Chords for Haley Reinhart: Call Me

_ [C#] _ [A] Hi.
Hi, Hayley.
How you doing?
[E] Well, [F#] first off, great job last week. Thank [C#] you.
You did [F#m] awesome.
Thanks so much.
I had a blast.
I'm thrilled with [E] where Hayley is [G#] in this competition right now.
She [C#] was a very slow starter.
She didn't [A] come with all of her stuff in every [E] show, but is she charging now?
[F#] She's coming on so strong [C#] these last two weeks.
I feel [F#m] I'm, like, for sure [E] growing as an [G#m] artist.
I don't know how anybody here [A] could say that they're not.
The fast-paced work that we're doing and the [C#] experience of meeting all these producers,
there's [F#m] no way I could [Bm] ever say I'm not growing in a tremendous way.
Let's not waste [C#m] time.
Let's just hit it real quick.
Come on.
Let's do it.
It [Am] is really crazy [A] to think that there's only two of us girls left here.
[Em] You definitely got to work harder, and you got [Am] to fit in [A] the right song.
You got to find that [Em] niche that'll get [Am] you on the comfy side, yeah?
[A#]
[G] I decided to go with [A] Blondie's Call Me, which is [G] also featured in the [A] movie American Gigolo.
[Dm] _
_ [F] _ _ [G] _ _ [A#] _ [A] [Dm] Oh, man.
_ [F] Yeah, [F#] that's the one.
I need to [A] be able to learn how to, because there's, like, a split second for a [D] breath.
Yeah, but it's a shout.
Hi!
You got to hit that note.
Right.
[A] It shows your pipes, and [E] it brings the energy up.
It's hard to do a song by such a stylist as Debbie Harry.
Hayley now has to transform herself, not into Debbie Harry, [A] but into a personality and a [E] character equally as powerful.
[A] Picking the song this [D] week was pretty, you know, [E] difficult, but I think I finally figured it out, [C#m] and I hope you [D] guys really dig it. _
[G#m] _ _ [D] _ _ _ [F] _ [D] _ _
_ [C] _ [D] _ _ _ _ [A#] _ _
_ _ [D] _ _ _ _ [A#] _ _
_ [G] _ _ _ [A] _ [G] I know where [A] you're coming, _ [D] _ _ [F] _ _ [G] _
[A#] any, any time.
[Dm] Call me!
_ [F] _ [G] I'm ready, we [N] can share the world.
[D] Call me.
_ [G] _ [Em] _ _
_ _ _ You speak [Bm] the languages of life.
[Em] _ _ I'm [Bm] already young on me.
Young on [F] me.
_ _ [C] I'm finally gonna share it.
Any [Dm] time, any place, anywhere, [A#] anywhere. _ _
[G] Any time, any place, anywhere, _ [A] _ anywhere.
[Dm] Call me!
_ [F] I'm [G] coming, coming, any, [A#] any time.
[F] Call me!
When [G] you're ready, we can [A#] share the world.
[Dm] Call me!
_ [F] _ _ [G] _ _ [A#] _
_ [D] _ _ [F] _ _ [G] _ _ [A#] _
[Am] _ [Dm] Call me!
_ _ _ _ [N]
Yo, _ _ _ _ _ _ _ _ _ _ _ _ _ _
yo.
_ Yo.
Come on.
Uh, Stephen's yelling at me, come on, baby, come on, come on.
Listen, uh, honest, I didn't love the beginning of it.
At the end, you started kind of getting into the song.
It felt, when it started, very kind of karaoke to me, because, like, I don't know if it was the song choice that didn't really do it for me.
_ It wasn't a singer's song at this point to show what you really have up there and why you should stay in this to win it and the whole thing.
It just wasn't a showcase for your voice for me.
So, I don't know.
Stevie, what do you think, man?
I, you know, um, you know, I agree, but, but, uh, but, but, you know, um, I've always said that when you sing choruses and you nail them in that Just Right song, this song is like a chorus.
The, call me!
It was beautiful.
You sang it heavy, you sang it great.
I love that, that thing you got on is gorgeous, too.
Here's to looking up your old address.
Thank you.
Cheryl?
Yes, I, you know, I love it.
I love it when you start wailing at the end and everything.
If I'm gonna be totally honest, I'm gonna agree more with Randy, except I'm so afraid to say anything about any of the girls because I don't want any of the girls to go home.
I feel like I don't like that.
I really want, we have strong girl singers and I feel they deserve to be here.
Yes, _ _ _ _ _ but it wasn't, it wasn't the best.
After two killer performances like you just gave, baby, you gotta just keep taking it higher and higher and higher.
You're earning your place here.
I said last week you were a contender.
You are.
You're a contender to win.
So let's like, let's keep it at that level.
Think about that when you're, when you're choosing your songs.
Song choice, man.
That's it.
Okay.
I [F#] gotcha.
Song choice.
You gotta stick to the phone numbers and the voting.
It is essential.
So song selection, huh?
Song selection.
It's everything, man.
Everything.
All right, man.
If you want to vote for Hailey, 1-866-IDOL-06.
1-866-436-5706.
[G#] Or you can text [B] the word vote to 5706.
[F#] Also, you can log on to American Idol.com.
Call for toll free from landlines and standard tax rates apply.
Hailey, ladies and gentlemen.
Good luck, baby.
[N] I could see it going either way just because it's one of [B] those that's just a feel good, you [N] know.
It might not have been enough because there's a lot of people doing, you know, big ballads and such.
But, you know, I told them I'd bring it next week and it's all about song choice.
So, gotta bring it.