Chords for breaking down the isley bros. voyage to atlantis

Tempo:
121.9 bpm
Chords used:

A

Bm

G

E

D

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
breaking down the isley bros. voyage to atlantis chords
Start Jamming...
[E] Alright this is the Isley's Voice to Atlantis.
First thing, first chord is an E minor 7th played backwards.
That's what spooked everybody but I'm going to go through this.
[Em] [G]
[A] [Bm] [A]
[Bm] [G]
[Bm]
[A] [Bm]
[F#m] [Bm]
[G] [A] [Bm]
[A] [E]
[G] [A] [Bm]
[F#m]
[G] [A] [Bm]
[F#m] [Bm]
[G] [A] Can I [Bm] go [F#m] on my way without you?
[Bm]
[G] [A] [Bm] Oh, oh, oh, oh, oh, oh, oh, [F#m] oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, I know.
[D]
[G] [A] If I [Bm] go [F#m] on my way without you.
[Bm]
[G] [A] [Bm] Oh,
[F#m] let it [A] be so.
[G] This is another part.
[A] [G]
[A] [Bm]
It's [A] [Bm] [G] late [A] and stay my spirit
[Bm] please.
[A] [G]
[A] [Bm]
[F#m] [Bm] And though [G] I leave [A] another [C#] behind, [Bm]
[A] [Bm] I'll always [E] [A] love [Bm] [G] you.
[A] And then that's, you got that.
That's basic.
But it's in B minor, and when he go to burn, it's real simplistic, because if you study
a little Hendrix, you'll find out all along the Watchtower is right [D] here, because he'll
burn the same thing.
[Bm]
[D]
[Bm]
[D] [E]
[D]
[E] [C#] [E]
Now [D]
[Em] [D]
[E] when he hits the bridge, he hits the bridge.
[B] So [G#m] we'll say [F#m]
our last goodbye, [B]
[G#m] and we'll make it [A] this time.
Check [Bm] it out.
[E] [Bm]
[D]
[E] [D]
[A] [E]
[Dm] [E]
That's about [A] the essence of the whole song.
What is, show me how that, all along the Watchtower.
I mean, they're the same, pretty much.
I feel different.
[Bm] [A]
[G] [A] [Bm]
[A] [G] [D] All right, hey.
[E]
[Bm] [E] [F#] [Bm]
In [F#m] my dreams, I'm trying to [G] wake up.
[A] [Bm]
[A] [G] [B]
[E] What are the, okay, so you got the E minor 7 going backwards for the intro.
But proceed, the E minor 7 is not in Hendrix all along.
No, no, I'm just saying, for the Isley brothers.
Oh, you're E [Bm] minor 7.
They roll it back.
But he got a B minor 7.
Yep.
[D] To a F sharp minor 7.
[F#m]
To an A.
[E] To the B minor [Bm] 7.
[G] To a D major.
I'm going to go ahead real quick to the G, and then [A] throw in the A again.
A, yep, [Bm] back to the B minor 7.
Then it starts over.
F [A] sharp minor 7, A, D minor 7, [G] G.
And then the bridge [Em] is, check it out, this is crazy, [B] a B major.
So we're saying, [E] then you got a G sharp [G#m] minor 7.
[B]
To a F sharp [A] minor 7.
[B] So we're saying, [A] I'll ask you about.
Okay, and then he does it [B] again, over a piece.
And we'll make it this time.
[E]
[G] And that's when he, then he starts burning after that.
Back to the G.
[A] [Bm] [A] [F#]
[G] [E] You know, it's just kind of basic.
Okay, and he's just got some phaser on.
You kick on a little Big Muff Pi to get that distortion going.
Man, this is just, I mean.
And then that's about it.
And then he uses Ernie Clever.
I told y'all the last time, Ernie [A] Clever.
You can, he rips.
[D] He just rips.
[A] And then, when he goes to the [B] A6.
Back [D]
[Bm] to the A5.
[D] Show me that accidental.
That accidental, that's the one where he drops down.
Yeah, you learned that from Carlos Santana, baby.
He's a master of it.
[A] [Bm] Yeah, that right there.
[E] [D]
[A] [D]
[A] Alright, cool.
That was better?
[N] Yeah.
Key:  
A
1231
Bm
13421112
G
2131
E
2311
D
1321
A
1231
Bm
13421112
G
2131
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_ [E] _ _ Alright this is the _ Isley's Voice to Atlantis.
First thing, first chord is an E minor 7th played backwards.
That's what spooked everybody but I'm going to go through this.
[Em] _ _ _ _ [G] _ _
_ _ _ [A] _ [Bm] _ _ _ [A] _
_ _ [Bm] _ [G] _ _ _ _ _
_ _ _ _ [Bm] _ _ _ _
[A] _ _ _ _ [Bm] _ _ _ _
[F#m] _ _ _ _ _ _ _ [Bm] _
[G] _ _ _ [A] _ _ [Bm] _ _ _
_ [A] _ _ _ _ _ _ [E] _
[G] _ _ _ [A] _ _ [Bm] _ _ _
_ [F#m] _ _ _ _ _ _ _
[G] _ _ _ [A] _ _ [Bm] _ _ _
_ [F#m] _ _ _ _ _ _ [Bm] _
[G] _ _ _ [A] Can I [Bm] go _ [F#m] on my way without you?
[Bm] _
[G] _ _ _ [A] _ [Bm] Oh, oh, oh, oh, oh, oh, oh, [F#m] oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, I know.
_ [D] _
[G] _ _ _ [A] If I [Bm] go _ [F#m] on my way without you.
[Bm] _
[G] _ _ _ [A] _ [Bm] Oh, _ _
_ [F#m] let it [A] be so. _ _
[G] _ This is another part.
_ [A] _ [G] _
_ _ _ _ [A] _ _ [Bm] _ _
It's _ [A] _ _ [Bm] _ [G] late _ [A] and stay my spirit _
[Bm] _ please.
_ [A] _ [G] _ _ _
_ _ [A] _ _ _ [Bm] _ _ _
_ [F#m] _ _ [Bm] And though [G] I leave _ [A] another _ _ [C#] behind, _ [Bm] _
_ _ _ [A] [Bm] I'll _ always _ _ [E] _ _ [A] love [Bm] [G] you.
_ _ [A] _ And then that's, you got that.
That's basic.
But it's in B minor, and when he go to burn, it's real simplistic, because if you study
a little Hendrix, you'll find out all along the Watchtower is right [D] here, because he'll
burn the same thing.
_ _ _ _ _ [Bm] _ _
_ _ _ _ _ _ [D] _ _
[Bm] _ _ _ _ _ _ _ _
[D] _ _ _ _ _ _ _ [E] _
_ _ _ _ _ [D] _ _ _
_ _ [E] _ _ [C#] _ _ _ [E] _
_ _ Now [D] _ _ _ _
[Em] _ [D] _ _ _ _ _ _ _
_ [E] _ _ when he hits the bridge, he hits the bridge.
[B] _ _ So [G#m] we'll say _ [F#m] _
our last goodbye, _ _ [B] _
_ [G#m] and we'll make it [A] this time.
Check [Bm] it out. _ _ _ _ _
_ _ [E] _ _ _ _ [Bm] _ _
_ _ _ _ _ _ [D] _ _
[E] _ _ _ _ _ _ _ [D] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [A] _ _ [E] _
_ [Dm] _ _ _ _ [E] _ _
That's about [A] the essence of the whole song.
What is, show me how that, all along the Watchtower.
I mean, they're the same, pretty much.
I feel different.
_ [Bm] _ _ _ [A] _
_ [G] _ _ _ _ [A] _ _ [Bm] _
_ _ [A] _ _ [G] _ _ [D] All right, hey.
_ _ _ _ [E] _ _ _
[Bm] _ _ _ [E] _ [F#] _ _ [Bm] _ _
_ _ _ _ In [F#m] my dreams, I'm trying to [G] wake up.
[A] _ _ _ [Bm] _
_ [A] _ _ _ [G] _ _ _ [B] _
_ [E] _ What are the, okay, so you got the E minor 7 going backwards for the intro.
But proceed, the E minor 7 is not in Hendrix all along.
No, no, I'm just saying, for the Isley brothers.
Oh, you're E [Bm] minor 7.
They roll it back.
But he got a B minor 7.
Yep.
[D] To a F sharp minor 7.
[F#m] _
_ To an A.
[E] To the B minor [Bm] 7.
[G] To a D major.
I'm going to go ahead real quick to the G, and then [A] throw in the A again.
A, yep, [Bm] back to the B minor 7.
Then it starts over.
F [A] sharp minor 7, _ A, D minor 7, [G] G.
_ _ _ _ And then the bridge [Em] is, check it out, this is crazy, [B] a B major. _ _
_ So we're saying, [E] then you got a G _ _ sharp [G#m] minor 7.
_ [B] _ _
_ _ _ _ To a F sharp [A] minor 7.
_ [B] So we're saying, _ _ [A] I'll ask you about.
Okay, _ and then he does it [B] again, over a piece.
And we'll make it this time.
[E] _ _ _ _
_ [G] And that's when he, then he starts burning after that.
Back to the G.
_ _ [A] _ _ [Bm] _ _ [A] _ [F#] _
[G] _ [E] You know, it's just kind of basic.
Okay, and he's just got some phaser on.
You kick on a little Big Muff Pi to get that distortion going.
Man, this is just, I mean.
And then that's about it.
And then he uses Ernie Clever.
I told y'all the last time, Ernie [A] Clever.
You can, he rips.
[D] He just rips. _ _
_ _ _ _ [A] And then, when he goes to the [B] A6.
_ Back _ [D] _ _ _
_ _ [Bm] _ _ _ to the A5.
_ _ _ _ _ _ _ _
_ _ _ [D] _ _ Show me that accidental.
That accidental, that's the one where he drops down.
Yeah, you learned that from Carlos Santana, baby.
He's a master of it. _ _ _ _ _
_ [A] _ _ [Bm] _ _ _ Yeah, that right there.
_ _ [E] _ _ [D] _
_ _ _ _ [A] _ _ _ [D] _
[A] _ Alright, cool.
That was better?
[N] Yeah.

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