Chords for 03 Bruce Molsky 2011-08-06 Cumberland Gap

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_ _ I'm outstanding in my field, huh?
_ _ _ _ [G] Outstanding in my [E] field.
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_ [B] Here's a little bit of Cumberland [E] Gap. _ _ _
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_ _ [E] _ _ _ _ That's Cumberland Gap.
I see my daddy and my grandpa.
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[E] _ Blue tooth country _ _ [F#m]
farm, race [E] sweet potatoes.
This is my _ _ _
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_ _ _ _ man, Kato.
[F#] That's Sal O [E]'Hasher.
Got a friend, _ _ _ _ a little gal, O'Hasher.
Got a friend in Cumberland Gap.
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_ _ _ _ _ If you [C#m] don't care, leave my dim and [E] nuts in right here.
When _ [F#] I get back, I'll race land in the Cumberland Gap.
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_ _ Take a [A] little nap, wake [E] up sober in the Cumberland Gap.
_ _ Cumberland Gap, wake up sober in the Cumberland Gap. _
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_ _ _ [D] _ _ [F#m] If I was a lyricist, I would [A] have thought of some pick-a-thon verse. _
But I'm not trying to speak of my own experience or anything [C] like that, you know.
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That was a blast. _ _ _ _ _
Oh, man.
And that's the [A] biggest squared [Em]-ance I've ever played.
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[F#m] Unbelievable.
[F] Really great.
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_ _ _ _ _ _ [Gm] Oh, easy.
_ [G] _ It's kind [F#] of hard to count because they won't stay [C] still, you know. _ _ _ _ _ _ _
_ [Dm] Honestly, I don't know what any of these people [G] do.
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_ _ I don't know. _ _ _
_ I don't know.
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_ _ _ _ _ _ [A] I don't know.
I don't know. _ _ _ _ _
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_ _ _ [G] _ _ Uh, _
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yeah.
Yeah. _ _ _ _
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_ _ _ _ Well, New York's always kind of been a bastion of folk music.
And in the 60s and 70s, _ it was kind of _ part of the center of the folk revival.
And we had a lot of southern [F#] artists that were coming [A] through, you know,
on their way to Newport Folk Festival [Am] and _ wherever.
[C] We had, _ _ you know, I got to go to [G#] the downtown [A] McBurney YMCA in Manhattan
and see Bill Monroe and the Bluegrass Boys [F] and, you know, Curly Ray Kline.
_ And [D] mostly I liked [C] bluegrass there in the beginning.
I mean, [D] I don't know what happened, [Cm] but I still like [D] it.
Don't get me wrong.
But anyway, there was a lot of that kind of music, a lot of blues too.
_ And _ _ Doc _ Watson was a hero, you know.
_ [N] These are all, you heard them on, [D] talking about radio while we were on that subject.
You know, I've always been kind of a radio freak,
especially community-based, listener-supported radio
because _ that's where you kind of hear the truth, _ you know, the truth as [E] it exists at home. _ _ _
And we had _ WBAI in New York, _ which _ still [G] exists as [D] a community-based station.
It's owned by Pacifica now, but back in those days it was not owned by anybody.
_ And people could play what they wanted to play and do what they wanted to do,
and it was pretty great.
So I got a lot of my music from there. _ _ _ _ _ _
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_ That's fantastic.
_ Fantastic.
_ _ I'm a city guy, and I've always managed to get around places,
live in places with radio stations such as KBOO, you know.
In D.C. we have _ _ [B] WPFW, which is a similar kind of place.
And when I lived in [F] Atlanta, they had WRFG, Radio Free Georgia. _ _ _
And, _ _ _ you know, _ it's [E] thank you for what you all do.
It's great. _
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