Chords for Blancmange - Living On The Ceiling (OFFICIAL MUSIC VIDEO)

Tempo:
115.5 bpm
Chords used:

B

F#

C

A

Bm

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Blancmange - Living On The Ceiling  (OFFICIAL MUSIC VIDEO) chords
Start Jamming...
[B] [E]
[B]
You keep me running round and round, oh that's alright for me.
Up and down, I'm up the wall, I'm up the bloody tree.
That's alright for me, yeah, that's alright for me.
Well it feels alright to me, yeah, it looks alright to me.
[F#] And I'm so tall, I'm so tall.
[B] You raise me and then you let me fall.
[F#] And I'm so small, I'm so small.
[A] Crushing [B] around your finger, see me fall.
There we [C] go.
[B] [E] [Cm]
[C] [B]
[G] You [B]
[Cm] [G] [B]
[F#]
[Bm] [B]
[F#]
[Bm] [C] [B]
keep me running round and round, well that's alright for me.
Nothing left in common, slipping away.
Living on the ceiling, no more room there.
Things falling into place, who gets the jobs in place?
And [F#] I'm so tall, I'm so tall.
[B] You raise me and then you let me fall.
[F#] And I'm so small, I'm so small.
[B] Crushing around your finger, see me fall.
There we go.
[C] [B]
[Cm] [C] [B]
[D] [B] [Em] [B]
[Bm] [B]
[F#]
[B]
[F#]
[B] [Bm] [B]
You keep me running [Am] round and round, [E] well that's [B] alright for me.
I'm up the wall, I'm up the bloody tree.
I've got [A] your questions, [B] questions you [A] won't ask.
[B] Why am I up [A] the tree, you say?
[B] Why are you [A] down there, I say?
[F#] I'm so tall, I'm so tall.
[B] You raise me and then you let me fall.
[D#]
[F#] I'm so small, I'm so small.
[B] Crushing around your finger, see me fall.
[E] [B]
[D] [B]
[Bm] [B]
[C] [D] [B]
[N]
Key:  
B
12341112
F#
134211112
C
3211
A
1231
Bm
13421112
B
12341112
F#
134211112
C
3211
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Chords
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To learn Blancmange - Living On The Ceiling chords, anchor your practice on these foundational sequence of chords - B, A, B, F# and B. For best results, commence at 57 BPM and progress to the song's BPM of 116. To match your vocal range and chord inclination, adjust the capo in line with the key: E Minor.

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_ _ _ _ [B] _ _ [E] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [B] _ _ _ _ _ _ _
_ _ _ _ _ _ _
You keep me running round and round, oh that's alright for me.
Up and down, I'm up the wall, I'm up the bloody tree.
That's alright for me, yeah, that's alright for me.
Well it feels alright to me, yeah, it looks alright to me.
_ [F#] And I'm so tall, I'm so tall. _
[B] You raise me and then you let me fall. _
_ [F#] And I'm so small, I'm so small. _
[A] Crushing [B] around your finger, see me fall.
There we [C] go.
_ [B] _ _ [E] _ _ [Cm] _
_ [C] _ _ _ [B] _ _ _ _
[G] You _ [B] _ _ _ _ _
[Cm] _ [G] _ _ _ [B] _ _ _ _
_ [F#] _ _ _ _ _ _ _
[Bm] _ _ _ [B] _ _ _ _ _
_ [F#] _ _ _ _ _ _ _
[Bm] _ _ _ [C] _ [B] _ _ _ _
keep me running round and round, well that's alright for me.
Nothing left in common, slipping away.
_ Living on the ceiling, no more room there.
Things falling into place, who gets the jobs in place?
And [F#] I'm so tall, I'm so tall. _
[B] You raise me and then you let me fall. _
_ [F#] And I'm so small, I'm so small. _
[B] Crushing around your finger, see me fall.
There we go.
[C] _ _ [B] _ _ _ _ _
[Cm] _ [C] _ _ _ [B] _ _ _ _
_ _ [D] _ [B] _ _ [Em] _ _ [B] _
_ _ [Bm] _ [B] _ _ _ _ _
_ [F#] _ _ _ _ _ _ _
[B] _ _ _ _ _ _ _ _
_ [F#] _ _ _ _ _ _ _
[B] _ _ [Bm] _ _ _ [B] _ _ _
You keep me running [Am] round and round, [E] well that's [B] alright for me.
_ _ I'm up the wall, I'm up the bloody tree.
_ I've got [A] your questions, [B] questions you [A] won't ask.
[B] Why am I up [A] the tree, you say?
[B] Why are you [A] down there, I say?
[F#] I'm so tall, I'm so tall. _
[B] You raise me and then you let me fall.
[D#] _
_ [F#] I'm so small, I'm so small. _
_ [B] Crushing around your finger, see me fall.
_ _ _ _ _ [E] _ _ [B] _
_ _ [D] _ _ [B] _ _ _ _
_ [Bm] _ _ [B] _ _ _ _ _
_ [C] _ [D] _ [B] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [N] _

Facts about this song

Featured within the album The Platinum Collection is this song, written by Stephen Luscombe and Neil Arthur.

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