Chords for What A Shame About Me

Tempo:
114.15 bpm
Chords used:

C

D

G

Dm

F

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
What A Shame About Me chords
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[Am] [F]
[D] [Am] [Dm] [G]
[C] [Am]
[D]
[C]
[G] [Em] [A] [Fm] I [C] [G] [D]
[Am] [D] [C]
was crying [Am] [D] through [C] my daycare, [D] stacking [Am] cutouts [Gm] at the Strand, [C]
didn't walk a strand
of rock at [Dm] NYU.
[G]
We were quite [D] enlightened back then.
[F] Talked about her phone [Dm] and shows and CDs.
[G] [F] Don't [G] know what else.
[D] She [C] said, yeah, Hollywood's been [Dm] good to me, but [D] tell me, [Am] how about yourself?
[D] I'm [Em] still working [Cm] on my novel, [Eb] but I'm just about to [F] quit.
[D] Heard [Db] about the future [B] now, well, [Bb] maybe this is it.
It's [Am] not all [Dm] that I thought it would [Db] be.
[Bb] What a [D] shame it'll cost [Am] me.
[Dm]
[E] She [Am] [G] [D]
said, [C] it's hard for me, do you [D] ever see anybody [C] else from our [G] old crew?
[C]
Robin [G] Kind won the Bumpson Prize, [D] she's [C] coming after something new.
[Dm]
Now I know the [F] change [G] scheme will have [F] me, Larry is a [Gm] software guru.
[F]
[C] Somebody told me in the alley, baby, she was gonna boost the next big [D] thing.
Well, [Em] now that [F] was just a rumor, [Eb] but I guess I'm [A] doing fine.
[D] Three weeks [Db] out of the rehab, [B] living one [Bb] day at a time.
[F] Thinking of [B] all the new sets [Db] you'll be.
[Bb] What a [D] shame about me.
[C] [Dm]
[C] [Dm] What a shame about me.
[Bb] Thinking [Abm] of a major change, [Cm] brings a new life.
I'm [Gm] a son [Eb] of high [Bb] school.
[E] [Dbm]
[Abm] [Gb]
[Dbm]
[Abm] [Dbm]
[B] Oh, [Gbm] [B]
[Ab] [D] when I [C] left my apartment, I met the shoes into cold day.
Was about to [G] say, hey, [D] have a nice life.
She [C] touched my hand and said, [Dm]
I just [F] had [G] sweet ideas [F] to be [Gm] better cool.
Why don't [C] you grab a cab to my hotel?
We were packing our own [Am] shoes.
I said, you [Eb] look delicious and you're standing [F] very close.
[D] This [Db] is lower [B] Broadway and you're talking [Bb] to a ghost.
[Am] Take a good [B] look at these pictures.
[Db]
What a [Gm] shame about me.
[E] [F]
[Gm] What a [D] shame about [C] me.
[Dm]
[C] Shame.
[D] [C] [Dm]
[D] Shame [Am] about me.
[D] [C]
[Dm] [C] [D] [G]
[C] Shame.
Shame [D]
[C] [G]
[C] about me.
[G] [D] [C]
[D]
[C] Shame.
Shame [D] [C]
about me.
[G] [Dm] [C]
[D]
[C] Shame.
[G] [D]
[C] [Em] [Bb] [C] Shame about me.
[D]
[Am] [Dm] [D] [Bb]
[Gm] [E] [F]
[Bb] [Dm] [C] [Bb]
[A] [F] [Dm]
[Am]
[F] [Dm] [N]
Shame.
Well, let me get back to this thing with [Ab] that,
because I think it's sort of interesting, the guys that are men.
So here's a [G] band that you've hired, there's say seven [Gb] or eight guys in the band, [Bb] right?
35 [C]% of them.
35% of [Bbm] them.
[N] You know, so three or [Ab] four guys in a typical band.
[G] But you're sort of.
Is mad at us.
You're using.
They're coming [E] in and they're coming into the gig now and now they've got to play all [Ab] our songs,
because that's what you hired them for, right?
When we find the guys that are playing that are mad at you,
we try to play your music between the sets to get them even more [C] pissed off.
Get them to.
With the theory that that will goose them [Db] on to an [Em] even better performance.
You see, that's [Ab] exactly what we think.
That's what we do.
That's what we think.
[Db] That's why they're mad at us.
That's what it is.
Key:  
C
3211
D
1321
G
2131
Dm
2311
F
134211111
C
3211
D
1321
G
2131
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[Am] _ _ _ _ _ _ [F] _ _
[D] _ [Am] _ _ _ _ [Dm] _ _ [G] _
_ [C] _ _ [Am] _ _ _ _ _
_ _ _ _ _ [D] _ _ _
_ [C] _ _ _ _ _ _ _
[G] _ _ _ _ _ [Em] _ [A] [Fm] I _ [C] _ _ _ _ [G] _ [D] _ _
_ [Am] _ _ _ _ _ [D] _ [C]
was crying [Am] [D] through [C] my daycare, _ [D] stacking [Am] cutouts [Gm] at the Strand, _ [C] _
didn't walk a strand
of rock at [Dm] NYU.
[G]
We were quite [D] enlightened back _ then.
[F] Talked about her phone [Dm] and shows and CDs. _
[G] _ [F] Don't [G] know what else.
[D] She [C] said, yeah, Hollywood's been [Dm] good to me, but [D] tell me, [Am] how about yourself?
[D] _ I'm [Em] still working [Cm] on my novel, [Eb] but I'm just about to [F] quit. _
[D] Heard [Db] about the future [B] now, well, [Bb] maybe this is it.
It's [Am] not all [Dm] that I thought it would [Db] be.
[Bb] What a [D] shame it'll cost [Am] me.
[Dm] _ _
[E] She [Am] _ _ _ [G] _ _ _ [D]
said, [C] it's hard for me, do you [D] ever see anybody [C] else from our [G] old crew?
_ [C] _
Robin [G] Kind won the Bumpson Prize, [D] she's [C] coming after something new.
[Dm] _ _
Now I know the [F] change [G] scheme will have [F] me, Larry is a [Gm] software guru.
_ [F] _
_ [C] Somebody told me in the alley, baby, she was gonna boost the next big [D] thing.
Well, [Em] now that [F] was just a rumor, [Eb] but I guess I'm [A] doing fine.
[D] Three weeks [Db] out of the rehab, [B] living one [Bb] day at a time.
[F] Thinking of [B] all the new sets [Db] you'll be. _
[Bb] What a [D] shame about me.
[C] _ [Dm] _ _ _
_ [C] _ _ _ _ [Dm] What a shame about me.
_ [Bb] _ _ _ Thinking [Abm] of a major change, [Cm] brings a new life.
I'm [Gm] a son [Eb] of high [Bb] school. _
[E] _ _ _ _ _ _ [Dbm] _ _
[Abm] _ _ _ _ _ _ _ [Gb] _
[Dbm] _ _ _ _ _ _ _ _
[Abm] _ _ _ _ _ _ _ [Dbm]
[B] Oh, [Gbm] _ _ _ [B] _ _ _ _
[Ab] _ [D] when I [C] left my apartment, I met the shoes into cold day. _
Was about to [G] say, hey, [D] have a nice life.
She [C] touched my hand and said, [Dm] _ _
I just [F] had [G] sweet ideas _ [F] to be [Gm] better cool. _
Why don't [C] you grab a cab to my hotel?
We were packing our own [Am] shoes.
I said, you [Eb] look delicious and you're standing [F] very close.
[D] This [Db] is lower [B] Broadway and you're talking [Bb] to a ghost.
[Am] Take a good [B] look at these pictures.
[Db] _ _
What a [Gm] shame about me.
[E] _ [F] _ _
[Gm] What a [D] shame about [C] me.
[Dm] _ _ _
[C] Shame.
_ [D] _ [C] _ [Dm] _ _ _
_ _ _ _ [D] _ _ Shame [Am] about me.
_ [D] _ _ _ [C] _ _
[Dm] _ [C] _ _ _ _ [D] _ _ [G] _
[C] Shame.
_ _ Shame _ [D] _
_ [C] _ _ _ [G] _ _ _
[C] about me.
_ [G] _ _ [D] _ _ [C] _
_ _ _ _ _ _ [D] _ _
[C] Shame. _ _ _ _ _ _
_ _ Shame [D] _ _ _ [C]
about me.
_ [G] _ _ _ [Dm] _ [C] _
_ _ _ _ [D] _ _ _ _
[C] Shame.
_ [G] _ _ [D] _ _ _
_ [C] _ [Em] _ _ [Bb] _ [C] _ Shame about me.
_ _ _ [D] _ _ _
[Am] _ _ _ [Dm] _ _ _ [D] _ [Bb] _
_ [Gm] _ _ _ [E] _ [F] _ _ _
[Bb] _ [Dm] _ _ _ _ _ [C] _ [Bb] _
_ _ [A] _ [F] _ _ _ _ [Dm] _
_ _ _ _ _ _ _ [Am] _
_ _ [F] _ _ _ [Dm] _ [N] _ _
_ _ _ Shame.
Well, let me get back to this thing with [Ab] that,
because I think it's sort of interesting, the guys that are men.
So here's a [G] band that you've hired, there's say seven [Gb] or eight guys in the band, [Bb] right?
35 [C]% of them.
35% of [Bbm] them.
[N] You know, so three or [Ab] four guys in a typical band.
[G] But you're sort of.
Is mad at us.
You're using.
They're coming [E] in and they're coming into the gig now and now they've got to play all [Ab] our songs,
because that's what you hired them for, right?
When we find the guys that are playing that are mad at you,
we try to play your music between the sets to get them even more [C] pissed off.
Get them to.
With the theory that that will goose them [Db] on to an [Em] even better performance.
You see, that's [Ab] exactly what we think.
That's what we do.
That's what we think.
[Db] That's why they're mad at us.
That's what it is.

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