Chords for All About Rhythm Mandolin! by Sam Bush
Tempo:
104.15 bpm
Chords used:
E
C
F#
A
D
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[E]
[C]
[C] [E] [Em]
[A] [F#]
Well, welcome to Holmes1Tapes, and I'm so excited that we have Sam Bush [N] back in our
studios again for another session with Master Musician.
And this particular one is going to be about rhythm.
And we've had lots of people asking about your rhythm style, your rhythm techniques.
And [F#]
for instance, say if you were playing something, an old bluegrass tune like I Wonder
How the Old Folks Are at Home, you might find a little strum that you can do between vocal
lines that sort of breaks the pattern and gives you a new idea.
I wonder how the old folks [A] are at home, I wonder [E] if they'll listen when [Bm] I'm gone.
And for instance, if you wanted to use that kind of chop up in B.
[G#] Now in that one, obviously
there's no [Am] open [F#] strings, they're not ringing through.
So what you sort of do is,
[C]
[D] but there's a certain ending I always do where I use octaves, where
although you wouldn't know it, I was influenced by Jethro to play these kind of octaves in
the way [G] he used to play.
So let's do just a little bit of this.
One, two, three.
I laid in a turban in a cocaine tree.
I did that [D] so [G] rhythmically.
Crying and a singing, I happened in time.
[C]
[C] [E] [Em]
[A] [F#]
Well, welcome to Holmes1Tapes, and I'm so excited that we have Sam Bush [N] back in our
studios again for another session with Master Musician.
And this particular one is going to be about rhythm.
And we've had lots of people asking about your rhythm style, your rhythm techniques.
And [F#]
for instance, say if you were playing something, an old bluegrass tune like I Wonder
How the Old Folks Are at Home, you might find a little strum that you can do between vocal
lines that sort of breaks the pattern and gives you a new idea.
I wonder how the old folks [A] are at home, I wonder [E] if they'll listen when [Bm] I'm gone.
And for instance, if you wanted to use that kind of chop up in B.
[G#] Now in that one, obviously
there's no [Am] open [F#] strings, they're not ringing through.
So what you sort of do is,
[C]
[D] but there's a certain ending I always do where I use octaves, where
although you wouldn't know it, I was influenced by Jethro to play these kind of octaves in
the way [G] he used to play.
So let's do just a little bit of this.
One, two, three.
I laid in a turban in a cocaine tree.
I did that [D] so [G] rhythmically.
Crying and a singing, I happened in time.
Key:
E
C
F#
A
D
E
C
F#
_ _ _ _ _ _ [E] _ _
_ _ _ _ _ _ _ [C] _
_ [C] _ _ [E] _ _ _ _ [Em] _
_ _ _ [A] _ _ _ _ [F#] _
Well, welcome to Holmes1Tapes, and I'm so excited that we have Sam Bush [N] back in our
studios again _ for another session with Master Musician.
And this particular one is going to be about rhythm.
And we've had lots of people asking about your rhythm style, your rhythm techniques.
And _ [F#] _
for instance, say if you were playing something, _ an old bluegrass tune like I Wonder
How the Old Folks Are at Home, you might find a little strum that you can do between vocal
lines that sort of breaks the _ pattern and gives you a new idea.
I wonder how the old folks [A] are at home, _ _ I wonder [E] if they'll listen when [Bm] I'm gone. _ _
And for instance, if you wanted to use that kind of chop up in B.
_ _ _ _ _ [G#] Now in that one, obviously
there's no [Am] open _ [F#] strings, they're not ringing through. _
_ _ So what you sort of do is, _
_ _ _ [C] _ _ _ _ _
_ [D] but there's a certain ending I always do where I use octaves, where
_ _ although you wouldn't know it, I was influenced by Jethro to play these kind of octaves in
the way [G] he used to play.
_ So let's do just a little bit of this.
One, two, three. _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ I laid in a turban _ in a cocaine tree.
I did that [D] so [G] rhythmically.
Crying and a singing, I happened in time.
_ _ _ _ _ _ _ [C] _
_ [C] _ _ [E] _ _ _ _ [Em] _
_ _ _ [A] _ _ _ _ [F#] _
Well, welcome to Holmes1Tapes, and I'm so excited that we have Sam Bush [N] back in our
studios again _ for another session with Master Musician.
And this particular one is going to be about rhythm.
And we've had lots of people asking about your rhythm style, your rhythm techniques.
And _ [F#] _
for instance, say if you were playing something, _ an old bluegrass tune like I Wonder
How the Old Folks Are at Home, you might find a little strum that you can do between vocal
lines that sort of breaks the _ pattern and gives you a new idea.
I wonder how the old folks [A] are at home, _ _ I wonder [E] if they'll listen when [Bm] I'm gone. _ _
And for instance, if you wanted to use that kind of chop up in B.
_ _ _ _ _ [G#] Now in that one, obviously
there's no [Am] open _ [F#] strings, they're not ringing through. _
_ _ So what you sort of do is, _
_ _ _ [C] _ _ _ _ _
_ [D] but there's a certain ending I always do where I use octaves, where
_ _ although you wouldn't know it, I was influenced by Jethro to play these kind of octaves in
the way [G] he used to play.
_ So let's do just a little bit of this.
One, two, three. _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ I laid in a turban _ in a cocaine tree.
I did that [D] so [G] rhythmically.
Crying and a singing, I happened in time.