Chords for Bounty Killer - Hip-Hopera (feat. The @Fugees) (Official Music Video)
Tempo:
83.625 bpm
Chords used:
F#m
Bm
G#m
C#m
C#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[C#]
[F#m] [C#]
[F#m] by Jackson.
[C#] Bought you thriller.
Givin' it all a gunman [F#m] holla.
Record deals we gon [C#] tick tack.
[F#m] Why you gone?
Watch out for Babylon.
MC's [Bm] Babylon and on.
Out the non bomb like Ethiopians.
[G#m] Not Italians.
Queen of Sheba balanced like a loofer.
[C#m] Brain like media school.
The chain formed like the [F#m] pillars of Islam.
Make the rest fool.
The rest fool.
[Bm] It take one drop of purity to clean a cesspool.
The next [G#m] school will become Bras.
Kings and queens wearing crowns and hosiery.
except [C#m] the space and that I'm making practice great in biblical Texas.
[F#m] I sit next to scripted guards in the street of peril.
[Bm] Keep the path straight and narrow while we bombing off barrels.
[G#m] So bounty killer for this arrow, let's make plans for tomorrow.
God's [C#m] father, ma'am, God's mother, refugees when I [F#m] was home.
I fought drags and bought you [C#] thriller.
It made all the gunmen holler.
Refugees with boating killer, but he left me.
[F#m] You can't pull it down, bitch.
Try and drop in your middle.
Bless [Bm] you, Mr.
Pong.
Welcome to your next.
[G#m] Yes, I am your distress.
Me lay you trust.
[C#m] That's still 45.
Oh, she's been [F#m] with our next.
I just don't bring on the dress.
[Bm] You're Mr.
Pong.
Welcome to your next.
Yes, [G#m] me and your distress.
Me lay you trust.
[C#m] Yeah, I'm the East and rough from the West.
[F#m] Yo five years old.
I heard shots out the window.
[Bm] I thought that it was Zorro driving it from where [G#m] he go.
I asked my father, Pablo, who the hell is this?
[C#m] Papa?
He said his bounty killer.
He's dropped from my [F#m] ego.
When I start to echo from your soul and from your [C#] soul.
I'm taking your life up and eating hungry to get [F#m] told.
Move fast and kill your whole family and to [C#] fall to recall.
My money fatal, boy, that hair but do the minko.
[F#m] Is this the sound clash?
You ain't fit for the [Bm] job.
You're and you're making my E pod.
[G#m] You want to wrap his presence.
Go wrap it in a box.
[C#m] You versus me.
That's like the mouse versus a [F#m] big white clap.
Preach your son.
I sing the hymn for the lights get dim.
[Bm] Reflection of the end.
It's your face.
Face in the [G#m] coffin.
Oops, what's that?
So you kill me with that.
[C#m] Figments of your imagination.
You never tell with [F#m] incarceration.
Don't tell you want to be my rival.
[Bm] Pascal 45.
I come here.
I [G#m] call them start war and no seek survival.
[C#m] Refugees with on the trees.
Them that remain.
[F#m] [D#] Punks.
[C#]
[D#m] [C#]
Jackson, what [C#] you thrill up?
Is it all a [F#] gunman?
Hollow refugees with.
[C#]
[F#m] Oh,
somehow we manage to bloom like [Bm] blocks by any means necessary.
[G#m] Deadlocked. Nice people.
How do we play?
There's like pots of [C#m] minimizing our losses like horses to the [F#m] maximum strategies for the refugees.
I'm [Bm] any much.
No, we're fighting not to me.
[G#m] Yo, which man run from my Magnum?
[C#m] Sataman.
Then blimp Jamaica.
[F#] Jamaica.
Jackson, what you thrill [C#] up?
Is it all a gunman?
Hollow [F#m] [F#] refugees with.
[C#] take it back.
He left.
[F#m] Call it your next.
Try to talk.
You know, Mr.
[Bm] Mr. Pong.
Welcome to your next.
Miss [G#m] me and your peace.
Press.
You test.
[C#m] Pascal 45.
You are.
Thank you.
[F#m] We can't believe your next.
Try to talk.
You know, Mr.
[Bm] Mr.
Pong.
Welcome to your next.
Miss [G#m] me and your peace. Press.
You test.
[C#m] Pascal 45.
I'm the owner.
Thank [F#m] you.
[Bm] That's killer on the borderline.
[G#m] Refugee can't write.
Let's help.
He [C#m] cried.
[F#m] [C#]
[F#m] by Jackson.
[C#] Bought you thriller.
Givin' it all a gunman [F#m] holla.
Record deals we gon [C#] tick tack.
[F#m] Why you gone?
Watch out for Babylon.
MC's [Bm] Babylon and on.
Out the non bomb like Ethiopians.
[G#m] Not Italians.
Queen of Sheba balanced like a loofer.
[C#m] Brain like media school.
The chain formed like the [F#m] pillars of Islam.
Make the rest fool.
The rest fool.
[Bm] It take one drop of purity to clean a cesspool.
The next [G#m] school will become Bras.
Kings and queens wearing crowns and hosiery.
except [C#m] the space and that I'm making practice great in biblical Texas.
[F#m] I sit next to scripted guards in the street of peril.
[Bm] Keep the path straight and narrow while we bombing off barrels.
[G#m] So bounty killer for this arrow, let's make plans for tomorrow.
God's [C#m] father, ma'am, God's mother, refugees when I [F#m] was home.
I fought drags and bought you [C#] thriller.
It made all the gunmen holler.
Refugees with boating killer, but he left me.
[F#m] You can't pull it down, bitch.
Try and drop in your middle.
Bless [Bm] you, Mr.
Pong.
Welcome to your next.
[G#m] Yes, I am your distress.
Me lay you trust.
[C#m] That's still 45.
Oh, she's been [F#m] with our next.
I just don't bring on the dress.
[Bm] You're Mr.
Pong.
Welcome to your next.
Yes, [G#m] me and your distress.
Me lay you trust.
[C#m] Yeah, I'm the East and rough from the West.
[F#m] Yo five years old.
I heard shots out the window.
[Bm] I thought that it was Zorro driving it from where [G#m] he go.
I asked my father, Pablo, who the hell is this?
[C#m] Papa?
He said his bounty killer.
He's dropped from my [F#m] ego.
When I start to echo from your soul and from your [C#] soul.
I'm taking your life up and eating hungry to get [F#m] told.
Move fast and kill your whole family and to [C#] fall to recall.
My money fatal, boy, that hair but do the minko.
[F#m] Is this the sound clash?
You ain't fit for the [Bm] job.
You're and you're making my E pod.
[G#m] You want to wrap his presence.
Go wrap it in a box.
[C#m] You versus me.
That's like the mouse versus a [F#m] big white clap.
Preach your son.
I sing the hymn for the lights get dim.
[Bm] Reflection of the end.
It's your face.
Face in the [G#m] coffin.
Oops, what's that?
So you kill me with that.
[C#m] Figments of your imagination.
You never tell with [F#m] incarceration.
Don't tell you want to be my rival.
[Bm] Pascal 45.
I come here.
I [G#m] call them start war and no seek survival.
[C#m] Refugees with on the trees.
Them that remain.
[F#m] [D#] Punks.
[C#]
[D#m] [C#]
Jackson, what [C#] you thrill up?
Is it all a [F#] gunman?
Hollow refugees with.
[C#]
[F#m] Oh,
somehow we manage to bloom like [Bm] blocks by any means necessary.
[G#m] Deadlocked. Nice people.
How do we play?
There's like pots of [C#m] minimizing our losses like horses to the [F#m] maximum strategies for the refugees.
I'm [Bm] any much.
No, we're fighting not to me.
[G#m] Yo, which man run from my Magnum?
[C#m] Sataman.
Then blimp Jamaica.
[F#] Jamaica.
Jackson, what you thrill [C#] up?
Is it all a gunman?
Hollow [F#m] [F#] refugees with.
[C#] take it back.
He left.
[F#m] Call it your next.
Try to talk.
You know, Mr.
[Bm] Mr. Pong.
Welcome to your next.
Miss [G#m] me and your peace.
Press.
You test.
[C#m] Pascal 45.
You are.
Thank you.
[F#m] We can't believe your next.
Try to talk.
You know, Mr.
[Bm] Mr.
Pong.
Welcome to your next.
Miss [G#m] me and your peace. Press.
You test.
[C#m] Pascal 45.
I'm the owner.
Thank [F#m] you.
[Bm] That's killer on the borderline.
[G#m] Refugee can't write.
Let's help.
He [C#m] cried.
Key:
F#m
Bm
G#m
C#m
C#
F#m
Bm
G#m
_ _ _ _ [C#] _ _ _ _
[F#m] _ _ _ _ [C#] _ _ _
[F#m] by Jackson.
[C#] Bought you thriller.
Givin' it all a gunman [F#m] holla.
Record deals we gon [C#] tick tack. _
[F#m] Why you gone?
Watch out for Babylon.
MC's [Bm] Babylon and on.
Out the non bomb like Ethiopians.
[G#m] Not Italians.
Queen of Sheba balanced like a loofer.
[C#m] Brain like media school.
The chain formed like the [F#m] pillars of Islam.
Make the rest fool.
The rest fool.
[Bm] It take one drop of purity to clean a cesspool.
The next [G#m] school will become Bras.
Kings and queens wearing crowns and hosiery.
except [C#m] the space and that I'm making practice great in biblical Texas.
[F#m] I sit next to scripted guards in the street of peril.
[Bm] Keep the path straight and narrow while we bombing off barrels.
[G#m] So bounty killer for this arrow, let's make plans for tomorrow.
God's [C#m] father, ma'am, God's mother, refugees when I [F#m] was home.
I fought drags and bought you [C#] thriller.
It made all the gunmen holler.
Refugees with boating killer, but he left me.
[F#m] You can't pull it down, bitch.
Try and drop in your middle.
Bless [Bm] you, Mr.
Pong.
Welcome to your next.
[G#m] Yes, I am your distress.
Me lay you trust.
[C#m] That's still 45.
Oh, she's been [F#m] with our next.
I just don't bring on the dress.
[Bm] You're Mr.
Pong.
Welcome to your next.
Yes, [G#m] me and your distress.
Me lay you trust.
[C#m] Yeah, I'm the East and rough from the West.
[F#m] Yo five years old.
I heard shots out the window.
[Bm] I thought that it was Zorro driving it from where [G#m] he go.
I asked my father, Pablo, who the hell is this?
[C#m] Papa?
He said his bounty killer.
He's dropped from my [F#m] ego.
When I start to echo from your soul and from your [C#] soul.
I'm taking your life up and eating hungry to get [F#m] told.
Move fast and kill your whole family and to [C#] fall to recall.
My money fatal, boy, that hair but do the minko.
[F#m] Is this the sound clash?
You ain't fit for the [Bm] job.
You're and you're making my E pod.
[G#m] You want to wrap his presence.
Go wrap it in a box.
[C#m] You versus me.
That's like the mouse versus a [F#m] big white clap.
Preach your son.
I sing the hymn for the lights get dim.
[Bm] Reflection of the end.
It's your face.
Face in the [G#m] coffin.
Oops, what's that?
So you kill me with that.
[C#m] Figments of your imagination.
You never tell with [F#m] incarceration.
Don't tell you want to be my rival.
[Bm] Pascal 45.
I come here.
I [G#m] call them start war and no seek survival.
[C#m] Refugees with on the trees.
Them that remain.
[F#m] _ [D#] Punks.
_ [C#] _ _ _ _
_ _ [D#m] _ _ [C#] _ _ _ _
Jackson, what [C#] you thrill up?
Is it all a [F#] gunman?
Hollow refugees with.
[C#] _ _ _ _
[F#m] Oh,
somehow we manage to bloom like [Bm] blocks by any means necessary.
[G#m] Deadlocked. Nice people.
How do we play?
There's like pots of [C#m] minimizing our losses like horses to the [F#m] maximum strategies for the refugees.
I'm [Bm] any much.
No, we're fighting not to me.
[G#m] Yo, which man run from my Magnum?
[C#m] Sataman.
Then blimp Jamaica.
[F#] Jamaica.
Jackson, what you thrill [C#] up?
Is it all a gunman?
Hollow [F#m] [F#] refugees with.
[C#] take it back.
He left. _
[F#m] Call it your next.
Try to talk.
You know, Mr.
[Bm] Mr. Pong.
Welcome to your next.
Miss [G#m] me and your peace.
Press.
You test.
[C#m] Pascal 45.
You are.
Thank you.
[F#m] We can't believe your next.
Try to talk.
You know, Mr.
[Bm] Mr.
Pong.
Welcome to your next.
Miss [G#m] me and your peace. Press.
You test.
[C#m] Pascal 45.
I'm the owner.
Thank [F#m] you.
_ _ [Bm] That's killer on the borderline.
[G#m] Refugee can't write.
Let's help.
He [C#m] cried. _ _ _
[F#m] _ _ _ _ [C#] _ _ _
[F#m] by Jackson.
[C#] Bought you thriller.
Givin' it all a gunman [F#m] holla.
Record deals we gon [C#] tick tack. _
[F#m] Why you gone?
Watch out for Babylon.
MC's [Bm] Babylon and on.
Out the non bomb like Ethiopians.
[G#m] Not Italians.
Queen of Sheba balanced like a loofer.
[C#m] Brain like media school.
The chain formed like the [F#m] pillars of Islam.
Make the rest fool.
The rest fool.
[Bm] It take one drop of purity to clean a cesspool.
The next [G#m] school will become Bras.
Kings and queens wearing crowns and hosiery.
except [C#m] the space and that I'm making practice great in biblical Texas.
[F#m] I sit next to scripted guards in the street of peril.
[Bm] Keep the path straight and narrow while we bombing off barrels.
[G#m] So bounty killer for this arrow, let's make plans for tomorrow.
God's [C#m] father, ma'am, God's mother, refugees when I [F#m] was home.
I fought drags and bought you [C#] thriller.
It made all the gunmen holler.
Refugees with boating killer, but he left me.
[F#m] You can't pull it down, bitch.
Try and drop in your middle.
Bless [Bm] you, Mr.
Pong.
Welcome to your next.
[G#m] Yes, I am your distress.
Me lay you trust.
[C#m] That's still 45.
Oh, she's been [F#m] with our next.
I just don't bring on the dress.
[Bm] You're Mr.
Pong.
Welcome to your next.
Yes, [G#m] me and your distress.
Me lay you trust.
[C#m] Yeah, I'm the East and rough from the West.
[F#m] Yo five years old.
I heard shots out the window.
[Bm] I thought that it was Zorro driving it from where [G#m] he go.
I asked my father, Pablo, who the hell is this?
[C#m] Papa?
He said his bounty killer.
He's dropped from my [F#m] ego.
When I start to echo from your soul and from your [C#] soul.
I'm taking your life up and eating hungry to get [F#m] told.
Move fast and kill your whole family and to [C#] fall to recall.
My money fatal, boy, that hair but do the minko.
[F#m] Is this the sound clash?
You ain't fit for the [Bm] job.
You're and you're making my E pod.
[G#m] You want to wrap his presence.
Go wrap it in a box.
[C#m] You versus me.
That's like the mouse versus a [F#m] big white clap.
Preach your son.
I sing the hymn for the lights get dim.
[Bm] Reflection of the end.
It's your face.
Face in the [G#m] coffin.
Oops, what's that?
So you kill me with that.
[C#m] Figments of your imagination.
You never tell with [F#m] incarceration.
Don't tell you want to be my rival.
[Bm] Pascal 45.
I come here.
I [G#m] call them start war and no seek survival.
[C#m] Refugees with on the trees.
Them that remain.
[F#m] _ [D#] Punks.
_ [C#] _ _ _ _
_ _ [D#m] _ _ [C#] _ _ _ _
Jackson, what [C#] you thrill up?
Is it all a [F#] gunman?
Hollow refugees with.
[C#] _ _ _ _
[F#m] Oh,
somehow we manage to bloom like [Bm] blocks by any means necessary.
[G#m] Deadlocked. Nice people.
How do we play?
There's like pots of [C#m] minimizing our losses like horses to the [F#m] maximum strategies for the refugees.
I'm [Bm] any much.
No, we're fighting not to me.
[G#m] Yo, which man run from my Magnum?
[C#m] Sataman.
Then blimp Jamaica.
[F#] Jamaica.
Jackson, what you thrill [C#] up?
Is it all a gunman?
Hollow [F#m] [F#] refugees with.
[C#] take it back.
He left. _
[F#m] Call it your next.
Try to talk.
You know, Mr.
[Bm] Mr. Pong.
Welcome to your next.
Miss [G#m] me and your peace.
Press.
You test.
[C#m] Pascal 45.
You are.
Thank you.
[F#m] We can't believe your next.
Try to talk.
You know, Mr.
[Bm] Mr.
Pong.
Welcome to your next.
Miss [G#m] me and your peace. Press.
You test.
[C#m] Pascal 45.
I'm the owner.
Thank [F#m] you.
_ _ [Bm] That's killer on the borderline.
[G#m] Refugee can't write.
Let's help.
He [C#m] cried. _ _ _