Chords for Elvis Presley - Trouble (1958) Complete original movie scene HD
Tempo:
113.4 bpm
Chords used:
C
Ab
F
G
Eb
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Bbm] [F] [Bb] [N]
[Bm]
[Eb] [Ab]
I don't think I'm gonna be able to make it tonight anymore.
Up to you, Danny-o.
No complaints from this [B] end.
You do your work good.
[F] Yeah, well, the old man came home with a job today, and we made kind of a deal.
I mean, he goes to work, and I go to school.
You know how it is.
[Db] Not really.
I [Ab] got an old man.
Just give him a jug of wine, and he's happy.
[Abm] [Eb] [Bbm]
[Eb] [Db]
Danny, [Ab] you just might have trouble.
No, we're gonna divvy up in the alley later.
The fence [Eb] gave us over 90 bucks.
What'd [Fm] I tell you, [Eb] huh?
[Ab]
Well, hello, Mr.
Fields.
Hello, there.
Could I get by, please?
[Db] Don't you, uh
You do?
That's Maxie [Eb] Fields.
That's your boss.
Are you crazy?
[Ab] Hey, Mr.
Fields, how about that, huh?
Who's this guy, Ryan?
[Eb] The king of Yugoslavia.
How should I know?
Take [Db] your hand off my arm, Mr.
Fields.
How come you're so friendly with [Ab] the lady, boy?
We met in Paris last year.
The king of France introduced us.
You're a pretty fresh boy, aren't you?
Mr.
Fields, how about that job?
And when are you gonna put me on that payroll?
I'll let you know, Sean.
Thanks a lot, Mr.
Fields.
Thank you.
Hiya, Maxie.
Hiya, Danny.
How you [Ab] feeling?
[B] Same as usual?
[Db] What's the matter with you?
You looking for an early grave?
He's your boss.
Him you don't fool [Ab] with.
Why not?
I'm the king of [B] Yugoslavia.
No, he [Ab] is.
He's the king of everything.
[Eb] And he even owns the air you're breathing.
Only in [Bbm] here.
Out there, too, Danny.
He can shut off [Abm] real quick.
[C] [Bbm] I'm [Dm] [Ab] [E]
not gonna let you do that.
I'm gonna get you out of here.
[Eb] That is a busboy.
[Ab] Look at you like that.
[C] A busboy.
Where'd you meet him?
[Bb] Maxie, you're hurting me.
I don't know what you're talking about.
You know the kid.
Don't lie to me.
I'll break every finger you got.
Maxie, stop [Bbm] it, please.
I heard him [N] sing a song, that's all.
Oh.
You do know him?
He sang here once for your big shot friends.
Told him he had a nice voice.
That was all, huh?
That's all.
I'm gonna get you out of here.
Hey, you, kid.
Come here.
[Ab] Yeah, you, busboy.
Come on over here.
[Fm] [Eb]
Lady tells me you [Ab] sing, is that right?
Well, [C] I, uh
That'll be right, because if it ain't, then the lady is lying.
[Ab]
Okay, I'll sing.
For what?
[Db] Nothing.
[Bbm] Just wanted to make sure [Ab] she was telling the truth, that's all.
[D] [Eb] [Bbm]
Just a minute.
[Ab]
I want to make sure you're telling the truth, too.
[Db] I'd like to hear you.
Go on up [Ab] there and sing a song for her.
[Eb] Now?
[Gm] Yeah, now.
[Ab] Right now.
And you better be a singer.
[Eb]
[Ab] Ladies and gentlemen, we, uh, we have a little surprise for you.
There's a great new singer here tonight, [N] the busboy.
Now, now, now, now, now, on the level.
A very good friend of Mr.
Fields' says this guy can really go.
So let's all get together and give a real good listen to
What's your name, kid?
[B] Caruso.
Caruso, the [N] busboy.
Come on.
If
[Eb] [C]
[F] [Fm] [C] [Abm] [G] [Eb]
[C] [A] [D] [C]
[Ebm] [B] [Gm] [C] you're looking [F] for trouble, [C] you came to [Gm] the right place.
[C] You're gonna get it.
If you're looking for [F] trouble, [C] just look [Gm] right at my face.
[C] I was born standing [C] up and talking back.
My [G] daddy was a [C] green-eyed
Give me five!
[D] [F]
green [G]
[C]-eyed
Yeah, yeah.
[Eb] well, [G] I'm evil.
[E]
[F] So don't you mess [C] around.
I'm evil.
I'm
[A] [D] [G] [Ab] [G] [Bb]
[C] evil. I'm evil.
Never looked for trouble, [F] [C] but I [Gm] never ran.
[F] I don't take no orders.
[C]
No kind of [Gm] man.
[C] I'm only made out.
[C] Flesh, blood, and bone.
[N] But if you're gonna start a rumble, [C] don't you try it.
[F] I'm evil.
[G] [C]
I'm [F] evil. [G] I'm evil.
[F] I'm evil.
So don't you mess around with [N] me.
[C] I'm evil.
I'm evil. I'm evil. I'm evil.
Evil.
[F]
[G] [C]
I'm evil.
I'm evil.
[Cm] Evil.
[C] Evil.
[G] Don't mess [C] around with me.
[Am]
[G] Don't mess around [C] with me.
[F] [C]
[G] [C] [N]
[C] You're a singer [Gm] kid, I just got a dirty [F] mind, that's [Fm] all.
Sorry kid.
[C]
[Bb] [G] Crazy [C] daddy, crazy!
[F] I'm not close kid.
But you will.
I was 12.
My [G] name's McGran.
You wanna stop being a busboy?
I just stopped.
I'd like to [C] talk to you.
I own the King Creole down the [G] street.
[C] Well, good for you.
Yeah, it's a dying [Am] swan, but I figure maybe we can put you over and bring the [C] swan back to life.
You [Gm] interested?
Hello [F] Charlie.
[Cm] [F] What's the matter kid, can't you stand the [Gm] whiskey down at your joint?
Well, I always like to see what the competition's [G] doing.
I was gonna offer [C] the kid here a little job [D] myself.
[C] Well, I'd beat you to it.
You [Cm] always do Charlie, [Eb] but I wind up with him [A] sooner or later.
He handled Ronnie when she [C] was a singer, now I do.
[G] What do you [Ab] say kid?
[Am]
[G] I got a date.
[D] How
[Bm]
[Eb] [Ab]
I don't think I'm gonna be able to make it tonight anymore.
Up to you, Danny-o.
No complaints from this [B] end.
You do your work good.
[F] Yeah, well, the old man came home with a job today, and we made kind of a deal.
I mean, he goes to work, and I go to school.
You know how it is.
[Db] Not really.
I [Ab] got an old man.
Just give him a jug of wine, and he's happy.
[Abm] [Eb] [Bbm]
[Eb] [Db]
Danny, [Ab] you just might have trouble.
No, we're gonna divvy up in the alley later.
The fence [Eb] gave us over 90 bucks.
What'd [Fm] I tell you, [Eb] huh?
[Ab]
Well, hello, Mr.
Fields.
Hello, there.
Could I get by, please?
[Db] Don't you, uh
You do?
That's Maxie [Eb] Fields.
That's your boss.
Are you crazy?
[Ab] Hey, Mr.
Fields, how about that, huh?
Who's this guy, Ryan?
[Eb] The king of Yugoslavia.
How should I know?
Take [Db] your hand off my arm, Mr.
Fields.
How come you're so friendly with [Ab] the lady, boy?
We met in Paris last year.
The king of France introduced us.
You're a pretty fresh boy, aren't you?
Mr.
Fields, how about that job?
And when are you gonna put me on that payroll?
I'll let you know, Sean.
Thanks a lot, Mr.
Fields.
Thank you.
Hiya, Maxie.
Hiya, Danny.
How you [Ab] feeling?
[B] Same as usual?
[Db] What's the matter with you?
You looking for an early grave?
He's your boss.
Him you don't fool [Ab] with.
Why not?
I'm the king of [B] Yugoslavia.
No, he [Ab] is.
He's the king of everything.
[Eb] And he even owns the air you're breathing.
Only in [Bbm] here.
Out there, too, Danny.
He can shut off [Abm] real quick.
[C] [Bbm] I'm [Dm] [Ab] [E]
not gonna let you do that.
I'm gonna get you out of here.
[Eb] That is a busboy.
[Ab] Look at you like that.
[C] A busboy.
Where'd you meet him?
[Bb] Maxie, you're hurting me.
I don't know what you're talking about.
You know the kid.
Don't lie to me.
I'll break every finger you got.
Maxie, stop [Bbm] it, please.
I heard him [N] sing a song, that's all.
Oh.
You do know him?
He sang here once for your big shot friends.
Told him he had a nice voice.
That was all, huh?
That's all.
I'm gonna get you out of here.
Hey, you, kid.
Come here.
[Ab] Yeah, you, busboy.
Come on over here.
[Fm] [Eb]
Lady tells me you [Ab] sing, is that right?
Well, [C] I, uh
That'll be right, because if it ain't, then the lady is lying.
[Ab]
Okay, I'll sing.
For what?
[Db] Nothing.
[Bbm] Just wanted to make sure [Ab] she was telling the truth, that's all.
[D] [Eb] [Bbm]
Just a minute.
[Ab]
I want to make sure you're telling the truth, too.
[Db] I'd like to hear you.
Go on up [Ab] there and sing a song for her.
[Eb] Now?
[Gm] Yeah, now.
[Ab] Right now.
And you better be a singer.
[Eb]
[Ab] Ladies and gentlemen, we, uh, we have a little surprise for you.
There's a great new singer here tonight, [N] the busboy.
Now, now, now, now, now, on the level.
A very good friend of Mr.
Fields' says this guy can really go.
So let's all get together and give a real good listen to
What's your name, kid?
[B] Caruso.
Caruso, the [N] busboy.
Come on.
If
[Eb] [C]
[F] [Fm] [C] [Abm] [G] [Eb]
[C] [A] [D] [C]
[Ebm] [B] [Gm] [C] you're looking [F] for trouble, [C] you came to [Gm] the right place.
[C] You're gonna get it.
If you're looking for [F] trouble, [C] just look [Gm] right at my face.
[C] I was born standing [C] up and talking back.
My [G] daddy was a [C] green-eyed
Give me five!
[D] [F]
green [G]
[C]-eyed
Yeah, yeah.
[Eb] well, [G] I'm evil.
[E]
[F] So don't you mess [C] around.
I'm evil.
I'm
[A] [D] [G] [Ab] [G] [Bb]
[C] evil. I'm evil.
Never looked for trouble, [F] [C] but I [Gm] never ran.
[F] I don't take no orders.
[C]
No kind of [Gm] man.
[C] I'm only made out.
[C] Flesh, blood, and bone.
[N] But if you're gonna start a rumble, [C] don't you try it.
[F] I'm evil.
[G] [C]
I'm [F] evil. [G] I'm evil.
[F] I'm evil.
So don't you mess around with [N] me.
[C] I'm evil.
I'm evil. I'm evil. I'm evil.
Evil.
[F]
[G] [C]
I'm evil.
I'm evil.
[Cm] Evil.
[C] Evil.
[G] Don't mess [C] around with me.
[Am]
[G] Don't mess around [C] with me.
[F] [C]
[G] [C] [N]
[C] You're a singer [Gm] kid, I just got a dirty [F] mind, that's [Fm] all.
Sorry kid.
[C]
[Bb] [G] Crazy [C] daddy, crazy!
[F] I'm not close kid.
But you will.
I was 12.
My [G] name's McGran.
You wanna stop being a busboy?
I just stopped.
I'd like to [C] talk to you.
I own the King Creole down the [G] street.
[C] Well, good for you.
Yeah, it's a dying [Am] swan, but I figure maybe we can put you over and bring the [C] swan back to life.
You [Gm] interested?
Hello [F] Charlie.
[Cm] [F] What's the matter kid, can't you stand the [Gm] whiskey down at your joint?
Well, I always like to see what the competition's [G] doing.
I was gonna offer [C] the kid here a little job [D] myself.
[C] Well, I'd beat you to it.
You [Cm] always do Charlie, [Eb] but I wind up with him [A] sooner or later.
He handled Ronnie when she [C] was a singer, now I do.
[G] What do you [Ab] say kid?
[Am]
[G] I got a date.
[D] How
Key:
C
Ab
F
G
Eb
C
Ab
F
[Bbm] _ _ [F] _ _ [Bb] _ _ [N] _ _
_ _ [Bm] _ _ _ _ _ _
[Eb] _ _ _ _ [Ab] _ _ _ _
_ _ _ _ I don't think I'm gonna be able to make it tonight anymore.
Up to you, Danny-o.
No complaints from this [B] end.
You do your work good.
[F] Yeah, well, the old man came home with a job today, and we made kind of a deal.
I mean, he goes to work, and I go to school.
You know how it is.
[Db] Not really.
I [Ab] got an old man.
Just give him a jug of wine, and he's happy.
_ _ [Abm] _ [Eb] _ _ _ _ [Bbm] _
_ _ [Eb] _ _ [Db] _ _ _
Danny, [Ab] _ you just might have trouble.
No, we're gonna divvy up in the alley later.
The fence [Eb] gave us over 90 bucks.
What'd [Fm] I tell you, [Eb] huh?
_ [Ab]
Well, hello, Mr.
Fields.
_ _ _ Hello, there.
_ Could I get by, please? _ _ _
[Db] Don't you, _ uh_
You do?
That's Maxie [Eb] Fields.
That's your boss.
Are you crazy?
[Ab] Hey, Mr.
Fields, how about that, huh?
Who's this guy, Ryan?
_ [Eb] The king of Yugoslavia.
How should I know?
Take [Db] your hand off my arm, Mr.
Fields.
How come you're so friendly with [Ab] the lady, boy?
We met in Paris last year.
The king of France introduced us.
_ _ You're a pretty fresh boy, aren't you?
Mr.
Fields, how about that job?
And when are you gonna put me on that payroll?
I'll let you know, Sean.
Thanks a lot, Mr.
Fields.
Thank you.
Hiya, Maxie.
Hiya, Danny.
How you [Ab] feeling?
_ [B] Same as usual?
_ [Db] What's the matter with you?
You looking for an early grave?
He's your boss.
Him you don't fool [Ab] with.
Why not?
I'm the king of [B] Yugoslavia.
No, he [Ab] is.
He's the king of everything.
[Eb] And he even owns the air you're breathing.
Only in [Bbm] here.
Out there, too, Danny.
He can shut off [Abm] real quick.
_ [C] [Bbm] I'm [Dm] _ [Ab] _ [E]
not gonna let you do that.
I'm gonna get you out of here.
[Eb] That is a busboy.
[Ab] Look at you like that.
[C] A busboy.
Where'd you meet him?
[Bb] _ Maxie, you're hurting me.
I don't know what you're talking about.
You know the kid.
Don't lie to me.
I'll break every finger you got.
Maxie, stop [Bbm] it, please.
_ I heard him [N] sing a song, that's all.
_ _ Oh.
_ You do know him?
_ He sang here once for your big shot friends.
Told him he had a nice voice.
That was all, huh? _
That's all.
I'm _ _ gonna get you out of here.
Hey, you, kid.
Come here.
_ _ [Ab] Yeah, you, busboy.
Come on over here.
_ [Fm] _ [Eb] _ _ _
Lady tells me you [Ab] sing, is that right?
Well, [C] I, uh_
That'll be right, because if it ain't, then the lady is lying.
[Ab] _ _ _ _ _
Okay, I'll sing.
For what?
[Db] Nothing.
[Bbm] Just wanted to make sure [Ab] she was telling the truth, that's all.
_ [D] _ [Eb] _ [Bbm]
Just a minute.
_ _ [Ab] _ _ _ _ _
_ _ _ _ I want to make sure you're telling the truth, too.
[Db] I'd like to hear you.
Go on up [Ab] there and sing a song for her. _
_ [Eb] Now?
[Gm] Yeah, now.
[Ab] Right now.
And you better be a singer.
[Eb] _ _ _
_ [Ab] _ Ladies and gentlemen, we, uh, we have a little surprise for you.
There's a great new singer here tonight, [N] the busboy. _
Now, now, now, now, now, on the level.
A very good friend of Mr.
Fields' says this guy can really go.
So let's all get together and give a real good listen to_
What's your name, kid?
[B] Caruso.
_ _ _ Caruso, the [N] busboy.
Come on.
_ _ _ If _ _
_ _ _ _ _ _ _ _
_ [Eb] _ _ _ _ _ [C] _ _
_ [F] _ [Fm] _ [C] _ [Abm] _ _ [G] _ [Eb] _
[C] _ _ _ _ [A] _ [D] _ [C] _ _
[Ebm] _ [B] _ [Gm] _ _ [C] you're looking [F] for trouble, _ [C] you came to [Gm] the right place.
[C] You're gonna get it.
If you're looking for [F] trouble, [C] _ just look [Gm] right at my face.
_ [C] I was born standing [C] up _ and talking back.
My [G] daddy was a [C] green-eyed_
Give me five!
[D] _ [F] _
green _ _ _ _ _ [G] _ _
[C]-eyed_
_ Yeah, yeah.
_
_ [Eb] well, [G] I'm evil.
_ _ [E] _
[F] _ So don't you mess [C] around.
I'm evil.
I'm _
[A] _ [D] _ _ [G] _ [Ab] _ [G] _ _ [Bb] _
[C] evil. I'm evil.
Never looked for trouble, [F] _ [C] but I [Gm] never ran.
_ [F] I don't take no orders.
[C] _
No kind of [Gm] man.
_ [C] I'm only made out.
[C] _ _ Flesh, blood, and bone.
[N] But if you're gonna start a rumble, [C] don't you try it.
_ _ [F] I'm evil. _ _ _
_ _ _ [G] _ [C] _ _ _ _
_ _ _ _ I'm [F] evil. [G] I'm evil.
_ _ _ [F] _ I'm evil.
So don't you mess around with [N] me. _ _ _ _
_ _ [C] I'm evil.
I'm evil. I'm evil. I'm evil.
Evil.
[F] _ _ _ _ _
_ _ [G] _ _ _ _ _ [C] _
_ _ _ I'm evil. _
I'm evil.
_ [Cm] Evil. _ _
[C] _ Evil.
[G] _ _ _ Don't mess [C] around with me.
_ _ _ [Am] _ _ _
_ _ _ _ [G] Don't mess around [C] with me.
_ [F] _ _ [C] _ _ _
_ _ _ [G] _ _ [C] _ [N] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [C] You're a singer [Gm] kid, I just got a dirty [F] mind, that's [Fm] all.
Sorry kid.
[C] _ _ _
_ _ [Bb] _ [G] Crazy [C] daddy, crazy! _
_ _ _ _ _ [F] I'm not close kid.
But you will.
I was 12.
My [G] name's McGran.
You wanna stop being a busboy?
I just stopped.
I'd like to [C] talk to you.
I own the King Creole down the [G] street.
[C] Well, good for you.
Yeah, it's a dying [Am] swan, but I figure maybe we can put you over and bring the [C] swan back to life.
You [Gm] interested?
Hello [F] Charlie.
[Cm] _ _ _ [F] What's the matter kid, can't you stand the [Gm] whiskey down at your joint?
Well, I always like to see what the competition's [G] doing.
I was gonna offer [C] the kid here a little job [D] myself.
[C] Well, I'd beat you to it.
You [Cm] always do Charlie, [Eb] but I wind up with him [A] sooner or later.
He handled Ronnie when she [C] was a singer, now I do.
[G] What do you [Ab] say kid?
[Am] _ _
[G] _ _ I got a date.
[D] _ _ How
_ _ [Bm] _ _ _ _ _ _
[Eb] _ _ _ _ [Ab] _ _ _ _
_ _ _ _ I don't think I'm gonna be able to make it tonight anymore.
Up to you, Danny-o.
No complaints from this [B] end.
You do your work good.
[F] Yeah, well, the old man came home with a job today, and we made kind of a deal.
I mean, he goes to work, and I go to school.
You know how it is.
[Db] Not really.
I [Ab] got an old man.
Just give him a jug of wine, and he's happy.
_ _ [Abm] _ [Eb] _ _ _ _ [Bbm] _
_ _ [Eb] _ _ [Db] _ _ _
Danny, [Ab] _ you just might have trouble.
No, we're gonna divvy up in the alley later.
The fence [Eb] gave us over 90 bucks.
What'd [Fm] I tell you, [Eb] huh?
_ [Ab]
Well, hello, Mr.
Fields.
_ _ _ Hello, there.
_ Could I get by, please? _ _ _
[Db] Don't you, _ uh_
You do?
That's Maxie [Eb] Fields.
That's your boss.
Are you crazy?
[Ab] Hey, Mr.
Fields, how about that, huh?
Who's this guy, Ryan?
_ [Eb] The king of Yugoslavia.
How should I know?
Take [Db] your hand off my arm, Mr.
Fields.
How come you're so friendly with [Ab] the lady, boy?
We met in Paris last year.
The king of France introduced us.
_ _ You're a pretty fresh boy, aren't you?
Mr.
Fields, how about that job?
And when are you gonna put me on that payroll?
I'll let you know, Sean.
Thanks a lot, Mr.
Fields.
Thank you.
Hiya, Maxie.
Hiya, Danny.
How you [Ab] feeling?
_ [B] Same as usual?
_ [Db] What's the matter with you?
You looking for an early grave?
He's your boss.
Him you don't fool [Ab] with.
Why not?
I'm the king of [B] Yugoslavia.
No, he [Ab] is.
He's the king of everything.
[Eb] And he even owns the air you're breathing.
Only in [Bbm] here.
Out there, too, Danny.
He can shut off [Abm] real quick.
_ [C] [Bbm] I'm [Dm] _ [Ab] _ [E]
not gonna let you do that.
I'm gonna get you out of here.
[Eb] That is a busboy.
[Ab] Look at you like that.
[C] A busboy.
Where'd you meet him?
[Bb] _ Maxie, you're hurting me.
I don't know what you're talking about.
You know the kid.
Don't lie to me.
I'll break every finger you got.
Maxie, stop [Bbm] it, please.
_ I heard him [N] sing a song, that's all.
_ _ Oh.
_ You do know him?
_ He sang here once for your big shot friends.
Told him he had a nice voice.
That was all, huh? _
That's all.
I'm _ _ gonna get you out of here.
Hey, you, kid.
Come here.
_ _ [Ab] Yeah, you, busboy.
Come on over here.
_ [Fm] _ [Eb] _ _ _
Lady tells me you [Ab] sing, is that right?
Well, [C] I, uh_
That'll be right, because if it ain't, then the lady is lying.
[Ab] _ _ _ _ _
Okay, I'll sing.
For what?
[Db] Nothing.
[Bbm] Just wanted to make sure [Ab] she was telling the truth, that's all.
_ [D] _ [Eb] _ [Bbm]
Just a minute.
_ _ [Ab] _ _ _ _ _
_ _ _ _ I want to make sure you're telling the truth, too.
[Db] I'd like to hear you.
Go on up [Ab] there and sing a song for her. _
_ [Eb] Now?
[Gm] Yeah, now.
[Ab] Right now.
And you better be a singer.
[Eb] _ _ _
_ [Ab] _ Ladies and gentlemen, we, uh, we have a little surprise for you.
There's a great new singer here tonight, [N] the busboy. _
Now, now, now, now, now, on the level.
A very good friend of Mr.
Fields' says this guy can really go.
So let's all get together and give a real good listen to_
What's your name, kid?
[B] Caruso.
_ _ _ Caruso, the [N] busboy.
Come on.
_ _ _ If _ _
_ _ _ _ _ _ _ _
_ [Eb] _ _ _ _ _ [C] _ _
_ [F] _ [Fm] _ [C] _ [Abm] _ _ [G] _ [Eb] _
[C] _ _ _ _ [A] _ [D] _ [C] _ _
[Ebm] _ [B] _ [Gm] _ _ [C] you're looking [F] for trouble, _ [C] you came to [Gm] the right place.
[C] You're gonna get it.
If you're looking for [F] trouble, [C] _ just look [Gm] right at my face.
_ [C] I was born standing [C] up _ and talking back.
My [G] daddy was a [C] green-eyed_
Give me five!
[D] _ [F] _
green _ _ _ _ _ [G] _ _
[C]-eyed_
_ Yeah, yeah.
_
_ [Eb] well, [G] I'm evil.
_ _ [E] _
[F] _ So don't you mess [C] around.
I'm evil.
I'm _
[A] _ [D] _ _ [G] _ [Ab] _ [G] _ _ [Bb] _
[C] evil. I'm evil.
Never looked for trouble, [F] _ [C] but I [Gm] never ran.
_ [F] I don't take no orders.
[C] _
No kind of [Gm] man.
_ [C] I'm only made out.
[C] _ _ Flesh, blood, and bone.
[N] But if you're gonna start a rumble, [C] don't you try it.
_ _ [F] I'm evil. _ _ _
_ _ _ [G] _ [C] _ _ _ _
_ _ _ _ I'm [F] evil. [G] I'm evil.
_ _ _ [F] _ I'm evil.
So don't you mess around with [N] me. _ _ _ _
_ _ [C] I'm evil.
I'm evil. I'm evil. I'm evil.
Evil.
[F] _ _ _ _ _
_ _ [G] _ _ _ _ _ [C] _
_ _ _ I'm evil. _
I'm evil.
_ [Cm] Evil. _ _
[C] _ Evil.
[G] _ _ _ Don't mess [C] around with me.
_ _ _ [Am] _ _ _
_ _ _ _ [G] Don't mess around [C] with me.
_ [F] _ _ [C] _ _ _
_ _ _ [G] _ _ [C] _ [N] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [C] You're a singer [Gm] kid, I just got a dirty [F] mind, that's [Fm] all.
Sorry kid.
[C] _ _ _
_ _ [Bb] _ [G] Crazy [C] daddy, crazy! _
_ _ _ _ _ [F] I'm not close kid.
But you will.
I was 12.
My [G] name's McGran.
You wanna stop being a busboy?
I just stopped.
I'd like to [C] talk to you.
I own the King Creole down the [G] street.
[C] Well, good for you.
Yeah, it's a dying [Am] swan, but I figure maybe we can put you over and bring the [C] swan back to life.
You [Gm] interested?
Hello [F] Charlie.
[Cm] _ _ _ [F] What's the matter kid, can't you stand the [Gm] whiskey down at your joint?
Well, I always like to see what the competition's [G] doing.
I was gonna offer [C] the kid here a little job [D] myself.
[C] Well, I'd beat you to it.
You [Cm] always do Charlie, [Eb] but I wind up with him [A] sooner or later.
He handled Ronnie when she [C] was a singer, now I do.
[G] What do you [Ab] say kid?
[Am] _ _
[G] _ _ I got a date.
[D] _ _ How