Chords for Daryl Hall and Chromeo - Lowdown (Live from Daryl's House)

Tempo:
108 bpm
Chords used:

F#m

Bm

A

Em

G

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Daryl Hall and Chromeo - Lowdown (Live from Daryl's House) chords
Start Jamming...
[C] You know, Boz Skaggs is playing in Tarrington tomorrow.
We could have got Boz to come over.
[N] He just walked in and sang a verse of Lowdown and [E] walked out.
That [Fm] would have been great.
[G] Yeah, I didn't know.
[D] Paul says, did you know that [B] Boz is playing over in Tarrington?
I went, no.
Now you told me.
Is he playing at [G] the theater?
Yes, he plays theater.
[C] He might even be off [F#] tonight.
He could have come over before his soundcheck.
[B] Well, if he wanted to, he could have.
Certainly, it's not very far away.
He called me two years ago.
I told you that, right?
Well, you know, there was a lot of talk about us going out on the road
and him opening for us,
which I would always like to do.
I love Boz.
He's great.
He's a nice guy.
He was very nice.
He left me a very nice message.
He said, look, I don't know what you're doing with Darryl,
but I could use you out on the road,
but I don't know what your schedule is.
Yeah.
The [F#] guitar player, [C] John Harrington.
John [B] Harrington.
John Harrington, who came and played for us once.
And John Harrington lives with Amy Wrostowski.
Get away.
And he plays with Steele again.
[F#] He plays with Steele again.
Well, that's [C] how I know his name.
OK.
We're trying to figure [G#m] out, is his real name Boz?
Or is it Bosley?
It's William.
It's William.
[F] So Boz is just a nickname.
[F#] But he's always been a Bay Area artist.
I'm not sure if he's actually born and bred in California.
He's lived in the Bay Area since the early 70s.
Wasn't [G] he originally just a blues artist?
Yeah, he started as a blues guy.
And then with Pache and all those guys is when he did his own music.
That's a weird coincidence, though, that we just picked that song out of the air,
and there he is.
Just around the corner.
He's playing over at Tarrington.
He's in the Bay [G#m] Area.
Oh, yeah.
He's always been there.
So this is a real [F#] fluke. Yeah.
You know what he is?
He's a man.
[B] Oh, yeah.
[Em] Yeah.
But he's been out there forever.
[A]
[G] [A]
[Em] [F#m]
[Em] [A]
[Bm] A baby's in some running [F#m] man.
Hanging with the crowd.
[Em] Richard Prentiss on the street.
[A] And I'm talking all night.
[Bm] Say you bought a this and that.
[A] And how much you gonna spend?
[Bm] I swear she must [F#m] believe it's all been given.
[Bm] Hey, boy.
[A] Better bring that chick around.
[Bm] To the sad, sad [A] dream club.
The dirty, low dance.
[Em] Ooh.
[F#m]
[G] I don't need a bus, gotta [Bm] walk, gotta [F#m] walk, gotta walk.
They taught her how to talk [Em] like that.
Ooh.
[F#m]
[Bm] I don't need a bus, gotta walk, gotta [A] walk, gotta walk.
Give it up.
Big guy.
[G] Yeah.
[A]
[Em] [F#m]
All [Bm] right.
Nothing you can't handle.
[F#m] Nothing you ain't got.
[Em] Put your money on the [A] table.
Drive it off the line.
[G] Turn on that old love light.
[A] For me to do a yes.
[Em] Same old schoolboy game.
[A] Got to enter this mess.
[Bm] Hey, son.
[F#m] You better get back to town.
[G] Face the sad old truth.
[A] Face the dirty, low dance.
[Em] Ooh.
[F#m]
Ooh.
[Bm] I don't want no bus, gotta walk, gotta [A] walk, gotta walk.
Put those ideas in your [Em] head.
Ooh.
[F#m]
I'm on the band.
[G] I [Bm] don't want no bus, gotta walk, gotta [F#m] walk, gotta walk.
All [D] right.
[A]
[Am] [B]
[Bm] [F#m]
[Bm] [F#m]
[G] [Bm] [F#m]
Little sad, [G] [F#m] low, low, low, low, low down.
Little band.
[G#m]
[F#m] [B]
[G#m] [F#m] [B]
[F#m] [G#m]
Hey, [F#m] baby.
[B]
[F#m] [B]
[F#m] Ooh.
[B]
[F#m] [B]
[Em] You ain't got to be so [F#m] bad.
Ain't got to be so [Bm] cool.
This dolly doll [A] existence is getting old.
[Bm] Got to have a Jones with [F#m] this.
And I don't want that.
[Em] Just run with the Joneses, boy.
[A] Just ain't what it's at.
[Bm] You're going to come back [F#m] around to the sad, sad truth.
[Bm] Sad truth.
[A] Of the dirty, low dance.
[Em] Ooh.
Ooh.
[F#m]
Ooh.
[Bm] I don't want no bus, gotta walk, gotta [F#m] walk, gotta walk.
[Em] All [F#m]
right.
Ooh.
[G] I don't want no bus, gotta walk, gotta [F#m] walk, gotta walk.
[D] [C#]
[Am] [B]
[Bm] Ooh.
[F#m]
[G] [Bm] [F#m]
[G] [D] [F#m]
[Bm] I don't want no bus, gotta walk, gotta [F#m] walk, gotta walk.
[Em] Ooh. [F#m] Ooh.
[G] [Bm] [F#m]
[G] [D] [F#m]
[Em] [Bm] [F#m]
don't hide [G] yourself like [A] that
[F#m] [Bm] [Dm]
[Am]
[E] [F#m] [F#]
[E] [D] [Em]
[D]
Key:  
F#m
123111112
Bm
13421112
A
1231
Em
121
G
2131
F#m
123111112
Bm
13421112
A
1231
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[C] _ _ _ You know, Boz Skaggs is playing in Tarrington tomorrow.
_ We could have got Boz to come over. _
[N] He just walked in and sang a verse of Lowdown and [E] walked out. _
_ That [Fm] would have been great.
_ [G] _ Yeah, I didn't know.
[D] Paul says, did you know that [B] Boz is playing over in Tarrington?
I went, no.
Now you told me.
Is he playing at [G] the theater?
Yes, he plays theater.
_ [C] He might even be off [F#] tonight.
He could have come over before his soundcheck.
[B] Well, if he wanted to, he could have.
Certainly, it's not very far away.
He called me two years ago.
I told you that, right?
Well, you know, there was a lot of talk about us going out on the road
and him opening for us,
which I would always like to do.
I love Boz.
He's great.
He's a nice guy.
He was very nice.
He left me a very nice message.
He said, look, I don't know what you're doing with Darryl,
but I could use you out on the road,
but I don't know what your schedule is.
_ Yeah.
The _ [F#] guitar player, [C] John Harrington.
_ John [B] Harrington.
John Harrington, who came and played for us once.
And John Harrington lives with Amy Wrostowski.
Get away.
And he plays with Steele again.
[F#] He plays with Steele again.
Well, that's [C] how I know his name.
OK. _
We're trying to figure [G#m] out, is his real name Boz?
Or is it Bosley?
It's William.
It's William.
[F] So Boz is just a nickname.
[F#] But he's always been a Bay Area artist.
I'm not sure if he's actually born and bred in California.
He's lived in the Bay Area since the early 70s. _ _
Wasn't [G] he originally just a blues artist?
Yeah, he started as a blues guy.
And then _ _ with Pache and all those guys is when he did his own music. _ _ _ _
That's a weird coincidence, though, that we just picked that song out of the air,
and there he is.
Just around the corner.
He's playing over at Tarrington.
He's in the Bay [G#m] Area.
Oh, yeah.
He's always been there.
So this is a real [F#] fluke. Yeah.
You know what he is?
He's a man.
[B] Oh, yeah.
[Em] Yeah.
But he's been out there forever. _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [A] _ _
_ _ [G] _ _ _ _ [A] _ _
_ _ [Em] _ _ _ _ [F#m] _ _
_ _ [Em] _ _ _ _ [A] _ _
_ _ [Bm] A baby's in some running [F#m] man.
Hanging with the crowd.
[Em] Richard Prentiss on the street.
[A] And I'm talking all night.
[Bm] Say you bought a this and that.
[A] And how much you gonna spend?
[Bm] I swear she must [F#m] believe it's all been given.
_ [Bm] Hey, boy.
[A] Better bring that chick around.
_ [Bm] To the sad, sad [A] dream club.
The dirty, low dance.
[Em] Ooh.
_ _ [F#m] _ _
_ [G] I don't need a bus, gotta [Bm] walk, gotta [F#m] walk, gotta walk.
They taught her how to talk [Em] like that.
_ Ooh.
[F#m] _ _
_ [Bm] I don't need a bus, gotta walk, gotta [A] walk, gotta walk.
Give it up.
Big guy.
[G] Yeah.
_ _ _ [A] _ _
_ _ [Em] _ _ _ _ [F#m] _ _
All [Bm] right.
Nothing you can't handle.
[F#m] Nothing you ain't got.
[Em] Put your money on the [A] table.
Drive it off the line.
[G] Turn on that old love light.
[A] For me to do a yes.
_ [Em] Same old schoolboy game.
[A] Got to enter this mess.
[Bm] Hey, son.
_ [F#m] You better get back to town.
[G] Face the sad old truth.
[A] Face the dirty, low dance.
_ [Em] Ooh.
_ _ [F#m] _ _
Ooh.
[Bm] I don't want no bus, gotta walk, gotta [A] walk, gotta walk.
Put those ideas in your [Em] head.
Ooh.
_ [F#m] _
I'm on the band.
[G] I [Bm] don't want no bus, gotta walk, gotta [F#m] walk, gotta walk.
All [D] right.
_ _ _ [A] _ _
_ _ [Am] _ _ _ _ [B] _ _
_ _ [Bm] _ _ _ _ [F#m] _ _
_ _ [Bm] _ _ _ _ [F#m] _ _
_ _ [G] _ _ _ [Bm] _ [F#m] _
Little sad, [G] _ _ _ [F#m] low, low, low, low, low down.
Little band.
_ _ [G#m] _ _
_ _ [F#m] _ _ _ _ [B] _ _
_ [G#m] _ [F#m] _ _ _ _ [B] _ _
_ _ [F#m] _ _ _ _ [G#m] _ _
Hey, [F#m] baby.
_ _ _ [B] _ _
_ _ [F#m] _ _ _ _ [B] _ _
_ _ [F#m] Ooh.
_ _ [B] _ _
_ _ [F#m] _ _ _ _ [B] _ _
_ _ [Em] You ain't got to be so [F#m] bad.
Ain't got to be so [Bm] cool.
This dolly doll [A] existence is getting old.
[Bm] Got to have a Jones with [F#m] this.
And I don't want that.
[Em] Just run with the Joneses, boy.
[A] Just ain't what it's at.
[Bm] _ You're going to come back [F#m] around to the sad, sad truth.
[Bm] _ Sad truth.
[A] Of the dirty, low dance.
[Em] Ooh.
Ooh.
[F#m] _ _
Ooh.
[Bm] I don't want no bus, gotta walk, gotta [F#m] walk, gotta walk.
_ _ [Em] All _ _ [F#m] _
right.
Ooh.
[G] I don't want no bus, gotta walk, gotta [F#m] walk, gotta walk.
_ _ [D] _ _ _ _ [C#] _ _
_ _ [Am] _ _ _ _ [B] _ _
_ _ [Bm] _ Ooh.
_ [F#m] _ _
_ _ [G] _ _ [Bm] _ _ [F#m] _ _
_ _ [G] _ _ _ [D] _ _ [F#m] _
_ [Bm] I don't want no bus, gotta walk, gotta [F#m] walk, gotta walk.
_ _ [Em] Ooh. _ [F#m] Ooh. _
_ _ [G] _ [Bm] _ _ _ [F#m] _ _
_ _ [G] _ _ _ [D] _ [F#m] _ _
_ _ [Em] _ [Bm] _ _ _ [F#m] _
don't hide [G] yourself like _ _ [A] that _
[F#m] _ _ _ _ [Bm] _ [Dm] _ _ _
_ _ [Am] _ _ _ _ _ _
_ [E] _ _ _ _ [F#m] _ [F#] _ _
[E] _ _ [D] _ _ _ [Em] _ _ _
_ _ _ [D] _ _ _ _ _

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