Chords for Chick Corea Jazz Keyboard Demo — Rhythmic Displacement
Tempo:
113.8 bpm
Chords used:
D
Bb
Gm
Dm
Cm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
I want to demonstrate that.
Okay.
Let's play a vamp.
Carlito, start off with this for me.
In D.
Oh, that's straight.
It's a straight time, right?
That's a straight melody, right?
[D]
[D]
[A]
[D]
[Gm]
[Bb]
[Dm] [Bb]
[C]
[Bb]
[D]
[Bb]
[Dm] [D]
[Gm] [D] [Gm]
[D]
[Dm]
[Bb] [D] [Dm] [Gm]
[D]
[Bb]
[D] [Cm]
[A] I mean, you do that all the time.
[E] Yeah, I mean, I don't know.
It's, um
You take a phrase, and you make it its own thing.
And start it in a different place,
but always keep, you know, like a lot of the music I write
to [Bb] others' ears sounds like they're in different time signatures,
5-4 and 7-4, and usually they're not.
Usually they're in 4-4 or 3-4,
but [Cm] the displacement happens on top.
Right, yeah, that's exactly what I was Yeah, yeah.
You take a piece, and then it doesn't fit into 4-4,
so you kind of string it like that, in 3.
You put 3 over 4, or whatever the combination is.
[C] [Gm] [Fm] [Gbm]
[Gm] [C] [Bm] [Eb]
[Bb]
[Cm] [D] [Cm]
Okay.
Let's play a vamp.
Carlito, start off with this for me.
In D.
Oh, that's straight.
It's a straight time, right?
That's a straight melody, right?
[D]
[D]
[A]
[D]
[Gm]
[Bb]
[Dm] [Bb]
[C]
[Bb]
[D]
[Bb]
[Dm] [D]
[Gm] [D] [Gm]
[D]
[Dm]
[Bb] [D] [Dm] [Gm]
[D]
[Bb]
[D] [Cm]
[A] I mean, you do that all the time.
[E] Yeah, I mean, I don't know.
It's, um
You take a phrase, and you make it its own thing.
And start it in a different place,
but always keep, you know, like a lot of the music I write
to [Bb] others' ears sounds like they're in different time signatures,
5-4 and 7-4, and usually they're not.
Usually they're in 4-4 or 3-4,
but [Cm] the displacement happens on top.
Right, yeah, that's exactly what I was Yeah, yeah.
You take a piece, and then it doesn't fit into 4-4,
so you kind of string it like that, in 3.
You put 3 over 4, or whatever the combination is.
[C] [Gm] [Fm] [Gbm]
[Gm] [C] [Bm] [Eb]
[Bb]
[Cm] [D] [Cm]
Key:
D
Bb
Gm
Dm
Cm
D
Bb
Gm
_ _ _ _ I want to demonstrate that.
Okay.
_ _ _ _ _ Let's play a vamp.
_ _ Carlito, start off with this for me.
_ _ In D. _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ Oh, that's straight. _
It's a straight time, right? _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
That's a straight melody, right? _ _ _ _
_ _ _ _ _ _ _ [D] _
_ [D] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [A] _ _ _ _
_ _ _ _ _ _ _ [D] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [Gm] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [Bb] _
_ [Dm] _ _ _ [Bb] _ _ _ _
_ _ _ _ _ _ _ [C] _
_ _ _ _ _ _ _ _
_ _ [Bb] _ _ _ _ _ _
_ _ [D] _ _ _ _ _ _
_ _ _ _ _ _ _ [Bb] _
_ _ _ [Dm] _ _ [D] _ _ _
_ _ [Gm] _ _ [D] _ _ _ [Gm] _
_ _ _ _ [D] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [Dm] _ _
_ [Bb] _ _ [D] _ _ [Dm] _ _ [Gm] _
_ _ [D] _ _ _ _ _ _
_ _ _ _ _ _ _ [Bb] _
_ _ [D] _ _ _ [Cm] _ _ _
_ _ [A] I mean, you do that all the time.
_ _ _ _ [E] Yeah, I mean, I don't know.
It's, um_
You take a phrase, and you make it its own thing. _ _ _ _
And start it in a different place,
but always keep, you know, like a lot of the music I write
to [Bb] others' ears sounds like they're in different time signatures,
5-4 and 7-4, and usually they're not.
Usually they're in 4-4 or 3-4,
but [Cm] the _ displacement happens on top.
Right, yeah, that's exactly what I was_ Yeah, yeah.
You take a piece, and then it doesn't fit into 4-4,
so you kind of string it like that, in 3.
You put 3 over 4, or whatever the combination is.
_ _ _ [C] _ _ _ _ _ [Gm] _ [Fm] _ _ [Gbm] _
_ [Gm] _ _ [C] _ _ [Bm] _ _ [Eb] _
_ _ [Bb] _ _ _ _ _ _
_ [Cm] _ _ [D] _ _ _ _ [Cm] _
Okay.
_ _ _ _ _ Let's play a vamp.
_ _ Carlito, start off with this for me.
_ _ In D. _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ Oh, that's straight. _
It's a straight time, right? _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
That's a straight melody, right? _ _ _ _
_ _ _ _ _ _ _ [D] _
_ [D] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [A] _ _ _ _
_ _ _ _ _ _ _ [D] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [Gm] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [Bb] _
_ [Dm] _ _ _ [Bb] _ _ _ _
_ _ _ _ _ _ _ [C] _
_ _ _ _ _ _ _ _
_ _ [Bb] _ _ _ _ _ _
_ _ [D] _ _ _ _ _ _
_ _ _ _ _ _ _ [Bb] _
_ _ _ [Dm] _ _ [D] _ _ _
_ _ [Gm] _ _ [D] _ _ _ [Gm] _
_ _ _ _ [D] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [Dm] _ _
_ [Bb] _ _ [D] _ _ [Dm] _ _ [Gm] _
_ _ [D] _ _ _ _ _ _
_ _ _ _ _ _ _ [Bb] _
_ _ [D] _ _ _ [Cm] _ _ _
_ _ [A] I mean, you do that all the time.
_ _ _ _ [E] Yeah, I mean, I don't know.
It's, um_
You take a phrase, and you make it its own thing. _ _ _ _
And start it in a different place,
but always keep, you know, like a lot of the music I write
to [Bb] others' ears sounds like they're in different time signatures,
5-4 and 7-4, and usually they're not.
Usually they're in 4-4 or 3-4,
but [Cm] the _ displacement happens on top.
Right, yeah, that's exactly what I was_ Yeah, yeah.
You take a piece, and then it doesn't fit into 4-4,
so you kind of string it like that, in 3.
You put 3 over 4, or whatever the combination is.
_ _ _ [C] _ _ _ _ _ [Gm] _ [Fm] _ _ [Gbm] _
_ [Gm] _ _ [C] _ _ [Bm] _ _ [Eb] _
_ _ [Bb] _ _ _ _ _ _
_ [Cm] _ _ [D] _ _ _ _ [Cm] _