Chords for Fingerstyle Gospel Guitar- Tis So Sweet & What a Friend We Have in Jesus!
Tempo:
207.45 bpm
Chords used:
G
C
A
D
Am
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[G]
[A] [B]
[C]
[G]
[A]
[Am] [D] [A]
[G]
[F#] [C]
[G]
[C]
[G] [F#] [G]
[D]
[A]
[Am] [G] [D]
[Em] [A]
[Em] [D] [A]
[G]
[C]
[G]
[C]
[G] [F#]
[C] [G]
[C]
[G]
[Am] [G]
[C] [E] [G]
[C]
[A]
[F#] [G]
[D]
[Am] [G]
[C]
[G] [D]
[G] [Am] [G] [C]
[G]
[C]
[G]
[A] [G]
[Em] [G]
Howdy, [D] welcome to BanjoBenClark .com, your home for learning how to play banjo, mandolin,
and guitar.
Normally we flat pick guitar.
This [G] week we're getting rid of the flat pick.
We're using the fingers that God gave us to do a finger style arrangement [F#] to a couple
classic hymns.
I love these hymns.
What inspired me to do these this week was my wife's grandma, who I love like my own,
passed away last week, which [E] is sad.
She was a great, great woman who inspired me greatly.
But the most important thing was it's not over with.
She's with the Lord [G] Jesus because she knew him as Savior.
The truths that these hymns talk about I hold so near and dear [E] to my heart.
I just want to share with you that through song this week.
This is a huge lesson.
We're going [G] to not only learn how to play it, but I want to talk to you about how I
come up with these arrangements.
Whenever I think finger style guitar in this particular style, I have three different components
I'm thinking about.
Melody, I'm thinking about bass notes and taking us to different chords, and I'm thinking
about harmony notes.
So we'll look at each one of those individually [F#] as we walk through this.
If you're watching on [E] Facebook or YouTube, here in a moment I'll ask you to come over
to the website.
You can join as a GoPick member and have access [F#] to hundreds of videos and tabs.
This is about a 40-minute video lesson.
Of course I have the tab exactly as I performed it, but I also have some MP3s where I play
it very slowly.
You can download those, follow along with me, and you can learn [Am] to play this one.
I promise you can.
Let's jump into the first measure of Tis the Sweet to Trust in Jesus.
Let's learn these beautiful hymns with finger [F#] style guitar.
Let's lay a little bit of a [F] foundation as we approach [Em] these.
As we throw out the first line of tab there, you'll notice a couple things.
One is there's some notes with red circles around them.
What [Gm] in the world are those?
Well, those are melody notes.
So as we play through this arrangement, so I don't have to keep saying it, we're going
to accentuate those [D] melody notes.
We're going to try to make those be in the forefront and have the other notes just support them.
As well, you'll notice beneath each one of the notes I have those little [G] numbers in the
circles or a letter.
Those are our pickhand indications.
So T would stand for thumb, and boy is our thumb going to be busy, particularly as we
go [A#] to [Em] what a friend we have in Jesus.
Then [G] one would stand for index, two would stand for middle.
Those are the only three fingers I'm using.
I'm [G] bringing my banjo method, my banjo style over to finger style guitar.
So [E] I'm going to plant also that pinky for me.
It might be your ring finger for you.
I'm going to plant [G] that and that's going to give me a little bit more strength as I pinch these strings.
It also gives me a little [D] reference to where I'm at on the guitar.
Now one other thing I want to mention before we dive into this is that whenever I create
[G] finger style [G#] guitar arrangements, there's really three parts that I'm creating.
The first and foremost that I'm worried about is the melody.
How do I present that melody?
So often I'll just think of that before I do any of the other notes.
The second one is going to be the bass notes.
What chords do I want to use and how do I want those chords to move between one another
and lead to the next chord?
And then the third part that I think about are the harmony notes that are going to accompany
the melody.
So those are the three parts that are always going as I'm playing and we can see those
displayed even in the first measure.
So I want you to place your ring finger on the third fret of the low G string.
That's going to provide that bass note for the G chord that we're on.
And then of course we have our melody note happening at the same time on the second string.
So as we play those two together, we want to bring out that melody note.
We don't want real heavy bass overpowering that.
And then we've got a couple harmony notes here that I'm going to jump up and play that
are harmony notes of the G chord.
And then I've got a melody note on the second fret of the G string that I'm going to reach
up [Am] and play that I want to try to bring out.
All [G] the while leaving my bass note down.
[E] [G]
[E]
Sounds really pretty, [B] doesn't it?
It's simple but [G] it's pretty.
Then measure two, I'm going to pinch again.
Then I'm going to start walking up my bass note.
[A] [Bm] Pay attention [G] to what the thumb [A] does.
[B] You know that's another tip that I'll give [A] you, especially as we get into What a Friend
We Have in Jesus.
You may [F#] just want to go through and learn just the thumb parts and just get that on
[G] autopilot.
Because the thumb is operating separately from our melody and harmony notes.
But it's [Am] going to walk up and then whenever we [Gm] arrive on that second fret, we're also
going to play the fourth fret of [F#] the fourth string, the F sharp note.
And we're going to do a brush. Okay?
So that means I'm going to play both of those strings with my thumb.
[B] And I'm going to use the side of my thumb to get it really smooth.
And it's okay if there's a little space between the notes.
They don't have to be right together.
So [G] measures one and two.
[E]
[G] [Am] [B]
[Em] Then I go to a C chord in measure three.
But we're going to leave off [B] the middle finger.
We're going to brush [C] through those two strings.
And then hammer [D] to the second fret.
[C]
That's a half note.
One, two, three, four.
Then [G] leave those down for measure four.
[C] Pinch.
[G] [C]
[G]
[A] So as we get into measure five, [C] the melody notes of course are happening on the [G] top.
[A] Then we're going to start walking up there on the last beat of measure [Am] five with our thumb.
[D#m] Now I'm going to play it for you measures one through five just so you [E] can hear it.
Keep in mind though, if you're here on the site, I've got an mp3 where I play it very,
very slow as well as a [D] video where I play it very [G] slowly.
[E] [G] [A] [B]
[C]
[G]
[A]
Now as we get into measure [G] six.
[C]
[D] [G]
[Am] [G]
[C] [G]
[C]
[G] [N]
[A] [B]
[C]
[G]
[A]
[Am] [D] [A]
[G]
[F#] [C]
[G]
[C]
[G] [F#] [G]
[D]
[A]
[Am] [G] [D]
[Em] [A]
[Em] [D] [A]
[G]
[C]
[G]
[C]
[G] [F#]
[C] [G]
[C]
[G]
[Am] [G]
[C] [E] [G]
[C]
[A]
[F#] [G]
[D]
[Am] [G]
[C]
[G] [D]
[G] [Am] [G] [C]
[G]
[C]
[G]
[A] [G]
[Em] [G]
Howdy, [D] welcome to BanjoBenClark .com, your home for learning how to play banjo, mandolin,
and guitar.
Normally we flat pick guitar.
This [G] week we're getting rid of the flat pick.
We're using the fingers that God gave us to do a finger style arrangement [F#] to a couple
classic hymns.
I love these hymns.
What inspired me to do these this week was my wife's grandma, who I love like my own,
passed away last week, which [E] is sad.
She was a great, great woman who inspired me greatly.
But the most important thing was it's not over with.
She's with the Lord [G] Jesus because she knew him as Savior.
The truths that these hymns talk about I hold so near and dear [E] to my heart.
I just want to share with you that through song this week.
This is a huge lesson.
We're going [G] to not only learn how to play it, but I want to talk to you about how I
come up with these arrangements.
Whenever I think finger style guitar in this particular style, I have three different components
I'm thinking about.
Melody, I'm thinking about bass notes and taking us to different chords, and I'm thinking
about harmony notes.
So we'll look at each one of those individually [F#] as we walk through this.
If you're watching on [E] Facebook or YouTube, here in a moment I'll ask you to come over
to the website.
You can join as a GoPick member and have access [F#] to hundreds of videos and tabs.
This is about a 40-minute video lesson.
Of course I have the tab exactly as I performed it, but I also have some MP3s where I play
it very slowly.
You can download those, follow along with me, and you can learn [Am] to play this one.
I promise you can.
Let's jump into the first measure of Tis the Sweet to Trust in Jesus.
Let's learn these beautiful hymns with finger [F#] style guitar.
Let's lay a little bit of a [F] foundation as we approach [Em] these.
As we throw out the first line of tab there, you'll notice a couple things.
One is there's some notes with red circles around them.
What [Gm] in the world are those?
Well, those are melody notes.
So as we play through this arrangement, so I don't have to keep saying it, we're going
to accentuate those [D] melody notes.
We're going to try to make those be in the forefront and have the other notes just support them.
As well, you'll notice beneath each one of the notes I have those little [G] numbers in the
circles or a letter.
Those are our pickhand indications.
So T would stand for thumb, and boy is our thumb going to be busy, particularly as we
go [A#] to [Em] what a friend we have in Jesus.
Then [G] one would stand for index, two would stand for middle.
Those are the only three fingers I'm using.
I'm [G] bringing my banjo method, my banjo style over to finger style guitar.
So [E] I'm going to plant also that pinky for me.
It might be your ring finger for you.
I'm going to plant [G] that and that's going to give me a little bit more strength as I pinch these strings.
It also gives me a little [D] reference to where I'm at on the guitar.
Now one other thing I want to mention before we dive into this is that whenever I create
[G] finger style [G#] guitar arrangements, there's really three parts that I'm creating.
The first and foremost that I'm worried about is the melody.
How do I present that melody?
So often I'll just think of that before I do any of the other notes.
The second one is going to be the bass notes.
What chords do I want to use and how do I want those chords to move between one another
and lead to the next chord?
And then the third part that I think about are the harmony notes that are going to accompany
the melody.
So those are the three parts that are always going as I'm playing and we can see those
displayed even in the first measure.
So I want you to place your ring finger on the third fret of the low G string.
That's going to provide that bass note for the G chord that we're on.
And then of course we have our melody note happening at the same time on the second string.
So as we play those two together, we want to bring out that melody note.
We don't want real heavy bass overpowering that.
And then we've got a couple harmony notes here that I'm going to jump up and play that
are harmony notes of the G chord.
And then I've got a melody note on the second fret of the G string that I'm going to reach
up [Am] and play that I want to try to bring out.
All [G] the while leaving my bass note down.
[E] [G]
[E]
Sounds really pretty, [B] doesn't it?
It's simple but [G] it's pretty.
Then measure two, I'm going to pinch again.
Then I'm going to start walking up my bass note.
[A] [Bm] Pay attention [G] to what the thumb [A] does.
[B] You know that's another tip that I'll give [A] you, especially as we get into What a Friend
We Have in Jesus.
You may [F#] just want to go through and learn just the thumb parts and just get that on
[G] autopilot.
Because the thumb is operating separately from our melody and harmony notes.
But it's [Am] going to walk up and then whenever we [Gm] arrive on that second fret, we're also
going to play the fourth fret of [F#] the fourth string, the F sharp note.
And we're going to do a brush. Okay?
So that means I'm going to play both of those strings with my thumb.
[B] And I'm going to use the side of my thumb to get it really smooth.
And it's okay if there's a little space between the notes.
They don't have to be right together.
So [G] measures one and two.
[E]
[G] [Am] [B]
[Em] Then I go to a C chord in measure three.
But we're going to leave off [B] the middle finger.
We're going to brush [C] through those two strings.
And then hammer [D] to the second fret.
[C]
That's a half note.
One, two, three, four.
Then [G] leave those down for measure four.
[C] Pinch.
[G] [C]
[G]
[A] So as we get into measure five, [C] the melody notes of course are happening on the [G] top.
[A] Then we're going to start walking up there on the last beat of measure [Am] five with our thumb.
[D#m] Now I'm going to play it for you measures one through five just so you [E] can hear it.
Keep in mind though, if you're here on the site, I've got an mp3 where I play it very,
very slow as well as a [D] video where I play it very [G] slowly.
[E] [G] [A] [B]
[C]
[G]
[A]
Now as we get into measure [G] six.
[C]
[D] [G]
[Am] [G]
[C] [G]
[C]
[G] [N]
Key:
G
C
A
D
Am
G
C
A
_ _ _ _ _ _ [G] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [A] _ _ [B] _ _
[C] _ _ _ _ _ _ _ _
_ [G] _ _ _ _ _ _ _
_ _ _ _ _ _ [A] _ _
[Am] _ _ _ _ [D] _ _ [A] _ _
_ [G] _ _ _ _ _ _ _
_ [F#] _ _ [C] _ _ _ _ _
_ _ _ _ [G] _ _ _ _
_ _ _ [C] _ _ _ _ _
_ _ [G] _ _ [F#] _ _ [G] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [D] _
_ _ _ _ _ [A] _ _ _
[Am] _ _ _ [G] _ _ _ [D] _ _
[Em] _ _ _ _ _ [A] _ _ _
[Em] _ _ _ [D] _ _ _ [A] _ _
_ [G] _ _ _ _ _ _ _
_ _ _ [C] _ _ _ _ _
_ _ _ _ [G] _ _ _ _
_ _ _ _ [C] _ _ _ _
_ [G] _ _ _ [F#] _ _ _ _
_ _ _ _ [C] _ _ [G] _ _
_ _ _ _ _ _ _ _
_ [C] _ _ _ _ _ _ _
_ _ _ [G] _ _ _ _ _
_ _ _ _ _ [Am] _ _ [G] _
_ _ [C] _ _ [E] _ _ [G] _ _
_ _ _ _ _ _ _ _
[C] _ _ _ _ _ _ _ _
_ [A] _ _ _ _ _ _ _
_ [F#] _ _ [G] _ _ _ _ _
_ _ _ _ [D] _ _ _ _
_ _ _ [Am] _ _ _ [G] _ _
_ _ _ _ _ _ _ [C] _
_ _ _ _ [G] _ _ [D] _ _
[G] _ [Am] _ _ [G] _ _ _ [C] _ _
[G] _ _ _ _ _ _ _ _
_ _ _ _ [C] _ _ _ _
_ _ _ _ _ [G] _ _ _
_ [A] _ _ _ _ _ [G] _ _
[Em] _ _ _ [G] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ Howdy, [D] welcome to _ BanjoBenClark _ .com, your home for learning how to play banjo, mandolin, _ _
and guitar.
Normally we flat pick guitar.
This [G] week we're getting rid of the flat pick.
We're using the fingers that God gave us to do a finger style arrangement _ [F#] to a couple
_ _ classic hymns.
I love these hymns.
What inspired me to do these this week was my wife's grandma, _ _ who I love like my own,
_ _ passed away last week, which [E] is sad.
She was a great, great woman who inspired me greatly.
_ But the most important thing was it's not over with.
She's with the Lord [G] Jesus because she knew him as Savior.
_ _ _ The truths that these hymns talk about I hold so near and dear [E] to my heart.
I just want to share with you that through song _ _ this week.
This is a huge lesson.
We're going [G] to not only learn how to play it, but I want to talk to you about how I
come up with these arrangements.
Whenever I think finger style guitar in this particular style, _ _ I have three different components
I'm thinking about.
Melody, _ I'm thinking about bass notes and taking us to different chords, and I'm thinking
about harmony notes.
So we'll look at each one of those individually [F#] as we walk through this.
If you're watching on [E] Facebook or YouTube, here in a moment I'll ask you to come over
to the website.
You can join as a GoPick member and have access [F#] to hundreds of videos and tabs.
This is about a 40-minute video lesson.
Of course I have the tab exactly as I performed it, but I also have some _ MP3s where I play
it very _ slowly.
You can download those, follow along with me, and you can learn [Am] to play this one.
I promise you can.
Let's jump into the first measure of Tis the Sweet to Trust in Jesus.
_ Let's learn these beautiful hymns with finger [F#] style guitar.
_ Let's lay a little bit of a [F] foundation _ _ as we approach [Em] these.
As we throw out the first line of tab there, _ you'll notice a couple things.
One is there's some notes with red circles around them.
What [Gm] in the world are those?
Well, those are melody notes.
So as we play through this arrangement, so I don't have to keep saying it, we're going
to _ accentuate those [D] melody notes.
We're going to try to make those be in the forefront and have the other notes _ _ _ just _ support them. _
As well, you'll notice beneath each one of the notes I have those little [G] numbers _ in the
circles or a letter.
Those are our pickhand indications.
So T would stand for thumb, and boy is our thumb going to be busy, particularly as we
go [A#] to [Em] _ what a friend we have in Jesus.
_ Then [G] one would stand for index, two would stand for middle.
_ Those are the only three fingers I'm using.
I'm [G] bringing my banjo _ _ method, my banjo style over to finger style guitar.
So [E] I'm going to plant also that pinky for me.
It might be your ring finger for you.
_ I'm going to plant [G] that and that's going to give me a little bit more strength as I pinch these _ strings.
It also gives me a little [D] reference to where I'm at on the guitar.
_ Now one other thing I want to mention before we dive into this is that whenever I create
[G] finger style [G#] guitar arrangements, there's really three parts that I'm creating.
The first and foremost that I'm worried about is the melody.
How do I present that melody?
So often I'll just think of that before I do any of the other notes.
The second one is going to be _ the bass notes.
What chords do I want to use and how do I want those chords to move between _ one another
and lead to the next chord?
And then the third part that I think about are the harmony notes that are going to accompany
_ the melody.
So those are the three parts that are always going as I'm playing and we can see those
displayed _ even in the first measure.
So I want you to place your ring finger on the third fret of the low G string.
That's going to provide that bass note for the G chord that we're on.
And then of course we have our melody note happening at the same time on the second string.
So as we play those two together, _ _ we want to bring out that melody note.
We don't want real heavy bass _ _ _ _ overpowering that.
_ _ _ And then we've got a couple harmony notes here that I'm going to jump up and play _ that
are harmony notes of the G chord.
And then I've got a melody note _ on the second fret of the G string that I'm going to reach
up [Am] and play that I want to try to bring out.
All [G] the while leaving my bass note down. _ _ _ _
_ _ [E] _ _ [G] _ _ _ _
_ _ [E] _ _ _ _ _ _
_ Sounds really pretty, [B] doesn't it?
It's simple but [G] it's pretty.
_ _ _ Then measure two, I'm going to pinch again. _
Then I'm going to start walking up my bass note.
[A] _ _ _ [Bm] _ _ _ Pay attention [G] to what the thumb [A] does.
[B] You know that's another tip that I'll give [A] you, especially as we get into What a Friend
We Have in Jesus.
You may [F#] just want to go through and learn just the thumb parts and just get that on _
[G] autopilot.
Because the thumb is operating separately _ _ from our melody and harmony notes.
But it's [Am] going to walk up and then whenever we [Gm] _ arrive on that second fret, we're also
going to play the fourth fret of [F#] the fourth string, _ the F sharp note.
And we're going to do a brush. Okay?
_ _ So that means I'm going to play both of those strings with my thumb.
_ [B] And I'm going to use the side of my thumb to get it really smooth.
And it's okay if there's a little space between the notes.
_ They don't have to be right together. _ _ _
_ _ _ _ So [G] measures one and two.
_ _ _ _ _ [E] _ _
[G] _ [Am] _ _ [B] _ _ _ _
[Em] Then I go to a C chord in measure three.
But we're going to leave off [B] the middle finger.
We're going to brush [C] through those two strings. _ _
And then hammer _ [D] to the second fret.
[C] _ _ _ _ _ _ _
That's a half note.
One, two, _ three, four.
Then [G] leave those down for measure four.
_ [C] Pinch. _ _ _
[G] _ _ _ _ [C] _ _ _ _
[G] _ _ _ _ _ _ _ _
_ _ [A] _ _ So as we get into measure five, _ [C] the melody notes of course are happening on the [G] top. _ _ _ _
_ [A] _ Then we're going to start walking up there on the last beat of measure [Am] five with our thumb.
[D#m] Now I'm going to play it for you measures one through five just so you [E] can hear it.
Keep in mind though, if you're here on the site, I've got an _ mp3 where I play it very,
very slow as well as a [D] video where I play it very [G] slowly. _ _ _ _ _
[E] _ _ [G] _ _ [A] _ _ [B] _ _
_ [C] _ _ _ _ _ _ _
_ _ _ _ _ [G] _ _ _
_ _ _ _ _ _ [A] _ _
Now as we get into measure [G] six. _
_ _ _ _ _ _ _ _
[C] _ _ _ _ _ _ _ _
_ [D] _ _ _ [G] _ _ _ _
_ _ _ [Am] _ _ _ [G] _ _
[C] _ _ _ [G] _ _ _ _ _
_ _ _ _ _ _ _ [C] _
_ _ _ _ _ _ _ _
[G] _ _ _ [N] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [A] _ _ [B] _ _
[C] _ _ _ _ _ _ _ _
_ [G] _ _ _ _ _ _ _
_ _ _ _ _ _ [A] _ _
[Am] _ _ _ _ [D] _ _ [A] _ _
_ [G] _ _ _ _ _ _ _
_ [F#] _ _ [C] _ _ _ _ _
_ _ _ _ [G] _ _ _ _
_ _ _ [C] _ _ _ _ _
_ _ [G] _ _ [F#] _ _ [G] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [D] _
_ _ _ _ _ [A] _ _ _
[Am] _ _ _ [G] _ _ _ [D] _ _
[Em] _ _ _ _ _ [A] _ _ _
[Em] _ _ _ [D] _ _ _ [A] _ _
_ [G] _ _ _ _ _ _ _
_ _ _ [C] _ _ _ _ _
_ _ _ _ [G] _ _ _ _
_ _ _ _ [C] _ _ _ _
_ [G] _ _ _ [F#] _ _ _ _
_ _ _ _ [C] _ _ [G] _ _
_ _ _ _ _ _ _ _
_ [C] _ _ _ _ _ _ _
_ _ _ [G] _ _ _ _ _
_ _ _ _ _ [Am] _ _ [G] _
_ _ [C] _ _ [E] _ _ [G] _ _
_ _ _ _ _ _ _ _
[C] _ _ _ _ _ _ _ _
_ [A] _ _ _ _ _ _ _
_ [F#] _ _ [G] _ _ _ _ _
_ _ _ _ [D] _ _ _ _
_ _ _ [Am] _ _ _ [G] _ _
_ _ _ _ _ _ _ [C] _
_ _ _ _ [G] _ _ [D] _ _
[G] _ [Am] _ _ [G] _ _ _ [C] _ _
[G] _ _ _ _ _ _ _ _
_ _ _ _ [C] _ _ _ _
_ _ _ _ _ [G] _ _ _
_ [A] _ _ _ _ _ [G] _ _
[Em] _ _ _ [G] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ Howdy, [D] welcome to _ BanjoBenClark _ .com, your home for learning how to play banjo, mandolin, _ _
and guitar.
Normally we flat pick guitar.
This [G] week we're getting rid of the flat pick.
We're using the fingers that God gave us to do a finger style arrangement _ [F#] to a couple
_ _ classic hymns.
I love these hymns.
What inspired me to do these this week was my wife's grandma, _ _ who I love like my own,
_ _ passed away last week, which [E] is sad.
She was a great, great woman who inspired me greatly.
_ But the most important thing was it's not over with.
She's with the Lord [G] Jesus because she knew him as Savior.
_ _ _ The truths that these hymns talk about I hold so near and dear [E] to my heart.
I just want to share with you that through song _ _ this week.
This is a huge lesson.
We're going [G] to not only learn how to play it, but I want to talk to you about how I
come up with these arrangements.
Whenever I think finger style guitar in this particular style, _ _ I have three different components
I'm thinking about.
Melody, _ I'm thinking about bass notes and taking us to different chords, and I'm thinking
about harmony notes.
So we'll look at each one of those individually [F#] as we walk through this.
If you're watching on [E] Facebook or YouTube, here in a moment I'll ask you to come over
to the website.
You can join as a GoPick member and have access [F#] to hundreds of videos and tabs.
This is about a 40-minute video lesson.
Of course I have the tab exactly as I performed it, but I also have some _ MP3s where I play
it very _ slowly.
You can download those, follow along with me, and you can learn [Am] to play this one.
I promise you can.
Let's jump into the first measure of Tis the Sweet to Trust in Jesus.
_ Let's learn these beautiful hymns with finger [F#] style guitar.
_ Let's lay a little bit of a [F] foundation _ _ as we approach [Em] these.
As we throw out the first line of tab there, _ you'll notice a couple things.
One is there's some notes with red circles around them.
What [Gm] in the world are those?
Well, those are melody notes.
So as we play through this arrangement, so I don't have to keep saying it, we're going
to _ accentuate those [D] melody notes.
We're going to try to make those be in the forefront and have the other notes _ _ _ just _ support them. _
As well, you'll notice beneath each one of the notes I have those little [G] numbers _ in the
circles or a letter.
Those are our pickhand indications.
So T would stand for thumb, and boy is our thumb going to be busy, particularly as we
go [A#] to [Em] _ what a friend we have in Jesus.
_ Then [G] one would stand for index, two would stand for middle.
_ Those are the only three fingers I'm using.
I'm [G] bringing my banjo _ _ method, my banjo style over to finger style guitar.
So [E] I'm going to plant also that pinky for me.
It might be your ring finger for you.
_ I'm going to plant [G] that and that's going to give me a little bit more strength as I pinch these _ strings.
It also gives me a little [D] reference to where I'm at on the guitar.
_ Now one other thing I want to mention before we dive into this is that whenever I create
[G] finger style [G#] guitar arrangements, there's really three parts that I'm creating.
The first and foremost that I'm worried about is the melody.
How do I present that melody?
So often I'll just think of that before I do any of the other notes.
The second one is going to be _ the bass notes.
What chords do I want to use and how do I want those chords to move between _ one another
and lead to the next chord?
And then the third part that I think about are the harmony notes that are going to accompany
_ the melody.
So those are the three parts that are always going as I'm playing and we can see those
displayed _ even in the first measure.
So I want you to place your ring finger on the third fret of the low G string.
That's going to provide that bass note for the G chord that we're on.
And then of course we have our melody note happening at the same time on the second string.
So as we play those two together, _ _ we want to bring out that melody note.
We don't want real heavy bass _ _ _ _ overpowering that.
_ _ _ And then we've got a couple harmony notes here that I'm going to jump up and play _ that
are harmony notes of the G chord.
And then I've got a melody note _ on the second fret of the G string that I'm going to reach
up [Am] and play that I want to try to bring out.
All [G] the while leaving my bass note down. _ _ _ _
_ _ [E] _ _ [G] _ _ _ _
_ _ [E] _ _ _ _ _ _
_ Sounds really pretty, [B] doesn't it?
It's simple but [G] it's pretty.
_ _ _ Then measure two, I'm going to pinch again. _
Then I'm going to start walking up my bass note.
[A] _ _ _ [Bm] _ _ _ Pay attention [G] to what the thumb [A] does.
[B] You know that's another tip that I'll give [A] you, especially as we get into What a Friend
We Have in Jesus.
You may [F#] just want to go through and learn just the thumb parts and just get that on _
[G] autopilot.
Because the thumb is operating separately _ _ from our melody and harmony notes.
But it's [Am] going to walk up and then whenever we [Gm] _ arrive on that second fret, we're also
going to play the fourth fret of [F#] the fourth string, _ the F sharp note.
And we're going to do a brush. Okay?
_ _ So that means I'm going to play both of those strings with my thumb.
_ [B] And I'm going to use the side of my thumb to get it really smooth.
And it's okay if there's a little space between the notes.
_ They don't have to be right together. _ _ _
_ _ _ _ So [G] measures one and two.
_ _ _ _ _ [E] _ _
[G] _ [Am] _ _ [B] _ _ _ _
[Em] Then I go to a C chord in measure three.
But we're going to leave off [B] the middle finger.
We're going to brush [C] through those two strings. _ _
And then hammer _ [D] to the second fret.
[C] _ _ _ _ _ _ _
That's a half note.
One, two, _ three, four.
Then [G] leave those down for measure four.
_ [C] Pinch. _ _ _
[G] _ _ _ _ [C] _ _ _ _
[G] _ _ _ _ _ _ _ _
_ _ [A] _ _ So as we get into measure five, _ [C] the melody notes of course are happening on the [G] top. _ _ _ _
_ [A] _ Then we're going to start walking up there on the last beat of measure [Am] five with our thumb.
[D#m] Now I'm going to play it for you measures one through five just so you [E] can hear it.
Keep in mind though, if you're here on the site, I've got an _ mp3 where I play it very,
very slow as well as a [D] video where I play it very [G] slowly. _ _ _ _ _
[E] _ _ [G] _ _ [A] _ _ [B] _ _
_ [C] _ _ _ _ _ _ _
_ _ _ _ _ [G] _ _ _
_ _ _ _ _ _ [A] _ _
Now as we get into measure [G] six. _
_ _ _ _ _ _ _ _
[C] _ _ _ _ _ _ _ _
_ [D] _ _ _ [G] _ _ _ _
_ _ _ [Am] _ _ _ [G] _ _
[C] _ _ _ [G] _ _ _ _ _
_ _ _ _ _ _ _ [C] _
_ _ _ _ _ _ _ _
[G] _ _ _ [N] _ _ _ _ _