Chords for eTown Finale with Brother Ali & Chuck Prophet - Sweet Jane (eTown webisode #1211)

Tempo:
113.05 bpm
Chords used:

A

D

G

Bm

B

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
eTown Finale with Brother Ali & Chuck Prophet - Sweet Jane (eTown webisode #1211) chords
Start Jamming...
[G]
[A] [D] [G]
[A] [D] [A] E-Town was [G] really cool.
I didn't know what to expect.
[A] [D] I didn't realize that I was going to have the [G] good fortune of [D] collaborating [A] with another artist.
[G]
So [D] that part was really cool.
[A] So it was really cool.
[Em] And I have [G] a lot of respect for Lou [A] [D] Reed.
And [G]
then also finding out that the brother actually [D] married Anthony's wife.
You know what I [G] mean?
So it's good too when you do a cover [D] of something or when you kind of like call upon other [G] people's work.
The [D] stronger the connection you have to that work, [G] the better it'll be.
So [Am] the fact that [D] this is the person who married Lou Reed, [G] us doing a Lou [D] Reed song feels blessed
and it feels genuine and [G] it felt good to me.
[D]
[C] [G] Thanks [B] to Brother Ali for [D] coming out from Minneapolis.
[A] [G]
[Bm] [A] And I don't [D] know about you, [A] but I feel [G] like my comfort zone was [Bm] expanded a little [D] bit
this time around.
[A] [G] I got some more [Bm] places [A] that feel [D] like home.
[A] [G] Meanwhile, I'm Nick Forster.
[A] Hope you can be with us next [D] week right here in E [G]-Town.
[Bm] [A] [D] [A]
[G] [Bm] [A] [D]
[A] [G] [Bm] [A] [D]
[A] [G] [A] [D]
[A] [G] [A] [D]
[A] Ridin' [G] us that's [Bm] Bearcudkin, [A] [D] you know, [A] those [G] were different times.
[A] [D]
All the [A] poets [G] studied rules of verse, [A] [D] and the ladies, they [A] rolled their [G] eyes.
[A] [D]
[G] Sweet Jane, [D]
[G] Sweet Jane, [A]
[D] [G] Sweet Jane.
[D] Now Jack, [A] he's a [G] banker, [A]
[D] [A] and Jane, [G] she is a clerk.
[A]
[D] [A] And both of them [G] save their monies [D]
[A] when [G] they come home from work.
[A]
[D] Ooh, [A] [G] sit by the fire,
[D] [A] the radio [G] does play some [Bm] classical [D] music for y'all.
It's [A] the March of [G] the Wooden Soldier, [Bm]
[A] [D] and you can [A] hear [G] Jack say, [A] come on [D] baby.
[G]
[A] Sweet Jane, [D] [G] Sweet Jane, [A] [D] [G] Sweet Jane.
[A] Okay.
[D] I [A] don't wanna see you [G] in the screen, I [B] wanna feel you [E] in the flesh [Dm] and on the scene.
I love [Am] all your words [Gm] and what they mean, but there's so [B] much to say and there's spaces [D] in between.
I don't wanna watch dots disappear, listen here verse reaction is crystal clear.
I want your uncut sentiment before you had a chance to second guess, edit it.
I [A] love you for the [G] first draft you, all the [A] technology on earth can't [D] improve.
No [A] special [G] effects and no static [B] laws, this is uncut, [Am] acoustic [D] and analog.
Lifetime [A] measured in [G] breaths, the bass is [B] a mirror that [A] the heart [D] reflects.
When the eyes meet, they [A] directly [G] connect.
That's what [B] you call [A] true special [D] effects, say her name now.
[G] Sweet Jane, [A] [D] [G] Sweet [A] Jane, [D] [G] Sweet Jane.
[A] [D] Play [G] guitar.
[A] [D] [A] [G]
[Bm] [A] [D] [G]
[Bm] [A] [D] [G]
[D] [G]
[A] [D] Okay.
[A] [D] [G]
[D] [G]
[Bm] [A] [D] [E] [G]
[A] [D] [Dbm] Now some [G] people like to go out [Bm] dancing, [A] [D] [A] other [G] people, they gotta work.
[A] [D] And [A] there's even some [G] evil [Bm] mothers [A] [D] that tell [A] you [G] everything's just [Bm] dirt.
[A] [D] [A] And that women [G] never really faint, [A] [D] and [A] villains [G] always blink their [A] eyes.
[D] And [A] children's are [G] the only ones who really [A] blush, [D] and life [A] is [G] just a die.
[A] [D] Well, anyone that ever [G] had a [A] heart, [D] they wouldn't [G] turn around and break [A] it.
[D] And anyone that [G] ever played a part, [A] [D] they wouldn't [A] turn around [G] and fake [A] it.
[D] [G] Sweet Jane, [A] [D] [G] Sweet Jane, [A] [D] [G] Sweet Jane, [A] [D] [G] Sweet Jane, [A] [D] Sweet Jane, [G]
Sweet [D] Jane.
Sweet [G] Jane, Sweet [D] Jane, Sweet [G] Jane, Sweet [D] Jane, Sweet [G] Jane.
[D]
[N]
Chuck Proffitt, V-Tones, Helen, Last Word, Brother Ali, all of you guys, our engineers, our volunteers,
don't forget to [Fm] listen to yourselves on the radio.
See you later.
[Ab] [Bb] [Eb] [Bb]
[Eb] It ain't easy when it's real, so [Fm] don't leave because I still need [Ab] your patience.
[Bb] You can't make me [Eb] say it, it ain't [N] easy.
Key:  
A
1231
D
1321
G
2131
Bm
13421112
B
12341112
A
1231
D
1321
G
2131
Show All Diagrams
Chords
NotesBeta

To learn Chuck Prophet - Sweet Jane chords, begin by getting comfortable with these sequence: D, G, A, G, A, D, A, G and Bm. A strategic approach would be to train at 56 BPM initially, and then accelerate to the song's tempo of 113. To match your vocal range and chord inclination, adjust the capo in line with the key: D Major.

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[G] _ _ _ _ _ _ _ _
_ _ [A] _ [D] _ _ _ _ [G] _
_ _ [A] _ [D] _ _ [A] E-Town was [G] really cool.
I didn't know what to expect.
[A] _ [D] I didn't realize that I was going to have the [G] good fortune of [D] collaborating [A] with another artist.
[G] _
So [D] that part was really cool.
[A] So it was really cool.
[Em] And I have [G] a lot of respect for Lou [A] [D] Reed.
And _ [G]
then also finding out that the brother actually [D] married Anthony's wife.
You know what I [G] mean?
_ So it's good too when you do a cover [D] of something or when you kind of like call upon other [G] people's work.
The [D] stronger the connection you have to that work, [G] the better it'll be.
So [Am] the fact that [D] this is the person who married Lou Reed, [G] _ us doing a Lou [D] Reed song feels blessed
and it feels genuine and [G] it felt good to me.
_ [D] _
_ _ _ _ [C] _ [G] Thanks [B] to Brother Ali for [D] coming out from Minneapolis.
[A] _ [G] _ _
[Bm] [A] And I don't [D] know about you, [A] but I feel [G] like my comfort zone was [Bm] expanded a little [D] bit
this time around.
_ _ [A] [G] I got some more [Bm] places [A] that feel [D] like home.
_ _ [A] [G] Meanwhile, I'm Nick Forster.
[A] Hope you can be with us next [D] week right here in E [G]-Town.
_ [Bm] _ [A] _ [D] _ _ _ [A] _
[G] _ _ [Bm] _ [A] _ [D] _ _ _ _
[A] _ [G] _ _ [Bm] _ [A] _ [D] _ _ _
[A] _ [G] _ _ _ [A] _ [D] _ _ _
[A] _ [G] _ _ _ [A] _ _ [D] _ _
[A] Ridin' [G] us that's [Bm] Bearcudkin, [A] _ [D] you know, [A] those [G] were different times.
[A] _ [D] _
All the [A] poets [G] studied rules of verse, [A] [D] and the ladies, they [A] rolled their [G] eyes.
_ [A] _ [D] _
_ _ [G] Sweet Jane, _ [D] _ _
_ _ [G] Sweet Jane, [A] _ _
[D] _ _ [G] Sweet Jane. _ _
[D] _ Now Jack, [A] he's a [G] banker, _ [A] _
[D] _ _ [A] and Jane, [G] she is a clerk.
_ [A] _
[D] _ _ [A] And both of them [G] save their monies [D] _
_ _ [A] when [G] they come home from work.
[A] _
[D] _ Ooh, [A] [G] sit by the fire, _
[D] _ _ [A] the radio [G] does play some [Bm] classical [D] music for y'all.
It's [A] the March of [G] the Wooden Soldier, [Bm] _
[A] _ [D] _ and you can [A] hear [G] Jack say, [A] come on [D] baby.
_ _ _ [G] _ _ _
[A] Sweet Jane, [D] _ _ [G] Sweet _ Jane, [A] _ [D] _ _ _ [G] Sweet Jane.
[A] Okay.
[D] I [A] don't wanna see you [G] in the screen, I [B] wanna feel you [E] in the flesh [Dm] and on the scene.
I love [Am] all your words [Gm] and what they mean, but there's so [B] much to say and there's spaces [D] in between.
I don't wanna watch dots disappear, listen here verse reaction is crystal clear.
I want your uncut sentiment before you had a chance to second guess, edit it.
I [A] love you for the [G] first draft you, all the [A] technology on earth can't [D] improve.
No [A] special [G] effects and no static [B] laws, this is uncut, [Am] acoustic [D] and analog.
Lifetime [A] measured in [G] breaths, the bass is [B] a mirror that [A] the heart [D] reflects.
When the eyes meet, they [A] directly [G] connect.
That's what [B] you call [A] true special [D] effects, say her name now.
[G] Sweet Jane, _ [A] _ [D] _ _ _ [G] Sweet _ [A] Jane, _ [D] _ _ [G] Sweet Jane.
_ [A] _ [D] _ Play [G] guitar.
_ _ [A] _ [D] _ _ _ [A] _ [G] _
_ [Bm] _ [A] _ [D] _ _ _ _ [G] _
_ [Bm] _ [A] _ [D] _ _ _ _ [G] _
_ _ _ [D] _ _ _ _ [G] _
_ _ [A] _ _ [D] _ Okay. _
_ _ [A] _ [D] _ _ _ _ [G] _
_ _ [D] _ _ _ _ _ [G] _
_ [Bm] _ [A] _ [D] _ _ _ [E] _ [G] _
_ _ [A] _ [D] _ _ [Dbm] Now some [G] people like to go out [Bm] dancing, [A] _ [D] _ _ [A] other [G] people, they gotta work.
[A] _ [D] _ And [A] there's even some [G] evil [Bm] mothers [A] _ [D] that tell [A] you [G] everything's just [Bm] dirt.
[A] _ [D] _ _ [A] And that women [G] never really faint, [A] _ [D] _ and [A] villains [G] always blink their [A] eyes.
[D] _ And [A] children's are [G] the only ones who really [A] blush, [D] and life [A] is [G] just a die.
_ [A] _ [D] Well, anyone that ever [G] had a [A] heart, [D] _ _ they wouldn't [G] turn around and break [A] it.
[D] _ And anyone that [G] ever played a part, [A] _ [D] they wouldn't [A] turn around [G] and fake [A] it.
[D] _ _ _ [G] Sweet Jane, _ [A] _ [D] _ _ _ [G] Sweet Jane, [A] _ [D] _ _ _ [G] Sweet Jane, _ [A] _ [D] _ _ _ [G] Sweet Jane, _ [A] _ [D] _ Sweet Jane, [G] _
Sweet [D] Jane.
_ Sweet [G] Jane, _ Sweet [D] Jane, Sweet [G] Jane, Sweet _ [D] Jane, Sweet [G] Jane. _
_ _ [D] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [N] _ _
_ _ _ _ _ _ _
Chuck Proffitt, _ V-Tones, Helen, _ _ _ Last Word, _ Brother Ali, _ _ all of you guys, our engineers, our volunteers,
_ don't forget to [Fm] listen to yourselves on the radio.
See you later.
[Ab] _ _ [Bb] _ _ [Eb] _ _ [Bb] _
_ [Eb] It ain't easy when it's real, so [Fm] don't leave because I still need [Ab] your patience.
[Bb] You can't make me [Eb] say it, it _ ain't [N] easy. _

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