Chords for Barenaked Ladies - Sell Sell Sell
Tempo:
88.3 bpm
Chords used:
G
A
D
Bm
Bb
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
The credits roll, the camera [Ab] pans, then, missed, our hero stands, [G] he starts to speak, [A] then folds his hands [D] in prayer.
An awkward pause, then what's my line?
[E] There's nothing left [Bbm] to say this time.
[G] And what would you say [A] to a bad guy who's not [D] there?
[Bm] In terms of Roman numerals, he's Ivy League [G] Roman Polanski.
He'd win an [Bm] Oscar every time if he was only [G] given the [A] chance.
He [D] started on the Broadway stage, [Bb] a product of another age.
[G] An opera [A] and a pilot drew [D] him west.
The series' bulk commercials came, [Bb] and though nobody [Bbm] knew his [G] name, they all recognized [A] the potential he [D] possessed.
[Bm]
D.R. and Sundown are bossing around, which does that new [G] crock,
Arst is acting, Moore's methodical, and you don't need a man to golly [Bm] splendor.
Like a racing car, he's like a movie [G] star without [A] movies.
[D] The week of Independence Day, [E] the casting [Bb] age, you've got to say,
[G] You smile, you save a [A] movie and [D] the world.
[Bm] If [G] I sell, sell, sell, [A] how will you learn to [Gbm] not dissend?
[Bm] Whose woe and who [G] is grand will own [A] them all in the end?
[D] If the film is like this, we have no choice.
[Bbm] The middle [Em] race, the [Bb] wailing voice, [G] and vaguely [A] Celtic music fills [D] the air.
Which use a foreigner to hate, [E] the new Iraq [Dbm] gets more irate.
[G] We really know nothing [A] about them and [D] no one cares.
[Bm] Eleven and the forty thieves and his, my brand new special [G] effects.
[Bm] Sadder man is counter-seized, my step was some [G] gratuitous sex.
[A]
[D] Moore is made, or is [Bb] one, a low [Db] speed chase, a smoking gun,
[G] Distracts us while the actor takes [D] the stand.
If [Bm]
I, if I, if [G] I sell, sell, sell, [A] how will you learn [Gbm] to not discern?
[Bm] Whose woe and who [G] is grand will own them [E] all [A] in [D] the end?
[G]
[N]
An awkward pause, then what's my line?
[E] There's nothing left [Bbm] to say this time.
[G] And what would you say [A] to a bad guy who's not [D] there?
[Bm] In terms of Roman numerals, he's Ivy League [G] Roman Polanski.
He'd win an [Bm] Oscar every time if he was only [G] given the [A] chance.
He [D] started on the Broadway stage, [Bb] a product of another age.
[G] An opera [A] and a pilot drew [D] him west.
The series' bulk commercials came, [Bb] and though nobody [Bbm] knew his [G] name, they all recognized [A] the potential he [D] possessed.
[Bm]
D.R. and Sundown are bossing around, which does that new [G] crock,
Arst is acting, Moore's methodical, and you don't need a man to golly [Bm] splendor.
Like a racing car, he's like a movie [G] star without [A] movies.
[D] The week of Independence Day, [E] the casting [Bb] age, you've got to say,
[G] You smile, you save a [A] movie and [D] the world.
[Bm] If [G] I sell, sell, sell, [A] how will you learn to [Gbm] not dissend?
[Bm] Whose woe and who [G] is grand will own [A] them all in the end?
[D] If the film is like this, we have no choice.
[Bbm] The middle [Em] race, the [Bb] wailing voice, [G] and vaguely [A] Celtic music fills [D] the air.
Which use a foreigner to hate, [E] the new Iraq [Dbm] gets more irate.
[G] We really know nothing [A] about them and [D] no one cares.
[Bm] Eleven and the forty thieves and his, my brand new special [G] effects.
[Bm] Sadder man is counter-seized, my step was some [G] gratuitous sex.
[A]
[D] Moore is made, or is [Bb] one, a low [Db] speed chase, a smoking gun,
[G] Distracts us while the actor takes [D] the stand.
If [Bm]
I, if I, if [G] I sell, sell, sell, [A] how will you learn [Gbm] to not discern?
[Bm] Whose woe and who [G] is grand will own them [E] all [A] in [D] the end?
[G]
[N]
Key:
G
A
D
Bm
Bb
G
A
D
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ The credits roll, the camera [Ab] pans, then, missed, our hero stands, [G] he starts to speak, [A] then folds his hands [D] in prayer. _
_ _ An awkward pause, then what's my line?
[E] There's nothing left [Bbm] to say this time.
[G] And what would you say [A] to a bad guy who's not [D] there? _ _ _
[Bm] In terms of Roman numerals, he's Ivy League [G] Roman Polanski.
_ _ He'd win an [Bm] Oscar every time if he was only [G] given the [A] chance.
He _ [D] started on the Broadway stage, [Bb] a product of another age.
[G] An opera [A] and a pilot drew [D] him west. _
_ _ The series' bulk commercials came, [Bb] and though nobody [Bbm] knew his [G] name, they all recognized [A] the potential he [D] possessed.
_ _ _ [Bm]
D.R. and Sundown are bossing around, which does that new [G] crock,
Arst is acting, Moore's methodical, and you don't need a man to golly [Bm] splendor.
Like a racing car, he's like a movie [G] star without _ [A] movies.
_ [D] The week of Independence Day, [E] the casting [Bb] age, you've got to say,
[G] You smile, you save a [A] movie and [D] the world. _
_ _ _ [Bm] _ _ _ If [G] I sell, sell, sell, [A] how will you learn to [Gbm] not _ dissend?
[Bm] Whose woe and who [G] is grand will own [A] them all in the end?
[D] If the film is like this, we have no choice.
[Bbm] The middle [Em] race, the [Bb] wailing voice, [G] and vaguely [A] Celtic music fills [D] the air.
_ _ Which use a foreigner to hate, [E] the new Iraq [Dbm] gets more irate.
[G] We really know nothing [A] about them and [D] no one cares. _
_ _ [Bm] Eleven and the forty thieves and his, my brand new special [G] _ _ effects.
_ [Bm] Sadder man is counter-seized, my step was some [G] gratuitous sex.
[A] _ _
[D] Moore is made, or is [Bb] one, a low [Db] speed chase, a smoking gun,
[G] Distracts us while the actor takes [D] the stand.
If _ _ [Bm] _ _
I, if I, if [G] I sell, sell, sell, [A] how will you learn [Gbm] to not discern?
_ [Bm] Whose woe and who [G] is grand will own them [E] all [A] in [D] the end? _ _ _ _
_ _ _ _ _ [G] _ _ _
[N] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ The credits roll, the camera [Ab] pans, then, missed, our hero stands, [G] he starts to speak, [A] then folds his hands [D] in prayer. _
_ _ An awkward pause, then what's my line?
[E] There's nothing left [Bbm] to say this time.
[G] And what would you say [A] to a bad guy who's not [D] there? _ _ _
[Bm] In terms of Roman numerals, he's Ivy League [G] Roman Polanski.
_ _ He'd win an [Bm] Oscar every time if he was only [G] given the [A] chance.
He _ [D] started on the Broadway stage, [Bb] a product of another age.
[G] An opera [A] and a pilot drew [D] him west. _
_ _ The series' bulk commercials came, [Bb] and though nobody [Bbm] knew his [G] name, they all recognized [A] the potential he [D] possessed.
_ _ _ [Bm]
D.R. and Sundown are bossing around, which does that new [G] crock,
Arst is acting, Moore's methodical, and you don't need a man to golly [Bm] splendor.
Like a racing car, he's like a movie [G] star without _ [A] movies.
_ [D] The week of Independence Day, [E] the casting [Bb] age, you've got to say,
[G] You smile, you save a [A] movie and [D] the world. _
_ _ _ [Bm] _ _ _ If [G] I sell, sell, sell, [A] how will you learn to [Gbm] not _ dissend?
[Bm] Whose woe and who [G] is grand will own [A] them all in the end?
[D] If the film is like this, we have no choice.
[Bbm] The middle [Em] race, the [Bb] wailing voice, [G] and vaguely [A] Celtic music fills [D] the air.
_ _ Which use a foreigner to hate, [E] the new Iraq [Dbm] gets more irate.
[G] We really know nothing [A] about them and [D] no one cares. _
_ _ [Bm] Eleven and the forty thieves and his, my brand new special [G] _ _ effects.
_ [Bm] Sadder man is counter-seized, my step was some [G] gratuitous sex.
[A] _ _
[D] Moore is made, or is [Bb] one, a low [Db] speed chase, a smoking gun,
[G] Distracts us while the actor takes [D] the stand.
If _ _ [Bm] _ _
I, if I, if [G] I sell, sell, sell, [A] how will you learn [Gbm] to not discern?
_ [Bm] Whose woe and who [G] is grand will own them [E] all [A] in [D] the end? _ _ _ _
_ _ _ _ _ [G] _ _ _
[N] _ _ _ _ _ _ _ _