Chords for eTown Finale with Brother Ali & Chuck Prophet - Sweet Jane (eTown webisode #1211)
Tempo:
113.05 bpm
Chords used:
A
D
G
Bm
B
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[G]
[A] [D] [G]
[A] [D] [A] E-Town was [G] really cool.
I didn't know what to expect.
[A] [D] I didn't realize that I was going to have the [G] good fortune of [D] collaborating [A] with another artist.
[G]
So [D] that part was really cool.
[A] So it was really cool.
[Em] And I have [G] a lot of respect for Lou [A] [D] Reed.
And [G]
then also finding out that the brother actually [D] married Anthony's wife.
You know what I [G] mean?
So it's good too when you do a cover [D] of something or when you kind of like call upon other [G] people's work.
The [D] stronger the connection you have to that work, [G] the better it'll be.
So [Am] the fact that [D] this is the person who married Lou Reed, [G] us doing a Lou [D] Reed song feels blessed
and it feels genuine and [G] it felt good to me.
[D]
[C] [G] Thanks [B] to Brother Ali for [D] coming out from Minneapolis.
[A] [G]
[Bm] [A] And I don't [D] know about you, [A] but I feel [G] like my comfort zone was [Bm] expanded a little [D] bit
this time around.
[A] [G] I got some more [Bm] places [A] that feel [D] like home.
[A] [G] Meanwhile, I'm Nick Forster.
[A] Hope you can be with us next [D] week right here in E [G]-Town.
[Bm] [A] [D] [A]
[G] [Bm] [A] [D]
[A] [G] [Bm] [A] [D]
[A] [G] [A] [D]
[A] [G] [A] [D]
[A] Ridin' [G] us that's [Bm] Bearcudkin, [A] [D] you know, [A] those [G] were different times.
[A] [D]
All the [A] poets [G] studied rules of verse, [A] [D] and the ladies, they [A] rolled their [G] eyes.
[A] [D]
[G] Sweet Jane, [D]
[G] Sweet Jane, [A]
[D] [G] Sweet Jane.
[D] Now Jack, [A] he's a [G] banker, [A]
[D] [A] and Jane, [G] she is a clerk.
[A]
[D] [A] And both of them [G] save their monies [D]
[A] when [G] they come home from work.
[A]
[D] Ooh, [A] [G] sit by the fire,
[D] [A] the radio [G] does play some [Bm] classical [D] music for y'all.
It's [A] the March of [G] the Wooden Soldier, [Bm]
[A] [D] and you can [A] hear [G] Jack say, [A] come on [D] baby.
[G]
[A] Sweet Jane, [D] [G] Sweet Jane, [A] [D] [G] Sweet Jane.
[A] Okay.
[D] I [A] don't wanna see you [G] in the screen, I [B] wanna feel you [E] in the flesh [Dm] and on the scene.
I love [Am] all your words [Gm] and what they mean, but there's so [B] much to say and there's spaces [D] in between.
I don't wanna watch dots disappear, listen here verse reaction is crystal clear.
I want your uncut sentiment before you had a chance to second guess, edit it.
I [A] love you for the [G] first draft you, all the [A] technology on earth can't [D] improve.
No [A] special [G] effects and no static [B] laws, this is uncut, [Am] acoustic [D] and analog.
Lifetime [A] measured in [G] breaths, the bass is [B] a mirror that [A] the heart [D] reflects.
When the eyes meet, they [A] directly [G] connect.
That's what [B] you call [A] true special [D] effects, say her name now.
[G] Sweet Jane, [A] [D] [G] Sweet [A] Jane, [D] [G] Sweet Jane.
[A] [D] Play [G] guitar.
[A] [D] [A] [G]
[Bm] [A] [D] [G]
[Bm] [A] [D] [G]
[D] [G]
[A] [D] Okay.
[A] [D] [G]
[D] [G]
[Bm] [A] [D] [E] [G]
[A] [D] [Dbm] Now some [G] people like to go out [Bm] dancing, [A] [D] [A] other [G] people, they gotta work.
[A] [D] And [A] there's even some [G] evil [Bm] mothers [A] [D] that tell [A] you [G] everything's just [Bm] dirt.
[A] [D] [A] And that women [G] never really faint, [A] [D] and [A] villains [G] always blink their [A] eyes.
[D] And [A] children's are [G] the only ones who really [A] blush, [D] and life [A] is [G] just a die.
[A] [D] Well, anyone that ever [G] had a [A] heart, [D] they wouldn't [G] turn around and break [A] it.
[D] And anyone that [G] ever played a part, [A] [D] they wouldn't [A] turn around [G] and fake [A] it.
[D] [G] Sweet Jane, [A] [D] [G] Sweet Jane, [A] [D] [G] Sweet Jane, [A] [D] [G] Sweet Jane, [A] [D] Sweet Jane, [G]
Sweet [D] Jane.
Sweet [G] Jane, Sweet [D] Jane, Sweet [G] Jane, Sweet [D] Jane, Sweet [G] Jane.
[D]
[N]
Chuck Proffitt, V-Tones, Helen, Last Word, Brother Ali, all of you guys, our engineers, our volunteers,
don't forget to [Fm] listen to yourselves on the radio.
See you later.
[Ab] [Bb] [Eb] [Bb]
[Eb] It ain't easy when it's real, so [Fm] don't leave because I still need [Ab] your patience.
[Bb] You can't make me [Eb] say it, it ain't [N] easy.
[A] [D] [G]
[A] [D] [A] E-Town was [G] really cool.
I didn't know what to expect.
[A] [D] I didn't realize that I was going to have the [G] good fortune of [D] collaborating [A] with another artist.
[G]
So [D] that part was really cool.
[A] So it was really cool.
[Em] And I have [G] a lot of respect for Lou [A] [D] Reed.
And [G]
then also finding out that the brother actually [D] married Anthony's wife.
You know what I [G] mean?
So it's good too when you do a cover [D] of something or when you kind of like call upon other [G] people's work.
The [D] stronger the connection you have to that work, [G] the better it'll be.
So [Am] the fact that [D] this is the person who married Lou Reed, [G] us doing a Lou [D] Reed song feels blessed
and it feels genuine and [G] it felt good to me.
[D]
[C] [G] Thanks [B] to Brother Ali for [D] coming out from Minneapolis.
[A] [G]
[Bm] [A] And I don't [D] know about you, [A] but I feel [G] like my comfort zone was [Bm] expanded a little [D] bit
this time around.
[A] [G] I got some more [Bm] places [A] that feel [D] like home.
[A] [G] Meanwhile, I'm Nick Forster.
[A] Hope you can be with us next [D] week right here in E [G]-Town.
[Bm] [A] [D] [A]
[G] [Bm] [A] [D]
[A] [G] [Bm] [A] [D]
[A] [G] [A] [D]
[A] [G] [A] [D]
[A] Ridin' [G] us that's [Bm] Bearcudkin, [A] [D] you know, [A] those [G] were different times.
[A] [D]
All the [A] poets [G] studied rules of verse, [A] [D] and the ladies, they [A] rolled their [G] eyes.
[A] [D]
[G] Sweet Jane, [D]
[G] Sweet Jane, [A]
[D] [G] Sweet Jane.
[D] Now Jack, [A] he's a [G] banker, [A]
[D] [A] and Jane, [G] she is a clerk.
[A]
[D] [A] And both of them [G] save their monies [D]
[A] when [G] they come home from work.
[A]
[D] Ooh, [A] [G] sit by the fire,
[D] [A] the radio [G] does play some [Bm] classical [D] music for y'all.
It's [A] the March of [G] the Wooden Soldier, [Bm]
[A] [D] and you can [A] hear [G] Jack say, [A] come on [D] baby.
[G]
[A] Sweet Jane, [D] [G] Sweet Jane, [A] [D] [G] Sweet Jane.
[A] Okay.
[D] I [A] don't wanna see you [G] in the screen, I [B] wanna feel you [E] in the flesh [Dm] and on the scene.
I love [Am] all your words [Gm] and what they mean, but there's so [B] much to say and there's spaces [D] in between.
I don't wanna watch dots disappear, listen here verse reaction is crystal clear.
I want your uncut sentiment before you had a chance to second guess, edit it.
I [A] love you for the [G] first draft you, all the [A] technology on earth can't [D] improve.
No [A] special [G] effects and no static [B] laws, this is uncut, [Am] acoustic [D] and analog.
Lifetime [A] measured in [G] breaths, the bass is [B] a mirror that [A] the heart [D] reflects.
When the eyes meet, they [A] directly [G] connect.
That's what [B] you call [A] true special [D] effects, say her name now.
[G] Sweet Jane, [A] [D] [G] Sweet [A] Jane, [D] [G] Sweet Jane.
[A] [D] Play [G] guitar.
[A] [D] [A] [G]
[Bm] [A] [D] [G]
[Bm] [A] [D] [G]
[D] [G]
[A] [D] Okay.
[A] [D] [G]
[D] [G]
[Bm] [A] [D] [E] [G]
[A] [D] [Dbm] Now some [G] people like to go out [Bm] dancing, [A] [D] [A] other [G] people, they gotta work.
[A] [D] And [A] there's even some [G] evil [Bm] mothers [A] [D] that tell [A] you [G] everything's just [Bm] dirt.
[A] [D] [A] And that women [G] never really faint, [A] [D] and [A] villains [G] always blink their [A] eyes.
[D] And [A] children's are [G] the only ones who really [A] blush, [D] and life [A] is [G] just a die.
[A] [D] Well, anyone that ever [G] had a [A] heart, [D] they wouldn't [G] turn around and break [A] it.
[D] And anyone that [G] ever played a part, [A] [D] they wouldn't [A] turn around [G] and fake [A] it.
[D] [G] Sweet Jane, [A] [D] [G] Sweet Jane, [A] [D] [G] Sweet Jane, [A] [D] [G] Sweet Jane, [A] [D] Sweet Jane, [G]
Sweet [D] Jane.
Sweet [G] Jane, Sweet [D] Jane, Sweet [G] Jane, Sweet [D] Jane, Sweet [G] Jane.
[D]
[N]
Chuck Proffitt, V-Tones, Helen, Last Word, Brother Ali, all of you guys, our engineers, our volunteers,
don't forget to [Fm] listen to yourselves on the radio.
See you later.
[Ab] [Bb] [Eb] [Bb]
[Eb] It ain't easy when it's real, so [Fm] don't leave because I still need [Ab] your patience.
[Bb] You can't make me [Eb] say it, it ain't [N] easy.
Key:
A
D
G
Bm
B
A
D
G
[G] _ _ _ _ _ _ _ _
_ _ [A] _ [D] _ _ _ _ [G] _
_ _ [A] _ [D] _ _ [A] E-Town was [G] really cool.
I didn't know what to expect.
[A] _ [D] I didn't realize that I was going to have the [G] good fortune of [D] collaborating [A] with another artist.
[G] _
So [D] that part was really cool.
[A] So it was really cool.
[Em] And I have [G] a lot of respect for Lou [A] [D] Reed.
And _ [G]
then also finding out that the brother actually [D] married Anthony's wife.
You know what I [G] mean?
_ So it's good too when you do a cover [D] of something or when you kind of like call upon other [G] people's work.
The [D] stronger the connection you have to that work, [G] the better it'll be.
So [Am] the fact that [D] this is the person who married Lou Reed, [G] _ us doing a Lou [D] Reed song feels blessed
and it feels genuine and [G] it felt good to me.
_ [D] _
_ _ _ _ [C] _ [G] Thanks [B] to Brother Ali for [D] coming out from Minneapolis.
[A] _ [G] _ _
[Bm] [A] And I don't [D] know about you, [A] but I feel [G] like my comfort zone was [Bm] expanded a little [D] bit
this time around.
_ _ [A] [G] I got some more [Bm] places [A] that feel [D] like home.
_ _ [A] [G] Meanwhile, I'm Nick Forster.
[A] Hope you can be with us next [D] week right here in E [G]-Town.
_ [Bm] _ [A] _ [D] _ _ _ [A] _
[G] _ _ [Bm] _ [A] _ [D] _ _ _ _
[A] _ [G] _ _ [Bm] _ [A] _ [D] _ _ _
[A] _ [G] _ _ _ [A] _ [D] _ _ _
[A] _ [G] _ _ _ [A] _ _ [D] _ _
[A] Ridin' [G] us that's [Bm] Bearcudkin, [A] _ [D] you know, [A] those [G] were different times.
[A] _ [D] _
All the [A] poets [G] studied rules of verse, [A] [D] and the ladies, they [A] rolled their [G] eyes.
_ [A] _ [D] _
_ _ [G] Sweet Jane, _ [D] _ _
_ _ [G] Sweet Jane, [A] _ _
[D] _ _ [G] Sweet Jane. _ _
[D] _ Now Jack, [A] he's a [G] banker, _ [A] _
[D] _ _ [A] and Jane, [G] she is a clerk.
_ [A] _
[D] _ _ [A] And both of them [G] save their monies [D] _
_ _ [A] when [G] they come home from work.
[A] _
[D] _ Ooh, [A] [G] sit by the fire, _
[D] _ _ [A] the radio [G] does play some [Bm] classical [D] music for y'all.
It's [A] the March of [G] the Wooden Soldier, [Bm] _
[A] _ [D] _ and you can [A] hear [G] Jack say, [A] come on [D] baby.
_ _ _ [G] _ _ _
[A] Sweet Jane, [D] _ _ [G] Sweet _ Jane, [A] _ [D] _ _ _ [G] Sweet Jane.
[A] Okay.
[D] I [A] don't wanna see you [G] in the screen, I [B] wanna feel you [E] in the flesh [Dm] and on the scene.
I love [Am] all your words [Gm] and what they mean, but there's so [B] much to say and there's spaces [D] in between.
I don't wanna watch dots disappear, listen here verse reaction is crystal clear.
I want your uncut sentiment before you had a chance to second guess, edit it.
I [A] love you for the [G] first draft you, all the [A] technology on earth can't [D] improve.
No [A] special [G] effects and no static [B] laws, this is uncut, [Am] acoustic [D] and analog.
Lifetime [A] measured in [G] breaths, the bass is [B] a mirror that [A] the heart [D] reflects.
When the eyes meet, they [A] directly [G] connect.
That's what [B] you call [A] true special [D] effects, say her name now.
[G] Sweet Jane, _ [A] _ [D] _ _ _ [G] Sweet _ [A] Jane, _ [D] _ _ [G] Sweet Jane.
_ [A] _ [D] _ Play [G] guitar.
_ _ [A] _ [D] _ _ _ [A] _ [G] _
_ [Bm] _ [A] _ [D] _ _ _ _ [G] _
_ [Bm] _ [A] _ [D] _ _ _ _ [G] _
_ _ _ [D] _ _ _ _ [G] _
_ _ [A] _ _ [D] _ Okay. _
_ _ [A] _ [D] _ _ _ _ [G] _
_ _ [D] _ _ _ _ _ [G] _
_ [Bm] _ [A] _ [D] _ _ _ [E] _ [G] _
_ _ [A] _ [D] _ _ [Dbm] Now some [G] people like to go out [Bm] dancing, [A] _ [D] _ _ [A] other [G] people, they gotta work.
[A] _ [D] _ And [A] there's even some [G] evil [Bm] mothers [A] _ [D] that tell [A] you [G] everything's just [Bm] dirt.
[A] _ [D] _ _ [A] And that women [G] never really faint, [A] _ [D] _ and [A] villains [G] always blink their [A] eyes.
[D] _ And [A] children's are [G] the only ones who really [A] blush, [D] and life [A] is [G] just a die.
_ [A] _ [D] Well, anyone that ever [G] had a [A] heart, [D] _ _ they wouldn't [G] turn around and break [A] it.
[D] _ And anyone that [G] ever played a part, [A] _ [D] they wouldn't [A] turn around [G] and fake [A] it.
[D] _ _ _ [G] Sweet Jane, _ [A] _ [D] _ _ _ [G] Sweet Jane, [A] _ [D] _ _ _ [G] Sweet Jane, _ [A] _ [D] _ _ _ [G] Sweet Jane, _ [A] _ [D] _ Sweet Jane, [G] _
Sweet [D] Jane.
_ Sweet [G] Jane, _ Sweet [D] Jane, Sweet [G] Jane, Sweet _ [D] Jane, Sweet [G] Jane. _
_ _ [D] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [N] _ _
_ _ _ _ _ _ _
Chuck Proffitt, _ V-Tones, Helen, _ _ _ Last Word, _ Brother Ali, _ _ all of you guys, our engineers, our volunteers,
_ don't forget to [Fm] listen to yourselves on the radio.
See you later.
[Ab] _ _ [Bb] _ _ [Eb] _ _ [Bb] _
_ [Eb] It ain't easy when it's real, so [Fm] don't leave because I still need [Ab] your patience.
[Bb] You can't make me [Eb] say it, it _ ain't [N] easy. _
_ _ [A] _ [D] _ _ _ _ [G] _
_ _ [A] _ [D] _ _ [A] E-Town was [G] really cool.
I didn't know what to expect.
[A] _ [D] I didn't realize that I was going to have the [G] good fortune of [D] collaborating [A] with another artist.
[G] _
So [D] that part was really cool.
[A] So it was really cool.
[Em] And I have [G] a lot of respect for Lou [A] [D] Reed.
And _ [G]
then also finding out that the brother actually [D] married Anthony's wife.
You know what I [G] mean?
_ So it's good too when you do a cover [D] of something or when you kind of like call upon other [G] people's work.
The [D] stronger the connection you have to that work, [G] the better it'll be.
So [Am] the fact that [D] this is the person who married Lou Reed, [G] _ us doing a Lou [D] Reed song feels blessed
and it feels genuine and [G] it felt good to me.
_ [D] _
_ _ _ _ [C] _ [G] Thanks [B] to Brother Ali for [D] coming out from Minneapolis.
[A] _ [G] _ _
[Bm] [A] And I don't [D] know about you, [A] but I feel [G] like my comfort zone was [Bm] expanded a little [D] bit
this time around.
_ _ [A] [G] I got some more [Bm] places [A] that feel [D] like home.
_ _ [A] [G] Meanwhile, I'm Nick Forster.
[A] Hope you can be with us next [D] week right here in E [G]-Town.
_ [Bm] _ [A] _ [D] _ _ _ [A] _
[G] _ _ [Bm] _ [A] _ [D] _ _ _ _
[A] _ [G] _ _ [Bm] _ [A] _ [D] _ _ _
[A] _ [G] _ _ _ [A] _ [D] _ _ _
[A] _ [G] _ _ _ [A] _ _ [D] _ _
[A] Ridin' [G] us that's [Bm] Bearcudkin, [A] _ [D] you know, [A] those [G] were different times.
[A] _ [D] _
All the [A] poets [G] studied rules of verse, [A] [D] and the ladies, they [A] rolled their [G] eyes.
_ [A] _ [D] _
_ _ [G] Sweet Jane, _ [D] _ _
_ _ [G] Sweet Jane, [A] _ _
[D] _ _ [G] Sweet Jane. _ _
[D] _ Now Jack, [A] he's a [G] banker, _ [A] _
[D] _ _ [A] and Jane, [G] she is a clerk.
_ [A] _
[D] _ _ [A] And both of them [G] save their monies [D] _
_ _ [A] when [G] they come home from work.
[A] _
[D] _ Ooh, [A] [G] sit by the fire, _
[D] _ _ [A] the radio [G] does play some [Bm] classical [D] music for y'all.
It's [A] the March of [G] the Wooden Soldier, [Bm] _
[A] _ [D] _ and you can [A] hear [G] Jack say, [A] come on [D] baby.
_ _ _ [G] _ _ _
[A] Sweet Jane, [D] _ _ [G] Sweet _ Jane, [A] _ [D] _ _ _ [G] Sweet Jane.
[A] Okay.
[D] I [A] don't wanna see you [G] in the screen, I [B] wanna feel you [E] in the flesh [Dm] and on the scene.
I love [Am] all your words [Gm] and what they mean, but there's so [B] much to say and there's spaces [D] in between.
I don't wanna watch dots disappear, listen here verse reaction is crystal clear.
I want your uncut sentiment before you had a chance to second guess, edit it.
I [A] love you for the [G] first draft you, all the [A] technology on earth can't [D] improve.
No [A] special [G] effects and no static [B] laws, this is uncut, [Am] acoustic [D] and analog.
Lifetime [A] measured in [G] breaths, the bass is [B] a mirror that [A] the heart [D] reflects.
When the eyes meet, they [A] directly [G] connect.
That's what [B] you call [A] true special [D] effects, say her name now.
[G] Sweet Jane, _ [A] _ [D] _ _ _ [G] Sweet _ [A] Jane, _ [D] _ _ [G] Sweet Jane.
_ [A] _ [D] _ Play [G] guitar.
_ _ [A] _ [D] _ _ _ [A] _ [G] _
_ [Bm] _ [A] _ [D] _ _ _ _ [G] _
_ [Bm] _ [A] _ [D] _ _ _ _ [G] _
_ _ _ [D] _ _ _ _ [G] _
_ _ [A] _ _ [D] _ Okay. _
_ _ [A] _ [D] _ _ _ _ [G] _
_ _ [D] _ _ _ _ _ [G] _
_ [Bm] _ [A] _ [D] _ _ _ [E] _ [G] _
_ _ [A] _ [D] _ _ [Dbm] Now some [G] people like to go out [Bm] dancing, [A] _ [D] _ _ [A] other [G] people, they gotta work.
[A] _ [D] _ And [A] there's even some [G] evil [Bm] mothers [A] _ [D] that tell [A] you [G] everything's just [Bm] dirt.
[A] _ [D] _ _ [A] And that women [G] never really faint, [A] _ [D] _ and [A] villains [G] always blink their [A] eyes.
[D] _ And [A] children's are [G] the only ones who really [A] blush, [D] and life [A] is [G] just a die.
_ [A] _ [D] Well, anyone that ever [G] had a [A] heart, [D] _ _ they wouldn't [G] turn around and break [A] it.
[D] _ And anyone that [G] ever played a part, [A] _ [D] they wouldn't [A] turn around [G] and fake [A] it.
[D] _ _ _ [G] Sweet Jane, _ [A] _ [D] _ _ _ [G] Sweet Jane, [A] _ [D] _ _ _ [G] Sweet Jane, _ [A] _ [D] _ _ _ [G] Sweet Jane, _ [A] _ [D] _ Sweet Jane, [G] _
Sweet [D] Jane.
_ Sweet [G] Jane, _ Sweet [D] Jane, Sweet [G] Jane, Sweet _ [D] Jane, Sweet [G] Jane. _
_ _ [D] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [N] _ _
_ _ _ _ _ _ _
Chuck Proffitt, _ V-Tones, Helen, _ _ _ Last Word, _ Brother Ali, _ _ all of you guys, our engineers, our volunteers,
_ don't forget to [Fm] listen to yourselves on the radio.
See you later.
[Ab] _ _ [Bb] _ _ [Eb] _ _ [Bb] _
_ [Eb] It ain't easy when it's real, so [Fm] don't leave because I still need [Ab] your patience.
[Bb] You can't make me [Eb] say it, it _ ain't [N] easy. _