Chords for Dusty Springfield - British Invasion 60's Music 'Once Upon A Time 1964-1969'

Tempo:
131.85 bpm
Chords used:

G

D

E

Eb

Em

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Dusty Springfield - British Invasion 60's Music 'Once Upon A Time 1964-1969' chords
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[Em]
[G] [Em]
[C] [D]
[G] [Em]
[Am] [D]
[G]
[Eb]
I [C] think I must have realized [G] at a fairly early age [D] that in order to be appreciated or noticed
[Em] that I had better sing [A] because I had this [D] peculiar voice even when I was very [G] tiny.
[Em]
[G] [Em]
[C] [D]
[G] [Em]
[D]
[Am] [D] [G]
[C] I think with Wishing and Hoping I maybe had like four bars of a melody.
Maybe what I just
had was simple,
[G] [F] taking [G] and planning, [C] oh, [F] love,
[Eb] that won't, something like that, you know.
[B] Just wishing [Gb] and hoping [E] and thinking [Gb] and praying, [B] planning [Gb] and dreaming, [E] his kisses will stop,
that won't get [Gb] you into his [G] heart.
[Gm] [C]
[Gm] [C]
[Gm] On [C]
[Dm] [E] a ballad [G] she would [Fm]
somehow find a way to [F] express [D]
desolation
in her [G] life.
The thing about [C]
Dusty's [Am] approach to a song [C] was that she [Am] would begin [D] by easing you in
gently, usually singing the melody as written but with a little [G]
inflection, a Dustyism.
She
just [D] is able to make you believe [G] that [E] whatever she's [Bbm] saying in the song is really [Eb] happening.
[Ab]
[Ebm] [Ab] [Eb] [Ab]
[Ebm] [Ab] [Eb]
[Ab] [Eb] [Ab] [Eb]
[Ab] [Eb] [Ab] [Eb]
[Cm] [Fm] [Bb]
[Eb] Well, I mean, when it came to her recording sessions, basically Dusty did everything.
She
chose the songs, she chose the singers, she chose the musicians that she [Abm] wanted.
I mean,
she basically did everything but in those days the artist never got credit for doing [Bb] anything.
I never got my [B] name on the label as [Ebm] a producer [Abm] because [Bb] this is rather typical of what [B]
one can
be conditioned into thinking as a woman.
I thought that I shouldn't take the credit,
that it would take [F] away from my credibility as an innocent [G] little singer.
[Bb]
[Eb]
[F] [Bb]
She listened to so many different singers.
She listened to gospel [Eb] music, she listened to
classical music [F] and if she was singing classical music [D] she sounded as pure as the driven snow.
[Gm] She
was a mimic [D] and she used to say that a lot.
She said, I'm a mimic [Gm] and she was right and
that's how I feel that I am.
So, dear [B] Mary, you taught me a great [E] lesson.
[A]
[E]
[A] [E]
[B] [A]
[D] She did a great [A] performance on Son of a Preacher Man to sing breathy, [Dbm]
people like that.
People
like to hear you breathe.
[B] And I mean, Billy Red was a preacher's son and when his daddy
would come along, when you [E] gather round the start, you want to know what she's talking about,
you know, and you put your ear just that little bit closer [Am] because it's almost like she's telling
you something she doesn't want anybody [D] else to hear.
[Bm]
[Em] [A]
[D] [Bm]
[Em] [A]
Dusty's left behind [G] her, without any doubt,
the greatest body of work of any British singer, male or female.
[E] She sang [A] beautifully and skillfully,
intelligently on everything she ever [Gm] did.
If any young singer wants to learn, they should just go
out and buy her catalogue and soak it in.
Don't copy it, but soak it in [F] and you'll be a better
singer at the end of it.
[D] [Bm] [Em] [G]
[D] [Bm]
[Em] [A] [D]
[Gbm]
[Bm] [E]
[Dbm] [Gbm]
[B] [E]
[Dbm] [Gbm] [B]
[E] [Bm]
[E] [Bm] [E]
[Bm] [E]
[Ab]
[N]
Key:  
G
2131
D
1321
E
2311
Eb
12341116
Em
121
G
2131
D
1321
E
2311
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Chords
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To jam and learn the simple chords for Dusty Springfield - I Only Want To Be With You chords, practice playing C, D, G, Em, D, Gb, B, Gb and E in sequence. A strategic approach would be to train at 67 BPM initially, and then accelerate to the song's tempo of 134. Configure the capo to your vocal range and chord preference, remembering the key of G Major.

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_ _ _ _ _ _ [Em] _ _
_ _ [G] _ _ _ _ [Em] _ _
_ [C] _ _ [D] _ _ _ _ _
_ [G] _ _ _ _ [Em] _ _ _
_ [Am] _ _ _ _ [D] _ _ _
_ _ _ _ _ [G] _ _ _
_ [Eb] _ _ _ _ _ _ _
_ I [C] think I must have realized [G] at a fairly early age [D] that in order to be appreciated or noticed
[Em] that I had better sing [A] because I had this [D] peculiar voice even when I was very [G] tiny.
_ _ _ [Em] _ _ _
_ [G] _ _ _ _ [Em] _ _ _
_ [C] _ _ [D] _ _ _ _ _
_ [G] _ _ _ _ [Em] _ _ _
_ _ _ _ _ [D] _ _ _
_ [Am] _ _ [D] _ _ [G] _ _ _
[C] I think with Wishing and Hoping I maybe had like four bars of a melody.
_ _ Maybe what I just
had was _ simple, _ _
[G] _ _ [F] taking [G] and planning, [C] oh, _ _ _ [F] _ _ love, _
_ [Eb] that won't, something like that, you know.
[B] Just wishing [Gb] and hoping [E] and thinking [Gb] and praying, [B] planning [Gb] and dreaming, [E] his kisses will stop,
_ that won't get [Gb] you into his [G] heart. _ _ _
_ [Gm] _ _ [C] _ _ _ _ _
_ _ _ [Gm] _ _ [C] _ _
[Gm] On _ [C] _ _ _ _ _ _
[Dm] _ _ [E] a ballad [G] she would [Fm] _
somehow find a way to [F] express _ [D]
desolation
in her [G] life.
The thing about [C]
Dusty's [Am] approach to a song [C] was that she [Am] would begin [D] by easing you in
gently, usually singing the melody as written but with a little [G]
inflection, a Dustyism.
She
just [D] is able to make you believe _ [G] that [E] whatever she's [Bbm] saying in the song is really [Eb] happening.
_ [Ab] _ _ _
[Ebm] _ _ [Ab] _ _ [Eb] _ _ _ [Ab] _
_ [Ebm] _ _ [Ab] _ _ [Eb] _ _ _
[Ab] _ _ [Eb] _ _ [Ab] _ _ [Eb] _ _
_ [Ab] _ _ [Eb] _ _ [Ab] _ _ [Eb] _
_ _ [Cm] _ _ [Fm] _ _ [Bb] _ _
[Eb] Well, I mean, when it came to her recording sessions, basically Dusty did everything.
She
chose the songs, she chose the singers, she chose the musicians that she [Abm] wanted.
I mean,
she basically did everything but in those days the artist never got credit for doing [Bb] anything.
I never got my [B] name on the label as [Ebm] a producer [Abm] because [Bb] this is rather typical of what [B]
one can
be conditioned into thinking as a woman.
I thought that I shouldn't take the credit,
that it would take [F] away from my credibility as an innocent [G] little singer.
[Bb] _
_ _ _ _ [Eb] _ _ _ _
_ [F] _ _ _ _ [Bb] _ _ _
She listened to so many different singers.
She listened to gospel [Eb] music, she listened to
classical music [F] and if she was singing classical music [D] she sounded as pure as the driven snow.
[Gm] She
was a mimic [D] and she used to say that a lot.
She said, I'm a mimic [Gm] and she was right and
that's how I feel that I am.
So, dear [B] Mary, you taught me a great [E] lesson.
_ _ _ _ _ _ [A] _
_ _ [E] _ _ _ _ _ _
_ _ [A] _ _ _ [E] _ _ _
_ _ _ [B] _ _ _ [A] _ _
_ _ _ [D] _ She did a great [A] performance on Son of a Preacher Man to sing breathy, [Dbm]
people like that.
People
like to hear you breathe.
_ [B] And I mean, Billy Red was a preacher's son and when his daddy
would come along, _ when you _ [E] gather round the start, you want to know what she's talking about,
you know, and you put your ear just that little bit closer [Am] because it's almost like she's telling
you something she doesn't want anybody [D] else to hear.
_ _ _ _ [Bm] _
_ _ _ [Em] _ _ _ [A] _ _
_ _ [D] _ _ _ [Bm] _ _ _
[Em] _ _ _ _ [A] _ _ _ _
Dusty's left behind [G] her, without any doubt,
the greatest body of work of any British singer, male or female.
_ [E] She sang [A] beautifully and skillfully,
_ intelligently on everything she ever [Gm] did.
_ _ If any young singer _ wants to learn, they should just go
out and buy her catalogue and soak it in.
Don't copy it, but soak it in _ [F] and you'll be a better
singer at the end of it.
_ _ [D] _ _ _ [Bm] _ _ _ _ [Em] _ _ [G] _ _
[D] _ _ _ _ _ _ [Bm] _ _
_ _ [Em] _ _ _ [A] _ _ [D] _
_ _ _ _ _ _ [Gbm] _ _
[Bm] _ _ _ _ _ [E] _ _ _
_ _ [Dbm] _ _ _ _ [Gbm] _ _
_ [B] _ _ _ _ [E] _ _ _
[Dbm] _ _ _ [Gbm] _ _ _ _ [B] _
_ [E] _ _ _ _ _ [Bm] _ _
_ [E] _ _ _ [Bm] _ _ _ [E] _
_ _ _ [Bm] _ _ _ _ [E] _
_ _ _ _ _ _ [Ab] _ _
_ [N] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _

Facts about this song

This song was written by Mike Hawker and Ivor Raymonde.

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