Chords for Donald Fagen talks about PEG pt 2

Tempo:
143.1 bpm
Chords used:

C

G

Bm

Em

Am

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Donald Fagen talks about PEG pt 2 chords
Start Jamming...
The only other thing to talk about is there's a few, I guess,
things that aren't part of that structure,
but are episodes that connect one part to another transition.
So one would be the introduction to the song, which is based on
a chords derived from the chorus.
For instance, remember in the chorus [C] we [Bm] have
[Am]
[Em] [C] [Bm]
[Am] [Em] [C#m] [C]
[F#] Yeah, let's [G] stop right there.
[F#] See [G] there you have a tonic [F#] to the seventh chord built on the seventh degree,
which is F sharp.
The introduction [Bm] starts with a very similar chord.
You have a major chord, and then, although you don't have the [F#] exact one,
you have something similar.
And those two chords are [A#] the basic two chords that give the introductionist character.
It's just three sequences going down in whole tones like [G] this.
[D] [F#] Same chords, whole tone [F] down.
[E]
It's [D#] [D]
cool.
Right?
Which ends on the fifth, leading back to G,
but instead of going [G] directly to G, we'll go through the [C] plagal cadence.
[G]
That's where you [Bm] set up your groove, right?
That sets up the groove.
We have a drum fill and [D#] right into the
In the first verse.
Into the verse, exactly.
Then there's another little interlude, right, that happens?
Yeah, there's another interlude that connects the first chorus to the following verse.
And what we want to do is we want to kind of simmer it down a little bit
and give sort of a chance for the verse to start.
And it's really an arranging technique.
Here's the end of the first [A] chorus.
[C] [F#]
[Bm] [E] [Am] [C]
[A] [Bm] [Em]
[Bm] [C] [G]
In other words, [F#m] [Bm] so what it does is [Em] it kind of takes you out of the groove that's [F#m] been happening.
It's based on [Bm]
[Em] strings and [A#] grouping, [G#] grouping [G] [F#]
groups of threes instead of
Three against four kind of feeling going on in there because the groove is still going.
And what it does is it's basically Exactly.
And it's really
It's saying, you know, let's like, you know,
hold it for a second and set up for what's going to happen next.
Well, we used that.
I remember on the tour, we used this to lead back into the introduction again, right?
Right, exactly.
And also we used it as a coda.
Yeah, it's true.
It's a little transitional phrase, which is one of those little surprises to me.
It's just moving up the cycle of fifths to or down the cycle.
[B] [E] [B]
[C] You want [F#m]
[Bm] [Em] [Bm] to [C]
[C#] try it?
Love to.
Okay.
One, two, three.
[D]
[F#m] [F]
[Em] [A#]
[Dm]
[C] [G] [C]
[G] [Em] [G]
[C] [G]
[C] [G] [C] [G]
[Am] [C] [F]
[G]
[C] [Bm] [Em]
[D] [F] [Em]
[C] [Bm]
[C] [Bm] [C] [G]
[C] [G]
[C] [Bm] [C] [G]
[C]
[F] [Em] [G]
[C] [Bm] [Em] [G]
[D] [F] [C]
[G]
[C] [Bm] [C] [Bm]
[Am] [Em]
[G] [Am] [Em]
[C]
[F#] [D] [E]
[Am] [Dm] [C]
[G] [C] [G]
[F#m] [Bm] [Em]
[Bm] [C] [D]
[F#m]
[F] [Em]
[Gm]
[Dm] [C] [G]
[C] [G]
[C] [G]
[C]
[G]
[D] [C]
[G]
[Am] [G] [C]
[G] [A] [Em]
[Bm] [Am] [Em]
[A] [C]
[F#] [Bm] [E]
[Am] [Dm] [D]
[C] [G] [Am] [Em]
[C] [G] [Am]
[Em] [C#m] [C]
[D] [Em] [F#] [Bm]
[E] [Am] [Dm]
[F#m] [D] [Em] [Bm]
[C] [G]
That's it.
[N]
Key:  
C
3211
G
2131
Bm
13421112
Em
121
Am
2311
C
3211
G
2131
Bm
13421112
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_ _ _ _ _ _ _
The only other thing to talk about is there's a few, _ I guess,
things that aren't part of that structure,
but are episodes that _ _ connect one part to another _ transition.
So one would be the introduction _ to the song, which is _ based on
a chords derived from the chorus.
For instance, _ remember in the chorus [C] we [Bm] have_
_ _ [Am] _
_ [Em] _ _ _ [C] _ _ [Bm] _ _
[Am] _ _ [Em] _ _ _ [C#m] _ _ [C] _
_ _ _ _ [F#] _ Yeah, let's [G] stop right there.
_ [F#] _ _ See [G] there you have a tonic _ [F#] to the seventh chord built on the seventh degree,
which is F sharp. _
The introduction [Bm] starts with a very similar _ chord.
You have a major chord, _ _ and then, although you don't have the [F#] exact one,
_ _ you have something similar.
_ _ _ _ And those two chords are [A#] the _ _ basic two chords that give the introductionist character.
It's just three sequences _ going down in whole tones like [G] this.
_ _ _ [D] _ _ _ [F#] Same chords, whole tone [F] down.
_ _ _ [E] _ _
It's _ [D#] _ _ _ _ [D] _
_ cool.
Right?
Which ends on the fifth, leading back to G,
but instead of going [G] directly to G, we'll go through the [C] plagal cadence.
_ [G] _ _ _
_ That's where you [Bm] set up your groove, right?
That sets up the groove.
We have a drum fill and [D#] right into the_
In the first verse.
Into the verse, exactly.
_ _ _ Then there's another little interlude, right, that happens?
Yeah, there's another interlude that connects _ _ the _ first chorus to the following verse.
And what we want to do is we want to kind of simmer it down a little bit
and give sort of a chance for the verse to start.
And it's really an arranging technique. _
_ Here's the end of the first [A] chorus. _
[C] _ _ _ _ _ [F#] _ _ _
[Bm] _ _ [E] _ _ _ [Am] _ _ [C] _
_ _ [A] _ _ [Bm] _ _ [Em] _ _
[Bm] _ _ [C] _ _ [G] _ _ _
In other words, _ [F#m] _ [Bm] so what it does is [Em] it kind of takes you out of the _ _ groove that's [F#m] been happening.
It's based on [Bm] _ _
[Em] strings and [A#] grouping, [G#] grouping _ [G] _ [F#] _
_ groups of threes instead of_
Three against four kind of feeling going on in there because the groove is still going.
And what it does is it's basically_ Exactly. _ _
_ And _ it's really_
It's saying, you know, let's like, you know,
hold it for a second and set up for what's going to happen next. _
Well, we used that.
I remember on the tour, we used this _ to lead back into the introduction again, right?
Right, exactly.
_ And also we used it as a coda.
Yeah, it's true.
It's a little transitional phrase, _ _ which is one of those little surprises to me.
It's just moving up the cycle of fifths to or down the cycle.
_ [B] _ [E] _ _ [B] _ _
[C] _ You want _ [F#m] _ _ _
_ [Bm] _ [Em] _ [Bm] to [C] _ _ _
_ _ [C#] try it?
Love to.
Okay. _
One, _ _ _ _ two, three.
[D] _ _ _ _ _ _
_ _ [F#m] _ _ _ [F] _ _ _
_ _ [Em] _ _ _ _ _ [A#] _
_ _ _ _ _ _ _ [Dm] _
_ _ [C] _ _ [G] _ _ _ [C] _
_ [G] _ _ _ [Em] _ _ _ [G] _
_ _ [C] _ _ [G] _ _ _ _
[C] _ _ [G] _ _ _ [C] _ _ [G] _
_ _ [Am] _ _ [C] _ _ _ [F] _
_ [G] _ _ _ _ _ _ _
_ _ [C] _ _ [Bm] _ _ _ [Em] _
_ [D] _ _ _ _ [F] _ _ [Em] _
_ _ [C] _ _ [Bm] _ _ _ _
[C] _ _ [Bm] _ _ [C] _ _ _ [G] _
_ _ [C] _ _ [G] _ _ _ _
[C] _ _ [Bm] _ _ _ [C] _ _ [G] _
_ [C] _ _ _ _ _ _ _
[F] _ _ [Em] _ _ _ _ _ [G] _
_ _ [C] _ _ [Bm] _ _ [Em] _ [G] _
_ _ [D] _ _ [F] _ _ _ [C] _
_ _ _ _ [G] _ _ _ _
[C] _ _ [Bm] _ _ _ [C] _ _ [Bm] _
_ _ [Am] _ _ [Em] _ _ _ _
_ _ [G] _ _ [Am] _ _ _ [Em] _
_ _ _ _ [C] _ _ _ _
_ [F#] _ _ _ [D] _ _ _ [E] _
_ _ [Am] _ _ [Dm] _ _ [C] _ _
_ [G] _ _ _ _ [C] _ _ [G] _
_ _ [F#m] _ _ [Bm] _ _ [Em] _ _
[Bm] _ _ [C] _ _ _ [D] _ _ _
_ _ _ _ [F#m] _ _ _ _
[F] _ _ _ _ _ [Em] _ _ _
_ _ [Gm] _ _ _ _ _ _
[Dm] _ _ _ _ _ [C] _ _ [G] _
_ _ [C] _ _ [G] _ _ _ _
_ _ _ _ _ _ _ _
_ _ [C] _ _ [G] _ _ _ _
_ _ _ _ _ [C] _ _ _
_ _ _ _ _ _ _ _
_ [G] _ _ _ _ _ _ _
_ _ _ [D] _ _ _ _ [C] _
_ _ _ [G] _ _ _ _ _
[Am] _ _ [G] _ _ _ _ [C] _ _
[G] _ _ _ [A] _ _ [Em] _ _ _
_ _ [Bm] _ _ _ [Am] _ _ [Em] _
_ _ [A] _ _ [C] _ _ _ _
_ _ [F#] _ _ _ [Bm] _ _ [E] _
_ _ [Am] _ _ [Dm] _ _ _ [D] _
[C] _ [G] _ _ _ [Am] _ _ _ [Em] _
_ _ [C] _ [G] _ _ _ _ [Am] _
_ [Em] _ _ _ [C#m] _ _ [C] _ _
[D] _ [Em] _ _ [F#] _ _ _ [Bm] _ _
[E] _ _ _ _ [Am] _ [Dm] _ _ _
_ [F#m] _ [D] _ _ _ [Em] _ _ [Bm] _
[C] _ _ _ _ _ [G] _ _ _
_ _ _ _ _ _ _ _
_ That's it.
_ _ [N] _ _ _

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