Chords for Chronixx - Likes
Tempo:
93.825 bpm
Chords used:
C#m
G#m
C#
B
E
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Hey, I'm Erica Olson and on this Music Minute, we're at the Fonda Theatre in LA with Jamaican-based singer Chronix.
Thank you for joining us.
Respect.
Tell us about the song that you're performing for us on Music Minute.
The song we are going to perform is called Likes.
It's a fun song, I love songs.
The lyric says, do it for the love, don't do it for the likes.
So, we do it for the love every time.
In the age of Facebook and Twitter, I like that.
[C#m]
Everybody like it, still me irie.
We no love likes.
In a [G#m] dancehall style.
Everybody like it, still me irie.
We no love likes, no.
Every time I [C#m] voice, we do it for the love, we no do it for the likes.
Do it for the love, we no do it for the likes, no.
We make them know, [B] success don't come overnight.
[G#m] And make them know, substance overhive.
Do it for the love, we no do it for the likes, oh.
No more [C#m] them love likes, that's not right.
Sit down in a post and a tweet all night.
Sit them on social media type.
One like, send them to your studio of ice.
[B] But we never put them up on no flight.
And we never see them live [D#] another life.
You miss someone, [B] oh you have so much life.
All is still a [C#m] leap on iTunes.
Super keen, we no fret the air.
We put the music first and start.
While we day and the wire and the air.
We work, work, work, dance [E] hard.
When you see me, [G#m] you say, that's a lie.
Every tune that we ever write.
And every show where we headline.
We no do it for the likes, when we [C#m] tell them we do it for the love.
We no do it for the likes.
How did you get your start in music?
When did it all begin?
Growing up, we started to go to church, school.
And we started learning instruments.
The thing that interested me the most was singing [G#m] and the voice.
And like, the great things people can do with their voices.
Never tell you people so nothing can them.
You said me tell them so they gonna buy a yin [B] yang.
Do it for the [G#m] love, me no do it for the likes.
Do it [C#m] for the likes.
[C#] Sing [E] them the life, we but we [C#m] no respond.
Fly out and make the love from a distance.
Come home for two weeks vacation.
Not for them still stuck in the bridge [B] son.
And up here I say them a the big man.
In Jamaica I have them a biggest song.
A gentleman me hear a play a fiddle on.
[C#] Never hear the play in a Pakistan.
[C#m] That's him for me, me no ready.
Someone like you gonna dance hard.
While we day and the wire and the air.
We react.
[G#m] Give me a beat on the mic.
Many fingers still with the voice.
When we put the song up on the timeline.
Do [C#] it for the likes.
[C#m] Do it for the love.
Do it for the likes.
Let's talk about reggae music.
[C#] Well, reggae music [C#m] is one form of Jamaican music.
It represents [G#m] the, an uprising of the human spirit.
And of the human soul.
Uprising in a very positive [C#m] and uplifting kind of way.
So when we mix a tune and drop it like.
Me no [G#] wanna repeat me song.
Me no [C#m] wanna me the guy interpret me wrong.
[F#m] Let me give me credit in a dancehall fashion.
[G#] Big up and see anyone cape a can.
[G#m] The wild a party and the one ninja man.
Big up the killer and the one beanie man.
King [C#] yellow man, boo boo the one man.
[C#m] Early been a till a see what he done.
Me drama killing sister diamond.
And none of them no bad like Marianne.
Me a this a you a real big a man.
[G#m] Me a bloody think a [E] you a Nella Vagan.
[G#m] Me a girl's man and him brother Papa San.
Me a Gary Mann a didn't know you a got on.
Me a Johnny Clee what it all a got on.
[C#m] Steely Clee, me Tony and Dave Kelly.
Bobby Digital, General King Jammie.
Exterminator, Sire Robbie.
Steve the Mugger, Don Carly, and me [G#m] so.
Me a suck a Lenky and Bulby.
Donovan, Germaine, Grafton, Mikey.
Me a this a you a no me ready.
Me a this a you a no me ready.
[C#m] And I know it's tough to be on the road,
but are you constantly writing music while you're on the road?
Well, I constantly meditate music.
I try to [Fm] always see [E] everything as a song [C#m] and everything as a [G#m] sound.
I try to be that kind of artist that can uncall me creative.
[G#] [C#]
Thank you for joining us.
Respect.
Tell us about the song that you're performing for us on Music Minute.
The song we are going to perform is called Likes.
It's a fun song, I love songs.
The lyric says, do it for the love, don't do it for the likes.
So, we do it for the love every time.
In the age of Facebook and Twitter, I like that.
[C#m]
Everybody like it, still me irie.
We no love likes.
In a [G#m] dancehall style.
Everybody like it, still me irie.
We no love likes, no.
Every time I [C#m] voice, we do it for the love, we no do it for the likes.
Do it for the love, we no do it for the likes, no.
We make them know, [B] success don't come overnight.
[G#m] And make them know, substance overhive.
Do it for the love, we no do it for the likes, oh.
No more [C#m] them love likes, that's not right.
Sit down in a post and a tweet all night.
Sit them on social media type.
One like, send them to your studio of ice.
[B] But we never put them up on no flight.
And we never see them live [D#] another life.
You miss someone, [B] oh you have so much life.
All is still a [C#m] leap on iTunes.
Super keen, we no fret the air.
We put the music first and start.
While we day and the wire and the air.
We work, work, work, dance [E] hard.
When you see me, [G#m] you say, that's a lie.
Every tune that we ever write.
And every show where we headline.
We no do it for the likes, when we [C#m] tell them we do it for the love.
We no do it for the likes.
How did you get your start in music?
When did it all begin?
Growing up, we started to go to church, school.
And we started learning instruments.
The thing that interested me the most was singing [G#m] and the voice.
And like, the great things people can do with their voices.
Never tell you people so nothing can them.
You said me tell them so they gonna buy a yin [B] yang.
Do it for the [G#m] love, me no do it for the likes.
Do it [C#m] for the likes.
[C#] Sing [E] them the life, we but we [C#m] no respond.
Fly out and make the love from a distance.
Come home for two weeks vacation.
Not for them still stuck in the bridge [B] son.
And up here I say them a the big man.
In Jamaica I have them a biggest song.
A gentleman me hear a play a fiddle on.
[C#] Never hear the play in a Pakistan.
[C#m] That's him for me, me no ready.
Someone like you gonna dance hard.
While we day and the wire and the air.
We react.
[G#m] Give me a beat on the mic.
Many fingers still with the voice.
When we put the song up on the timeline.
Do [C#] it for the likes.
[C#m] Do it for the love.
Do it for the likes.
Let's talk about reggae music.
[C#] Well, reggae music [C#m] is one form of Jamaican music.
It represents [G#m] the, an uprising of the human spirit.
And of the human soul.
Uprising in a very positive [C#m] and uplifting kind of way.
So when we mix a tune and drop it like.
Me no [G#] wanna repeat me song.
Me no [C#m] wanna me the guy interpret me wrong.
[F#m] Let me give me credit in a dancehall fashion.
[G#] Big up and see anyone cape a can.
[G#m] The wild a party and the one ninja man.
Big up the killer and the one beanie man.
King [C#] yellow man, boo boo the one man.
[C#m] Early been a till a see what he done.
Me drama killing sister diamond.
And none of them no bad like Marianne.
Me a this a you a real big a man.
[G#m] Me a bloody think a [E] you a Nella Vagan.
[G#m] Me a girl's man and him brother Papa San.
Me a Gary Mann a didn't know you a got on.
Me a Johnny Clee what it all a got on.
[C#m] Steely Clee, me Tony and Dave Kelly.
Bobby Digital, General King Jammie.
Exterminator, Sire Robbie.
Steve the Mugger, Don Carly, and me [G#m] so.
Me a suck a Lenky and Bulby.
Donovan, Germaine, Grafton, Mikey.
Me a this a you a no me ready.
Me a this a you a no me ready.
[C#m] And I know it's tough to be on the road,
but are you constantly writing music while you're on the road?
Well, I constantly meditate music.
I try to [Fm] always see [E] everything as a song [C#m] and everything as a [G#m] sound.
I try to be that kind of artist that can uncall me creative.
[G#] [C#]
Key:
C#m
G#m
C#
B
E
C#m
G#m
C#
Hey, I'm Erica Olson and on this Music Minute, we're at the Fonda Theatre in LA with Jamaican-based singer Chronix.
Thank you for joining us.
Respect.
Tell us about the song that you're performing for us on Music Minute.
The song we are going to perform is called Likes. _
It's a fun song, I love songs.
The lyric says, do it for the love, don't do it for the likes.
So, we do it for the love every time.
In the age of Facebook and Twitter, I like that.
_ _ _ [C#m] _ _
Everybody like it, _ still me irie.
We no love likes.
In a [G#m] dancehall style.
Everybody like it, still me irie.
We no love likes, no.
Every time I [C#m] voice, we do it for the love, we no do it for the likes.
_ _ _ Do it for the love, we no do it for the likes, no.
We make them know, [B] success don't come overnight.
[G#m] And make them know, substance overhive.
Do it for the love, we no do it for the likes, oh.
_ No more [C#m] them love likes, that's not right.
Sit down in a post and a tweet all night.
Sit them on social media type.
One like, send them to your studio of ice.
[B] But we never put them up on no flight.
And we never see them live [D#] another life.
You miss someone, [B] oh you have so much life.
All is still a [C#m] leap on iTunes.
Super keen, we no fret the air.
We put the music first and start.
While we day and the wire and the air.
We work, work, work, dance [E] hard.
When you see me, [G#m] you say, that's a lie.
Every tune that we ever write.
And every show where we headline.
We no do it for the likes, when we [C#m] tell them we do it for the love.
We no do it for the likes.
How did you get your start in music?
When did it all begin?
Growing up, we started to go to church, school.
And we started learning instruments.
The thing that interested me the most was singing [G#m] and the voice.
And like, the great things people can do with their voices.
Never tell you people so nothing can them.
You said me tell them so they gonna buy a yin [B] yang.
Do it for the [G#m] love, me no do it for the likes.
_ Do it [C#m] for the likes. _ _
_ _ _ [C#] Sing [E] them the life, we but we [C#m] no respond.
Fly out and make the love from a distance.
Come home for two weeks vacation.
Not for them still stuck in the bridge [B] son.
And up here I say them a the big man.
In Jamaica I have them a biggest song.
A gentleman me hear a play a fiddle on.
[C#] Never hear the play in a Pakistan.
[C#m] That's him for me, me no ready.
Someone like you gonna dance hard.
While we day and the wire and the air.
We react.
_ _ [G#m] Give me a beat on the mic.
Many fingers still with the voice.
When we put the song up on the timeline.
Do [C#] it for the likes.
[C#m] Do it for the love.
Do it for the likes.
Let's talk about reggae music.
[C#] Well, reggae music [C#m] is one form of Jamaican music.
It represents [G#m] the, an uprising of the human spirit.
And of the human soul.
Uprising in a very positive [C#m] and uplifting kind of way.
So when we mix a tune and drop it like.
Me no [G#] wanna repeat me song.
Me no [C#m] wanna me the guy interpret me wrong.
[F#m] Let me give me credit in a dancehall fashion.
[G#] Big up and see anyone cape a can.
[G#m] The wild a party and the one ninja man.
Big up the killer and the one beanie man.
King [C#] yellow man, boo boo the one man.
[C#m] Early been a till a see what he done.
Me drama killing sister diamond.
And none of them no bad like Marianne.
Me a this a you a real big a man.
[G#m] Me a bloody think a [E] you a Nella Vagan.
[G#m] Me a girl's man and him brother Papa San.
Me a Gary Mann a didn't know you a got on.
Me a Johnny Clee what it all a got on.
[C#m] Steely Clee, me Tony and Dave Kelly.
Bobby Digital, General King Jammie.
Exterminator, Sire Robbie.
Steve the Mugger, Don Carly, and me [G#m] so.
Me a suck a Lenky and Bulby.
Donovan, Germaine, Grafton, Mikey.
Me a this a you a no me ready.
Me a this a you a no me ready.
[C#m] And I know it's tough to be on the road,
but are you constantly writing music while you're on the road?
Well, I constantly meditate music.
I try to [Fm] always see [E] everything as a song [C#m] and everything as a [G#m] sound.
I try to be that kind of artist that can uncall me creative.
[G#] _ _ _ _ _ _ _ [C#] _
Thank you for joining us.
Respect.
Tell us about the song that you're performing for us on Music Minute.
The song we are going to perform is called Likes. _
It's a fun song, I love songs.
The lyric says, do it for the love, don't do it for the likes.
So, we do it for the love every time.
In the age of Facebook and Twitter, I like that.
_ _ _ [C#m] _ _
Everybody like it, _ still me irie.
We no love likes.
In a [G#m] dancehall style.
Everybody like it, still me irie.
We no love likes, no.
Every time I [C#m] voice, we do it for the love, we no do it for the likes.
_ _ _ Do it for the love, we no do it for the likes, no.
We make them know, [B] success don't come overnight.
[G#m] And make them know, substance overhive.
Do it for the love, we no do it for the likes, oh.
_ No more [C#m] them love likes, that's not right.
Sit down in a post and a tweet all night.
Sit them on social media type.
One like, send them to your studio of ice.
[B] But we never put them up on no flight.
And we never see them live [D#] another life.
You miss someone, [B] oh you have so much life.
All is still a [C#m] leap on iTunes.
Super keen, we no fret the air.
We put the music first and start.
While we day and the wire and the air.
We work, work, work, dance [E] hard.
When you see me, [G#m] you say, that's a lie.
Every tune that we ever write.
And every show where we headline.
We no do it for the likes, when we [C#m] tell them we do it for the love.
We no do it for the likes.
How did you get your start in music?
When did it all begin?
Growing up, we started to go to church, school.
And we started learning instruments.
The thing that interested me the most was singing [G#m] and the voice.
And like, the great things people can do with their voices.
Never tell you people so nothing can them.
You said me tell them so they gonna buy a yin [B] yang.
Do it for the [G#m] love, me no do it for the likes.
_ Do it [C#m] for the likes. _ _
_ _ _ [C#] Sing [E] them the life, we but we [C#m] no respond.
Fly out and make the love from a distance.
Come home for two weeks vacation.
Not for them still stuck in the bridge [B] son.
And up here I say them a the big man.
In Jamaica I have them a biggest song.
A gentleman me hear a play a fiddle on.
[C#] Never hear the play in a Pakistan.
[C#m] That's him for me, me no ready.
Someone like you gonna dance hard.
While we day and the wire and the air.
We react.
_ _ [G#m] Give me a beat on the mic.
Many fingers still with the voice.
When we put the song up on the timeline.
Do [C#] it for the likes.
[C#m] Do it for the love.
Do it for the likes.
Let's talk about reggae music.
[C#] Well, reggae music [C#m] is one form of Jamaican music.
It represents [G#m] the, an uprising of the human spirit.
And of the human soul.
Uprising in a very positive [C#m] and uplifting kind of way.
So when we mix a tune and drop it like.
Me no [G#] wanna repeat me song.
Me no [C#m] wanna me the guy interpret me wrong.
[F#m] Let me give me credit in a dancehall fashion.
[G#] Big up and see anyone cape a can.
[G#m] The wild a party and the one ninja man.
Big up the killer and the one beanie man.
King [C#] yellow man, boo boo the one man.
[C#m] Early been a till a see what he done.
Me drama killing sister diamond.
And none of them no bad like Marianne.
Me a this a you a real big a man.
[G#m] Me a bloody think a [E] you a Nella Vagan.
[G#m] Me a girl's man and him brother Papa San.
Me a Gary Mann a didn't know you a got on.
Me a Johnny Clee what it all a got on.
[C#m] Steely Clee, me Tony and Dave Kelly.
Bobby Digital, General King Jammie.
Exterminator, Sire Robbie.
Steve the Mugger, Don Carly, and me [G#m] so.
Me a suck a Lenky and Bulby.
Donovan, Germaine, Grafton, Mikey.
Me a this a you a no me ready.
Me a this a you a no me ready.
[C#m] And I know it's tough to be on the road,
but are you constantly writing music while you're on the road?
Well, I constantly meditate music.
I try to [Fm] always see [E] everything as a song [C#m] and everything as a [G#m] sound.
I try to be that kind of artist that can uncall me creative.
[G#] _ _ _ _ _ _ _ [C#] _