Chords for Bryan Adams - We Did It All - Behind The Song
Tempo:
130.3 bpm
Chords used:
C
G
F
Fm
Am
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Fm]
[C] I was doing [Eb] the night shift, you [Dm] were a dancer
We [G]
[C] did it all.
There's a song that was tailor written [B] for [G] our producer [A] Jeff Lynn.
[A] Jim had written this [Dm] verse idea.
[G] The lyrics weren't together, just sort [F] of a combination of [E] nice [Am] diminished chords and just sent me the verse.
And he [C] played it for me and I thought that's beautiful.
We did it all, we'd do it again [G] in our heartbeats
[F] You gotta go the distance right to [C] the end
We took it all the way and [G] in our heartbeats
[F] We did it all [Fm] and we'd do [C] it again
I remember one night just by myself sitting there, [Ab] put the idea on and the first thing that came out of my [D] mouth was we did it all [G] and the chords.
The build up comes [C] after that sort of C over B flat chord which ends [D] the verse and then I thought it [Am] was nice to [Dm] keep holding onto the C.
So the chorus sort of ends [G] on a C chord with a B flat but then goes [F] into a C chord so [E] it's like a prolonged C.
[Am] That to me gave the [G] song some tension.
[C]
We did it all, we'd do it again in [G] our heartbeats
[F] You gotta go the distance right to [C] the end
I sent the idea to Jim and then he sent back an arrangement.
So usually we back and forth a little bit on whether the structure is right or whether the chorus is right but it literally was like his verse, [F] my chorus.
Then we had to get together and write the [Fm] song which is like filling in the dots.
[C] What's the story going to be about, what's the song about?
But that's basically how it was created.
[F] We did it all [Fm] and we'd do it [Am] again
[C]
[C] I was doing [Eb] the night shift, you [Dm] were a dancer
We [G]
[C] did it all.
There's a song that was tailor written [B] for [G] our producer [A] Jeff Lynn.
[A] Jim had written this [Dm] verse idea.
[G] The lyrics weren't together, just sort [F] of a combination of [E] nice [Am] diminished chords and just sent me the verse.
And he [C] played it for me and I thought that's beautiful.
We did it all, we'd do it again [G] in our heartbeats
[F] You gotta go the distance right to [C] the end
We took it all the way and [G] in our heartbeats
[F] We did it all [Fm] and we'd do [C] it again
I remember one night just by myself sitting there, [Ab] put the idea on and the first thing that came out of my [D] mouth was we did it all [G] and the chords.
The build up comes [C] after that sort of C over B flat chord which ends [D] the verse and then I thought it [Am] was nice to [Dm] keep holding onto the C.
So the chorus sort of ends [G] on a C chord with a B flat but then goes [F] into a C chord so [E] it's like a prolonged C.
[Am] That to me gave the [G] song some tension.
[C]
We did it all, we'd do it again in [G] our heartbeats
[F] You gotta go the distance right to [C] the end
I sent the idea to Jim and then he sent back an arrangement.
So usually we back and forth a little bit on whether the structure is right or whether the chorus is right but it literally was like his verse, [F] my chorus.
Then we had to get together and write the [Fm] song which is like filling in the dots.
[C] What's the story going to be about, what's the song about?
But that's basically how it was created.
[F] We did it all [Fm] and we'd do it [Am] again
[C]
Key:
C
G
F
Fm
Am
C
G
F
_ _ _ _ _ _
_ _ [Fm] _ _ _ _
_ _ [C] _ I was doing [Eb] the night shift, you [Dm] were a dancer
_ We [G] _ _ _
_ _ [C] did it all.
There's a song that was tailor written [B] _ for [G] our producer [A] Jeff Lynn.
[A] Jim had written this [Dm] verse idea.
[G] The lyrics weren't together, just sort [F] of a combination of [E] nice [Am] diminished chords and just sent me the verse.
And he [C] played it for me and I thought that's beautiful. _ _ _ _ _
_ _ _ _ We did it all, we'd do it again [G] in our _ _ heartbeats _ _ _
_ _ _ [F] _ You gotta go the distance right to [C] the _ _ end _ _ _
_ _ _ _ We took it all the way _ _ and [G] in our _ _ _ heartbeats _ _
_ _ _ [F] _ We did it all [Fm] _ and we'd do [C] it _ _ again _ _ _ _
_ _ I remember one night just by myself sitting there, [Ab] put the idea on and the first thing that came out of my [D] mouth was we did it all [G] and the chords.
The build up comes [C] after that sort of C over B flat chord which ends [D] the verse and then I thought it [Am] was nice to [Dm] keep holding onto the C.
So the chorus sort of ends [G] on a C chord with a B flat but then goes [F] into a C chord so [E] it's like a prolonged C.
[Am] That to me gave the [G] song some tension.
_ [C] _ _ _
_ _ _ _ _ _
_ _ _ We did it all, we'd do it again in [G] our _ _ _ heartbeats _ _ _
_ _ _ [F] You gotta go the distance _ right to [C] the _ _ end _ _ _ _
_ I sent the idea to Jim and then he sent back an arrangement.
So usually we back and forth a little bit on whether the structure is right or whether the chorus is right but it literally was like his verse, [F] my chorus.
Then we had to get together and write the [Fm] song which is like filling in the dots.
[C] What's the story going to be about, what's the song about?
_ But that's basically how it was created.
[F] _ We did it all [Fm] and _ we'd do it _ _ _ [Am] again
_ [C] _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ [Fm] _ _ _ _
_ _ [C] _ I was doing [Eb] the night shift, you [Dm] were a dancer
_ We [G] _ _ _
_ _ [C] did it all.
There's a song that was tailor written [B] _ for [G] our producer [A] Jeff Lynn.
[A] Jim had written this [Dm] verse idea.
[G] The lyrics weren't together, just sort [F] of a combination of [E] nice [Am] diminished chords and just sent me the verse.
And he [C] played it for me and I thought that's beautiful. _ _ _ _ _
_ _ _ _ We did it all, we'd do it again [G] in our _ _ heartbeats _ _ _
_ _ _ [F] _ You gotta go the distance right to [C] the _ _ end _ _ _
_ _ _ _ We took it all the way _ _ and [G] in our _ _ _ heartbeats _ _
_ _ _ [F] _ We did it all [Fm] _ and we'd do [C] it _ _ again _ _ _ _
_ _ I remember one night just by myself sitting there, [Ab] put the idea on and the first thing that came out of my [D] mouth was we did it all [G] and the chords.
The build up comes [C] after that sort of C over B flat chord which ends [D] the verse and then I thought it [Am] was nice to [Dm] keep holding onto the C.
So the chorus sort of ends [G] on a C chord with a B flat but then goes [F] into a C chord so [E] it's like a prolonged C.
[Am] That to me gave the [G] song some tension.
_ [C] _ _ _
_ _ _ _ _ _
_ _ _ We did it all, we'd do it again in [G] our _ _ _ heartbeats _ _ _
_ _ _ [F] You gotta go the distance _ right to [C] the _ _ end _ _ _ _
_ I sent the idea to Jim and then he sent back an arrangement.
So usually we back and forth a little bit on whether the structure is right or whether the chorus is right but it literally was like his verse, [F] my chorus.
Then we had to get together and write the [Fm] song which is like filling in the dots.
[C] What's the story going to be about, what's the song about?
_ But that's basically how it was created.
[F] _ We did it all [Fm] and _ we'd do it _ _ _ [Am] again
_ [C] _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _