Chords for Dana Gillespie & Samantha Edwards Blues Jam at Simply The Blues
Tempo:
68.6 bpm
Chords used:
A
D
E
Em
F#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[A#] [C]
[Cm] [N] Well now, I'm pleased that you want more, but you know there's one bad thing about you
wanting more, that means you're not satisfied, so we have failed in our mission this evening.
My question is, though, if you want more, do you want something fast or do you want something slow?
I can't hear you!
It sounds like slast.
I'll tell you, well I think actually because I know we have to kind of keep a time thing
we're going to do a bit of a [C#] compromise and doing a [D#m] shuffle, but [F#] wouldn't [N] we like to do
a big ten inch?
I don't think we can.
That's an old 1950s song, but you know it's not just me that was singing tonight, we're
going to bring on to the stage, please Samantha come on, come on, we're going to do that.
Yes!
You see the thing about the blues is the women have got to have some meat on their bones.
You'll never find a skinny blues singer, it's as rare as rocking horse shit.
Anyway, the nice thing also about the blues is that usually musicians haven't a clue what
the other one's going to do, they just know the kind of shape and the layout, so Samantha
and I haven't a clue, but we're just going to go with it and just give us some clapping,
clapping and lots of enthusiasm and thank you for turning up and Joachim's [E] going to
take it away.
[A]
Shake it!
[D]
[D] [A]
I'm in love with it baby, just let me ride in that automobile.
Well [D] I'm in love with it baby, just let me ride in [A] that automobile.
Well you got a [E] good looking [D] car darling, but you got too many drivers in the [A] wheel.
Only room for one right here.
[Em] Well I'm waiting for you [D] baby, cause I really don't know when [A] you're going to come home.
I'm in love with it baby, just let me ride in that automobile.
Well I'm [D] waiting for you baby, cause I really don't [A] know when you're going to come home now.
Oh I wait the night, I wait the whole night [A] and you still don't come home.
[E] Oh [A] this man ain't nothing [D] but playing around [A] all the time.
[D]
[A] You [E] better get wise [D] darling and come home and [A] tell the lies.
What do you say to [E] my heart?
I know they keep on [D] playing, keep on playing.
They keep on [A] and on and on and on and on and [D] on and on playing.
[A] Yeah they keep on playing.
[E] Well this man ain't nothing but playing.
Well they keep on and on and on and [A] on and on and [D] on and on
[A] [D]
[A] [E] [D]
[A] [E]
[D] and on and on
[A] and on [E] and on
and [D]
[A] on and on and on and on and on and on and on and on.
[Em] Well I checked your oil, you know your oil was low.
When I checked your battery, your heart would [D] blow.
Baby, just let me [A] ride in that automobile.
[E] Well you got a good looking [D] car darling, but you got too [A] many drivers and the wheel ain't
met the limit.
Yeah I really don't know where you're going, and I really don't know when you're coming home [D] again.
I don't know who you seen, I don't [A] know where you been, I really don't know what you [E] been eating.
I'm [D] waiting for you baby, but I really [Em] don't know where you've been now.
You got me running, you got me hiding, you got me running, hide, hide, running, [Am] anywhere
you want to let it roll.
[D] Oh [Em] let it roll, let it roll.
[F#] Oh you got a good looking [D] car darling, but you got too many [A] drivers and the [E] wheel, oh yeah.
Too many drivers, [Em] too many drivers, [A] too many drivers, [D] too many drivers, too [A] many drivers,
too many drivers, [E] too many drivers.
[D]
[G] [D] [E]
[G] [E] Oh you know you got too many, oh yeah, oh come on darling, come on [Gm] now, give it to me, give
it to me, give it to me, [G#] give it to me, yeah, oh [Em] yeah.
Come on now, too many drivers, [D] come on now.
Oh [A]
[E] you got a good looking car darling, but you got too many drivers and the [F#m] wheel, oh
[E] [A] yeah.
[N] Samantha thank you, thank you for coming here and supporting the blues from Benny Sellers
and Joachim Palmer. Come on.
And that stupid blasted time thing, we've gone over by ten minutes, yes!
Take me to prison is where I belong.
[Cm] [N] Well now, I'm pleased that you want more, but you know there's one bad thing about you
wanting more, that means you're not satisfied, so we have failed in our mission this evening.
My question is, though, if you want more, do you want something fast or do you want something slow?
I can't hear you!
It sounds like slast.
I'll tell you, well I think actually because I know we have to kind of keep a time thing
we're going to do a bit of a [C#] compromise and doing a [D#m] shuffle, but [F#] wouldn't [N] we like to do
a big ten inch?
I don't think we can.
That's an old 1950s song, but you know it's not just me that was singing tonight, we're
going to bring on to the stage, please Samantha come on, come on, we're going to do that.
Yes!
You see the thing about the blues is the women have got to have some meat on their bones.
You'll never find a skinny blues singer, it's as rare as rocking horse shit.
Anyway, the nice thing also about the blues is that usually musicians haven't a clue what
the other one's going to do, they just know the kind of shape and the layout, so Samantha
and I haven't a clue, but we're just going to go with it and just give us some clapping,
clapping and lots of enthusiasm and thank you for turning up and Joachim's [E] going to
take it away.
[A]
Shake it!
[D]
[D] [A]
I'm in love with it baby, just let me ride in that automobile.
Well [D] I'm in love with it baby, just let me ride in [A] that automobile.
Well you got a [E] good looking [D] car darling, but you got too many drivers in the [A] wheel.
Only room for one right here.
[Em] Well I'm waiting for you [D] baby, cause I really don't know when [A] you're going to come home.
I'm in love with it baby, just let me ride in that automobile.
Well I'm [D] waiting for you baby, cause I really don't [A] know when you're going to come home now.
Oh I wait the night, I wait the whole night [A] and you still don't come home.
[E] Oh [A] this man ain't nothing [D] but playing around [A] all the time.
[D]
[A] You [E] better get wise [D] darling and come home and [A] tell the lies.
What do you say to [E] my heart?
I know they keep on [D] playing, keep on playing.
They keep on [A] and on and on and on and on and [D] on and on playing.
[A] Yeah they keep on playing.
[E] Well this man ain't nothing but playing.
Well they keep on and on and on and [A] on and on and [D] on and on
[A] [D]
[A] [E] [D]
[A] [E]
[D] and on and on
[A] and on [E] and on
and [D]
[A] on and on and on and on and on and on and on and on.
[Em] Well I checked your oil, you know your oil was low.
When I checked your battery, your heart would [D] blow.
Baby, just let me [A] ride in that automobile.
[E] Well you got a good looking [D] car darling, but you got too [A] many drivers and the wheel ain't
met the limit.
Yeah I really don't know where you're going, and I really don't know when you're coming home [D] again.
I don't know who you seen, I don't [A] know where you been, I really don't know what you [E] been eating.
I'm [D] waiting for you baby, but I really [Em] don't know where you've been now.
You got me running, you got me hiding, you got me running, hide, hide, running, [Am] anywhere
you want to let it roll.
[D] Oh [Em] let it roll, let it roll.
[F#] Oh you got a good looking [D] car darling, but you got too many [A] drivers and the [E] wheel, oh yeah.
Too many drivers, [Em] too many drivers, [A] too many drivers, [D] too many drivers, too [A] many drivers,
too many drivers, [E] too many drivers.
[D]
[G] [D] [E]
[G] [E] Oh you know you got too many, oh yeah, oh come on darling, come on [Gm] now, give it to me, give
it to me, give it to me, [G#] give it to me, yeah, oh [Em] yeah.
Come on now, too many drivers, [D] come on now.
Oh [A]
[E] you got a good looking car darling, but you got too many drivers and the [F#m] wheel, oh
[E] [A] yeah.
[N] Samantha thank you, thank you for coming here and supporting the blues from Benny Sellers
and Joachim Palmer. Come on.
And that stupid blasted time thing, we've gone over by ten minutes, yes!
Take me to prison is where I belong.
Key:
A
D
E
Em
F#
A
D
E
_ _ _ _ [A#] _ _ [C] _ _
[Cm] _ _ _ [N] _ _ Well now, I'm pleased that you want more, but you know there's one bad thing about you
wanting more, that means you're not satisfied, so we have failed in our mission this evening.
My question is, though, if you want more, do you want something fast or do you want something slow?
I can't hear you! _ _
_ It sounds like slast.
I'll tell you, well I think actually because I know we have to kind of keep a time thing
we're going to do a bit of a [C#] compromise and doing a [D#m] shuffle, but [F#] wouldn't [N] we like to do
a big ten inch?
I don't think we can.
That's an old 1950s song, but you know it's not just me that was singing tonight, we're
going to bring on to the stage, please Samantha come on, come on, we're going to do that.
_ Yes!
_ You see the thing about the blues is the women have got to have some meat on their bones.
_ You'll never find a skinny blues singer, it's as rare as rocking horse shit. _
Anyway, the nice thing also about the blues is that usually musicians haven't a clue what
the other one's going to do, they just know the kind of shape and the layout, so Samantha
and I haven't a clue, but we're just going to go with it and just give us some clapping,
clapping and lots of enthusiasm and thank you for turning up and Joachim's [E] going to
take it away.
_ [A] _ _ _ _ _ _
Shake it!
_ [D] _ _ _ _ _ _
_ _ _ _ [D] _ _ [A] _ _
_ I'm in love with it baby, just let me ride in that automobile.
_ Well [D] I'm in love with it baby, just let me ride in [A] that automobile.
_ _ Well you got a [E] good looking [D] car darling, but you got too many drivers in the [A] wheel.
Only room for one right here.
[Em] Well I'm waiting for you [D] baby, cause I really don't know when [A] you're going to come home.
I'm in love with it baby, just let me ride in that automobile.
Well I'm [D] waiting for you baby, cause I really don't [A] know when you're going to come home now.
Oh I wait the night, I wait the whole night [A] and you still don't come home.
[E] Oh [A] this man ain't nothing [D] but playing around [A] all the time.
_ _ [D] _ _ _ _
[A] _ You [E] better get wise [D] darling and come home and [A] tell the lies.
What do you say to [E] my heart?
I know they keep on [D] playing, keep on playing.
They keep on [A] and on and on and on and on and [D] on and on playing.
[A] Yeah they keep on playing.
[E] Well this man ain't nothing but playing.
Well they keep on and on and on and [A] on and on and [D] on and on _
[A] _ _ _ _ [D] _ _ _ _
[A] _ _ _ _ [E] _ _ [D] _ _
[A] _ _ _ [E] _ _ _ _ _
_ _ _ [D] and on and on _ _
[A] _ and on [E] and on
and _ [D] _ _
[A] on and on and on and on and on and on and on and on.
[Em] Well I checked your oil, you know your oil was low.
When I checked your battery, your heart would [D] blow.
Baby, just let me [A] ride in that automobile.
_ [E] Well you got a good looking [D] car darling, but you got too [A] many drivers and the wheel ain't
met the limit.
Yeah I really don't know where you're going, and I really don't know when you're coming home [D] again.
I don't know who you seen, I don't [A] know where you been, I really don't know what you [E] been eating.
I'm [D] waiting for you baby, but I really [Em] don't know where you've been now.
You got me running, you got me hiding, you got me running, hide, hide, running, [Am] anywhere
you want to let it roll.
[D] Oh [Em] let it roll, let it roll.
[F#] Oh you got a good looking [D] car darling, but you got too many [A] drivers and the [E] wheel, oh yeah.
Too many drivers, [Em] too many drivers, [A] too many drivers, _ _ [D] _ too many drivers, too [A] many drivers,
too many drivers, [E] too many drivers.
[D] _ _
[G] _ _ [D] _ _ _ _ [E] _ _
[G] _ _ [E] Oh you know you got too many, oh yeah, oh come on darling, come on [Gm] now, give it to me, give
it to me, give it to me, [G#] give it to me, yeah, oh [Em] yeah.
Come on now, too many drivers, [D] come on now.
Oh _ [A] _ _
_ [E] you got a good looking car darling, but you got too many drivers and the [F#m] wheel, oh
_ _ [E] _ [A] yeah. _
_ [N] Samantha thank you, thank you for coming here and supporting the blues from Benny Sellers
and Joachim Palmer. Come on. _
And that stupid blasted time thing, we've gone over by ten minutes, yes! _
Take me to prison is where I belong. _ _ _ _ _
[Cm] _ _ _ [N] _ _ Well now, I'm pleased that you want more, but you know there's one bad thing about you
wanting more, that means you're not satisfied, so we have failed in our mission this evening.
My question is, though, if you want more, do you want something fast or do you want something slow?
I can't hear you! _ _
_ It sounds like slast.
I'll tell you, well I think actually because I know we have to kind of keep a time thing
we're going to do a bit of a [C#] compromise and doing a [D#m] shuffle, but [F#] wouldn't [N] we like to do
a big ten inch?
I don't think we can.
That's an old 1950s song, but you know it's not just me that was singing tonight, we're
going to bring on to the stage, please Samantha come on, come on, we're going to do that.
_ Yes!
_ You see the thing about the blues is the women have got to have some meat on their bones.
_ You'll never find a skinny blues singer, it's as rare as rocking horse shit. _
Anyway, the nice thing also about the blues is that usually musicians haven't a clue what
the other one's going to do, they just know the kind of shape and the layout, so Samantha
and I haven't a clue, but we're just going to go with it and just give us some clapping,
clapping and lots of enthusiasm and thank you for turning up and Joachim's [E] going to
take it away.
_ [A] _ _ _ _ _ _
Shake it!
_ [D] _ _ _ _ _ _
_ _ _ _ [D] _ _ [A] _ _
_ I'm in love with it baby, just let me ride in that automobile.
_ Well [D] I'm in love with it baby, just let me ride in [A] that automobile.
_ _ Well you got a [E] good looking [D] car darling, but you got too many drivers in the [A] wheel.
Only room for one right here.
[Em] Well I'm waiting for you [D] baby, cause I really don't know when [A] you're going to come home.
I'm in love with it baby, just let me ride in that automobile.
Well I'm [D] waiting for you baby, cause I really don't [A] know when you're going to come home now.
Oh I wait the night, I wait the whole night [A] and you still don't come home.
[E] Oh [A] this man ain't nothing [D] but playing around [A] all the time.
_ _ [D] _ _ _ _
[A] _ You [E] better get wise [D] darling and come home and [A] tell the lies.
What do you say to [E] my heart?
I know they keep on [D] playing, keep on playing.
They keep on [A] and on and on and on and on and [D] on and on playing.
[A] Yeah they keep on playing.
[E] Well this man ain't nothing but playing.
Well they keep on and on and on and [A] on and on and [D] on and on _
[A] _ _ _ _ [D] _ _ _ _
[A] _ _ _ _ [E] _ _ [D] _ _
[A] _ _ _ [E] _ _ _ _ _
_ _ _ [D] and on and on _ _
[A] _ and on [E] and on
and _ [D] _ _
[A] on and on and on and on and on and on and on and on.
[Em] Well I checked your oil, you know your oil was low.
When I checked your battery, your heart would [D] blow.
Baby, just let me [A] ride in that automobile.
_ [E] Well you got a good looking [D] car darling, but you got too [A] many drivers and the wheel ain't
met the limit.
Yeah I really don't know where you're going, and I really don't know when you're coming home [D] again.
I don't know who you seen, I don't [A] know where you been, I really don't know what you [E] been eating.
I'm [D] waiting for you baby, but I really [Em] don't know where you've been now.
You got me running, you got me hiding, you got me running, hide, hide, running, [Am] anywhere
you want to let it roll.
[D] Oh [Em] let it roll, let it roll.
[F#] Oh you got a good looking [D] car darling, but you got too many [A] drivers and the [E] wheel, oh yeah.
Too many drivers, [Em] too many drivers, [A] too many drivers, _ _ [D] _ too many drivers, too [A] many drivers,
too many drivers, [E] too many drivers.
[D] _ _
[G] _ _ [D] _ _ _ _ [E] _ _
[G] _ _ [E] Oh you know you got too many, oh yeah, oh come on darling, come on [Gm] now, give it to me, give
it to me, give it to me, [G#] give it to me, yeah, oh [Em] yeah.
Come on now, too many drivers, [D] come on now.
Oh _ [A] _ _
_ [E] you got a good looking car darling, but you got too many drivers and the [F#m] wheel, oh
_ _ [E] _ [A] yeah. _
_ [N] Samantha thank you, thank you for coming here and supporting the blues from Benny Sellers
and Joachim Palmer. Come on. _
And that stupid blasted time thing, we've gone over by ten minutes, yes! _
Take me to prison is where I belong. _ _ _ _ _