Chords for 10 Times Musicians Walked Out of Interviews
Tempo:
84.85 bpm
Chords used:
G
C
F
A
Gm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[G] [A] [E]
[G] Isn't this the most [A] interesting thing about [Bb] your position in life?
That you get people you don't even know coming [Em] up to you asking you to say,
[Dm] Whenever I'm in town I [G] always listen to such and such radio [Dm] station,
Or I always watch such and such TV show, and you've [C] never in fact seen it before in your life.
No.
[Gm] Does that bug you?
[C] Alright.
[Em] Later.
Yeah, I would not be doing this out of choice.
I just don't want to disappoint you guys at all.
I mean, really, I need to sleep.
[N] Okay.
Listen, do you want to do an interview about the show or what we're doing?
Because this is really wasting time.
I'm sorry to be difficult, but we're all trying to do as much as we can here.
You sure you want to do this?
Let me just say, to be honest, your manager also told me this, but I'm very much up front.
Listen, we have like three minutes left.
If you want to do an interview, do an interview.
But I don't want to be [G] watching bits of tape.
It's ridiculous.
Look, I'm sorry.
It doesn't work.
I'm sorry, guys.
I'll tell you that.
Come on.
I'll see you.
Sorry.
I don't have to explain myself to anybody and I ain't going to really bother.
Now, I was asked here, right, to interview with the band here, Pill,
But now, like, we're facing a cheapskate comedy interrogation act, and it just ain't on, pal.
It's a joke.
It's farce.
You mean you don't want to give any messages to the
I don't have to explain myself.
Sooner or later, somebody will open their eyes.
Oh, sorry.
Rude word.
Well, it sounds like we've heard this story before.
Really?
Would you like to tell me where?
Good night.
Good night.
Want to continue?
Well, I'll talk to you entirely.
If you all follow the leader.
Why don't you try answering an intelligent question?
Try and think of one.
Tell you what.
Have you ever asked one in your life?
Let's forget about it all.
Yeah, I think you should.
No, no, no, no, that is total cop out.
Now, one more thing.
You write a lot, and [A] [F] we know that you're a [Ab] publicist as well.
[G] How will your diary of [A] today look like?
[F] Uh, we came and played our guts out, [A] and then I had to do this interview,
[F] When I should have been able to [C] be left alone [E] so I could breathe [G] hard.
[Dbm] I'm sorry for that.
That's [F] okay.
Okay.
[Am] [E] We'll see you later on, then.
Okay.
[N]
So, do you know what's the meaning of your music and all that stuff?
Um, each song means something different, [Ab] and we have no really huge meaning
or self-defining sort of thing.
We're just kind of living our life and doing that kind of thing.
[F]
I think we just lost one of our interviews.
Yeah, there it goes.
I'm down with OPP, you know.
[Bb] Me.
Yeah, you [C] know, you're down with it, number three.
Is it a band [Fm] called that?
[Bb] Well, you know, Naughty [Dm]
by Nature.
Naughty by Nature.
Number [C] three is rocking now.
What do you want, man?
Naughty by Nature.
[Gm] There is a tribute band.
[C] Where's number three going?
He's leaving.
No, he can't leave right now.
Number three.
Number three.
[Fm] Number [C] three has definitely [G] left the building.
What kind of stuff do you do for fun?
Do you do anything weird?
Uh, I wake up, go to breakfast, go to a gym.
I'm blind.
I swear, I do it every morning.
I'm not going to tell you any of the negative shit I do.
Are you crazy?
No, I don't mean negative.
[Db] If I mean you dress like a monkey and swing from stuff
God, no.
What are you talking about?
Why would he dress like a monkey and swing from
[G]
Idiot.
Oh, man.
[Bm] Get the fuck out of my bus.
I'm sorry.
They just kind of sprang in.
Get the fuck [Db] off my bus.
I'm telling you, [B] I'm not an idiot.
Idiot.
[N] Now he can't He's
You [B] don't understand, Prince.
I have [G] wanted to make love to you for my whole [Eb] life.
I'm [Am] sorry.
[N]
He's scared of her.
Do you feel, oh, I don't need those other two, I can knock out something like that?
There was a lot of ego problems at the time, and I can't even remember why.
We had one at [Abm] the same time called Don't Forget to Remember, [D] which was interesting.
I've forgotten that one.
I'm sorry.
[Gm] Yeah, of course.
We're getting on like a storm, aren't we, Clive? Yes.
[F] [G] In fact, I might just leave.
[Gm] Oh, I've never had anyone walk out before, [G] but
Well, you're a bit of a toss-up, pal.
[N] So, good night, everybody.
This is a set-up.
Oh, well, I guess I'd better join in.
Well, you can stay and just
Well, I'd love to, but I don't do impressions.
I went to Trigger Dare with Kurt, and we were leaving, and he goes,
That's you!
When we were first going out.
Really?
Yeah, I think it was the line where Warren says,
Well, what doesn't belong on camera?
Right?
Okay, Madonna's running off.
She's going to be going.
Thank you very much.
No, I interrupted you.
No, no, no, I feel so
It's a pig.
No, no, go ahead.
I'm going to leave you two.
I ruined my Mac comp, and
Well, it's all ended well. I
[Eb] [F]
[G] Isn't this the most [A] interesting thing about [Bb] your position in life?
That you get people you don't even know coming [Em] up to you asking you to say,
[Dm] Whenever I'm in town I [G] always listen to such and such radio [Dm] station,
Or I always watch such and such TV show, and you've [C] never in fact seen it before in your life.
No.
[Gm] Does that bug you?
[C] Alright.
[Em] Later.
Yeah, I would not be doing this out of choice.
I just don't want to disappoint you guys at all.
I mean, really, I need to sleep.
[N] Okay.
Listen, do you want to do an interview about the show or what we're doing?
Because this is really wasting time.
I'm sorry to be difficult, but we're all trying to do as much as we can here.
You sure you want to do this?
Let me just say, to be honest, your manager also told me this, but I'm very much up front.
Listen, we have like three minutes left.
If you want to do an interview, do an interview.
But I don't want to be [G] watching bits of tape.
It's ridiculous.
Look, I'm sorry.
It doesn't work.
I'm sorry, guys.
I'll tell you that.
Come on.
I'll see you.
Sorry.
I don't have to explain myself to anybody and I ain't going to really bother.
Now, I was asked here, right, to interview with the band here, Pill,
But now, like, we're facing a cheapskate comedy interrogation act, and it just ain't on, pal.
It's a joke.
It's farce.
You mean you don't want to give any messages to the
I don't have to explain myself.
Sooner or later, somebody will open their eyes.
Oh, sorry.
Rude word.
Well, it sounds like we've heard this story before.
Really?
Would you like to tell me where?
Good night.
Good night.
Want to continue?
Well, I'll talk to you entirely.
If you all follow the leader.
Why don't you try answering an intelligent question?
Try and think of one.
Tell you what.
Have you ever asked one in your life?
Let's forget about it all.
Yeah, I think you should.
No, no, no, no, that is total cop out.
Now, one more thing.
You write a lot, and [A] [F] we know that you're a [Ab] publicist as well.
[G] How will your diary of [A] today look like?
[F] Uh, we came and played our guts out, [A] and then I had to do this interview,
[F] When I should have been able to [C] be left alone [E] so I could breathe [G] hard.
[Dbm] I'm sorry for that.
That's [F] okay.
Okay.
[Am] [E] We'll see you later on, then.
Okay.
[N]
So, do you know what's the meaning of your music and all that stuff?
Um, each song means something different, [Ab] and we have no really huge meaning
or self-defining sort of thing.
We're just kind of living our life and doing that kind of thing.
[F]
I think we just lost one of our interviews.
Yeah, there it goes.
I'm down with OPP, you know.
[Bb] Me.
Yeah, you [C] know, you're down with it, number three.
Is it a band [Fm] called that?
[Bb] Well, you know, Naughty [Dm]
by Nature.
Naughty by Nature.
Number [C] three is rocking now.
What do you want, man?
Naughty by Nature.
[Gm] There is a tribute band.
[C] Where's number three going?
He's leaving.
No, he can't leave right now.
Number three.
Number three.
[Fm] Number [C] three has definitely [G] left the building.
What kind of stuff do you do for fun?
Do you do anything weird?
Uh, I wake up, go to breakfast, go to a gym.
I'm blind.
I swear, I do it every morning.
I'm not going to tell you any of the negative shit I do.
Are you crazy?
No, I don't mean negative.
[Db] If I mean you dress like a monkey and swing from stuff
God, no.
What are you talking about?
Why would he dress like a monkey and swing from
[G]
Idiot.
Oh, man.
[Bm] Get the fuck out of my bus.
I'm sorry.
They just kind of sprang in.
Get the fuck [Db] off my bus.
I'm telling you, [B] I'm not an idiot.
Idiot.
[N] Now he can't He's
You [B] don't understand, Prince.
I have [G] wanted to make love to you for my whole [Eb] life.
I'm [Am] sorry.
[N]
He's scared of her.
Do you feel, oh, I don't need those other two, I can knock out something like that?
There was a lot of ego problems at the time, and I can't even remember why.
We had one at [Abm] the same time called Don't Forget to Remember, [D] which was interesting.
I've forgotten that one.
I'm sorry.
[Gm] Yeah, of course.
We're getting on like a storm, aren't we, Clive? Yes.
[F] [G] In fact, I might just leave.
[Gm] Oh, I've never had anyone walk out before, [G] but
Well, you're a bit of a toss-up, pal.
[N] So, good night, everybody.
This is a set-up.
Oh, well, I guess I'd better join in.
Well, you can stay and just
Well, I'd love to, but I don't do impressions.
I went to Trigger Dare with Kurt, and we were leaving, and he goes,
That's you!
When we were first going out.
Really?
Yeah, I think it was the line where Warren says,
Well, what doesn't belong on camera?
Right?
Okay, Madonna's running off.
She's going to be going.
Thank you very much.
No, I interrupted you.
No, no, no, I feel so
It's a pig.
No, no, go ahead.
I'm going to leave you two.
I ruined my Mac comp, and
Well, it's all ended well. I
[Eb] [F]
Key:
G
C
F
A
Gm
G
C
F
[G] _ _ _ [A] _ [E] _ _ _ _
[G] Isn't this the most _ [A] interesting thing about [Bb] your position in life?
That you get people you don't even know coming [Em] up to you asking you to say,
[Dm] Whenever I'm in town I [G] always listen to such and such radio [Dm] station,
Or I always watch such and such TV show, and you've [C] never in fact seen it before in your life.
No.
[Gm] Does that bug you?
[C] Alright.
[Em] Later.
Yeah, I would not be doing this out of choice.
I just don't want to disappoint you guys at all.
I mean, really, I need to sleep.
_ [N] _ Okay.
Listen, do you want to do an interview about the show or what we're doing?
Because this is really wasting time.
I'm sorry to be difficult, but we're all trying to do as much as we can here.
You sure you want to do this?
Let me just say, to be honest, your manager also told me this, but I'm very much up front.
Listen, we have like three minutes left.
If you want to do an interview, do an interview.
But I don't want to be [G] watching bits of tape.
It's ridiculous.
Look, I'm sorry.
It doesn't work.
I'm sorry, guys.
I'll tell you that.
Come on.
I'll see you.
Sorry.
_ _ I don't have to explain myself to anybody and I ain't going to really bother.
Now, I was asked here, right, to interview with the band here, Pill,
But now, like, we're facing a cheapskate comedy interrogation act, and it just ain't on, pal.
It's a joke.
It's farce.
You mean you don't want to give any messages to the_
I don't have to explain myself.
Sooner or later, somebody will open their eyes.
Oh, sorry.
Rude word.
_ _ _ Well, it sounds like we've heard this story before.
Really?
Would you like to tell me where?
Good night.
Good night.
Want to continue?
Well, I'll talk to you entirely.
If you all follow the leader.
Why don't you try answering an intelligent question?
Try and think of one.
Tell you what.
Have you ever asked one in your life?
Let's forget about it all.
Yeah, I think you should.
No, no, no, no, that is total cop out. _
_ _ _ _ _ _ _ _
_ Now, one more thing.
You write a lot, and [A] [F] we know that you're a [Ab] publicist as well.
[G] How will your diary of [A] today look like?
[F] Uh, we came and played our guts out, [A] and then I had to do this interview,
[F] When I should have been able to [C] be left alone [E] so I could breathe [G] hard.
[Dbm] I'm sorry for that.
That's [F] okay.
Okay.
[Am] [E] We'll see you later on, then.
Okay.
[N] _
So, do you know what's the meaning of your music and all that stuff?
Um, each song means something different, [Ab] and we have no really huge meaning
or self-defining sort of thing.
We're just kind of living our life and doing that kind of thing.
[F]
I think we just lost one of our interviews.
Yeah, there it goes.
I'm down with OPP, you know.
[Bb] Me.
Yeah, you [C] know, you're down with it, number three.
Is it a band [Fm] called that?
[Bb] Well, you know, Naughty [Dm]
by_ Nature.
Naughty by Nature.
Number [C] three is rocking now.
What do you want, man?
Naughty by Nature.
[Gm] There is a tribute band.
[C] Where's number three going?
He's leaving.
No, he can't leave right now.
Number three.
Number three.
[Fm] Number [C] three has definitely [G] left the building.
What kind of stuff do you do for fun?
Do you do anything weird?
Uh, I wake up, go to breakfast, go to a gym.
I'm blind.
I swear, I do it every morning.
I'm not going to tell you any of the negative shit I do.
Are you crazy?
No, I don't mean negative.
[Db] If I mean you dress like a monkey and swing from stuff_
God, no.
What are you talking about?
Why would he dress like a monkey and swing from_
_ [G] _
_ _ Idiot.
Oh, man.
[Bm] Get the fuck out of my bus.
I'm sorry.
They just kind of sprang in.
Get the fuck [Db] off my bus.
I'm telling you, [B] I'm not an idiot.
Idiot. _
_ [N] _ Now he can't_ He's_ _
_ _ You [B] don't understand, Prince.
I have [G] wanted to make love to you for my whole [Eb] life.
I'm [Am] sorry.
_ _ [N] _ _
He's scared of her. _ _ _ _ _
_ _ _ _ _ _ _ _
Do you feel, oh, I don't need those other two, I can knock out something like that?
There was a lot of ego problems at the time, and I can't even remember why.
We had one at [Abm] the same time called Don't Forget to Remember, [D] which was interesting.
I've forgotten that one.
I'm sorry.
_ [Gm] Yeah, of course.
We're getting on like a storm, aren't we, Clive? Yes.
[F] [G] In fact, I might just leave.
[Gm] Oh, I've never had anyone walk out before, [G] but_
Well, you're a bit of a toss-up, pal.
[N] So, good night, everybody.
_ This is a set-up.
Oh, well, I guess I'd better join in.
Well, you can stay and just_
Well, I'd love to, but I don't do impressions.
I went to Trigger Dare with Kurt, and we were leaving, and he goes,
That's you!
When we were first going out.
Really?
Yeah, I think it was the line where Warren says,
Well, what doesn't belong on camera?
Right?
Okay, Madonna's running off.
She's going to be going.
Thank you very much.
No, I interrupted you.
No, no, no, I feel so_
It's a pig.
No, no, go ahead.
I'm going to leave you two.
I ruined my Mac comp, and_
Well, it's all ended well. I_ _ _
_ _ [Eb] _ [F] _ _ _ _ _
_ _ _ _ _ _ _ _
[G] Isn't this the most _ [A] interesting thing about [Bb] your position in life?
That you get people you don't even know coming [Em] up to you asking you to say,
[Dm] Whenever I'm in town I [G] always listen to such and such radio [Dm] station,
Or I always watch such and such TV show, and you've [C] never in fact seen it before in your life.
No.
[Gm] Does that bug you?
[C] Alright.
[Em] Later.
Yeah, I would not be doing this out of choice.
I just don't want to disappoint you guys at all.
I mean, really, I need to sleep.
_ [N] _ Okay.
Listen, do you want to do an interview about the show or what we're doing?
Because this is really wasting time.
I'm sorry to be difficult, but we're all trying to do as much as we can here.
You sure you want to do this?
Let me just say, to be honest, your manager also told me this, but I'm very much up front.
Listen, we have like three minutes left.
If you want to do an interview, do an interview.
But I don't want to be [G] watching bits of tape.
It's ridiculous.
Look, I'm sorry.
It doesn't work.
I'm sorry, guys.
I'll tell you that.
Come on.
I'll see you.
Sorry.
_ _ I don't have to explain myself to anybody and I ain't going to really bother.
Now, I was asked here, right, to interview with the band here, Pill,
But now, like, we're facing a cheapskate comedy interrogation act, and it just ain't on, pal.
It's a joke.
It's farce.
You mean you don't want to give any messages to the_
I don't have to explain myself.
Sooner or later, somebody will open their eyes.
Oh, sorry.
Rude word.
_ _ _ Well, it sounds like we've heard this story before.
Really?
Would you like to tell me where?
Good night.
Good night.
Want to continue?
Well, I'll talk to you entirely.
If you all follow the leader.
Why don't you try answering an intelligent question?
Try and think of one.
Tell you what.
Have you ever asked one in your life?
Let's forget about it all.
Yeah, I think you should.
No, no, no, no, that is total cop out. _
_ _ _ _ _ _ _ _
_ Now, one more thing.
You write a lot, and [A] [F] we know that you're a [Ab] publicist as well.
[G] How will your diary of [A] today look like?
[F] Uh, we came and played our guts out, [A] and then I had to do this interview,
[F] When I should have been able to [C] be left alone [E] so I could breathe [G] hard.
[Dbm] I'm sorry for that.
That's [F] okay.
Okay.
[Am] [E] We'll see you later on, then.
Okay.
[N] _
So, do you know what's the meaning of your music and all that stuff?
Um, each song means something different, [Ab] and we have no really huge meaning
or self-defining sort of thing.
We're just kind of living our life and doing that kind of thing.
[F]
I think we just lost one of our interviews.
Yeah, there it goes.
I'm down with OPP, you know.
[Bb] Me.
Yeah, you [C] know, you're down with it, number three.
Is it a band [Fm] called that?
[Bb] Well, you know, Naughty [Dm]
by_ Nature.
Naughty by Nature.
Number [C] three is rocking now.
What do you want, man?
Naughty by Nature.
[Gm] There is a tribute band.
[C] Where's number three going?
He's leaving.
No, he can't leave right now.
Number three.
Number three.
[Fm] Number [C] three has definitely [G] left the building.
What kind of stuff do you do for fun?
Do you do anything weird?
Uh, I wake up, go to breakfast, go to a gym.
I'm blind.
I swear, I do it every morning.
I'm not going to tell you any of the negative shit I do.
Are you crazy?
No, I don't mean negative.
[Db] If I mean you dress like a monkey and swing from stuff_
God, no.
What are you talking about?
Why would he dress like a monkey and swing from_
_ [G] _
_ _ Idiot.
Oh, man.
[Bm] Get the fuck out of my bus.
I'm sorry.
They just kind of sprang in.
Get the fuck [Db] off my bus.
I'm telling you, [B] I'm not an idiot.
Idiot. _
_ [N] _ Now he can't_ He's_ _
_ _ You [B] don't understand, Prince.
I have [G] wanted to make love to you for my whole [Eb] life.
I'm [Am] sorry.
_ _ [N] _ _
He's scared of her. _ _ _ _ _
_ _ _ _ _ _ _ _
Do you feel, oh, I don't need those other two, I can knock out something like that?
There was a lot of ego problems at the time, and I can't even remember why.
We had one at [Abm] the same time called Don't Forget to Remember, [D] which was interesting.
I've forgotten that one.
I'm sorry.
_ [Gm] Yeah, of course.
We're getting on like a storm, aren't we, Clive? Yes.
[F] [G] In fact, I might just leave.
[Gm] Oh, I've never had anyone walk out before, [G] but_
Well, you're a bit of a toss-up, pal.
[N] So, good night, everybody.
_ This is a set-up.
Oh, well, I guess I'd better join in.
Well, you can stay and just_
Well, I'd love to, but I don't do impressions.
I went to Trigger Dare with Kurt, and we were leaving, and he goes,
That's you!
When we were first going out.
Really?
Yeah, I think it was the line where Warren says,
Well, what doesn't belong on camera?
Right?
Okay, Madonna's running off.
She's going to be going.
Thank you very much.
No, I interrupted you.
No, no, no, I feel so_
It's a pig.
No, no, go ahead.
I'm going to leave you two.
I ruined my Mac comp, and_
Well, it's all ended well. I_ _ _
_ _ [Eb] _ [F] _ _ _ _ _
_ _ _ _ _ _ _ _