Chords for Dixie Chick's "There's Your Trouble" with songwriter Mark Selby - Behind the Hits
Tempo:
126 bpm
Chords used:
G
C
Em
D
Gm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[G] [Em] [C]
[G] [C] [Dm] [Gm]
I want to [Em] stop for a second [B] and just point out this is a little guitar part of this descending line thing.
I had written a very slow or started kind of [A#] a slow soulful song with this pattern.
[G]
[Em]
[G] [C] Never
[G] [Am] [Gm] [D]
finished [A#] it.
And so a few years later
I was playing that just a lot faster and it ended up becoming the basis of this song, which the [G] Dixie Chicks recorded.
[Em]
[Bm] [C] [G]
[D] [G] [Em]
[C] [G]
[D] [G] It should have been [Em] everybody [G] was in different [C] wonders.
Same [G] old story [C] did [D] dawn so [G] long.
[F#] Should have been like [Em] a glove.
[G] Should have fit like [C] a ring.
Like [G] a diamond that you've broken [D] up.
[C] Should have, [G] should have worked out, but it [C] didn't.
You should [Gm] be here [D] now, buddy, [Gm] isn't it?
And [F#] there's your trouble, [Em]
[Bm] there's your trouble [C] you keep
[G] [C] Seein' double with the [D] wrong one
[G] See I love [Em] you, you can't [G] see he [C] doesn't
But you just keep [G] holdin' [C] [D] on
[G] There's your trouble
[Em]
[G] [C] [G]
So now you're thinkin' [Em] about [G] all you're missin' [C] out
[G] Deep [Am] you're sinkin' around and [D] around, druggin' [G] down
Why don't you cash [Em] in your chips, why [G] don't you call [C] it a loss
Not [G] such a big loss, sure [D] better get [C] a lot
[G] Should've been true love, thought it was
[C] It [G] should all [D] add up, but [G] it doesn't
And there's your trouble, [Em]
there's [G] your trouble [C] you keep
[G] Seein' double with the [D] wrong one
[G] Can't see I love [Em] you, you can't see [Bm] he [C] doesn't
But you just [G] keep holdin' on
There's your trouble
[Em]
[C] [G]
[D] [G] Should've [Em]
[G] [C] [G] [C]
[D] [C] [G] been true love, thought it was
[C] It should [G] all add up, but it doesn't
And there's your trouble, [Em]
there's your trouble [C] you keep
[G] Seein' double with the wrong one
Can't see I love [Em] you, you can't [G] see he [C] doesn't
But you just [G] keep holdin' on
There's your trouble
[F#] [Em]
[Bm] [C] There's your trouble, [G] baby
[Gm]
There is your trouble
[Em]
[C] [G] [Am]
[D] [G]
[N]
Exactly.
Pinball radio.
Is that a song you also feel almost could translate over to rock?
Yeah, you know, around the time that that was on the radio
I got signed to Vanguard Records to do kind of a blues rock deal
And Brent Mayer, my good buddy who was producing the record
Really thought There's Your Trouble could work on there
In amongst some of my kind of bluesy and rockin' stuff
Because he's like, man, it's just groovy and soulful
It's kind of Van Morrison-y, you know
And I was like, you're right, it is
But I don't know, I don't
It seems a little too major, chord sounding and peppy, kind of
Compared to my more heavy rockin' stuff
But we tried it, we cut it
And Glenn Wharf was [G] playing a bass part on it, you know
You can imagine
But, you know, we couldn't really make it fit in
And I think it's partly because it's just a little too bright sounding, in a way
And lyrically, even though the song's funky and everything
It just didn't quite work
It seemed like it would, but it didn't quite,
[G] [C] [Dm] [Gm]
I want to [Em] stop for a second [B] and just point out this is a little guitar part of this descending line thing.
I had written a very slow or started kind of [A#] a slow soulful song with this pattern.
[G]
[Em]
[G] [C] Never
[G] [Am] [Gm] [D]
finished [A#] it.
And so a few years later
I was playing that just a lot faster and it ended up becoming the basis of this song, which the [G] Dixie Chicks recorded.
[Em]
[Bm] [C] [G]
[D] [G] [Em]
[C] [G]
[D] [G] It should have been [Em] everybody [G] was in different [C] wonders.
Same [G] old story [C] did [D] dawn so [G] long.
[F#] Should have been like [Em] a glove.
[G] Should have fit like [C] a ring.
Like [G] a diamond that you've broken [D] up.
[C] Should have, [G] should have worked out, but it [C] didn't.
You should [Gm] be here [D] now, buddy, [Gm] isn't it?
And [F#] there's your trouble, [Em]
[Bm] there's your trouble [C] you keep
[G] [C] Seein' double with the [D] wrong one
[G] See I love [Em] you, you can't [G] see he [C] doesn't
But you just keep [G] holdin' [C] [D] on
[G] There's your trouble
[Em]
[G] [C] [G]
So now you're thinkin' [Em] about [G] all you're missin' [C] out
[G] Deep [Am] you're sinkin' around and [D] around, druggin' [G] down
Why don't you cash [Em] in your chips, why [G] don't you call [C] it a loss
Not [G] such a big loss, sure [D] better get [C] a lot
[G] Should've been true love, thought it was
[C] It [G] should all [D] add up, but [G] it doesn't
And there's your trouble, [Em]
there's [G] your trouble [C] you keep
[G] Seein' double with the [D] wrong one
[G] Can't see I love [Em] you, you can't see [Bm] he [C] doesn't
But you just [G] keep holdin' on
There's your trouble
[Em]
[C] [G]
[D] [G] Should've [Em]
[G] [C] [G] [C]
[D] [C] [G] been true love, thought it was
[C] It should [G] all add up, but it doesn't
And there's your trouble, [Em]
there's your trouble [C] you keep
[G] Seein' double with the wrong one
Can't see I love [Em] you, you can't [G] see he [C] doesn't
But you just [G] keep holdin' on
There's your trouble
[F#] [Em]
[Bm] [C] There's your trouble, [G] baby
[Gm]
There is your trouble
[Em]
[C] [G] [Am]
[D] [G]
[N]
Exactly.
Pinball radio.
Is that a song you also feel almost could translate over to rock?
Yeah, you know, around the time that that was on the radio
I got signed to Vanguard Records to do kind of a blues rock deal
And Brent Mayer, my good buddy who was producing the record
Really thought There's Your Trouble could work on there
In amongst some of my kind of bluesy and rockin' stuff
Because he's like, man, it's just groovy and soulful
It's kind of Van Morrison-y, you know
And I was like, you're right, it is
But I don't know, I don't
It seems a little too major, chord sounding and peppy, kind of
Compared to my more heavy rockin' stuff
But we tried it, we cut it
And Glenn Wharf was [G] playing a bass part on it, you know
You can imagine
But, you know, we couldn't really make it fit in
And I think it's partly because it's just a little too bright sounding, in a way
And lyrically, even though the song's funky and everything
It just didn't quite work
It seemed like it would, but it didn't quite,
Key:
G
C
Em
D
Gm
G
C
Em
[G] _ _ _ [Em] _ _ _ _ [C] _
_ _ [G] _ _ _ [C] _ [Dm] _ [Gm] _
_ I want to [Em] stop for a second [B] and just point out this is a little guitar part of this descending line thing.
I had written a very slow or started kind of [A#] a slow soulful song with this pattern.
[G] _ _ _
_ _ _ _ _ _ [Em] _ _
_ [G] _ _ _ [C] Never _ _
[G] _ _ _ _ [Am] _ _ [Gm] _ [D] _
_ finished [A#] it.
And so a few years later
I was playing that just a lot faster and it ended up becoming the basis of this song, which the [G] Dixie Chicks recorded.
_ _ [Em] _
_ [Bm] _ _ [C] _ _ _ [G] _ _
_ _ [D] _ [G] _ _ _ _ [Em] _
_ _ _ [C] _ _ [G] _ _ _
_ [D] _ [G] It should have been [Em] everybody [G] was in different [C] wonders.
Same [G] old story [C] did [D] dawn so [G] long.
[F#] Should have been like [Em] a glove.
[G] Should have fit like [C] a ring.
Like [G] a diamond that you've broken [D] up.
[C] Should have, [G] should have worked out, but it _ [C] didn't.
You should [Gm] be here [D] now, buddy, [Gm] isn't it?
And [F#] there's your trouble, [Em] _
[Bm] there's your trouble [C] you keep
[G] [C] Seein' double with the [D] wrong one
[G] See I love [Em] you, you can't [G] see he [C] doesn't
But you just keep [G] holdin' [C] [D] on
[G] There's your trouble
_ [Em] _
_ _ [G] _ [C] _ _ [G] _ _ _
_ _ _ So now you're thinkin' [Em] about [G] all you're missin' [C] out
[G] Deep [Am] you're sinkin' around and [D] around, druggin' [G] down
Why don't you cash [Em] in your chips, why [G] don't you call [C] it a loss
Not [G] such a big loss, sure [D] better get [C] a lot
_ [G] Should've been true love, thought it was
[C] _ It [G] should all [D] add up, but [G] it doesn't
And there's your trouble, [Em] _
there's [G] your trouble [C] you keep
[G] Seein' double with the [D] wrong one
[G] Can't see I love [Em] you, you can't see [Bm] he [C] doesn't
But you just [G] keep holdin' on
There's your trouble
[Em] _
_ _ _ [C] _ _ [G] _ _ _
_ [D] _ _ [G] Should've _ _ [Em] _
_ [G] _ _ [C] _ _ [G] _ [C] _ _
_ [D] _ _ [C] _ _ [G] been true love, thought it was
[C] _ It should [G] all add up, but it doesn't
And there's your trouble, [Em] _
there's your trouble [C] you keep
[G] Seein' double with the wrong one
Can't see I love [Em] you, you can't [G] see he [C] doesn't
But you just [G] keep holdin' on
_ There's your trouble
[F#] _ [Em] _
_ [Bm] _ [C] There's your trouble, [G] baby
[Gm] _ _
_ There is your trouble
_ [Em] _
_ _ _ [C] _ _ [G] _ _ [Am] _
_ _ _ [D] _ [G] _ _ _ _
_ _ _ _ _ _ _ _
_ [N] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _
Exactly.
Pinball radio.
_ Is that a song you also feel almost could translate over to rock?
Yeah, you know, around the time that that was on the radio
I got signed to Vanguard Records to do kind of a blues rock deal
And Brent Mayer, my good buddy who was producing the record
_ Really thought There's Your Trouble could work on there
In amongst some of my kind of bluesy and rockin' stuff
Because he's like, man, it's just groovy and soulful
It's kind of Van Morrison-y, you know
And I was like, you're right, it is
But I don't know, I don't
It seems a little too major, chord sounding and peppy, kind of
Compared to my more heavy rockin' stuff
But we tried it, we cut it
And Glenn Wharf was [G] playing a _ _ _ bass part on it, you know
You can imagine _
But, you know, we couldn't really make it fit in
And I think it's partly because it's just a little too bright sounding, in a way
And lyrically, even though the song's funky and everything
It just _ didn't quite work
It seemed like it would, but it didn't quite,
_ _ [G] _ _ _ [C] _ [Dm] _ [Gm] _
_ I want to [Em] stop for a second [B] and just point out this is a little guitar part of this descending line thing.
I had written a very slow or started kind of [A#] a slow soulful song with this pattern.
[G] _ _ _
_ _ _ _ _ _ [Em] _ _
_ [G] _ _ _ [C] Never _ _
[G] _ _ _ _ [Am] _ _ [Gm] _ [D] _
_ finished [A#] it.
And so a few years later
I was playing that just a lot faster and it ended up becoming the basis of this song, which the [G] Dixie Chicks recorded.
_ _ [Em] _
_ [Bm] _ _ [C] _ _ _ [G] _ _
_ _ [D] _ [G] _ _ _ _ [Em] _
_ _ _ [C] _ _ [G] _ _ _
_ [D] _ [G] It should have been [Em] everybody [G] was in different [C] wonders.
Same [G] old story [C] did [D] dawn so [G] long.
[F#] Should have been like [Em] a glove.
[G] Should have fit like [C] a ring.
Like [G] a diamond that you've broken [D] up.
[C] Should have, [G] should have worked out, but it _ [C] didn't.
You should [Gm] be here [D] now, buddy, [Gm] isn't it?
And [F#] there's your trouble, [Em] _
[Bm] there's your trouble [C] you keep
[G] [C] Seein' double with the [D] wrong one
[G] See I love [Em] you, you can't [G] see he [C] doesn't
But you just keep [G] holdin' [C] [D] on
[G] There's your trouble
_ [Em] _
_ _ [G] _ [C] _ _ [G] _ _ _
_ _ _ So now you're thinkin' [Em] about [G] all you're missin' [C] out
[G] Deep [Am] you're sinkin' around and [D] around, druggin' [G] down
Why don't you cash [Em] in your chips, why [G] don't you call [C] it a loss
Not [G] such a big loss, sure [D] better get [C] a lot
_ [G] Should've been true love, thought it was
[C] _ It [G] should all [D] add up, but [G] it doesn't
And there's your trouble, [Em] _
there's [G] your trouble [C] you keep
[G] Seein' double with the [D] wrong one
[G] Can't see I love [Em] you, you can't see [Bm] he [C] doesn't
But you just [G] keep holdin' on
There's your trouble
[Em] _
_ _ _ [C] _ _ [G] _ _ _
_ [D] _ _ [G] Should've _ _ [Em] _
_ [G] _ _ [C] _ _ [G] _ [C] _ _
_ [D] _ _ [C] _ _ [G] been true love, thought it was
[C] _ It should [G] all add up, but it doesn't
And there's your trouble, [Em] _
there's your trouble [C] you keep
[G] Seein' double with the wrong one
Can't see I love [Em] you, you can't [G] see he [C] doesn't
But you just [G] keep holdin' on
_ There's your trouble
[F#] _ [Em] _
_ [Bm] _ [C] There's your trouble, [G] baby
[Gm] _ _
_ There is your trouble
_ [Em] _
_ _ _ [C] _ _ [G] _ _ [Am] _
_ _ _ [D] _ [G] _ _ _ _
_ _ _ _ _ _ _ _
_ [N] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _
Exactly.
Pinball radio.
_ Is that a song you also feel almost could translate over to rock?
Yeah, you know, around the time that that was on the radio
I got signed to Vanguard Records to do kind of a blues rock deal
And Brent Mayer, my good buddy who was producing the record
_ Really thought There's Your Trouble could work on there
In amongst some of my kind of bluesy and rockin' stuff
Because he's like, man, it's just groovy and soulful
It's kind of Van Morrison-y, you know
And I was like, you're right, it is
But I don't know, I don't
It seems a little too major, chord sounding and peppy, kind of
Compared to my more heavy rockin' stuff
But we tried it, we cut it
And Glenn Wharf was [G] playing a _ _ _ bass part on it, you know
You can imagine _
But, you know, we couldn't really make it fit in
And I think it's partly because it's just a little too bright sounding, in a way
And lyrically, even though the song's funky and everything
It just _ didn't quite work
It seemed like it would, but it didn't quite,