Chords for CROSBY, STILLS NASH & YOUNG - FIFTY BY FOUR - Movie Trailer
Tempo:
127.65 bpm
Chords used:
B
E
C#
Bm
F#m
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Jam Along & Learn...
[B]
At the close of the 1960s, as the heat dissipated from a decade of rapid, radical changes, cultural revolutions and artistic renovations,
a new type of musician appeared in Los Angeles, California, the singer-songwriter.
the city's rural canyons, singer-songwriters worked as solo troubadours,
[B] and personal examination.
became seen as a new movement, one that had begun with a landmark album from three amongst their [Bm] number,
[B] The major contribution, I think, was spearheading that whole singer-songwriter movement of the early 70s.
There was a gap after the Beatles had split up, etc.
At the close of the 1960s, as the heat dissipated from a decade of rapid, radical changes, cultural revolutions and artistic renovations,
a new type of musician appeared in Los Angeles, California, the singer-songwriter.
the city's rural canyons, singer-songwriters worked as solo troubadours,
[B] and personal examination.
became seen as a new movement, one that had begun with a landmark album from three amongst their [Bm] number,
[B] The major contribution, I think, was spearheading that whole singer-songwriter movement of the early 70s.
There was a gap after the Beatles had split up, etc.
100% ➙ 128BPM
B
E
C#
Bm
F#m
B
E
C#
[B] _ _ _ _ _ _ _ _
_ _ _ _ _ At the close of the 1960s, as the heat dissipated from a decade of rapid, radical changes, cultural revolutions and artistic renovations,
a new type of musician appeared in Los Angeles, California, the singer-songwriter.
_ _ _ Clustered in and around the city's rural canyons, singer-songwriters worked as solo troubadours,
pursuing introspective, lyrical music as a medium [E] of self-expression [B] and personal examination.
[E] _ _ [B] Together, they became seen as a new movement, one that had begun with a landmark album from three amongst their [Bm] number,
Crosby, Stills and Nash. _ _
_ [B] The major contribution, I think, was spearheading that whole singer-songwriter movement of the early 70s. _
There was a gap after the Beatles had split up, etc.
There was a need, I think, for _ a supergroup,
and a supergroup that actually worked, and they were one of the few supergroups, if any,
that genuinely did actually contribute something. _ _
Culturally, there was the beginning of [C#] this sense of moving back to [A] something [E] folkier,
it was a little bit more organic, [B] it was something that seemed more beautiful, actually,
_ and more internal at the same time, and California really became the centre for that. _
Alongside occasional collaborator Neil Young, Crosby, Stills and Nash refused to be labelled a band,
describing themselves as a collection of singer-songwriters,
a loose aggregation of friends free from the inhibiting commitments of the music business.
_ This is the story of CSNY's experiment, a journey of breakthroughs, breakdowns, triumphs and incredible music,
from the band that claimed it didn't exist.
Four different individuals [C#] playing [B] together, _ _ _ _ _ and it wasn't like a band.
It wasn't really a band, it was a [F#m] sort [B] of _ _ _ [F#m] gathering of the [C#] elders, I [B] suppose, in some way.
These _ four quite different individuals who had formed this sort of alliance.
I have love for every single one of those guys, because they're all headstrong personalities,
and it's amazing that they even came together in the first place.
_ [E] These guys are all [B] bulls.
Every single one of them have a way about doing their music, period. _
_ Those [E] guys came [B] from a period of time in our history where song content _ was _ vitally important to their way of life,
their political opinions, you know, I think they took their music as serious as life and death.
_ _ _ [E] _ _ _ [Bm] _ _
_ _ _ _ _ [B] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ At the close of the 1960s, as the heat dissipated from a decade of rapid, radical changes, cultural revolutions and artistic renovations,
a new type of musician appeared in Los Angeles, California, the singer-songwriter.
_ _ _ Clustered in and around the city's rural canyons, singer-songwriters worked as solo troubadours,
pursuing introspective, lyrical music as a medium [E] of self-expression [B] and personal examination.
[E] _ _ [B] Together, they became seen as a new movement, one that had begun with a landmark album from three amongst their [Bm] number,
Crosby, Stills and Nash. _ _
_ [B] The major contribution, I think, was spearheading that whole singer-songwriter movement of the early 70s. _
There was a gap after the Beatles had split up, etc.
There was a need, I think, for _ a supergroup,
and a supergroup that actually worked, and they were one of the few supergroups, if any,
that genuinely did actually contribute something. _ _
Culturally, there was the beginning of [C#] this sense of moving back to [A] something [E] folkier,
it was a little bit more organic, [B] it was something that seemed more beautiful, actually,
_ and more internal at the same time, and California really became the centre for that. _
Alongside occasional collaborator Neil Young, Crosby, Stills and Nash refused to be labelled a band,
describing themselves as a collection of singer-songwriters,
a loose aggregation of friends free from the inhibiting commitments of the music business.
_ This is the story of CSNY's experiment, a journey of breakthroughs, breakdowns, triumphs and incredible music,
from the band that claimed it didn't exist.
Four different individuals [C#] playing [B] together, _ _ _ _ _ and it wasn't like a band.
It wasn't really a band, it was a [F#m] sort [B] of _ _ _ [F#m] gathering of the [C#] elders, I [B] suppose, in some way.
These _ four quite different individuals who had formed this sort of alliance.
I have love for every single one of those guys, because they're all headstrong personalities,
and it's amazing that they even came together in the first place.
_ [E] These guys are all [B] bulls.
Every single one of them have a way about doing their music, period. _
_ Those [E] guys came [B] from a period of time in our history where song content _ was _ vitally important to their way of life,
their political opinions, you know, I think they took their music as serious as life and death.
_ _ _ [E] _ _ _ [Bm] _ _
_ _ _ _ _ [B] _ _ _
_ _ _ _ _ _ _ _
