Chords for F M
Tempo:
113.9 bpm
Chords used:
Em
A
C
G
B
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[B] [C#]
[F#m] [C#]
[A]
So
[Bm] [C#] [A]
[Em] bury the bottle, [A] mama, and spit [G] through the wine.
[A] [G] Stuff her high [Em]-heeled sneakers [A] into [G] her tie.
[C] [Bm] Girls don't [G] [F#] seem to care [B] what time.
[G#m] Long [Em] as they take her [D#m] gone.
[Am]
[Em] Nothing but [Bm] blues and [Em] Elvis and [F#] somebody [A] else's favorite song.
[Em] But [F#m] some [G] fucked up [A] music treats [Em] you like.
[D] [A] [Em] And I see there's some hungry rang [A] it, your [Em] daughter's wild.
[C] Girls [Am] [F#] don't seem to care.
[B] Tonight, [E] as long [G#] as I'm good [F#] [F#m]-bye,
no [C#] static at all.
[D]
[E] And if you're lost [B] like [Em] I am,
[A]
[Em] [C#] [C] [Bm] [Am]
[G] [F#] [F]
[Em]
[A] [G] [C]
[Em]
[C] [E]
[D] [C#m]
[Em]
[C#]
[C] [C#] But [Em] some fucked up music [A]
treats [Em] you like.
And I see there's some hungry rang [A] it, your [G] daughter's wild.
[C] [Bm] Girls [Am] don't [G] seem [F#] to care.
[B] Tonight,
[G#m] as long [G#] as I'm [C#m] good-bye,
[F#]
[F#m] [B] no static [Em] at all.
[D] [E] Yeah, no [Am] static [A] at all.
[Em]
[A] [Em]
[F#] [G]
[Em] [A] [Em]
[G#m] [A] [G]
[E] [F#m] [Em]
[A] [Em] [G]
[C] [Bm] [Am] [G] [F] [C]
[F] [N]
[B]
[G#m]
I bought a hi-fi [B] sometime around 1958 or 59.
They had like three or four records,
and one of them happened to be a Dave Brubeck [E] record.
And there was just these long, you know,
beautiful Paul Desmond solos on this thing.
That's how I started listening [G#] to [G#m] jazz.
I mean, the two of them, it's just that they are such jazz buffs.
It's ridiculous.
And the irony is is that a lot of guys
[G#]
who are hardcore jazz musicians
sometimes dream of being like heavy rock and rollers.
And in this way, these guys who are whatever, rock, pop, soul,
they dream of being in a dingy basement
playing an upright piano and like, you know,
West Montgomery kind of guitar.
So they just put together everything that they loved,
grooves, incredible, both of them were literature majors or something,
so they loved sort of storytelling
and sort of jazz-influenced harmonies.
It seems to me that they're doing is basically
just writing [G] from their heart and what they actually feel.
[D#] [C]
[A#] It [C] covers, as far as I'm concerned, so many different areas.
You know, there's a bit of R&B, there's a bit of [Cm] jazz
in terms of a lot of the chord progressions
and the way they kind of glue them together.
But then they'll turn around and do a [C] blues.
[D#]
[C#] [Cm] [F]
[C#] They have an amazing chemistry,
[A] so [D] you can't [Dm] always expect to take them a certain way
[F] because [C] they'll never do what you expect them to do.
[F]
[C] [Gm] [C]
[G#m] Donald reminds me of my dad.
I find them both easy to be around,
but I get that Donald's shy
and like my father, very witty.
And very at home in his work, you know?
[G#] Very [B] just made [N] of music through
[F#m] [C#]
[A]
So
[Bm] [C#] [A]
[Em] bury the bottle, [A] mama, and spit [G] through the wine.
[A] [G] Stuff her high [Em]-heeled sneakers [A] into [G] her tie.
[C] [Bm] Girls don't [G] [F#] seem to care [B] what time.
[G#m] Long [Em] as they take her [D#m] gone.
[Am]
[Em] Nothing but [Bm] blues and [Em] Elvis and [F#] somebody [A] else's favorite song.
[Em] But [F#m] some [G] fucked up [A] music treats [Em] you like.
[D] [A] [Em] And I see there's some hungry rang [A] it, your [Em] daughter's wild.
[C] Girls [Am] [F#] don't seem to care.
[B] Tonight, [E] as long [G#] as I'm good [F#] [F#m]-bye,
no [C#] static at all.
[D]
[E] And if you're lost [B] like [Em] I am,
[A]
[Em] [C#] [C] [Bm] [Am]
[G] [F#] [F]
[Em]
[A] [G] [C]
[Em]
[C] [E]
[D] [C#m]
[Em]
[C#]
[C] [C#] But [Em] some fucked up music [A]
treats [Em] you like.
And I see there's some hungry rang [A] it, your [G] daughter's wild.
[C] [Bm] Girls [Am] don't [G] seem [F#] to care.
[B] Tonight,
[G#m] as long [G#] as I'm [C#m] good-bye,
[F#]
[F#m] [B] no static [Em] at all.
[D] [E] Yeah, no [Am] static [A] at all.
[Em]
[A] [Em]
[F#] [G]
[Em] [A] [Em]
[G#m] [A] [G]
[E] [F#m] [Em]
[A] [Em] [G]
[C] [Bm] [Am] [G] [F] [C]
[F] [N]
[B]
[G#m]
I bought a hi-fi [B] sometime around 1958 or 59.
They had like three or four records,
and one of them happened to be a Dave Brubeck [E] record.
And there was just these long, you know,
beautiful Paul Desmond solos on this thing.
That's how I started listening [G#] to [G#m] jazz.
I mean, the two of them, it's just that they are such jazz buffs.
It's ridiculous.
And the irony is is that a lot of guys
[G#]
who are hardcore jazz musicians
sometimes dream of being like heavy rock and rollers.
And in this way, these guys who are whatever, rock, pop, soul,
they dream of being in a dingy basement
playing an upright piano and like, you know,
West Montgomery kind of guitar.
So they just put together everything that they loved,
grooves, incredible, both of them were literature majors or something,
so they loved sort of storytelling
and sort of jazz-influenced harmonies.
It seems to me that they're doing is basically
just writing [G] from their heart and what they actually feel.
[D#] [C]
[A#] It [C] covers, as far as I'm concerned, so many different areas.
You know, there's a bit of R&B, there's a bit of [Cm] jazz
in terms of a lot of the chord progressions
and the way they kind of glue them together.
But then they'll turn around and do a [C] blues.
[D#]
[C#] [Cm] [F]
[C#] They have an amazing chemistry,
[A] so [D] you can't [Dm] always expect to take them a certain way
[F] because [C] they'll never do what you expect them to do.
[F]
[C] [Gm] [C]
[G#m] Donald reminds me of my dad.
I find them both easy to be around,
but I get that Donald's shy
and like my father, very witty.
And very at home in his work, you know?
[G#] Very [B] just made [N] of music through
Key:
Em
A
C
G
B
Em
A
C
_ _ [B] _ _ _ [C#] _ _ _
_ [F#m] _ _ _ _ [C#] _ _ _
_ _ _ [A] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ So _
_ [Bm] _ _ [C#] _ [A] _ _ _ _
_ _ _ _ _ [Em] _ bury the bottle, [A] mama, and spit [G] through the wine.
_ _ _ [A] _ _ _ [G] Stuff her high [Em]-heeled sneakers [A] into [G] her tie. _ _
_ [C] _ [Bm] Girls don't [G] [F#] seem to care [B] what time.
_ _ [G#m] Long [Em] as they take her [D#m] gone.
_ _ [Am] _ _ _
[Em] Nothing but [Bm] blues and [Em] Elvis and [F#] somebody [A] else's favorite song.
[Em] But [F#m] some [G] fucked up [A] music treats [Em] you like.
_ _ [D] _ [A] _ [Em] And I see there's some hungry rang [A] it, your [Em] daughter's wild. _
_ [C] Girls [Am] [F#] don't seem to care. _
_ [B] Tonight, _ _ [E] as long [G#] as I'm good [F#] _ _ _ [F#m]-bye,
no [C#] static at _ _ _ all.
[D] _
[E] And if you're lost [B] like [Em] I am,
_ _ _ _ _ _ _ [A] _
_ [Em] _ _ [C#] _ _ [C] _ [Bm] _ [Am] _
[G] _ [F#] _ _ _ [F] _ _ _ _
[Em] _ _ _ _ _ _ _ _
_ [A] _ _ _ _ [G] _ _ [C] _
_ [Em] _ _ _ _ _ _ _
_ [C] _ _ [E] _ _ _ _ _
_ [D] _ _ _ _ [C#m] _ _ _
_ [Em] _ _ _ _ _ _ _
_ _ _ _ _ [C#] _ _ _
_ [C] _ _ _ _ [C#] _ But _ [Em] _ some fucked up music [A]
treats [Em] you like. _ _ _ _
And I see there's some hungry rang [A] it, your [G] daughter's wild.
_ _ [C] [Bm] Girls [Am] don't [G] seem [F#] to care.
_ _ [B] Tonight, _
_ [G#m] as long [G#] as I'm [C#m] good-bye,
_ [F#] _
[F#m] _ _ [B] no static [Em] at _ _ _ all.
[D] _ [E] Yeah, no [Am] static [A] at all.
[Em] _ _ _ _
_ _ _ [A] _ _ [Em] _ _ _
_ _ [F#] _ [G] _ _ _ _ _
[Em] _ _ _ [A] _ _ [Em] _ _ _
_ _ _ _ _ _ _ _
_ _ [G#m] _ [A] _ _ [G] _ _ _
[E] _ _ _ [F#m] _ _ [Em] _ _ _
_ _ _ [A] _ _ [Em] _ _ [G] _
_ [C] _ [Bm] _ [Am] _ [G] _ [F] _ _ [C] _
_ _ _ _ _ _ _ _
_ _ _ _ [F] _ _ [N] _ _
_ _ _ _ _ _ _ _
_ [B] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [G#m] _ _ _ _ _ _
_ _ _ I bought a hi-fi [B] sometime around 1958 or 59.
They had like three or four records,
and one of them happened to be a Dave Brubeck [E] record.
And there was just these long, you know,
beautiful Paul Desmond solos on this thing.
That's how I started listening [G#] to [G#m] jazz.
I mean, the two of them, it's just that they are _ such jazz buffs.
It's ridiculous.
And the irony is is that a lot of guys
_ [G#] _
who are hardcore jazz musicians
sometimes dream of being like heavy rock and rollers.
And in this way, these guys who are whatever, rock, pop, soul,
they dream of being in a dingy basement
playing an upright piano and like, you know,
West Montgomery kind of guitar.
So they just put together everything that they loved,
grooves, _ incredible, both of them were literature majors or something,
so they loved sort of storytelling
_ and sort of jazz-influenced harmonies.
It seems to me that they're doing is basically
just writing [G] from their heart and what they actually feel.
_ [D#] _ [C] _ _
[A#] It [C] _ covers, as far as I'm concerned, so many different areas.
You know, there's a bit of R&B, there's a bit of [Cm] jazz
in terms of a lot of the chord progressions
and the way they kind of glue them together.
But then they'll turn around and do a [C] blues.
_ _ _ [D#] _
_ _ _ [C#] _ [Cm] _ _ _ [F] _
[C#] They have an amazing chemistry,
[A] so [D] you can't [Dm] always expect to take them a certain way
[F] because [C] they'll never do what you expect them to do.
[F] _ _
_ _ [C] _ _ _ [Gm] _ _ [C] _
_ [G#m] _ _ Donald reminds me of my dad.
_ I find them both easy to be around,
but I get that Donald's shy
and like my father, very witty.
And very at home in his work, you know?
[G#] Very _ _ [B] just made [N] of music through
_ [F#m] _ _ _ _ [C#] _ _ _
_ _ _ [A] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ So _
_ [Bm] _ _ [C#] _ [A] _ _ _ _
_ _ _ _ _ [Em] _ bury the bottle, [A] mama, and spit [G] through the wine.
_ _ _ [A] _ _ _ [G] Stuff her high [Em]-heeled sneakers [A] into [G] her tie. _ _
_ [C] _ [Bm] Girls don't [G] [F#] seem to care [B] what time.
_ _ [G#m] Long [Em] as they take her [D#m] gone.
_ _ [Am] _ _ _
[Em] Nothing but [Bm] blues and [Em] Elvis and [F#] somebody [A] else's favorite song.
[Em] But [F#m] some [G] fucked up [A] music treats [Em] you like.
_ _ [D] _ [A] _ [Em] And I see there's some hungry rang [A] it, your [Em] daughter's wild. _
_ [C] Girls [Am] [F#] don't seem to care. _
_ [B] Tonight, _ _ [E] as long [G#] as I'm good [F#] _ _ _ [F#m]-bye,
no [C#] static at _ _ _ all.
[D] _
[E] And if you're lost [B] like [Em] I am,
_ _ _ _ _ _ _ [A] _
_ [Em] _ _ [C#] _ _ [C] _ [Bm] _ [Am] _
[G] _ [F#] _ _ _ [F] _ _ _ _
[Em] _ _ _ _ _ _ _ _
_ [A] _ _ _ _ [G] _ _ [C] _
_ [Em] _ _ _ _ _ _ _
_ [C] _ _ [E] _ _ _ _ _
_ [D] _ _ _ _ [C#m] _ _ _
_ [Em] _ _ _ _ _ _ _
_ _ _ _ _ [C#] _ _ _
_ [C] _ _ _ _ [C#] _ But _ [Em] _ some fucked up music [A]
treats [Em] you like. _ _ _ _
And I see there's some hungry rang [A] it, your [G] daughter's wild.
_ _ [C] [Bm] Girls [Am] don't [G] seem [F#] to care.
_ _ [B] Tonight, _
_ [G#m] as long [G#] as I'm [C#m] good-bye,
_ [F#] _
[F#m] _ _ [B] no static [Em] at _ _ _ all.
[D] _ [E] Yeah, no [Am] static [A] at all.
[Em] _ _ _ _
_ _ _ [A] _ _ [Em] _ _ _
_ _ [F#] _ [G] _ _ _ _ _
[Em] _ _ _ [A] _ _ [Em] _ _ _
_ _ _ _ _ _ _ _
_ _ [G#m] _ [A] _ _ [G] _ _ _
[E] _ _ _ [F#m] _ _ [Em] _ _ _
_ _ _ [A] _ _ [Em] _ _ [G] _
_ [C] _ [Bm] _ [Am] _ [G] _ [F] _ _ [C] _
_ _ _ _ _ _ _ _
_ _ _ _ [F] _ _ [N] _ _
_ _ _ _ _ _ _ _
_ [B] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [G#m] _ _ _ _ _ _
_ _ _ I bought a hi-fi [B] sometime around 1958 or 59.
They had like three or four records,
and one of them happened to be a Dave Brubeck [E] record.
And there was just these long, you know,
beautiful Paul Desmond solos on this thing.
That's how I started listening [G#] to [G#m] jazz.
I mean, the two of them, it's just that they are _ such jazz buffs.
It's ridiculous.
And the irony is is that a lot of guys
_ [G#] _
who are hardcore jazz musicians
sometimes dream of being like heavy rock and rollers.
And in this way, these guys who are whatever, rock, pop, soul,
they dream of being in a dingy basement
playing an upright piano and like, you know,
West Montgomery kind of guitar.
So they just put together everything that they loved,
grooves, _ incredible, both of them were literature majors or something,
so they loved sort of storytelling
_ and sort of jazz-influenced harmonies.
It seems to me that they're doing is basically
just writing [G] from their heart and what they actually feel.
_ [D#] _ [C] _ _
[A#] It [C] _ covers, as far as I'm concerned, so many different areas.
You know, there's a bit of R&B, there's a bit of [Cm] jazz
in terms of a lot of the chord progressions
and the way they kind of glue them together.
But then they'll turn around and do a [C] blues.
_ _ _ [D#] _
_ _ _ [C#] _ [Cm] _ _ _ [F] _
[C#] They have an amazing chemistry,
[A] so [D] you can't [Dm] always expect to take them a certain way
[F] because [C] they'll never do what you expect them to do.
[F] _ _
_ _ [C] _ _ _ [Gm] _ _ [C] _
_ [G#m] _ _ Donald reminds me of my dad.
_ I find them both easy to be around,
but I get that Donald's shy
and like my father, very witty.
And very at home in his work, you know?
[G#] Very _ _ [B] just made [N] of music through