Chords for Hollies BBC Breakfast show
Tempo:
68.25 bpm
Chords used:
G
C
Am
A
D
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[F] Welcome [Fm] back.
During the 60s and 70s they had more hits than any other British band and that [N] includes the Beatles.
Remarkably, they've never officially broken up or stopped touring.
There are of course the Hollies now, even in 2010 the band's success rolls on.
They recently found out they're to be inducted to the Rock and Roll Hall of Fame.
And they're all here now.
Hello.
Good morning.
What does that mean?
That means you're right up there with the biggest bands ever, aren't you?
Well this year it's ABBA, Genesis, ourselves and in previous years it's pretty much everyone.
But we can't go there for the awards ceremony because we're actually performing at the London Palladium on the 14th of March on the same day.
So Alan Clarke and Graham Nash are going to go and collect them.
Our tour was booked 12 months ago so we only found out like a month ago that we're getting the award.
And the Americans phoned up and said of course we'll need you for three days, blah blah blah.
I said what we do in the Palladium, what we do in Birmingham?
Oh well cancel that.
People have booked, it's all sold out, [G] we can't just move things around.
Customers king.
We're going to have a look back at some of the hits.
And as Sian and I were saying earlier on, so many [A] songs that people may not necessarily [G] know that's yours.
But [C] let's have a look now.
[F] [G]
[C] [G]
[C] [G] [D]
[C] [A]
Sometimes
All I need [E] is the air that I breathe
[A] And to love you
[D] It's all luck
And I felt [B] so high
I'm [G] in love
[A] With you
[D] Blood is rushing, temperature is rising, sweating from my brow
Night, the snake of body fascinates me, I can't [G] look away now
Stop, stop, stop holding [A] it in, give me time to [G] breathe
Stop, stop, stop [A] holding it in, my right hand to [D] leave
[N] There we go, you see.
That was agonised.
Well it's the audience shot that got me there.
[G] We were talking about the number of hits where people, and I'm sure people say this to you all the time.
I didn't realise that was yours and that was yours and that was yours.
You were very diverse.
If someone comes along to Vague gigs who [Cm] possibly, you know, they hadn't wanted to come along [N] to them and said, oh come on you'll enjoy it.
We see them afterwards and say, that's exactly what this is.
I knew all those songs but I'd forgotten they were all yours.
And when we're looking back at that footage there, what's it like?
Sort of knowing that, I mean, obviously you were singing at that time, you were right up there with the Beatles and [Ebm] outsold them.
What's it like looking back at that?
[C] It's sad.
It's just a recent [Abm] realisation that we've actually been through that.
By talking about [Gb] it with my younger friends, they say, oh Bob tell us that story about [F] meeting Hendrix in New [C] York and all that sort of [N] stuff.
I'm thinking, well, it was pretty good.
We lived through some great times, you know.
The best.
Very first Top of the Pops, 1964, all that stuff.
You were on the very first Top of the Pops?
It was done in an old church in Manchester on Dickinson Road.
We were on the first one with the Beatles and the Stones and Dusty.
That was the line-up, wasn't it?
We moved down to London after that, down to Browns Grove.
At the time, they seemed to be saying, you know, Beatles, Liverpool, Hollies, Manchester, although a lot of you are from Lancashire, aren't you, Nelson?
Yeah.
But it was pitching [Eb] you against one another, sort of artificially [G] in a way, wasn't it?
Liverpool versus [Ab] Manchester.
It's funny you say that because when the Beatles moved out of the cavern in Liverpool, we kind [Gm] of took over.
We had a couple of sort of lunchtime sessions [Gb] there and also one [Ab] in the evening.
And in between the two, we'd go to the famous pub opposite called The Bunch of Grapes.
And we used to find the evening sessions were much looser than [Gb] the [Gm] lunchtime ones.
And Peter, I mean, the songs that you've come up with really have stood the test of time, haven't they?
I mean, that's the thing.
Sometimes you can look back at stuff, maybe there are songs you don't think have so well.
All the ones I'm thinking [N] of.
Yeah, Navy's My Brother and Where Did I Breathe, those sort of songs.
I had the same kind of thing when I joined the Hollies in 2005.
It's the same thing.
I didn't realise a lot of the songs just have the great history that's always there.
But the one songs, the great ones that lasted, like Hey, You Ain't Heavy and they've become like anthemic, you know, which is lovely to see.
Yeah, I was going to say, is there a song, Bobby, that when you're singing it, you will really feel like this is the one that you love the most?
Well, Heavy, as Peter said, Heavy is very moving, especially [Ab] for the audience as well.
I think also, for me, when I see the strength of the audience as well that have been following [Eb] the Hollies for all that period of time,
you can never forget those guys because they come in, they're [N] out and support us all on tour.
But Dare That I Breathe, I mean, we virtually can stop, you know, during the choruses, which we do, and they just take over.
They just know it, don't they?
Yeah, yeah.
Sounds better to us.
[F] Can I ask you the impossible question?
Rolling [Eb] Stones or Beatles?
Well, [N] Beatles insofar as they were first, they opened the doors for everyone else.
[Eb] So, yeah, it's got to be the Beatles, [G] really.
But you, Jimmy Savile, said are the [C] group's group.
The group's group, yeah. [Gb] That's
Jim, good old [Fm] Jim, yeah.
Yeah, I mean, it's a nice thing to [G] say, isn't it?
The group's group.
And you did have [Eb] a lot of them in the audience when [N] you did your tour, didn't you?
I was in the group and I used to go and watch the Hollies at my local dance hall.
Did you?
Yeah.
You little boy.
How old were you?
I would have been about 16, 15 or 16, and I actually remember seeing the Hollies in Wellington in Surrey
when Stay was number two in the charts, I think, on that very night.
Call it number one.
Yeah, call it [E] number one.
Yeah, all right, then.
I know you
It was number one.
Instruments are poised.
You are going to play for us in just a second.
Of course.
Just a little bit.
Well, hold on a moment, because we are just going to say that is pretty much it from us for today.
And on tomorrow's show, we've got more Hollywood [G] glamour.
Oscar-nominated Jeff Bridges will be talking about his new film Crazy Heart.
So do join us for that.
Breakfast is back tomorrow at 6 o'clock, [Am] so hope you can join us then.
Have a very good day.
The Hollies are going to play us out.
[Bm] [Am] [Bm]
[Am]
[G]
[C] [G] [Am] [D] Wind and [Em] rain and [Am] shine
That umbrella we employed
My auger, she was [C] mine
Every [B] minute I [Em] would see her
Waiting [C] at the stop
[Am] Sometimes she'd shop
And she [B] would show me [Em] what she bought
[C] All the [B] people [Em] stared
As if we were both [C] quite insane
[Am] Someday my name and [B] hers
Are going to [Em] be the same
[Am] [Bm] [Am] [Bm]
During the 60s and 70s they had more hits than any other British band and that [N] includes the Beatles.
Remarkably, they've never officially broken up or stopped touring.
There are of course the Hollies now, even in 2010 the band's success rolls on.
They recently found out they're to be inducted to the Rock and Roll Hall of Fame.
And they're all here now.
Hello.
Good morning.
What does that mean?
That means you're right up there with the biggest bands ever, aren't you?
Well this year it's ABBA, Genesis, ourselves and in previous years it's pretty much everyone.
But we can't go there for the awards ceremony because we're actually performing at the London Palladium on the 14th of March on the same day.
So Alan Clarke and Graham Nash are going to go and collect them.
Our tour was booked 12 months ago so we only found out like a month ago that we're getting the award.
And the Americans phoned up and said of course we'll need you for three days, blah blah blah.
I said what we do in the Palladium, what we do in Birmingham?
Oh well cancel that.
People have booked, it's all sold out, [G] we can't just move things around.
Customers king.
We're going to have a look back at some of the hits.
And as Sian and I were saying earlier on, so many [A] songs that people may not necessarily [G] know that's yours.
But [C] let's have a look now.
[F] [G]
[C] [G]
[C] [G] [D]
[C] [A]
Sometimes
All I need [E] is the air that I breathe
[A] And to love you
[D] It's all luck
And I felt [B] so high
I'm [G] in love
[A] With you
[D] Blood is rushing, temperature is rising, sweating from my brow
Night, the snake of body fascinates me, I can't [G] look away now
Stop, stop, stop holding [A] it in, give me time to [G] breathe
Stop, stop, stop [A] holding it in, my right hand to [D] leave
[N] There we go, you see.
That was agonised.
Well it's the audience shot that got me there.
[G] We were talking about the number of hits where people, and I'm sure people say this to you all the time.
I didn't realise that was yours and that was yours and that was yours.
You were very diverse.
If someone comes along to Vague gigs who [Cm] possibly, you know, they hadn't wanted to come along [N] to them and said, oh come on you'll enjoy it.
We see them afterwards and say, that's exactly what this is.
I knew all those songs but I'd forgotten they were all yours.
And when we're looking back at that footage there, what's it like?
Sort of knowing that, I mean, obviously you were singing at that time, you were right up there with the Beatles and [Ebm] outsold them.
What's it like looking back at that?
[C] It's sad.
It's just a recent [Abm] realisation that we've actually been through that.
By talking about [Gb] it with my younger friends, they say, oh Bob tell us that story about [F] meeting Hendrix in New [C] York and all that sort of [N] stuff.
I'm thinking, well, it was pretty good.
We lived through some great times, you know.
The best.
Very first Top of the Pops, 1964, all that stuff.
You were on the very first Top of the Pops?
It was done in an old church in Manchester on Dickinson Road.
We were on the first one with the Beatles and the Stones and Dusty.
That was the line-up, wasn't it?
We moved down to London after that, down to Browns Grove.
At the time, they seemed to be saying, you know, Beatles, Liverpool, Hollies, Manchester, although a lot of you are from Lancashire, aren't you, Nelson?
Yeah.
But it was pitching [Eb] you against one another, sort of artificially [G] in a way, wasn't it?
Liverpool versus [Ab] Manchester.
It's funny you say that because when the Beatles moved out of the cavern in Liverpool, we kind [Gm] of took over.
We had a couple of sort of lunchtime sessions [Gb] there and also one [Ab] in the evening.
And in between the two, we'd go to the famous pub opposite called The Bunch of Grapes.
And we used to find the evening sessions were much looser than [Gb] the [Gm] lunchtime ones.
And Peter, I mean, the songs that you've come up with really have stood the test of time, haven't they?
I mean, that's the thing.
Sometimes you can look back at stuff, maybe there are songs you don't think have so well.
All the ones I'm thinking [N] of.
Yeah, Navy's My Brother and Where Did I Breathe, those sort of songs.
I had the same kind of thing when I joined the Hollies in 2005.
It's the same thing.
I didn't realise a lot of the songs just have the great history that's always there.
But the one songs, the great ones that lasted, like Hey, You Ain't Heavy and they've become like anthemic, you know, which is lovely to see.
Yeah, I was going to say, is there a song, Bobby, that when you're singing it, you will really feel like this is the one that you love the most?
Well, Heavy, as Peter said, Heavy is very moving, especially [Ab] for the audience as well.
I think also, for me, when I see the strength of the audience as well that have been following [Eb] the Hollies for all that period of time,
you can never forget those guys because they come in, they're [N] out and support us all on tour.
But Dare That I Breathe, I mean, we virtually can stop, you know, during the choruses, which we do, and they just take over.
They just know it, don't they?
Yeah, yeah.
Sounds better to us.
[F] Can I ask you the impossible question?
Rolling [Eb] Stones or Beatles?
Well, [N] Beatles insofar as they were first, they opened the doors for everyone else.
[Eb] So, yeah, it's got to be the Beatles, [G] really.
But you, Jimmy Savile, said are the [C] group's group.
The group's group, yeah. [Gb] That's
Jim, good old [Fm] Jim, yeah.
Yeah, I mean, it's a nice thing to [G] say, isn't it?
The group's group.
And you did have [Eb] a lot of them in the audience when [N] you did your tour, didn't you?
I was in the group and I used to go and watch the Hollies at my local dance hall.
Did you?
Yeah.
You little boy.
How old were you?
I would have been about 16, 15 or 16, and I actually remember seeing the Hollies in Wellington in Surrey
when Stay was number two in the charts, I think, on that very night.
Call it number one.
Yeah, call it [E] number one.
Yeah, all right, then.
I know you
It was number one.
Instruments are poised.
You are going to play for us in just a second.
Of course.
Just a little bit.
Well, hold on a moment, because we are just going to say that is pretty much it from us for today.
And on tomorrow's show, we've got more Hollywood [G] glamour.
Oscar-nominated Jeff Bridges will be talking about his new film Crazy Heart.
So do join us for that.
Breakfast is back tomorrow at 6 o'clock, [Am] so hope you can join us then.
Have a very good day.
The Hollies are going to play us out.
[Bm] [Am] [Bm]
[Am]
[G]
[C] [G] [Am] [D] Wind and [Em] rain and [Am] shine
That umbrella we employed
My auger, she was [C] mine
Every [B] minute I [Em] would see her
Waiting [C] at the stop
[Am] Sometimes she'd shop
And she [B] would show me [Em] what she bought
[C] All the [B] people [Em] stared
As if we were both [C] quite insane
[Am] Someday my name and [B] hers
Are going to [Em] be the same
[Am] [Bm] [Am] [Bm]
Key:
G
C
Am
A
D
G
C
Am
[F] _ _ _ Welcome [Fm] back.
During the 60s and 70s they had more hits than any other British band and that [N] includes the Beatles.
Remarkably, they've never officially broken up or stopped touring.
There are of course the Hollies now, even in 2010 the band's success rolls on.
They recently found out they're to be inducted to the Rock and Roll Hall of Fame.
And they're all here now.
Hello.
Good morning.
What does that mean?
That means you're right up there with the biggest bands ever, aren't you?
Well this year it's ABBA, Genesis, ourselves and in previous years it's pretty much everyone.
But we can't go there for the awards ceremony because we're actually performing at the London Palladium on the 14th of March on the same day.
So Alan Clarke and Graham Nash are going to go and collect them.
Our tour was booked 12 months ago so we only found out like a month ago that we're getting the award.
And the Americans phoned up and said of course we'll need you for three days, blah blah blah.
I said what we do in the Palladium, what we do in Birmingham?
Oh well cancel that.
People have booked, it's all sold out, [G] we can't just move things around.
Customers king.
We're going to have a look back at some of the hits.
And as Sian and I were saying earlier on, so many [A] songs that people may not necessarily [G] know that's yours.
But [C] let's have a look now.
_ [F] _ [G] _
_ [C] _ _ [G] _ _ _ _ _
[C] _ _ _ _ [G] _ _ _ [D] _
_ _ [C] _ _ _ _ [A] _ _
Sometimes
All I need [E] is the air that I breathe
[A] And to love you
[D] It's all luck
And I felt [B] so high
I'm _ [G] in love
_ [A] With you
_ [D] Blood is rushing, temperature is rising, sweating from my brow
Night, the snake of body fascinates me, I can't [G] look away now
Stop, stop, stop holding [A] it in, give me time to [G] breathe
Stop, stop, stop [A] holding it in, my right hand to [D] leave
[N] There we go, you see.
That was agonised.
Well it's the audience shot that got me there.
[G] We were talking about the number of hits where people, and I'm sure people say this to you all the time.
I didn't realise that was yours and that was yours and that was yours.
You were very diverse.
If someone comes along to Vague gigs who [Cm] possibly, you know, they hadn't wanted to come along [N] to them and said, oh come on you'll enjoy it.
We see them afterwards and say, that's exactly what this is.
I knew all those songs but I'd forgotten they were all yours.
And when we're looking back at that footage there, what's it like?
Sort of knowing that, I mean, obviously you were singing at that time, you were right up there with the Beatles and [Ebm] outsold them.
What's it like looking back at that?
[C] It's sad.
It's just a recent [Abm] _ realisation that we've actually been through that.
By talking about [Gb] it with my younger friends, they say, oh Bob tell us that story about [F] meeting Hendrix in New [C] York and all that sort of [N] stuff.
I'm thinking, well, it was pretty good.
We lived through some great times, you know.
The best.
Very first Top of the Pops, 1964, all that stuff.
You were on the very first Top of the Pops?
It was done in an old church in Manchester on Dickinson Road.
We were on the first one with the Beatles and the Stones and Dusty.
That was the line-up, wasn't it?
We moved down to London after that, down to Browns Grove.
At the time, they seemed to be saying, you know, Beatles, Liverpool, Hollies, Manchester, although a lot of you are from Lancashire, aren't you, Nelson?
Yeah.
But it was pitching [Eb] you against one another, sort of artificially [G] in a way, wasn't it?
Liverpool versus [Ab] Manchester.
It's funny you say that because when the Beatles moved out of the cavern in Liverpool, we kind [Gm] of took over.
We had a couple of sort of lunchtime sessions [Gb] there and also one [Ab] in the evening.
And in between the two, we'd go to the famous pub opposite called The Bunch of Grapes.
And we used to find the evening sessions were much looser than [Gb] the [Gm] lunchtime ones.
And Peter, I mean, the songs that you've come up with really have stood the test of time, haven't they?
I mean, that's the thing.
Sometimes you can look back at stuff, maybe there are songs you don't think have so well.
All the ones I'm thinking [N] of.
Yeah, Navy's My Brother and Where Did I Breathe, those sort of songs.
I had the same kind of thing when I joined the Hollies in 2005.
It's the same thing.
I didn't realise a lot of the songs just have the great history that's always there.
But the one songs, the great ones that lasted, like Hey, You Ain't Heavy and they've become like anthemic, you know, which is lovely to see.
Yeah, I was going to say, is there a song, Bobby, that when you're singing it, you will really feel like this is the one that you love the most?
Well, Heavy, as Peter said, Heavy is very moving, especially [Ab] for the audience as well.
I think also, for me, when I see the strength of the audience as well that have been following [Eb] the Hollies for all that period of time,
you can never forget those guys because they come in, they're [N] out and support us all on tour.
But Dare That I Breathe, I mean, we virtually can stop, you know, during the choruses, which we do, and they just take over.
They just know it, don't they?
Yeah, yeah.
Sounds better to us.
[F] Can I ask you the impossible question?
Rolling [Eb] Stones or Beatles?
_ Well, [N] Beatles insofar as they were first, they opened the doors for everyone else.
[Eb] So, yeah, it's got to be the Beatles, [G] really.
But you, Jimmy Savile, said are the [C] group's group.
The group's group, yeah. [Gb] That's_
Jim, good old [Fm] Jim, yeah.
Yeah, I mean, it's a nice thing to [G] say, isn't it?
The group's group.
And you did have [Eb] a lot of them in the audience when [N] you did your tour, didn't you?
I was in the group and I used to go and watch the Hollies at my local dance hall.
Did you?
Yeah.
You little boy.
How old were you?
I would have been about 16, 15 or 16, and I actually remember seeing the Hollies in Wellington in Surrey
when Stay was number two in the charts, I think, on that very night.
Call it number one.
Yeah, call it [E] number one.
Yeah, all right, then.
I know you_
It was number one.
Instruments are poised.
You are going to play for us in just a second.
Of course.
Just a little bit.
Well, hold on a moment, because we are just going to say that is pretty much it from us for today.
And on tomorrow's show, we've got more Hollywood [G] glamour.
Oscar-nominated Jeff Bridges will be talking about his new film Crazy Heart.
So do join us for that.
Breakfast is back tomorrow at 6 o'clock, [Am] so hope you can join us then.
Have a very good day.
The Hollies are going to play us out.
_ _ [Bm] _ _ [Am] _ _ [Bm] _ _
[Am] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [G] _
[C] _ [G] _ [Am] _ _ [D] Wind and [Em] rain and [Am] shine
That umbrella we employed
My auger, she was [C] mine
Every [B] minute I [Em] would see her
Waiting [C] at the stop
[Am] Sometimes she'd shop
And she [B] would show me [Em] what she bought _
[C] All the [B] people [Em] stared
As if we were both [C] quite insane
[Am] Someday my name and [B] hers
Are going to [Em] be the same _ _
[Am] _ _ [Bm] _ _ [Am] _ _ [Bm] _ _
During the 60s and 70s they had more hits than any other British band and that [N] includes the Beatles.
Remarkably, they've never officially broken up or stopped touring.
There are of course the Hollies now, even in 2010 the band's success rolls on.
They recently found out they're to be inducted to the Rock and Roll Hall of Fame.
And they're all here now.
Hello.
Good morning.
What does that mean?
That means you're right up there with the biggest bands ever, aren't you?
Well this year it's ABBA, Genesis, ourselves and in previous years it's pretty much everyone.
But we can't go there for the awards ceremony because we're actually performing at the London Palladium on the 14th of March on the same day.
So Alan Clarke and Graham Nash are going to go and collect them.
Our tour was booked 12 months ago so we only found out like a month ago that we're getting the award.
And the Americans phoned up and said of course we'll need you for three days, blah blah blah.
I said what we do in the Palladium, what we do in Birmingham?
Oh well cancel that.
People have booked, it's all sold out, [G] we can't just move things around.
Customers king.
We're going to have a look back at some of the hits.
And as Sian and I were saying earlier on, so many [A] songs that people may not necessarily [G] know that's yours.
But [C] let's have a look now.
_ [F] _ [G] _
_ [C] _ _ [G] _ _ _ _ _
[C] _ _ _ _ [G] _ _ _ [D] _
_ _ [C] _ _ _ _ [A] _ _
Sometimes
All I need [E] is the air that I breathe
[A] And to love you
[D] It's all luck
And I felt [B] so high
I'm _ [G] in love
_ [A] With you
_ [D] Blood is rushing, temperature is rising, sweating from my brow
Night, the snake of body fascinates me, I can't [G] look away now
Stop, stop, stop holding [A] it in, give me time to [G] breathe
Stop, stop, stop [A] holding it in, my right hand to [D] leave
[N] There we go, you see.
That was agonised.
Well it's the audience shot that got me there.
[G] We were talking about the number of hits where people, and I'm sure people say this to you all the time.
I didn't realise that was yours and that was yours and that was yours.
You were very diverse.
If someone comes along to Vague gigs who [Cm] possibly, you know, they hadn't wanted to come along [N] to them and said, oh come on you'll enjoy it.
We see them afterwards and say, that's exactly what this is.
I knew all those songs but I'd forgotten they were all yours.
And when we're looking back at that footage there, what's it like?
Sort of knowing that, I mean, obviously you were singing at that time, you were right up there with the Beatles and [Ebm] outsold them.
What's it like looking back at that?
[C] It's sad.
It's just a recent [Abm] _ realisation that we've actually been through that.
By talking about [Gb] it with my younger friends, they say, oh Bob tell us that story about [F] meeting Hendrix in New [C] York and all that sort of [N] stuff.
I'm thinking, well, it was pretty good.
We lived through some great times, you know.
The best.
Very first Top of the Pops, 1964, all that stuff.
You were on the very first Top of the Pops?
It was done in an old church in Manchester on Dickinson Road.
We were on the first one with the Beatles and the Stones and Dusty.
That was the line-up, wasn't it?
We moved down to London after that, down to Browns Grove.
At the time, they seemed to be saying, you know, Beatles, Liverpool, Hollies, Manchester, although a lot of you are from Lancashire, aren't you, Nelson?
Yeah.
But it was pitching [Eb] you against one another, sort of artificially [G] in a way, wasn't it?
Liverpool versus [Ab] Manchester.
It's funny you say that because when the Beatles moved out of the cavern in Liverpool, we kind [Gm] of took over.
We had a couple of sort of lunchtime sessions [Gb] there and also one [Ab] in the evening.
And in between the two, we'd go to the famous pub opposite called The Bunch of Grapes.
And we used to find the evening sessions were much looser than [Gb] the [Gm] lunchtime ones.
And Peter, I mean, the songs that you've come up with really have stood the test of time, haven't they?
I mean, that's the thing.
Sometimes you can look back at stuff, maybe there are songs you don't think have so well.
All the ones I'm thinking [N] of.
Yeah, Navy's My Brother and Where Did I Breathe, those sort of songs.
I had the same kind of thing when I joined the Hollies in 2005.
It's the same thing.
I didn't realise a lot of the songs just have the great history that's always there.
But the one songs, the great ones that lasted, like Hey, You Ain't Heavy and they've become like anthemic, you know, which is lovely to see.
Yeah, I was going to say, is there a song, Bobby, that when you're singing it, you will really feel like this is the one that you love the most?
Well, Heavy, as Peter said, Heavy is very moving, especially [Ab] for the audience as well.
I think also, for me, when I see the strength of the audience as well that have been following [Eb] the Hollies for all that period of time,
you can never forget those guys because they come in, they're [N] out and support us all on tour.
But Dare That I Breathe, I mean, we virtually can stop, you know, during the choruses, which we do, and they just take over.
They just know it, don't they?
Yeah, yeah.
Sounds better to us.
[F] Can I ask you the impossible question?
Rolling [Eb] Stones or Beatles?
_ Well, [N] Beatles insofar as they were first, they opened the doors for everyone else.
[Eb] So, yeah, it's got to be the Beatles, [G] really.
But you, Jimmy Savile, said are the [C] group's group.
The group's group, yeah. [Gb] That's_
Jim, good old [Fm] Jim, yeah.
Yeah, I mean, it's a nice thing to [G] say, isn't it?
The group's group.
And you did have [Eb] a lot of them in the audience when [N] you did your tour, didn't you?
I was in the group and I used to go and watch the Hollies at my local dance hall.
Did you?
Yeah.
You little boy.
How old were you?
I would have been about 16, 15 or 16, and I actually remember seeing the Hollies in Wellington in Surrey
when Stay was number two in the charts, I think, on that very night.
Call it number one.
Yeah, call it [E] number one.
Yeah, all right, then.
I know you_
It was number one.
Instruments are poised.
You are going to play for us in just a second.
Of course.
Just a little bit.
Well, hold on a moment, because we are just going to say that is pretty much it from us for today.
And on tomorrow's show, we've got more Hollywood [G] glamour.
Oscar-nominated Jeff Bridges will be talking about his new film Crazy Heart.
So do join us for that.
Breakfast is back tomorrow at 6 o'clock, [Am] so hope you can join us then.
Have a very good day.
The Hollies are going to play us out.
_ _ [Bm] _ _ [Am] _ _ [Bm] _ _
[Am] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [G] _
[C] _ [G] _ [Am] _ _ [D] Wind and [Em] rain and [Am] shine
That umbrella we employed
My auger, she was [C] mine
Every [B] minute I [Em] would see her
Waiting [C] at the stop
[Am] Sometimes she'd shop
And she [B] would show me [Em] what she bought _
[C] All the [B] people [Em] stared
As if we were both [C] quite insane
[Am] Someday my name and [B] hers
Are going to [Em] be the same _ _
[Am] _ _ [Bm] _ _ [Am] _ _ [Bm] _ _