Chords for April 29th 1992 (Miami) - Sublime (HQ)

I don't know if you can, but can you get _ _ _
_ _ _ _ _ _ [D] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ her in [C] the_
I want her to come [D] down here and get the camera.
[F] _ _
_ [C] _ _ [D] _ _ _ [C] _ _
_ _ [D] _ _ _ _ [F] _ _
[C] Okay.
_ [D] April 1st, _ 1992.
There was a riot on the streets.
Tell me, where were you?
_ You [A] were sitting home watching your TV
while I was part of this uptick in some anarchy.
_ _ [D] First spot we hit was my liquor store.
I finally got all that alcohol I can't afford.
[A] With red lights flashing, time to retire
and only turn that liquor store into a structure fire.
_ [D] Next stop we hit was the music shop.
It only took one to make that window drop.
_ [A] Finally we got our own PA.
Where do you think I got this guitar that you're hearing today?
_ [Dm] Hey!
We [Gm] called fire [F] and it felt like [Gm] we were in a [Dm] mobile station and [G] we had _ _ _ _ _ _ _ _ _
to_
_and
for how _ _ _
_ _ _ [A] _ _ _ long do windows [G] pop?
_ [A] _ _ _ _ _
[G] _ When we [D] returned to the patch, we unloaded everything.
It dawned on me that I need new home furnishings.
So once [A] again, we held them until it was full.
Since [F] that day, my living [A] has been much more comfortable
because [D] everybody in the hood has had it up to here.
It's getting hotter and hotter and hotter each and every year.
[A] Some kids went in a store with their mother.
_ I saw when she came out, she was getting some peppers.
[D] _ _ They said it was for the black men.
They said it was for the Mexicans.
And not for the white men.
But if [A] you look at the street, it wasn't about Rodney King.
They have this fucked up situation and these fucked up police.
[D] It's about coming up and staying on top and screaming 1-8-7 on a motherfucking [A] cop.
It's not in the paper, it's on the wall.
National _ Guard!
I'll fool around!
[D] _ Go!
Go!
Go!
Unit, be advised that a camp 211 is under arrest now at [F] 938 [G] Temple.
[F] 938 Temple.
[G] 30 subjects [F] were back [G] trying to [Dm] get inside the CP [Gm] now.
[D] _ [A] They said 938 [C] _
Temple.
[D] The hood is almost, I'm [F] almost, they'll be here.
[D] _ _ _ _ [C] _
_ _ _ [D] _ _ _ _ [F] _
[C] _ _ _ [D] _ _ _ [C#] _ [C]
I'm ready to go [D] there.
_ _ [F] _ _
_ [C] _ _ [D] _ _ _ [C] _ _
_ _ _ [D] _ _ _ [F] _ _
_ [C] _ _ [A] _ _ _ _ _
[G] _ _ _ [A] _ _ _ _ [C] _
_ [G] _ _ [D] Let it burn, wanna let it burn, wanna let it burn, wanna wanna let it burn.
[A] _ _ _ _
Say it!
_ _ Riots on the streets of Miami.
Whoa!
[D] Riots on the streets of Chicago.
_ Oh!
On the streets of Long Beach.
Oh!
[A] And San Francisco.
I know!
Riots on the streets of Kansas City.
Oh!
[D] _ Tuskegee to Alabama.
_ _ Cleveland _ to Ohio.
_ _ [A] Mountain Valley. _ _
_ Fairmount.
_ Vincentville. _
Eugene, Oregon.
_ [D] Eureka, California. _
_ _ _ Let it burn, _ let it burn, let it burn, let it burn.
Let it burn, let it burn, let it burn.
We can punch you [A] to bed after this.
Let it burn, let it burn, let it burn.
Let it burn, let it burn, let it burn.
Let it burn, let [D] it burn, [G] let it burn. _ _
_ _ _ [D] Let [G] it [Dm] burn, let it [G] burn, let it burn.
One! _ _
[Dm] _ [G] Three!
[D] _ _ [F] _ [G] _ _
[F] _ _ [G] _ _ _ [N] Eight! Twelve!
_ _ _ _ _ _ _ _