Chords for Abraham Laboriel - Bass Masterclass 1
Tempo:
85.9 bpm
Chords used:
B
D
A
G
F#m
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Music is the universal language, but only after you know where one is.
Two, three, four.
And then there's a Colombian approach which takes this exact same rhythm and displaces it.
One, two, three, four.
[B]
One, two, three, [G#] four.
A lot of human beings feel music naturally on the click, behind the click, or ahead of the click.
So when you're playing with different musicians, also you have to have the ability to know
and to understand where are they placing things.
[D] Three, four.
[B] [A]
[D] [N] And so there's this Brazilian rhythm which goes
Ta-ka-ta-ta-ta-ka-ta-ta-ta-ta-ta-ta-ta [Dm]-ta-ta-ta-ta-ta-ta-ta-ta-ta -ta.
[D]
[G] [D] So tapping [G] for me is not the traditional tapping, but it's more of a snapping.
[A] [G] [E]
[A] [F#] I want to share some concept of rhythmic independence with you.
Pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa.
And you [C#] combine both, you go
[F#m]
[E] [B] [G] There is
[B] melody, [A#] [Bm] there is harmony, and there is [Gm] rhythm.
[A] For bass players, [F#m] the most [G#] important is [F#] all three of them.
[C] [F#m]
Two, three, four.
And then there's a Colombian approach which takes this exact same rhythm and displaces it.
One, two, three, four.
[B]
One, two, three, [G#] four.
A lot of human beings feel music naturally on the click, behind the click, or ahead of the click.
So when you're playing with different musicians, also you have to have the ability to know
and to understand where are they placing things.
[D] Three, four.
[B] [A]
[D] [N] And so there's this Brazilian rhythm which goes
Ta-ka-ta-ta-ta-ka-ta-ta-ta-ta-ta-ta-ta [Dm]-ta-ta-ta-ta-ta-ta-ta-ta-ta -ta.
[D]
[G] [D] So tapping [G] for me is not the traditional tapping, but it's more of a snapping.
[A] [G] [E]
[A] [F#] I want to share some concept of rhythmic independence with you.
Pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa.
And you [C#] combine both, you go
[F#m]
[E] [B] [G] There is
[B] melody, [A#] [Bm] there is harmony, and there is [Gm] rhythm.
[A] For bass players, [F#m] the most [G#] important is [F#] all three of them.
[C] [F#m]
Key:
B
D
A
G
F#m
B
D
A
_ _ _ Music is the universal language, but only after you know where one is.
Two, three, four. _
_ _ _ _ And then there's a Colombian approach which takes this exact same rhythm and displaces it.
One, two, three, four.
_ _ _ _ _ [B] _
One, two, three, [G#] four.
A lot of human beings feel music naturally on the click, behind the click, or ahead of the click.
So when you're playing with different musicians, also you have to have the ability to know
and to understand where are they placing things.
[D] Three, four. _ _
[B] _ _ _ _ _ _ _ [A] _
_ _ [D] _ [N] And so there's this Brazilian rhythm which _ _ goes_
Ta-ka-ta-ta-ta-ka-ta-ta-ta-ta-ta-ta-ta [Dm]-ta-ta-ta-ta-ta-ta-ta-ta-ta _ _ _ _ _ -ta.
[D] _ _ _ _ _
[G] _ _ _ _ [D] So tapping [G] for me _ _ is not the traditional tapping, but it's more of a snapping.
_ [A] _ _ [G] _ _ _ [E] _
_ _ [A] _ _ [F#] I want to share some concept of rhythmic independence with you.
Pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa.
And you [C#] combine both, you go_ _ _ _
[F#m] _ _ _ _ _ _ _ _
[E] _ _ [B] _ _ [G] _ There is _
[B] melody, [A#] _ [Bm] there is harmony, and there is [Gm] rhythm.
[A] For bass players, [F#m] the most [G#] important is [F#] all three of them.
[C] _ _ [F#m] _ _ _ _
Two, three, four. _
_ _ _ _ And then there's a Colombian approach which takes this exact same rhythm and displaces it.
One, two, three, four.
_ _ _ _ _ [B] _
One, two, three, [G#] four.
A lot of human beings feel music naturally on the click, behind the click, or ahead of the click.
So when you're playing with different musicians, also you have to have the ability to know
and to understand where are they placing things.
[D] Three, four. _ _
[B] _ _ _ _ _ _ _ [A] _
_ _ [D] _ [N] And so there's this Brazilian rhythm which _ _ goes_
Ta-ka-ta-ta-ta-ka-ta-ta-ta-ta-ta-ta-ta [Dm]-ta-ta-ta-ta-ta-ta-ta-ta-ta _ _ _ _ _ -ta.
[D] _ _ _ _ _
[G] _ _ _ _ [D] So tapping [G] for me _ _ is not the traditional tapping, but it's more of a snapping.
_ [A] _ _ [G] _ _ _ [E] _
_ _ [A] _ _ [F#] I want to share some concept of rhythmic independence with you.
Pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa-pa.
And you [C#] combine both, you go_ _ _ _
[F#m] _ _ _ _ _ _ _ _
[E] _ _ [B] _ _ [G] _ There is _
[B] melody, [A#] _ [Bm] there is harmony, and there is [Gm] rhythm.
[A] For bass players, [F#m] the most [G#] important is [F#] all three of them.
[C] _ _ [F#m] _ _ _ _