Chords for Glorious Day (Passion) Electric Guitar Tutorial w/ Tabs
Tempo:
109.7 bpm
Chords used:
G
D
Bm
Bb
Eb
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
What's up everybody we're doing a quick tutorial on glorious day by passion and featuring Christian Stanfill
It's a great tune a lot of high energy some fun guitar parts
So we'll be looking at
Tones what we'll be doing for the verses and the choruses and then the bridge
And then actually looking at each part for each one of those sections.
So jumping right in on the
Song itself.
The guitar is actually a humbucker guitar, which I don't have any of those.
So
You want something that has a little bit more of a muffled tone [D] more fat and thicker?
But still retains the high end of the of the instrument.
So on my my telly I have the pickup in the
Bridge pickup and then I have my tone rolled down to about six or seven
to try and
reduce some of that high end a little bit that gets
So popular in the bridge pickups on telly's so on the [Bb]
actual verse tone
[N] Very high reverb on my big sky.
I have the decay set at like seven or eight seconds
But I also have my timeline delay set it to a dotted eight for the entire song
But that's going into my big sky to help that decay be even more
Long and even more full than it already is.
Well just the big sky
As for your drives, you don't want something that's like death metal
Don't think something like a boss metal zone or something like that.
You want something that's more overdrive than it is distortion
But still something that's a little bit past the breakup on a normal tube amp
Just to thicken it up and give it some a little bit more sustain
as for the choruses
Bring the reverb down to like a hall setting rather than something like a cloud or
Much shorter decay I should say
to try to try and
Not break it up as much and then on the bridges
The first half of the bridge when it's just the rhythm electric guitar player
doing that chord structure thing
kill the delay completely allow the hall reverb to just kind of thicken it up as much as it possibly can and
Then [Eb] when the drums come back in full out and the bands all back together
Kick on your delay a little bit more and you might want to kick on just a little bit more
Overdrive to play that final lead line going back into the chorus [N] for the last time.
So
[D] Let's jump in
one two
one two three four
verse
[Bm]
pre-chorus
[G] [D]
Verse
[Bm]
pre-chorus
[G]
Oh
[D]
Chorus all in
[D]
[G] [D]
[G]
[Bm]
[G] Easily [D]
verse
[Bm]
Pre -chorus
[G]
[D]
Chorus
[G]
[D]
[G]
[Bm] [G]
easily [D]
bridge bridge
[Bm]
[A]
[G]
[D]
[G]
[G]
[Bm]
[G] Breakdown solo outro
[D]
It's a great tune a lot of high energy some fun guitar parts
So we'll be looking at
Tones what we'll be doing for the verses and the choruses and then the bridge
And then actually looking at each part for each one of those sections.
So jumping right in on the
Song itself.
The guitar is actually a humbucker guitar, which I don't have any of those.
So
You want something that has a little bit more of a muffled tone [D] more fat and thicker?
But still retains the high end of the of the instrument.
So on my my telly I have the pickup in the
Bridge pickup and then I have my tone rolled down to about six or seven
to try and
reduce some of that high end a little bit that gets
So popular in the bridge pickups on telly's so on the [Bb]
actual verse tone
[N] Very high reverb on my big sky.
I have the decay set at like seven or eight seconds
But I also have my timeline delay set it to a dotted eight for the entire song
But that's going into my big sky to help that decay be even more
Long and even more full than it already is.
Well just the big sky
As for your drives, you don't want something that's like death metal
Don't think something like a boss metal zone or something like that.
You want something that's more overdrive than it is distortion
But still something that's a little bit past the breakup on a normal tube amp
Just to thicken it up and give it some a little bit more sustain
as for the choruses
Bring the reverb down to like a hall setting rather than something like a cloud or
Much shorter decay I should say
to try to try and
Not break it up as much and then on the bridges
The first half of the bridge when it's just the rhythm electric guitar player
doing that chord structure thing
kill the delay completely allow the hall reverb to just kind of thicken it up as much as it possibly can and
Then [Eb] when the drums come back in full out and the bands all back together
Kick on your delay a little bit more and you might want to kick on just a little bit more
Overdrive to play that final lead line going back into the chorus [N] for the last time.
So
[D] Let's jump in
one two
one two three four
verse
[Bm]
pre-chorus
[G] [D]
Verse
[Bm]
pre-chorus
[G]
Oh
[D]
Chorus all in
[D]
[G] [D]
[G]
[Bm]
[G] Easily [D]
verse
[Bm]
Pre -chorus
[G]
[D]
Chorus
[G]
[D]
[G]
[Bm] [G]
easily [D]
bridge bridge
[Bm]
[A]
[G]
[D]
[G]
[G]
[Bm]
[G] Breakdown solo outro
[D]
Key:
G
D
Bm
Bb
Eb
G
D
Bm
_ _ What's up everybody we're doing a quick tutorial on glorious day by passion and featuring Christian Stanfill
It's a great tune a lot of high energy some fun guitar parts
So we'll be looking at
Tones what we'll be doing for the verses and the choruses and then the bridge
And then actually looking at each part for each one of those sections.
So jumping right in on the
Song itself.
The guitar is actually a humbucker guitar, which I don't have any of those.
So
You want something that has a little bit more of a muffled tone [D] more fat and thicker?
_ But still retains the high end of the of the instrument.
So on my my telly I have the pickup in the
_ Bridge pickup and then I have my tone rolled down to about six or seven
to try and
reduce some of that high end a little bit that gets
_ So popular in the bridge pickups on telly's so on the [Bb]
actual verse tone
_ _ [N] Very high reverb on my big sky.
I have the decay set at like seven or eight seconds
But I also have my timeline delay set it to a dotted eight for the entire song
But that's going into my big sky to help that decay be even more
Long and even more full than it already is.
Well just the big sky
As for your drives, you don't want something that's like death metal
Don't think something like a boss metal zone or something like that.
You want something that's more overdrive than it is distortion
_ _ But still something that's a little bit past the breakup on a normal tube amp
_ Just to thicken it up and give it some a little bit more sustain
_ as for the choruses
Bring the _ reverb down to like a hall setting rather than something like a cloud or
_ Much shorter decay I should say
to try to try and _
Not break it up as much and then on the bridges
_ The first half of the bridge when it's just the rhythm electric guitar player
doing that chord structure thing
_ kill the delay completely allow the hall reverb to just kind of thicken it up as much as it possibly can and
Then [Eb] when the drums come back in full out and the bands all back together
Kick on your delay a little bit more and you might want to kick on just a little bit more
Overdrive to play that final lead line going back into the chorus [N] for the last time.
So
[D] Let's jump in _ _ _
one two
one two three four _ _ _ _ _ _ _
_ _ _ _ verse _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[Bm] _ _ _ _ _ _ _ _
_ _ _ _ pre-chorus _ _
[G] _ _ _ _ _ _ _ [D] _
_ _ _ _ _ Verse _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[Bm] _ _ _ _ _ _ _ _
_ _ _ pre-chorus
_ [G] _
_ _ _ _ _ Oh
[D] _
_ _ _ _ Chorus _ _ _ _ _ _ _ all in
_ [D] _ _ _ _ _ _ _
[G] _ _ _ _ _ _ _ [D] _
_ _ _ _ _ _ _ _
[G] _ _ _ _ _ _ _ _
[Bm] _ _ _ _ _ _ _ _
[G] _ _ _ _ _ Easily [D] _
_ _ _ _ _ _ _ _
_ _ _ _ verse _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [Bm] _
_ _ _ _ _ Pre _ _ _ _ _ -chorus
_ [G] _
_ _ _ _ _ _ _ [D] _
_ _ _ _ Chorus _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [G] _
_ _ _ _ _ _ _ _
[D] _ _ _ _ _ _ _ _
[G] _ _ _ _ _ _ _ _
[Bm] _ _ _ _ _ _ _ [G] _
_ _ _ easily _ _ [D] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ bridge _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ bridge _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [Bm] _
_ _ _ [A] _ _ _ _ _
_ _ _ [G] _ _ _ _ _
_ _ _ [D] _ _ _ _ _
_ _ _ _ [G] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [G] _ _ _ _ _
_ _ _ [Bm] _ _ _ _ _
_ _ _ [G] Breakdown _ _ _ _ _ _ solo _ _ outro
_ _ [D] _ _ _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
It's a great tune a lot of high energy some fun guitar parts
So we'll be looking at
Tones what we'll be doing for the verses and the choruses and then the bridge
And then actually looking at each part for each one of those sections.
So jumping right in on the
Song itself.
The guitar is actually a humbucker guitar, which I don't have any of those.
So
You want something that has a little bit more of a muffled tone [D] more fat and thicker?
_ But still retains the high end of the of the instrument.
So on my my telly I have the pickup in the
_ Bridge pickup and then I have my tone rolled down to about six or seven
to try and
reduce some of that high end a little bit that gets
_ So popular in the bridge pickups on telly's so on the [Bb]
actual verse tone
_ _ [N] Very high reverb on my big sky.
I have the decay set at like seven or eight seconds
But I also have my timeline delay set it to a dotted eight for the entire song
But that's going into my big sky to help that decay be even more
Long and even more full than it already is.
Well just the big sky
As for your drives, you don't want something that's like death metal
Don't think something like a boss metal zone or something like that.
You want something that's more overdrive than it is distortion
_ _ But still something that's a little bit past the breakup on a normal tube amp
_ Just to thicken it up and give it some a little bit more sustain
_ as for the choruses
Bring the _ reverb down to like a hall setting rather than something like a cloud or
_ Much shorter decay I should say
to try to try and _
Not break it up as much and then on the bridges
_ The first half of the bridge when it's just the rhythm electric guitar player
doing that chord structure thing
_ kill the delay completely allow the hall reverb to just kind of thicken it up as much as it possibly can and
Then [Eb] when the drums come back in full out and the bands all back together
Kick on your delay a little bit more and you might want to kick on just a little bit more
Overdrive to play that final lead line going back into the chorus [N] for the last time.
So
[D] Let's jump in _ _ _
one two
one two three four _ _ _ _ _ _ _
_ _ _ _ verse _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[Bm] _ _ _ _ _ _ _ _
_ _ _ _ pre-chorus _ _
[G] _ _ _ _ _ _ _ [D] _
_ _ _ _ _ Verse _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[Bm] _ _ _ _ _ _ _ _
_ _ _ pre-chorus
_ [G] _
_ _ _ _ _ Oh
[D] _
_ _ _ _ Chorus _ _ _ _ _ _ _ all in
_ [D] _ _ _ _ _ _ _
[G] _ _ _ _ _ _ _ [D] _
_ _ _ _ _ _ _ _
[G] _ _ _ _ _ _ _ _
[Bm] _ _ _ _ _ _ _ _
[G] _ _ _ _ _ Easily [D] _
_ _ _ _ _ _ _ _
_ _ _ _ verse _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [Bm] _
_ _ _ _ _ Pre _ _ _ _ _ -chorus
_ [G] _
_ _ _ _ _ _ _ [D] _
_ _ _ _ Chorus _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [G] _
_ _ _ _ _ _ _ _
[D] _ _ _ _ _ _ _ _
[G] _ _ _ _ _ _ _ _
[Bm] _ _ _ _ _ _ _ [G] _
_ _ _ easily _ _ [D] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ bridge _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ bridge _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [Bm] _
_ _ _ [A] _ _ _ _ _
_ _ _ [G] _ _ _ _ _
_ _ _ [D] _ _ _ _ _
_ _ _ _ [G] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [G] _ _ _ _ _
_ _ _ [Bm] _ _ _ _ _
_ _ _ [G] Breakdown _ _ _ _ _ _ solo _ _ outro
_ _ [D] _ _ _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _