Chords for Caroline Jones - Rise (Behind The Song)
Tempo:
125.3 bpm
Chords used:
D
Bm
A
G
B
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[B] [Bm] [G] Oh, I'm [A] [D] gonna [Bm] sing it.
[G] Oh,
[F#m] [C#m] [Bm] I'm gonna sing it.
[G] [D]
Rise was one of the [A] first songs I [Bm] played for Rick
when we started making this record.
[G] I had [Bm] that main riff, ding, ding, ding, ding, ding, ding,
ding, [D] ding.
[Em] [Bm]
And the whole song was based around that.
[G] And the song, lyrically, [D]
really speaks
to [A] reaffirming what you [Bm] believe in and who you
are when you [G] lose yourself, when you get distracted
[D]
by others' opinions [Am] or by the circumstances of the world
or you're going through a tough [D] time.
And I think we've all been there.
And I've certainly been there in my life and in my [A] career.
And Rise [Bm] is a triumphant [G] announcement
[D]
that you're going to have [A] conviction about who you are
and [Bm] what you want and what your dreams are.
You can see through [G] different eyes
and 10 [D],000 foot skies.
[A] Never [Bm] feared in my eyes nor did it [G] ever move.
How can [D] I go?
When we started producing [A] Rise, we
were building songs almost entirely acoustic.
[Bm] So we started with those two-picked acoustic [G] guitars
and the main [D] banjo riff.
And we actually [A] tripled the main riff with [Bm] a fiddle sample.
And we also [G] doubled it with a strap.
[D] Oh.
[E]
[D] Oh.
[Bm] When Near Z and Glenn [G] Worf came in,
they played on top of [D] what was already a completed [A] track.
And [Bm] obviously, the [G] drums in Rise just
made the [D] chorus [N] so epic.
[C#m]
[B] Rise is really built almost like a dance [G] song,
where there's this big epic [D] moment where the beat drops.
[A] And the B section [D] is this kind of broken [F#m] down,
[Bm] intimate moment that then explodes
[G] into this [D] epic chorus, tons of background vocals.
[A] And so I [Bm] think the addition of the bass and drums
and the synths that [G] we added really
make for [D] an epic production.
We [A] had a session [Bm] in Miami with high school students
where [G] we had them overdub some gang vocals [D] on this record.
So that's just [A]
high school kids and [D] me stacked a million times.
[A] You have heart, you have hands.
[Bm] And the highest calling [G] of our lives
is to [D] find the grace in the very [A] place we stand.
The background vocals are the centerpiece of this record.
[Bm] [D] My favorite lines in Rise are, no matter [A] where you land
or how far you may fall, you have [Bm] heart, you have hands.
And [D] the highest calling of our lives
is to find [A] the grace in the very [Bm] place we stand and rise.
[G] [A]
[D] [A]
[Bm] [G]
[D] [A] [D]
[A] [Bm] It's really about [G] finding the [D] redeeming factors
and qualities [A] and the challenges of life,
because [Bm] they force you and allow you
to reaffirm your [D] conviction and reaffirm your strength
in [A] who you are.
We are who [Bm] we are.
[N]
[G] Oh,
[F#m] [C#m] [Bm] I'm gonna sing it.
[G] [D]
Rise was one of the [A] first songs I [Bm] played for Rick
when we started making this record.
[G] I had [Bm] that main riff, ding, ding, ding, ding, ding, ding,
ding, [D] ding.
[Em] [Bm]
And the whole song was based around that.
[G] And the song, lyrically, [D]
really speaks
to [A] reaffirming what you [Bm] believe in and who you
are when you [G] lose yourself, when you get distracted
[D]
by others' opinions [Am] or by the circumstances of the world
or you're going through a tough [D] time.
And I think we've all been there.
And I've certainly been there in my life and in my [A] career.
And Rise [Bm] is a triumphant [G] announcement
[D]
that you're going to have [A] conviction about who you are
and [Bm] what you want and what your dreams are.
You can see through [G] different eyes
and 10 [D],000 foot skies.
[A] Never [Bm] feared in my eyes nor did it [G] ever move.
How can [D] I go?
When we started producing [A] Rise, we
were building songs almost entirely acoustic.
[Bm] So we started with those two-picked acoustic [G] guitars
and the main [D] banjo riff.
And we actually [A] tripled the main riff with [Bm] a fiddle sample.
And we also [G] doubled it with a strap.
[D] Oh.
[E]
[D] Oh.
[Bm] When Near Z and Glenn [G] Worf came in,
they played on top of [D] what was already a completed [A] track.
And [Bm] obviously, the [G] drums in Rise just
made the [D] chorus [N] so epic.
[C#m]
[B] Rise is really built almost like a dance [G] song,
where there's this big epic [D] moment where the beat drops.
[A] And the B section [D] is this kind of broken [F#m] down,
[Bm] intimate moment that then explodes
[G] into this [D] epic chorus, tons of background vocals.
[A] And so I [Bm] think the addition of the bass and drums
and the synths that [G] we added really
make for [D] an epic production.
We [A] had a session [Bm] in Miami with high school students
where [G] we had them overdub some gang vocals [D] on this record.
So that's just [A]
high school kids and [D] me stacked a million times.
[A] You have heart, you have hands.
[Bm] And the highest calling [G] of our lives
is to [D] find the grace in the very [A] place we stand.
The background vocals are the centerpiece of this record.
[Bm] [D] My favorite lines in Rise are, no matter [A] where you land
or how far you may fall, you have [Bm] heart, you have hands.
And [D] the highest calling of our lives
is to find [A] the grace in the very [Bm] place we stand and rise.
[G] [A]
[D] [A]
[Bm] [G]
[D] [A] [D]
[A] [Bm] It's really about [G] finding the [D] redeeming factors
and qualities [A] and the challenges of life,
because [Bm] they force you and allow you
to reaffirm your [D] conviction and reaffirm your strength
in [A] who you are.
We are who [Bm] we are.
[N]
Key:
D
Bm
A
G
B
D
Bm
A
[B] _ [Bm] _ _ [G] _ _ Oh, _ _ I'm [A] _ _ [D] gonna [Bm] sing it.
_ _ [G] _ _ Oh, _
_ _ _ [F#m] _ [C#m] [Bm] I'm gonna sing it.
_ _ _ _ [G] _ _ _ [D]
Rise was one of the [A] first songs I [Bm] played for Rick
when we started making this record.
[G] I had [Bm] that main riff, ding, ding, ding, ding, ding, ding,
ding, [D] ding. _ _
_ _ _ _ [Em] _ _ _ [Bm]
And the whole song was based around that.
[G] And the song, lyrically, [D]
really speaks
to _ [A] reaffirming what you [Bm] believe in and who you
are when you [G] lose yourself, when you get distracted
[D] _
by others' opinions [Am] or by the circumstances of the world
or you're going through a tough [D] time.
And I think we've all been there.
And I've certainly been there in my life and in my [A] career.
And Rise [Bm] is a triumphant [G] _ announcement
[D]
that you're going to have [A] conviction about who you are
and [Bm] what you want and what your dreams are.
You can see through [G] different eyes
and 10 [D],000 foot skies.
_ [A] _ _ Never [Bm] feared in my eyes nor did it [G] ever move.
How can [D] I go?
When we started producing [A] Rise, we
were building songs almost entirely acoustic.
[Bm] So we started with those two-picked acoustic [G] guitars
and the main [D] banjo riff.
And we actually [A] tripled the main riff with [Bm] a fiddle sample.
And we also [G] doubled it with a strap.
[D] Oh.
_ _ _ [E] _
[D] Oh.
_ [Bm] When Near Z and Glenn [G] Worf came in,
they played on top of [D] what was already a completed [A] track.
_ And [Bm] obviously, the [G] drums in Rise just
made the [D] chorus [N] so epic. _ _
_ _ _ _ _ _ _ _
_ _ _ [C#m] _ _ _ _ _
_ _ _ _ [B] _ Rise is really built almost like a dance [G] song,
where there's this big epic [D] moment where the beat drops.
[A] And the B section [D] is this kind of broken [F#m] down,
[Bm] intimate moment that then explodes
[G] into this [D] epic chorus, tons of background vocals.
[A] And so I [Bm] think the addition of the bass and drums
and the synths that [G] we added really
make for [D] an epic production.
We [A] had a session [Bm] in Miami with high school students
where [G] we had them overdub some gang vocals [D] on this record.
So that's just [A]
high school kids and [D] me stacked a million times.
[A] You have heart, you have hands.
[Bm] And the highest calling [G] of our lives
is to [D] find the grace in the very [A] place we stand.
The background vocals are the centerpiece of this record.
[Bm] _ _ _ _ [D] My favorite lines in Rise are, _ no matter [A] where you land
or how far you may fall, you have [Bm] heart, you have hands.
And [D] the highest calling of our lives
is to find [A] the grace in the very [Bm] place we stand and rise.
_ [G] _ _ [A] _
_ [D] _ _ _ _ [A] _ _ _
_ [Bm] _ _ _ _ [G] _ _ _
_ [D] _ _ _ _ [A] _ _ [D] _
_ [A] _ _ _ [Bm] _ _ It's really about [G] finding the [D] redeeming factors
and qualities [A] and the challenges of life,
because [Bm] they force you and allow you
to reaffirm your [D] conviction and reaffirm your strength
in [A] who you are.
We are who [Bm] we are. _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [N] _ _ _
_ _ [G] _ _ Oh, _
_ _ _ [F#m] _ [C#m] [Bm] I'm gonna sing it.
_ _ _ _ [G] _ _ _ [D]
Rise was one of the [A] first songs I [Bm] played for Rick
when we started making this record.
[G] I had [Bm] that main riff, ding, ding, ding, ding, ding, ding,
ding, [D] ding. _ _
_ _ _ _ [Em] _ _ _ [Bm]
And the whole song was based around that.
[G] And the song, lyrically, [D]
really speaks
to _ [A] reaffirming what you [Bm] believe in and who you
are when you [G] lose yourself, when you get distracted
[D] _
by others' opinions [Am] or by the circumstances of the world
or you're going through a tough [D] time.
And I think we've all been there.
And I've certainly been there in my life and in my [A] career.
And Rise [Bm] is a triumphant [G] _ announcement
[D]
that you're going to have [A] conviction about who you are
and [Bm] what you want and what your dreams are.
You can see through [G] different eyes
and 10 [D],000 foot skies.
_ [A] _ _ Never [Bm] feared in my eyes nor did it [G] ever move.
How can [D] I go?
When we started producing [A] Rise, we
were building songs almost entirely acoustic.
[Bm] So we started with those two-picked acoustic [G] guitars
and the main [D] banjo riff.
And we actually [A] tripled the main riff with [Bm] a fiddle sample.
And we also [G] doubled it with a strap.
[D] Oh.
_ _ _ [E] _
[D] Oh.
_ [Bm] When Near Z and Glenn [G] Worf came in,
they played on top of [D] what was already a completed [A] track.
_ And [Bm] obviously, the [G] drums in Rise just
made the [D] chorus [N] so epic. _ _
_ _ _ _ _ _ _ _
_ _ _ [C#m] _ _ _ _ _
_ _ _ _ [B] _ Rise is really built almost like a dance [G] song,
where there's this big epic [D] moment where the beat drops.
[A] And the B section [D] is this kind of broken [F#m] down,
[Bm] intimate moment that then explodes
[G] into this [D] epic chorus, tons of background vocals.
[A] And so I [Bm] think the addition of the bass and drums
and the synths that [G] we added really
make for [D] an epic production.
We [A] had a session [Bm] in Miami with high school students
where [G] we had them overdub some gang vocals [D] on this record.
So that's just [A]
high school kids and [D] me stacked a million times.
[A] You have heart, you have hands.
[Bm] And the highest calling [G] of our lives
is to [D] find the grace in the very [A] place we stand.
The background vocals are the centerpiece of this record.
[Bm] _ _ _ _ [D] My favorite lines in Rise are, _ no matter [A] where you land
or how far you may fall, you have [Bm] heart, you have hands.
And [D] the highest calling of our lives
is to find [A] the grace in the very [Bm] place we stand and rise.
_ [G] _ _ [A] _
_ [D] _ _ _ _ [A] _ _ _
_ [Bm] _ _ _ _ [G] _ _ _
_ [D] _ _ _ _ [A] _ _ [D] _
_ [A] _ _ _ [Bm] _ _ It's really about [G] finding the [D] redeeming factors
and qualities [A] and the challenges of life,
because [Bm] they force you and allow you
to reaffirm your [D] conviction and reaffirm your strength
in [A] who you are.
We are who [Bm] we are. _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [N] _ _ _