Chords for Bee Gees | Des O'Connor Tonight |1998
Tempo:
77.725 bpm
Chords used:
D
E
A
Bm
G
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Do you mind, can we have a little jam session, just be a little busy?
This is the one that Pras-Michael did recently, Ghetto [G] Superstar, which is Island's End The Street.
Yeah, it's good [A] on the charts.
That's right.
It's a big record.
Okay, let's go for it.
Go for it.
Island's End The Street, [D] that is what we are.
[Bm] No one in between, how can we be wrong?
[A] Sail away with me [D] to another world, when [A] we rely on each other's, uh-huh.
From [Bm] one lover to [A] another, uh-huh.
[Bm]
[D] Look, [G]
I just love this.
Alright.
Trots of old.
The Big Ilty.
Oh yeah, this is [D] fun.
This is the one we did for Barbra Streisand.
Yeah.
Poses, rings and dollars, how grand we are.
Little by little we meet in the middle, there's danger in the dark.
[Bm] It ought to be illegal, [D] making a crime to be [F#m] out in the cold.
[Bm] It ought to be illegal, [A] but you got a [Bm] reason to [C] let the battle on.
With the love you're living on, [E] you gotta be mine.
[D] [E] We take it away,
[D] [E] it's gotta be [D] mine, [E] [D] and it's [E] a matter of time.
[A] And we [D] got nothing to be guilty of, of that.
We'll climb any [Em] mountain near or far, we are, [A] and we never let it [D] end.
And we got nothing to be sorry for, our love is one in a [Em] million.
Us can see that we've [A] got a highway to the sky.
[Bm] Don't wanna hear you [D] goodbye.
[Bm] Don't wanna hear you [D] goodbye.
[G] Oh, God.
[N]
Incidentally, just incidentally, how was Miss Streisand in passing?
Was she easy to get along with?
Well, actually, she was a pleasure.
It was a six-month project, and she really learnt the songs,
and she's a true professional, obviously.
But she's had some
people have said she's very tough,
but I think in a business that's male-dominated, there's nothing better.
Male-dominated, I think about it, yeah.
There's a lot of it about.
But it's very difficult for a woman to sort of thrust herself forward,
which is also pretty difficult.
Thank [B] you.
[N] So, yes.
So you put the two of those things together and you have quite a night.
Dominating dress for leaving.
It's all on video.
Right, before you get any deeper there, do you have any more?
I could sit here all night.
We want some more, don't we?
Are we going to do mine?
Are we going to do [F] the one that I've recorded, one of your songs?
[N] You want to do Let's Protect?
No, not Let's Protect.
I've recorded How Deep Is Your Thingy.
I [D] want to be in the right key.
[E] Do you?
It doesn't matter with me.
[N] Any key, trot [D] one out.
[E] Okay, I'm out.
[N] Okay, take your chance [E] on the key, alright?
Yeah, alright.
[F#]
No, this is acapella.
Is it?
We've been there.
No, it's a lovely place.
[G] It's in Mexico, isn't it?
Yeah, I've not been there.
[E] Yes, it is, actually.
Oh, that's like a bull coast.
[G#m] Yeah, it's alright.
Come on, you start, I'll [E] jump on.
[N] Alright, calm down, calm down.
Are we getting paid for this?
No.
[E]
[N]
I was just wondering that myself.
And it's me you need to show
How deep is your love
How deep is your love
How deep is your love
I really need to learn
Cause we're living in a world of fools
Breaking us down
When they all should let us be
We belong to you and me Yeah.
This is the one that Pras-Michael did recently, Ghetto [G] Superstar, which is Island's End The Street.
Yeah, it's good [A] on the charts.
That's right.
It's a big record.
Okay, let's go for it.
Go for it.
Island's End The Street, [D] that is what we are.
[Bm] No one in between, how can we be wrong?
[A] Sail away with me [D] to another world, when [A] we rely on each other's, uh-huh.
From [Bm] one lover to [A] another, uh-huh.
[Bm]
[D] Look, [G]
I just love this.
Alright.
Trots of old.
The Big Ilty.
Oh yeah, this is [D] fun.
This is the one we did for Barbra Streisand.
Yeah.
Poses, rings and dollars, how grand we are.
Little by little we meet in the middle, there's danger in the dark.
[Bm] It ought to be illegal, [D] making a crime to be [F#m] out in the cold.
[Bm] It ought to be illegal, [A] but you got a [Bm] reason to [C] let the battle on.
With the love you're living on, [E] you gotta be mine.
[D] [E] We take it away,
[D] [E] it's gotta be [D] mine, [E] [D] and it's [E] a matter of time.
[A] And we [D] got nothing to be guilty of, of that.
We'll climb any [Em] mountain near or far, we are, [A] and we never let it [D] end.
And we got nothing to be sorry for, our love is one in a [Em] million.
Us can see that we've [A] got a highway to the sky.
[Bm] Don't wanna hear you [D] goodbye.
[Bm] Don't wanna hear you [D] goodbye.
[G] Oh, God.
[N]
Incidentally, just incidentally, how was Miss Streisand in passing?
Was she easy to get along with?
Well, actually, she was a pleasure.
It was a six-month project, and she really learnt the songs,
and she's a true professional, obviously.
But she's had some
people have said she's very tough,
but I think in a business that's male-dominated, there's nothing better.
Male-dominated, I think about it, yeah.
There's a lot of it about.
But it's very difficult for a woman to sort of thrust herself forward,
which is also pretty difficult.
Thank [B] you.
[N] So, yes.
So you put the two of those things together and you have quite a night.
Dominating dress for leaving.
It's all on video.
Right, before you get any deeper there, do you have any more?
I could sit here all night.
We want some more, don't we?
Are we going to do mine?
Are we going to do [F] the one that I've recorded, one of your songs?
[N] You want to do Let's Protect?
No, not Let's Protect.
I've recorded How Deep Is Your Thingy.
I [D] want to be in the right key.
[E] Do you?
It doesn't matter with me.
[N] Any key, trot [D] one out.
[E] Okay, I'm out.
[N] Okay, take your chance [E] on the key, alright?
Yeah, alright.
[F#]
No, this is acapella.
Is it?
We've been there.
No, it's a lovely place.
[G] It's in Mexico, isn't it?
Yeah, I've not been there.
[E] Yes, it is, actually.
Oh, that's like a bull coast.
[G#m] Yeah, it's alright.
Come on, you start, I'll [E] jump on.
[N] Alright, calm down, calm down.
Are we getting paid for this?
No.
[E]
[N]
I was just wondering that myself.
And it's me you need to show
How deep is your love
How deep is your love
How deep is your love
I really need to learn
Cause we're living in a world of fools
Breaking us down
When they all should let us be
We belong to you and me Yeah.
Key:
D
E
A
Bm
G
D
E
A
Do you mind, can we have a little jam session, just be a little busy? _ _ _ _
_ _ This is the one that Pras-Michael did recently, Ghetto [G] Superstar, which is Island's End The Street.
Yeah, it's good [A] on the charts.
That's right.
It's a big record.
Okay, let's go for it.
Go for it.
_ _ _ _ Island's End The Street, [D] that is what we are.
[Bm] No one in between, how can we be wrong?
[A] Sail away with me [D] to another world, when [A] we rely on each other's, uh-huh.
From [Bm] one lover to [A] another, uh-huh.
_ [Bm] _ _ _ _
_ _ _ [D] Look, [G] _ _
I just love this.
Alright.
Trots of old.
The Big Ilty.
Oh yeah, this is [D] fun.
This is the one we did for Barbra Streisand.
Yeah.
_ _ Poses, rings and dollars, how grand we are.
Little by little we meet in the middle, there's danger in the dark.
[Bm] It ought to be illegal, [D] making a crime to be [F#m] out in the cold.
_ [Bm] It ought to be illegal, [A] but you got a [Bm] reason to [C] let the battle on.
With the love you're living on, [E] you gotta be mine.
_ [D] [E] We take it away, _
[D] [E] it's gotta be [D] mine, [E] [D] and it's [E] a matter of time.
[A] And we [D] got nothing to be guilty of, of that.
We'll climb any [Em] mountain near or far, we are, [A] and we never let it [D] end.
And we got nothing to be sorry for, our love is one in a [Em] million.
Us can see that we've [A] got a highway to the sky.
_ [Bm] Don't wanna hear you [D] goodbye.
_ _ [Bm] Don't wanna hear you [D] goodbye. _ _ _ _
[G] Oh, God.
[N] _ _ _ _ _
_ _ Incidentally, just incidentally, how was Miss Streisand in passing?
Was she easy to get along with?
Well, actually, she was a pleasure.
It was a six-month project, and she really learnt the songs,
and she's a true professional, obviously.
But she's had some_
people have said she's very tough,
but I think in a business that's male-dominated, there's nothing better.
Male-dominated, I think about it, yeah. _ _ _ _ _
There's a lot of it about.
_ _ _ But it's very difficult for a woman to sort of thrust herself forward,
which is also pretty difficult.
Thank [B] _ you.
[N] So, yes.
So you put the two of those things together and you have quite a night.
_ Dominating dress for leaving.
It's all on video.
_ Right, before you get any deeper there, do you have any more?
I could sit here all night.
We want some more, don't we?
_ _ _ Are we going to do mine?
Are we going to do [F] the one that I've recorded, one of your songs?
[N] You want to do Let's Protect?
No, not Let's Protect.
I've recorded How Deep Is Your Thingy.
I [D] want to be in the right key.
[E] Do you?
It doesn't matter with me. _
_ _ [N] Any key, trot [D] one out.
[E] Okay, I'm out. _
_ [N] _ Okay, take your chance [E] on the key, alright?
Yeah, alright.
[F#]
No, this is acapella.
Is it?
We've been there.
No, it's a lovely place.
[G] It's in Mexico, isn't it?
Yeah, I've not been there.
[E] Yes, it is, actually.
Oh, that's like a bull coast.
_ [G#m] _ _ Yeah, it's alright.
Come on, you start, I'll [E] jump on.
[N] _ Alright, calm down, calm down.
Are we getting paid for this?
No.
_ _ _ [E] _ _ _
_ [N] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _
I was just wondering that myself.
And it's me you need to show
How deep is your love
How deep is your love
How deep is your love
I really need to learn
Cause we're living in a world of fools
Breaking us down
When they all should let us be
We belong to you and me Yeah. _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ This is the one that Pras-Michael did recently, Ghetto [G] Superstar, which is Island's End The Street.
Yeah, it's good [A] on the charts.
That's right.
It's a big record.
Okay, let's go for it.
Go for it.
_ _ _ _ Island's End The Street, [D] that is what we are.
[Bm] No one in between, how can we be wrong?
[A] Sail away with me [D] to another world, when [A] we rely on each other's, uh-huh.
From [Bm] one lover to [A] another, uh-huh.
_ [Bm] _ _ _ _
_ _ _ [D] Look, [G] _ _
I just love this.
Alright.
Trots of old.
The Big Ilty.
Oh yeah, this is [D] fun.
This is the one we did for Barbra Streisand.
Yeah.
_ _ Poses, rings and dollars, how grand we are.
Little by little we meet in the middle, there's danger in the dark.
[Bm] It ought to be illegal, [D] making a crime to be [F#m] out in the cold.
_ [Bm] It ought to be illegal, [A] but you got a [Bm] reason to [C] let the battle on.
With the love you're living on, [E] you gotta be mine.
_ [D] [E] We take it away, _
[D] [E] it's gotta be [D] mine, [E] [D] and it's [E] a matter of time.
[A] And we [D] got nothing to be guilty of, of that.
We'll climb any [Em] mountain near or far, we are, [A] and we never let it [D] end.
And we got nothing to be sorry for, our love is one in a [Em] million.
Us can see that we've [A] got a highway to the sky.
_ [Bm] Don't wanna hear you [D] goodbye.
_ _ [Bm] Don't wanna hear you [D] goodbye. _ _ _ _
[G] Oh, God.
[N] _ _ _ _ _
_ _ Incidentally, just incidentally, how was Miss Streisand in passing?
Was she easy to get along with?
Well, actually, she was a pleasure.
It was a six-month project, and she really learnt the songs,
and she's a true professional, obviously.
But she's had some_
people have said she's very tough,
but I think in a business that's male-dominated, there's nothing better.
Male-dominated, I think about it, yeah. _ _ _ _ _
There's a lot of it about.
_ _ _ But it's very difficult for a woman to sort of thrust herself forward,
which is also pretty difficult.
Thank [B] _ you.
[N] So, yes.
So you put the two of those things together and you have quite a night.
_ Dominating dress for leaving.
It's all on video.
_ Right, before you get any deeper there, do you have any more?
I could sit here all night.
We want some more, don't we?
_ _ _ Are we going to do mine?
Are we going to do [F] the one that I've recorded, one of your songs?
[N] You want to do Let's Protect?
No, not Let's Protect.
I've recorded How Deep Is Your Thingy.
I [D] want to be in the right key.
[E] Do you?
It doesn't matter with me. _
_ _ [N] Any key, trot [D] one out.
[E] Okay, I'm out. _
_ [N] _ Okay, take your chance [E] on the key, alright?
Yeah, alright.
[F#]
No, this is acapella.
Is it?
We've been there.
No, it's a lovely place.
[G] It's in Mexico, isn't it?
Yeah, I've not been there.
[E] Yes, it is, actually.
Oh, that's like a bull coast.
_ [G#m] _ _ Yeah, it's alright.
Come on, you start, I'll [E] jump on.
[N] _ Alright, calm down, calm down.
Are we getting paid for this?
No.
_ _ _ [E] _ _ _
_ [N] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _
I was just wondering that myself.
And it's me you need to show
How deep is your love
How deep is your love
How deep is your love
I really need to learn
Cause we're living in a world of fools
Breaking us down
When they all should let us be
We belong to you and me Yeah. _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _