Chords for Franz Ferdinand - You're the reason I'm leaving (+lyrics)

Tempo:
79.575 bpm
Chords used:

A

Bm

B

D

F#

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Franz Ferdinand - You're the reason I'm leaving (+lyrics) chords
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[B] [A] [F#] [B] [F#m] [D]
[F#] [A] [E] [Bm] I'm from [A] Granite Wall, [D] nuns are thorns, [A] nuns are all
[Bm] I'm sweet, I'm [D] skinny, has [F#] nothing to say, nothing at all
[Bm] After all, I [A] don't know you [D] and I [A] don't want to
[Bm] You're so off, [D] just like me, but [F#] I don't care
[B] Oh, you're the [A] reason I'm leaving, [B] you're the [A] reason I'm leaving
[Bm] If I'm [A] leaving, we don't stop [B] living, you know I have [A] no idea
[Bm] Oh, do [A] it for years, [Bm] I'd be hanging from a beam behind a [F#] door of nuns
[A] Singing well, [Em] fairly well, [B] fairly well, [F#] fairly well
[A] I'm leaving, [Em] yes I'm leaving [D] all to [Bm] [D]
you
[Bm] [B] You're the [A] reason I'm leaving, [B] you're the [A] reason I'm leaving
[Bm] If I'm [A] leaving, we don't stop [B] living, you know I have no [A] reason you're leaving
[B] You're the [A] reason I'm leaving, [Bm] if [E] I'm leaving, we don't stop [B] living
[A] [D] [C#] [Em] [G]
[C#] [B] [D] [F#]
[A] [Em]
[C#] [B] [D] [F#]
[Bm] As we [A] ride along [C] under an optimistic sun
The radio [D] sings out everybody's [F#] song by round
And [Bm] here I'm [A] fighting, fighting, [D] yes I'm fighting [A] not to cry
And [Bm] that's another [D] reason why I [F#] gotta hate you like I do, [G] like I do, [Bm] like I [F#m] do
[B] You're the [F#m] reason I'm leaving, [B] you're the [F#m] reason I'm leaving
[Bm] If I'm [A] leaving, we don't stop [B] living, you know I have no [A] reason you're leaving
[B] No, I have no [A] reason you're leaving
[Bm] If we're [A] leaving, we don't stop
Key:  
A
1231
Bm
13421112
B
12341112
D
1321
F#
134211112
A
1231
Bm
13421112
B
12341112
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Chords
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To jam and learn Franz Ferdinand - Youre The Reason Im Leaving chords, your primary focus should be mastering these chords sequence: A, Bm, A, B, A, D and A. A good strategy is to initiate at 39 BPM and then accelerate to the track's regular speed of 80 BPM. Align the capo with your vocal depth and chord choice, bearing in mind the song's original key: B Minor.

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[B] _ [A] _ [F#] _ _ [B] _ _ [F#m] _ [D] _
[F#] _ _ [A] _ [E] _ [Bm] I'm from [A] Granite Wall, [D] nuns are thorns, [A] nuns are all
[Bm] I'm sweet, I'm [D] skinny, has [F#] nothing to say, nothing at all
[Bm] After all, I [A] don't know you [D] and I [A] don't want to
[Bm] You're so off, [D] just like me, but [F#] I don't care
[B] Oh, you're the [A] reason I'm leaving, [B] you're the [A] reason I'm leaving
[Bm] If I'm [A] leaving, we don't stop [B] living, you know I have [A] no idea
[Bm] Oh, do [A] it for years, [Bm] I'd be hanging from a beam behind a [F#] door of nuns
[A] Singing well, [Em] fairly well, [B] fairly well, [F#] fairly well
[A] I'm leaving, [Em] yes I'm leaving [D] all to _ [Bm] _ [D]
you
_ [Bm] _ _ [B] You're the [A] reason I'm leaving, [B] you're the [A] reason I'm leaving
[Bm] If I'm [A] leaving, we don't stop [B] living, you know I have no [A] reason you're leaving
[B] You're the [A] reason I'm leaving, [Bm] if [E] I'm leaving, we don't stop [B] living _ _ _
[A] _ _ _ [D] _ [C#] _ [Em] _ _ [G] _
[C#] _ [B] _ _ [D] _ [F#] _ _ _ _
[A] _ _ _ _ _ _ [Em] _ _
[C#] _ [B] _ _ [D] _ [F#] _ _ _ _
[Bm] As we [A] ride along [C] under an optimistic sun
The radio [D] sings out everybody's [F#] song by round
And [Bm] here I'm [A] fighting, fighting, [D] yes I'm fighting [A] not to cry
And [Bm] that's another [D] reason why I [F#] gotta hate you like I do, [G] like I do, _ [Bm] like I [F#m] do _
[B] You're the [F#m] reason I'm leaving, [B] you're the [F#m] reason I'm leaving
[Bm] If I'm [A] leaving, we don't stop [B] living, you know I have no [A] reason you're leaving
[B] No, I have no [A] reason you're leaving
[Bm] If we're [A] leaving, we don't stop

Facts about this song

Among the compositions on the album You Could Have It So Much Better, written by Alex Kapranos, Paul Thomson, Robert Hardy and Nicholas McCarthy, this one shines.

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