Chords for Eric Johnson Tests Out the American Vintage '56 Strat | Fender
Tempo:
163.2 bpm
Chords used:
A
G
D
E
C
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Dm] [C] [Em] [Am] [F]
[C]
[G] They've got a brand new reissue [N] strat they're doing now, which is really amazing.
I'm pretty impressed with the way it sounds.
I think it's the closest that anybody's ever gotten to trying to capture that magic and sound of some of the old vintage instruments.
What I have right here is one of my original 57s, and what I thought maybe I'd do is just play a few licks on it,
and then I'd pick up this new reissue maple neck strat that Fender's coming out with,
so you can hear how amazingly close the tones are.
This is the clean tone on the 57 [Am] here.
[Em]
[A] [E] [C#] [A]
[E] And then if it wanted to have the [C] rhythm thing, [F] [Em]
[B]
[Em] [B] [D#]
[G#m] [C#] [G#]
full out lead [F#] sound, it'd be [G#] [D#]
like
So [C#]
[G#] [N] what I thought I might do is just show you what I'm kind of excited about,
is having a brand new instrument that has that sound.
So you've got this new reissue guitar by Fender,
which is the feel and the sound seems to be amazingly a replica of the original.
And just to demonstrate that for you, I'll show you that.
This would [E] be that [Bm] original sound, which we were doing, which is the [E] clean tone.
[D] [A] Or [D]
[G] [A] [Em]
[C] [D] [Am]
[F] [G] [Am]
[D] [A] [G]
[A] the rhythm [C] tone, [A] [D]
[F] [Cm] a little bit of fuzz on [A] it.
[Bm] [E] [B]
Or the full out lead tone like I was doing on the other [A] guitar.
[D] [B]
[F#m] [C#]
[B] Or
The [E]
feel and the sound seems to be amazingly a replica of the original.
[A] [E]
And the more and more there is of that, the more the instrument feels like an [A] inspiring piece of yourself.
I think the [G] ultimate thing is feeling so comfortable with an instrument
that [Dm] you forget you're playing the [Cm] instrument, and you're just making music.
[Bm]
What I noticed immediately picking this instrument up is it's been designed to do that.
I think it's the people at Fender putting [Em]
repetitive painstaking detail
and looking at something until you capture all those little microscopic nuances
that all add up to a big difference.
[C] [D] [Am]
[F] [G] [A]
[G] I'm kind of digging it, it's pretty [D] good.
[A] [G] [A]
[C]
[G] They've got a brand new reissue [N] strat they're doing now, which is really amazing.
I'm pretty impressed with the way it sounds.
I think it's the closest that anybody's ever gotten to trying to capture that magic and sound of some of the old vintage instruments.
What I have right here is one of my original 57s, and what I thought maybe I'd do is just play a few licks on it,
and then I'd pick up this new reissue maple neck strat that Fender's coming out with,
so you can hear how amazingly close the tones are.
This is the clean tone on the 57 [Am] here.
[Em]
[A] [E] [C#] [A]
[E] And then if it wanted to have the [C] rhythm thing, [F] [Em]
[B]
[Em] [B] [D#]
[G#m] [C#] [G#]
full out lead [F#] sound, it'd be [G#] [D#]
like
So [C#]
[G#] [N] what I thought I might do is just show you what I'm kind of excited about,
is having a brand new instrument that has that sound.
So you've got this new reissue guitar by Fender,
which is the feel and the sound seems to be amazingly a replica of the original.
And just to demonstrate that for you, I'll show you that.
This would [E] be that [Bm] original sound, which we were doing, which is the [E] clean tone.
[D] [A] Or [D]
[G] [A] [Em]
[C] [D] [Am]
[F] [G] [Am]
[D] [A] [G]
[A] the rhythm [C] tone, [A] [D]
[F] [Cm] a little bit of fuzz on [A] it.
[Bm] [E] [B]
Or the full out lead tone like I was doing on the other [A] guitar.
[D] [B]
[F#m] [C#]
[B] Or
The [E]
feel and the sound seems to be amazingly a replica of the original.
[A] [E]
And the more and more there is of that, the more the instrument feels like an [A] inspiring piece of yourself.
I think the [G] ultimate thing is feeling so comfortable with an instrument
that [Dm] you forget you're playing the [Cm] instrument, and you're just making music.
[Bm]
What I noticed immediately picking this instrument up is it's been designed to do that.
I think it's the people at Fender putting [Em]
repetitive painstaking detail
and looking at something until you capture all those little microscopic nuances
that all add up to a big difference.
[C] [D] [Am]
[F] [G] [A]
[G] I'm kind of digging it, it's pretty [D] good.
[A] [G] [A]
Key:
A
G
D
E
C
A
G
D
[Dm] _ _ [C] _ _ [Em] _ _ [Am] _ [F] _
_ [C] _ _ _ _ _ _ _
[G] _ _ They've got a brand new reissue [N] strat they're doing now, which is really amazing.
I'm pretty impressed with the way it sounds.
I think it's the closest that anybody's ever gotten to trying to capture that magic and sound of some of the old vintage instruments.
What I have right here is one of my original _ 57s, and what I thought maybe I'd do is just play a few licks on it,
and then I'd pick up this new _ reissue maple neck strat that Fender's coming out with,
so you can hear how _ amazingly close the tones are.
_ This is the clean tone on the 57 [Am] here.
_ _ _ [Em] _
_ _ _ _ _ _ _ _
[A] _ _ [E] _ _ [C#] _ _ _ [A] _
_ _ _ _ [E] _ _ And then if it wanted to have the [C] rhythm thing, _ [F] _ [Em] _
_ _ _ _ _ [B] _ _ _
_ [Em] _ _ [B] _ _ _ _ [D#] _
[G#m] _ _ _ [C#] _ [G#] _ _ _ _
_ full out lead [F#] sound, it'd be _ [G#] _ [D#] _
like_
_ So [C#] _ _ _
_ _ [G#] _ _ _ [N] what I thought I might do is just _ _ _ show you what I'm kind of excited about,
is having a brand new instrument that has that sound.
_ So you've got this _ new reissue guitar by _ Fender,
which is the feel and the sound seems to be amazingly a replica of the original.
_ And just to demonstrate that for you, I'll show you that.
This would [E] be that _ [Bm] original sound, which we were doing, which is the [E] clean tone. _ _ _
[D] _ [A] _ _ Or _ [D] _ _
_ _ _ _ _ [G] _ [A] _ [Em] _
_ [C] _ _ _ [D] _ _ _ [Am] _
_ [F] _ _ [G] _ _ _ [Am] _ _
_ _ [D] _ _ [A] _ _ _ [G] _
_ [A] _ _ _ _ the rhythm [C] tone, _ _ [A] _ _ _ [D] _ _
_ [F] _ _ [Cm] _ _ a little bit of fuzz on [A] it. _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [Bm] _ _ [E] _ [B] _ _ _
_ Or the full out lead tone like I was doing on the other [A] guitar.
[D] _ _ _ _ _ _ [B] _ _
_ _ _ _ [F#m] _ _ [C#] _ _
_ [B] _ _ _ _ Or_
The [E]
feel and the sound seems to be amazingly a replica of the original.
_ [A] _ _ _ [E] _
_ And the more and more there is of that, the more the instrument feels like an [A] inspiring piece of yourself.
I think the [G] ultimate thing is feeling so comfortable with an instrument
that [Dm] you forget you're playing _ the [Cm] instrument, and you're just making music.
[Bm] _
What I noticed immediately picking this instrument up is it's been designed to do that.
I think it's the people at Fender _ putting _ [Em] _
_ repetitive painstaking detail
and looking at something until you capture all those little microscopic nuances
that all add up to a big difference.
[C] _ _ _ [D] _ _ _ [Am] _
_ _ [F] _ [G] _ _ _ [A] _ _
_ [G] _ I'm kind of digging it, it's pretty [D] good. _
[A] _ _ _ [G] _ _ [A] _ _ _
_ [C] _ _ _ _ _ _ _
[G] _ _ They've got a brand new reissue [N] strat they're doing now, which is really amazing.
I'm pretty impressed with the way it sounds.
I think it's the closest that anybody's ever gotten to trying to capture that magic and sound of some of the old vintage instruments.
What I have right here is one of my original _ 57s, and what I thought maybe I'd do is just play a few licks on it,
and then I'd pick up this new _ reissue maple neck strat that Fender's coming out with,
so you can hear how _ amazingly close the tones are.
_ This is the clean tone on the 57 [Am] here.
_ _ _ [Em] _
_ _ _ _ _ _ _ _
[A] _ _ [E] _ _ [C#] _ _ _ [A] _
_ _ _ _ [E] _ _ And then if it wanted to have the [C] rhythm thing, _ [F] _ [Em] _
_ _ _ _ _ [B] _ _ _
_ [Em] _ _ [B] _ _ _ _ [D#] _
[G#m] _ _ _ [C#] _ [G#] _ _ _ _
_ full out lead [F#] sound, it'd be _ [G#] _ [D#] _
like_
_ So [C#] _ _ _
_ _ [G#] _ _ _ [N] what I thought I might do is just _ _ _ show you what I'm kind of excited about,
is having a brand new instrument that has that sound.
_ So you've got this _ new reissue guitar by _ Fender,
which is the feel and the sound seems to be amazingly a replica of the original.
_ And just to demonstrate that for you, I'll show you that.
This would [E] be that _ [Bm] original sound, which we were doing, which is the [E] clean tone. _ _ _
[D] _ [A] _ _ Or _ [D] _ _
_ _ _ _ _ [G] _ [A] _ [Em] _
_ [C] _ _ _ [D] _ _ _ [Am] _
_ [F] _ _ [G] _ _ _ [Am] _ _
_ _ [D] _ _ [A] _ _ _ [G] _
_ [A] _ _ _ _ the rhythm [C] tone, _ _ [A] _ _ _ [D] _ _
_ [F] _ _ [Cm] _ _ a little bit of fuzz on [A] it. _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [Bm] _ _ [E] _ [B] _ _ _
_ Or the full out lead tone like I was doing on the other [A] guitar.
[D] _ _ _ _ _ _ [B] _ _
_ _ _ _ [F#m] _ _ [C#] _ _
_ [B] _ _ _ _ Or_
The [E]
feel and the sound seems to be amazingly a replica of the original.
_ [A] _ _ _ [E] _
_ And the more and more there is of that, the more the instrument feels like an [A] inspiring piece of yourself.
I think the [G] ultimate thing is feeling so comfortable with an instrument
that [Dm] you forget you're playing _ the [Cm] instrument, and you're just making music.
[Bm] _
What I noticed immediately picking this instrument up is it's been designed to do that.
I think it's the people at Fender _ putting _ [Em] _
_ repetitive painstaking detail
and looking at something until you capture all those little microscopic nuances
that all add up to a big difference.
[C] _ _ _ [D] _ _ _ [Am] _
_ _ [F] _ [G] _ _ _ [A] _ _
_ [G] _ I'm kind of digging it, it's pretty [D] good. _
[A] _ _ _ [G] _ _ [A] _ _ _