [Fm] got my provider.
[D#] _ [F] That's what he is.
That's what he is to me.
[C#] G, holler!
[F#] He's home, [B] I've [G#] _ [C#] _ _ [F#] _ [C#] got my provider.
Now, does that one [F#] end?
That's what he [C#] is to [F#] me. [C#m] G, [F#] holler!
He's home, [D#m] I've [G#] got [C#] my [F#] provider.
[A#m] Come on say, that's what [B] it is to [D#m] me.
That's what he [C#] is to me.
[F#] [G] G, holler!
He's home, [C] I've [A] _ [D] [E] got my [B] provider.
_ [G] That's what he is to me.
That's what he [D] is [G] to me.
Put your hands together.
He's home, [C] I've [A] got [D] _ [Em] _ [B] _ my provider.
I said [G] that's what [C] he is to me.
That's what he [D] is.
[G] That's what he is to me.
[C] That's what [G] he is to me.
Come on, that's what it is to me.
_ Come on, that's what it [Gm] is to me.
_ _ _ _ [Em] That's what it is to me.
[C] Say it.
_ [D] _ [G] _ _ _ _ _ _ _ _ _ _ _ _ _
_ _ _ [G] _ _ Let's take it back old school.
Gee, [C] let's go.
Gee, ho, ha, gyro, micro, violent.
I tell you, that's what he is.
Come on.
That's what he is.
Do me.
Gee.
Gee, ho, ha, gyro, micro, violent.
Salute to my brother, _ _ Jermaine Walker.
Help me come up with this.
That's what he is.
Do me.
[G] [C] Gee, ho, ha, [Gm] _
[C] gyro, micro, violent.
_ Duane Moore is on the bass.
That's what he is.
Do me.
[C#] Gee.
Gee, ho, ha, gyro, micro, violent.
Salute to Professor Kevin Springle.
That's what he is.
Do me.
Building history, y'all.
Come on.
Gee, ho, ha, gyro, [C#m] micro, [C#] violent.
_ That's what he is.
That's what he is.
Do me.
[D] Take it up.
Gee.
Gee, ho, ha, [G] gyro, [D] micro, violent.
Feys, that's what he is.
That's what he is.
Do me.
Gees.
Gee, ho, ha, [A#] gyro, [Dm] micro, violent. That's it.
[Em] [D] Now, y'all grooving out there.
That's what he is.
Come on.
That's what he [Dm] is.
Do me.
[Gm] Gee ho, [D#] ha, gee, ho, ha, [D#m] gyro, [D#] micro, [A#] violent.
[D#] That's what he is.
That's what he is.
Do me.
Gee, ho, ha.
_ _ [F#] _
[D#] Come _ [A#m] _ [D#] on, that's what he is.
That's what he is to [B] me.
[E] _ _ _ _
Shout out to my brother Aaron Trace, another Philly legend.
_ _ G!
_ [Em] _ _
_ [C#] Come _ [E] on, that's what he is to me.
That's what he is to me.
Hang [F] it up, G!
He's home, I've [F#]
got [F] my provider.
_ That's what he is, come on.
That's what he is to [C] me.
G!
[F] He's home, I've [Fm] got my provider.
[D#] _ [F] That's what he is.
That's what he is to me.
[C#] G, holler!
[F#] He's home, [B] I've [G#] _ [C#] _ _ [F#] _ [C#] got my provider.
Now, does that one [F#] end?
That's what he [C#] is to [F#] me. [C#m] G, [F#] holler!
He's home, [D#m] I've [G#] got [C#] my [F#] provider.
[A#m] Come on say, that's what [B] it is to [D#m] me.
That's what he [C#] is to me.
[F#] [G] G, holler!
He's home, [C] I've [A] _ [D] [E] got my [B] provider.
_ [G] That's what he is to me.
That's what he [D] is [G] to me.
Put your hands together.
He's home, [C] I've [A] got [D] _ [Em] _ [B] _ my provider.
I said [G] that's what [C] he is to me.
That's what he [D] is.
[G] That's what he is to me.
[C] That's what [G] he is to me.
Come on, that's what it is to me.
_ Come on, that's what it [Gm] is to me.
_ _ _ _ [Em] That's what it is to me.
[C] Say it.
_ [D] _ [G] _ _ _ _ _ _ _ _ _ _ _ _ _