Chords for Acoustic Guitar Sessions Presents Dawn Landes
Tempo:
117.3 bpm
Chords used:
D
G
E
A
Em
Tuning:Standard Tuning (EADGBE)Capo:+0fret

Jam Along & Learn...
[G] Okay, so we're here with Dawn Landis who's out touring right now to support her new record Bluebird
And Dawn, thanks for coming by
was curious about how you got started playing the guitar and you know, you grew up in Kentucky.
got you first going on music?
singing songs and making up songs
remember I was singing in a band in high school
And I really wanted to learn how to play the guitar, but I didn't want to suck
I started secretly taking lessons and I didn't tell anyone that I was playing for about a [N] year
And Dawn, thanks for coming by
was curious about how you got started playing the guitar and you know, you grew up in Kentucky.
got you first going on music?
singing songs and making up songs
remember I was singing in a band in high school
And I really wanted to learn how to play the guitar, but I didn't want to suck
I started secretly taking lessons and I didn't tell anyone that I was playing for about a [N] year
100% ➙ 117BPM
D
G
E
A
Em
D
G
E
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [G] Okay, so we're here with Dawn Landis who's out touring right now to support her new record Bluebird _
And Dawn, thanks for coming by
_ I was curious about how you got started playing the guitar and you know, you grew up in Kentucky.
Is that right?
Mm-hmm.
And what was the what was the thing that kind of got you first going on music?
_ Hmm.
Oh, I was always singing songs and making up songs
I took [C] piano lessons as a kid and I remember I was singing in a band in high school _
And I really wanted to learn how to play the guitar, but I didn't want to suck
I didn't want all my guy friends and to know that I was terrible
So I started secretly taking lessons and I didn't tell anyone that I was playing for about a [N] year
And then suddenly I was like, oh, yeah, check this out _
_ _ _ But Danny Flanagan taught me guitar lessons in Louisville and he's a great songwriter from from Kentucky and
That was just really fun and I bought a guitar from an ex-boyfriend for a dollar
_ Yeah, cuz he wanted to give it to me
I need to pay for this here.
Here's a dollar but I paid for it
You play a Blue Ridge and and what what about those guitars appeals to you?
I love these guitars
I bought this
there's a guy Rick Kelly who has a shop Carmine guitars in New York and I've bought a few guitars from his his shop and
_ Blue Ridge is a very affordable guitar and it looks great and it stays in tune and it's I love the inlays
Yeah, I don't I really like these guitars anything.
They're really good
This song is called bluebird
_ [D] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [E] _ _ _ _
[G] _ _ _ [D] _ _ _ _ _
_ _ _ _ Don't know _
_ _ _ _ _ _ _ _
_ _ _ _ [E] _ _ _ _
Oh
_ [D] _ _ _ _ _
[G] _ _ _ _ _ _ _ _
_ _ _ [D] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [E] _ _ I shouldn't [E] go but it makes [D] me feel so good. _ _ _ _
_ Tali, _ _ _ _ _ cover me in a veil. _ _ _
You sing to [G] me, dee, dee, dee, [E] oh, I feel [D] so understood. _ _ _ _ _ _
[A] _ _ _ Falling so _ deep to a _ _ warm summer's [D] sleep.
_ _ _ _ [A] _ _
Calling _ _ around, _ _ _ losing _ _ track of _ time.
_ No [F] direction _
_ _ _ [Em] _ _ through _
[D] _ _ time. _ _ _
Oh, oh, oh, oh, oh, oh, oh, oh, _ _ _ _ _ _ oh, _ _ _ _ _ _ _ _ _ _
_ oh, _ oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, _
Stay [E] _ here, [G] know you're near.
I [Em] just want [D] to be with you. _ _ _ _
_ Don't know _ _ _ what _ to do. _ _ _
Your song is sweet, I forget my [G] feet while you let me dance with you.
[G] Oh, _ oh, _ _ _ oh, _ [E] _
[D] oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, _ [A] oh, oh, oh, oh, oh, oh, oh, oh, oh, _ _ _ _ _ _ _
oh,
On a warm _ [D] summer night, _ _ _ [A] fly _ _ back to me. _ _
I'll forget _ _ _ every _ _ _ need.
[F] Just a tangle _
_ _ [Em] _ _ _ in [D] the _ _ _ _ breeze.
But all of my _ _ memories. _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[E] And I [G] close my eyes, [B] and I feel you [D] looking, oh, [G] _ _ yeah.
_ _ _ _ _ _ [Bm] _ _
[D] _ _ _ _ _ _ _
You eventually, started doing [D] lots of studio work and you were a studio engineer for people
like filth class.
Yeah, yeah.
What, what got you into that _ part of the business?
I was really, well I mean everybody who writes songs wants to record them I think and so
I was experimenting with four tracks and everything in high school and then I, when I moved to
New York to go to college I wanted to do a demo and you know just having to rely on other
people and not knowing the vocabulary to talk to them about sounds and everything was really
frustrating for me [N] so I just decided to learn as much about it as I could and then I just
got obsessed with recording.
You know it's an obsession to just layer sounds and I've
always loved production and like dissecting a song and figuring out what's in it and so
it just seemed really natural and I just kind of, I got an internship at Philip Glass' studio
and that kind of started me and then I just worked in studios for, I've been working,
I own my own studio with some other people now and just a lifelong obsession I think.
Is there a secret or a way that one should record an acoustic guitar?
Gary Maurer was a mentor, is a mentor of mine and _ whenever I do a session I like to have
a small diaphragm condenser, something like this, like a Schepps is my absolute favorite
or a PM860 is one of my favorite mics, the Gafell, _ but the trick is you put it on the
12th fret, you usually put it like [D] around here and you angle it, not too close to it
but aim for the 12th fret and kind of angle it a little bit like this.
That's my favorite
sound and then if you want like a bigger sound you put like a larger diaphragm condenser
further back so you get like the roomy sound.
That's my favorite way of recording an acoustic guitar. _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [N] _ _
_ _ _ _ _ _ _ _
_ _ _ [G] Okay, so we're here with Dawn Landis who's out touring right now to support her new record Bluebird _
And Dawn, thanks for coming by
_ I was curious about how you got started playing the guitar and you know, you grew up in Kentucky.
Is that right?
Mm-hmm.
And what was the what was the thing that kind of got you first going on music?
_ Hmm.
Oh, I was always singing songs and making up songs
I took [C] piano lessons as a kid and I remember I was singing in a band in high school _
And I really wanted to learn how to play the guitar, but I didn't want to suck
I didn't want all my guy friends and to know that I was terrible
So I started secretly taking lessons and I didn't tell anyone that I was playing for about a [N] year
And then suddenly I was like, oh, yeah, check this out _
_ _ _ But Danny Flanagan taught me guitar lessons in Louisville and he's a great songwriter from from Kentucky and
That was just really fun and I bought a guitar from an ex-boyfriend for a dollar
_ Yeah, cuz he wanted to give it to me
I need to pay for this here.
Here's a dollar but I paid for it
You play a Blue Ridge and and what what about those guitars appeals to you?
I love these guitars
I bought this
there's a guy Rick Kelly who has a shop Carmine guitars in New York and I've bought a few guitars from his his shop and
_ Blue Ridge is a very affordable guitar and it looks great and it stays in tune and it's I love the inlays
Yeah, I don't I really like these guitars anything.
They're really good
This song is called bluebird
_ [D] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [E] _ _ _ _
[G] _ _ _ [D] _ _ _ _ _
_ _ _ _ Don't know _
_ _ _ _ _ _ _ _
_ _ _ _ [E] _ _ _ _
Oh
_ [D] _ _ _ _ _
[G] _ _ _ _ _ _ _ _
_ _ _ [D] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [E] _ _ I shouldn't [E] go but it makes [D] me feel so good. _ _ _ _
_ Tali, _ _ _ _ _ cover me in a veil. _ _ _
You sing to [G] me, dee, dee, dee, [E] oh, I feel [D] so understood. _ _ _ _ _ _
[A] _ _ _ Falling so _ deep to a _ _ warm summer's [D] sleep.
_ _ _ _ [A] _ _
Calling _ _ around, _ _ _ losing _ _ track of _ time.
_ No [F] direction _
_ _ _ [Em] _ _ through _
[D] _ _ time. _ _ _
Oh, oh, oh, oh, oh, oh, oh, oh, _ _ _ _ _ _ oh, _ _ _ _ _ _ _ _ _ _
_ oh, _ oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, _
Stay [E] _ here, [G] know you're near.
I [Em] just want [D] to be with you. _ _ _ _
_ Don't know _ _ _ what _ to do. _ _ _
Your song is sweet, I forget my [G] feet while you let me dance with you.
[G] Oh, _ oh, _ _ _ oh, _ [E] _
[D] oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, _ [A] oh, oh, oh, oh, oh, oh, oh, oh, oh, _ _ _ _ _ _ _
oh,
On a warm _ [D] summer night, _ _ _ [A] fly _ _ back to me. _ _
I'll forget _ _ _ every _ _ _ need.
[F] Just a tangle _
_ _ [Em] _ _ _ in [D] the _ _ _ _ breeze.
But all of my _ _ memories. _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[E] And I [G] close my eyes, [B] and I feel you [D] looking, oh, [G] _ _ yeah.
_ _ _ _ _ _ [Bm] _ _
[D] _ _ _ _ _ _ _
You eventually, started doing [D] lots of studio work and you were a studio engineer for people
like filth class.
Yeah, yeah.
What, what got you into that _ part of the business?
I was really, well I mean everybody who writes songs wants to record them I think and so
I was experimenting with four tracks and everything in high school and then I, when I moved to
New York to go to college I wanted to do a demo and you know just having to rely on other
people and not knowing the vocabulary to talk to them about sounds and everything was really
frustrating for me [N] so I just decided to learn as much about it as I could and then I just
got obsessed with recording.
You know it's an obsession to just layer sounds and I've
always loved production and like dissecting a song and figuring out what's in it and so
it just seemed really natural and I just kind of, I got an internship at Philip Glass' studio
and that kind of started me and then I just worked in studios for, I've been working,
I own my own studio with some other people now and just a lifelong obsession I think.
Is there a secret or a way that one should record an acoustic guitar?
Gary Maurer was a mentor, is a mentor of mine and _ whenever I do a session I like to have
a small diaphragm condenser, something like this, like a Schepps is my absolute favorite
or a PM860 is one of my favorite mics, the Gafell, _ but the trick is you put it on the
12th fret, you usually put it like [D] around here and you angle it, not too close to it
but aim for the 12th fret and kind of angle it a little bit like this.
That's my favorite
sound and then if you want like a bigger sound you put like a larger diaphragm condenser
further back so you get like the roomy sound.
That's my favorite way of recording an acoustic guitar. _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [N] _ _