Chords for Cliff talks about playing bass in AC/DC ⚡️
Tempo:
124.1 bpm
Chords used:
E
B
A
D
F#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
ACDC has been, [D] you [E] know, just
I don't know what [Gm] else would I want to do.
I [E]
love the music, I love playing [A] in the band.
I'm all filled up.
[B] [A]
[B] My role as part [A] of the rhythm section is [E] to give [B] drive,
to give [A] foundation and engine, [E] if you like,
and [B] support the guitars.
[A] My first album with the band was Power Age, and that was 1977.
I mean, it was all new and fresh, and these people, I didn't know them,
and Australia, [B] and I'm from London, and there was the whole fitting in thing.
But they were great, I mean, very accepting.
They were very famous in [F#] Australia.
When I joined them, they pretty much got to the top of the heap there [E] very quickly.
And they'd been to Europe once or twice at [E] that point too,
but we were still touring on a modest basis.
We were playing small venues with [B] little equipment, you know, with a little van,
and [Em] we were all driving together in a station wagon and [E] stuff.
And that over the years has changed, thankfully.
Not to say it wasn't funny, it was a hell of a lot of fun.
There's always been the sound that [D] ACDC has.
You've got Young Angus, the dynamo, fantastic to play.
I've been trying to stay out of Angus's way for 40 [E] years.
He's like a whirlwind up there.
Stevie.
Stevie's a great [F#] rhythm player, like his [G] uncle, right now.
[E] Same style Stevie grew up on.
He inherited that, and naturally he's young as well.
So he's kind of in the genes.
Chris and I [B] played together before in the [E] 80s with ACDC.
He did an [F#] album called The Razor's Edge with us,
and did that album and tour.
So it's an exciting rhythm section, I think.
For me [Em] to play with, [D] it's great.
Axel's doing extremely well, and God bless him for stepping up to do this.
Once we start, [E] it's pretty intense.
That's it.
That's what you're there for.
Two plus hours on stage, that's what it's all about.
It's just what I've always done.
I thoroughly [B] enjoy it.
[A] [E]
I don't know what [Gm] else would I want to do.
I [E]
love the music, I love playing [A] in the band.
I'm all filled up.
[B] [A]
[B] My role as part [A] of the rhythm section is [E] to give [B] drive,
to give [A] foundation and engine, [E] if you like,
and [B] support the guitars.
[A] My first album with the band was Power Age, and that was 1977.
I mean, it was all new and fresh, and these people, I didn't know them,
and Australia, [B] and I'm from London, and there was the whole fitting in thing.
But they were great, I mean, very accepting.
They were very famous in [F#] Australia.
When I joined them, they pretty much got to the top of the heap there [E] very quickly.
And they'd been to Europe once or twice at [E] that point too,
but we were still touring on a modest basis.
We were playing small venues with [B] little equipment, you know, with a little van,
and [Em] we were all driving together in a station wagon and [E] stuff.
And that over the years has changed, thankfully.
Not to say it wasn't funny, it was a hell of a lot of fun.
There's always been the sound that [D] ACDC has.
You've got Young Angus, the dynamo, fantastic to play.
I've been trying to stay out of Angus's way for 40 [E] years.
He's like a whirlwind up there.
Stevie.
Stevie's a great [F#] rhythm player, like his [G] uncle, right now.
[E] Same style Stevie grew up on.
He inherited that, and naturally he's young as well.
So he's kind of in the genes.
Chris and I [B] played together before in the [E] 80s with ACDC.
He did an [F#] album called The Razor's Edge with us,
and did that album and tour.
So it's an exciting rhythm section, I think.
For me [Em] to play with, [D] it's great.
Axel's doing extremely well, and God bless him for stepping up to do this.
Once we start, [E] it's pretty intense.
That's it.
That's what you're there for.
Two plus hours on stage, that's what it's all about.
It's just what I've always done.
I thoroughly [B] enjoy it.
[A] [E]
Key:
E
B
A
D
F#
E
B
A
ACDC has been, _ [D] _ you [E] know, just_
I don't know what [Gm] else would I want to do.
I [E] _
love the music, I love playing [A] in the band.
_ I'm all filled up.
[B] _ _ _ [A] _ _ _ _
[B] My role as part [A] of the rhythm section is [E] to give [B] drive,
to give [A] foundation and engine, [E] if you like,
and [B] support the guitars.
[A] My first album with the band was Power Age, and that was 1977.
I mean, it was all new and fresh, and these people, I didn't know them,
and Australia, [B] and I'm from London, and there was the whole fitting in thing.
But they were great, I mean, very accepting.
They were very famous in [F#] Australia.
When I joined them, they pretty much got to the top of the heap there [E] very quickly.
And they'd been to Europe once or twice at [E] that point too,
but we were still touring on a modest basis.
We were playing small venues with [B] little equipment, you know, with a little van,
and [Em] we were all driving together in a station wagon and [E] stuff.
And that over the years has changed, thankfully.
Not to say it wasn't funny, it was a hell of a lot of fun.
There's always been the sound that [D] ACDC has.
You've got Young Angus, the dynamo, fantastic to play.
I've been trying to stay out of Angus's way for 40 [E] years.
He's like a whirlwind up there.
_ Stevie.
Stevie's a great [F#] rhythm player, like his [G] uncle, right now.
[E] Same style Stevie grew up on.
He inherited that, and naturally he's young as well.
So he's kind of in the genes.
Chris and I [B] played together before in the [E] 80s with ACDC.
He did an [F#] album called The Razor's Edge with us,
and did that album and tour.
So it's an exciting rhythm section, I think.
For me [Em] to play with, [D] it's great.
Axel's doing extremely well, and God bless him for stepping up to do this.
Once we start, [E] it's pretty intense.
That's it.
That's what you're there for.
Two plus hours on stage, that's what it's all about.
It's just what I've always done.
I thoroughly [B] enjoy it.
_ [A] _ _ _ [E] _
I don't know what [Gm] else would I want to do.
I [E] _
love the music, I love playing [A] in the band.
_ I'm all filled up.
[B] _ _ _ [A] _ _ _ _
[B] My role as part [A] of the rhythm section is [E] to give [B] drive,
to give [A] foundation and engine, [E] if you like,
and [B] support the guitars.
[A] My first album with the band was Power Age, and that was 1977.
I mean, it was all new and fresh, and these people, I didn't know them,
and Australia, [B] and I'm from London, and there was the whole fitting in thing.
But they were great, I mean, very accepting.
They were very famous in [F#] Australia.
When I joined them, they pretty much got to the top of the heap there [E] very quickly.
And they'd been to Europe once or twice at [E] that point too,
but we were still touring on a modest basis.
We were playing small venues with [B] little equipment, you know, with a little van,
and [Em] we were all driving together in a station wagon and [E] stuff.
And that over the years has changed, thankfully.
Not to say it wasn't funny, it was a hell of a lot of fun.
There's always been the sound that [D] ACDC has.
You've got Young Angus, the dynamo, fantastic to play.
I've been trying to stay out of Angus's way for 40 [E] years.
He's like a whirlwind up there.
_ Stevie.
Stevie's a great [F#] rhythm player, like his [G] uncle, right now.
[E] Same style Stevie grew up on.
He inherited that, and naturally he's young as well.
So he's kind of in the genes.
Chris and I [B] played together before in the [E] 80s with ACDC.
He did an [F#] album called The Razor's Edge with us,
and did that album and tour.
So it's an exciting rhythm section, I think.
For me [Em] to play with, [D] it's great.
Axel's doing extremely well, and God bless him for stepping up to do this.
Once we start, [E] it's pretty intense.
That's it.
That's what you're there for.
Two plus hours on stage, that's what it's all about.
It's just what I've always done.
I thoroughly [B] enjoy it.
_ [A] _ _ _ [E] _