Chords for Hollywood Fats Style Licks - Juke Joint Jump Breakdown
Tempo:
119.35 bpm
Chords used:
Cm
A
C
Am
Eb
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Am]
Okay, so here we start off with a little pickup and we land right on the 6th of C for the
downbeat of the tune.
And what's cool about this is, you know, we have this real standard [Ab] sort of blues boogie
woogie [C] thing [A]
[Dbm] and we're playing with some jazzier notes that kind of really grab the ear, particularly
when we're landing on them, you know, in very, you know, on the downbeat of the chord.
So we start [Eb] off with, [C]
[Cm] right, so it's just sort of a C major arpeggio, [Ab] but we're landing on
that [Am] 6th, which is the A.
And then we slide in [Cm] here and we have this series of three bends
on the flat 3 and we're kind of bending it only a quarter tone, [Ab] you know.
[Eb] I'm not bending
it all the [A] way up [E] to the major 3rd.
I want the minor 3rd somewhere in between because
it's kind of dirty sounding.
[C] [Cm] [Am]
[G] And then we have this [Am] hammer-on pull-off [Cm] that outlines, you
know, picks up some cool [Fm] jazzy chord tones, the [Am] 9, 6, [Em] to the 5.
[C] And then [Bbm] [Eb] [A]
[Bb] this line that
takes us through the dominant 7 [A] [G] to [Cm] [A]
the [Cm] major 3rd, [A] which is A, of the 4 chord.
So it's a
bit of a long line.
Let me play it through [Eb] for you slowly and we'll look at it one last
time.
[C]
[Cm] [Bbm]
[Cm] [A]
[B] Okay, so that takes [A] us all the way from the 1 to the 4 chord, landing on the major
3rd of the 4 chord, which is A, [Cm] major 3rd of F.
[E] So it's all about targeting chord [A] tones
here.
It's all about landing on the 6 when we begin and weaving in and out.
We're weaving
in, we're [Cm] weaving, we got minor here, minor [A] 3rd, we [G] got some jazzy licks, got [Am] 9, [G] 6, and
then [Bb]
dominant 7, [E] [Bbm] [Eb] and then this hammer-on from the minor 3rd to the major 3rd.
[Cm]
[A] And then we
just [C] walk [A] down into the [Cm] major 3rd of the F.
I just wanted to point something out.
I think
this is a key kind of, this hammer-on pull-off from major 3rd to minor 3rd is a key kind
of sound in this style.
[A] [Fm] So you may just want to play with [Cm] that a minute.
[A] Okay?
[Cm] [A] And then
for the 4 chord, we have this little double stop [Am] [E]
and [Bbm] the tune is moving so quick, we're
back on the 7 of the 1 by the time that lick is over.
So all that [A] is is [D] this, which is
outlining [A] the strong tones of F7, which is A [Eb] and E flat, which is the major 3rd and [A] the
dominant 7.
Little bend.
You don't want to bend too [Ebm] much.
[A] Sound weird.
[Am] [E]
And landing again
on that [C] dominant 7 of C.
And then [Eb] we bring it home [Cm] with, [C] [G] [Eb]
[C] [Cm] [Am] [C] so what we have there is we're
[Dm] playing [Cm] through the [C] 5, 4, 1 changes.
[Cm] [E]
And that first lick is a kind of a quarter step bend
[C] on the E flat to [F] E, which is, [Bbm]
you know, if we're thinking of the G chord, [F] it's kind of
an altered sound.
[G] It's a sharp [F] 5 of G, [Dm] right?
Because in a G9, [Gm] the high E string is the
5 [F] and we're adding the sharp 5, which again is kind of an outside tone.
But it's also
right within the blues box of C, so that's where we're [A] getting it from.
[Cm] [Am] [C]
[Cm] And then for
the 4, [G] [Eb]
[C] [Ab] we're just walking down.
At this point, [Cm] I'm kind of thinking of the blues box.
I'm
not really thinking too much of an F7 chord, although it really does outline an F7 [C] chord
well.
[A]
You know, because [F] here's our F7 arpeggio here and we're just walking down [C] from the
5 [Gm]
to the [A] 4 to the 3 [Db] to the 2.
[F]
And then there's the root of F.
[A]
[F] [Cm] [C] And then we're bringing it
back [Eb] home, just minor 3rd of [E] C to major [C] 3rd, root, [Cm] [Am] and tag it again with that.
[Eb] So let me
play through the whole thing slowly so you can follow along.
Here we go.
[C]
[Eb] [C]
[G] [Cm] [A]
[C] [A] [C]
[Cm]
[Am] [C] [Bbm] [Eb] [C]
[Cm] [Am]
In chorus 2, we're going to look at some T-bone style chromatic licks and we're also going
to move up to a higher
Okay, so here we start off with a little pickup and we land right on the 6th of C for the
downbeat of the tune.
And what's cool about this is, you know, we have this real standard [Ab] sort of blues boogie
woogie [C] thing [A]
[Dbm] and we're playing with some jazzier notes that kind of really grab the ear, particularly
when we're landing on them, you know, in very, you know, on the downbeat of the chord.
So we start [Eb] off with, [C]
[Cm] right, so it's just sort of a C major arpeggio, [Ab] but we're landing on
that [Am] 6th, which is the A.
And then we slide in [Cm] here and we have this series of three bends
on the flat 3 and we're kind of bending it only a quarter tone, [Ab] you know.
[Eb] I'm not bending
it all the [A] way up [E] to the major 3rd.
I want the minor 3rd somewhere in between because
it's kind of dirty sounding.
[C] [Cm] [Am]
[G] And then we have this [Am] hammer-on pull-off [Cm] that outlines, you
know, picks up some cool [Fm] jazzy chord tones, the [Am] 9, 6, [Em] to the 5.
[C] And then [Bbm] [Eb] [A]
[Bb] this line that
takes us through the dominant 7 [A] [G] to [Cm] [A]
the [Cm] major 3rd, [A] which is A, of the 4 chord.
So it's a
bit of a long line.
Let me play it through [Eb] for you slowly and we'll look at it one last
time.
[C]
[Cm] [Bbm]
[Cm] [A]
[B] Okay, so that takes [A] us all the way from the 1 to the 4 chord, landing on the major
3rd of the 4 chord, which is A, [Cm] major 3rd of F.
[E] So it's all about targeting chord [A] tones
here.
It's all about landing on the 6 when we begin and weaving in and out.
We're weaving
in, we're [Cm] weaving, we got minor here, minor [A] 3rd, we [G] got some jazzy licks, got [Am] 9, [G] 6, and
then [Bb]
dominant 7, [E] [Bbm] [Eb] and then this hammer-on from the minor 3rd to the major 3rd.
[Cm]
[A] And then we
just [C] walk [A] down into the [Cm] major 3rd of the F.
I just wanted to point something out.
I think
this is a key kind of, this hammer-on pull-off from major 3rd to minor 3rd is a key kind
of sound in this style.
[A] [Fm] So you may just want to play with [Cm] that a minute.
[A] Okay?
[Cm] [A] And then
for the 4 chord, we have this little double stop [Am] [E]
and [Bbm] the tune is moving so quick, we're
back on the 7 of the 1 by the time that lick is over.
So all that [A] is is [D] this, which is
outlining [A] the strong tones of F7, which is A [Eb] and E flat, which is the major 3rd and [A] the
dominant 7.
Little bend.
You don't want to bend too [Ebm] much.
[A] Sound weird.
[Am] [E]
And landing again
on that [C] dominant 7 of C.
And then [Eb] we bring it home [Cm] with, [C] [G] [Eb]
[C] [Cm] [Am] [C] so what we have there is we're
[Dm] playing [Cm] through the [C] 5, 4, 1 changes.
[Cm] [E]
And that first lick is a kind of a quarter step bend
[C] on the E flat to [F] E, which is, [Bbm]
you know, if we're thinking of the G chord, [F] it's kind of
an altered sound.
[G] It's a sharp [F] 5 of G, [Dm] right?
Because in a G9, [Gm] the high E string is the
5 [F] and we're adding the sharp 5, which again is kind of an outside tone.
But it's also
right within the blues box of C, so that's where we're [A] getting it from.
[Cm] [Am] [C]
[Cm] And then for
the 4, [G] [Eb]
[C] [Ab] we're just walking down.
At this point, [Cm] I'm kind of thinking of the blues box.
I'm
not really thinking too much of an F7 chord, although it really does outline an F7 [C] chord
well.
[A]
You know, because [F] here's our F7 arpeggio here and we're just walking down [C] from the
5 [Gm]
to the [A] 4 to the 3 [Db] to the 2.
[F]
And then there's the root of F.
[A]
[F] [Cm] [C] And then we're bringing it
back [Eb] home, just minor 3rd of [E] C to major [C] 3rd, root, [Cm] [Am] and tag it again with that.
[Eb] So let me
play through the whole thing slowly so you can follow along.
Here we go.
[C]
[Eb] [C]
[G] [Cm] [A]
[C] [A] [C]
[Cm]
[Am] [C] [Bbm] [Eb] [C]
[Cm] [Am]
In chorus 2, we're going to look at some T-bone style chromatic licks and we're also going
to move up to a higher
Key:
Cm
A
C
Am
Eb
Cm
A
C
[Am] _ _ _ _ _ _ _ _
_ _ _ Okay, so here we start off _ with a little pickup and we land right on the 6th of C for the
downbeat of the tune.
_ And what's cool about this is, you know, we have this real standard [Ab] sort of blues boogie
woogie [C] thing _ [A] _ _
_ [Dbm] _ and we're playing with some jazzier notes that kind of really grab the ear, particularly
when we're landing on them, you know, in very, you know, on the downbeat of _ the chord.
So we start [Eb] off with, [C] _
[Cm] _ right, so it's just sort of a C major _ arpeggio, _ [Ab] but we're landing on
that [Am] 6th, which is the A.
_ And then we slide in [Cm] here and we have this series of three bends
on the flat 3 and we're kind of bending it only a quarter tone, _ _ _ [Ab] you know.
[Eb] I'm not bending
it all the [A] way up _ [E] to the major 3rd.
I want the minor 3rd somewhere in between because
it's kind of dirty sounding.
[C] _ _ _ _ [Cm] _ _ [Am] _ _
[G] _ And then we have this [Am] hammer-on pull-off _ [Cm] _ that outlines, you
know, picks up some cool [Fm] jazzy chord tones, the [Am] 9, _ 6, [Em] to the 5.
[C] And then _ [Bbm] _ _ [Eb] _ _ [A] _ _ _
[Bb] this line that
takes us _ through the dominant 7 [A] [G] to [Cm] _ _ [A] _
the [Cm] major 3rd, [A] _ which is A, of the 4 chord.
So it's a
bit of a long line.
Let me play it through [Eb] for you slowly _ and we'll _ _ look at it one last
time.
[C] _ _ _ _ _
_ [Cm] _ _ _ _ _ _ [Bbm] _
_ _ [Cm] _ _ [A] _ _ _ _
[B] Okay, so that takes [A] us all the way from the 1 to the 4 chord, landing _ on the major
3rd of the 4 chord, which is A, [Cm] _ major 3rd of F.
[E] So it's all about targeting chord [A] tones
here.
It's all about landing on the 6 when we begin _ and weaving in and out.
We're weaving
in, we're [Cm] weaving, _ we got minor here, minor [A] 3rd, we [G] got some jazzy licks, got [Am] 9, _ [G] 6, and
then [Bb] _
dominant 7, [E] _ [Bbm] _ _ [Eb] _ and then this hammer-on from the minor 3rd to the major 3rd.
[Cm] _
[A] _ _ And then we
just [C] walk [A] down into the [Cm] major 3rd of the F.
_ _ I just wanted to point something out.
I think
this _ _ is a key kind of, this hammer-on pull-off from major 3rd to minor 3rd is a key kind
of sound in this style.
_ _ [A] _ _ [Fm] So you may just want to play with [Cm] that a minute. _ _ _ _ _ _
_ _ _ [A] _ _ Okay? _
[Cm] _ _ [A] And then
for the 4 chord, we have this little double stop _ [Am] _ _ [E] _ _ _
_ and [Bbm] the tune is moving so quick, we're
back _ _ on the 7 of the 1 by the time that lick is over.
So all that [A] is is _ _ _ _ [D] this, which is
outlining [A] the strong tones of F7, which is A [Eb] and E flat, which is the major 3rd and [A] the
dominant 7. _ _ _
Little bend.
_ You don't want to bend too [Ebm] much.
[A] Sound weird.
_ _ _ [Am] _ _ _ [E] _ _
_ And landing again
on that [C] dominant 7 of C.
_ And then [Eb] we bring it home [Cm] with, _ _ [C] _ _ [G] _ _ [Eb] _
[C] _ _ [Cm] _ [Am] _ _ _ [C] so what we have there is we're
[Dm] playing _ [Cm] through the [C] 5, 4, 1 changes.
[Cm] _ _ [E] _ _
And that first lick _ is _ a kind of a quarter step bend
[C] on the E flat to [F] E, which is, [Bbm]
you know, if we're thinking of the G chord, [F] it's kind of
an altered sound.
[G] _ _ It's a sharp [F] 5 of G, [Dm] right?
Because in a G9, _ [Gm] the high E string is the
5 [F] and we're adding the sharp 5, which again is kind of an outside _ tone.
But it's also
right within the blues box of C, so _ _ that's where we're [A] getting it from.
[Cm] _ _ _ [Am] _ _ [C] _ _
[Cm] And then for
the 4, [G] _ _ _ [Eb] _
[C] [Ab] we're just walking down.
At this point, [Cm] I'm kind of thinking of _ the blues box.
I'm
not really thinking too much of an F7 chord, although it really does outline an F7 [C] chord
well.
[A] _ _ _
You know, because [F] here's our _ F7 arpeggio here _ and we're just walking down [C] from the
5 [Gm]
to the [A] 4 to the 3 [Db] to the 2.
[F]
And then there's the root of F.
_ _ _ [A] _
[F] _ [Cm] _ [C] _ And then we're bringing it
back [Eb] home, just minor 3rd of [E] C to major [C] 3rd, root, [Cm] _ [Am] _ _ and tag it again with that.
[Eb] So let me
play through the whole thing slowly so you can follow along.
Here we go.
_ [C] _ _ _ _
_ _ _ [Eb] _ _ _ [C] _ _
_ [G] _ _ _ [Cm] _ _ _ [A] _
_ _ _ _ _ [C] _ [A] _ [C] _
_ _ _ _ _ _ [Cm] _ _
[Am] _ _ [C] _ [Bbm] _ _ [Eb] _ [C] _ _
[Cm] _ [Am] _ _ _ _ _ _
In chorus 2, we're going to look at some T-bone style chromatic licks and we're also going
to move up to a higher
_ _ _ Okay, so here we start off _ with a little pickup and we land right on the 6th of C for the
downbeat of the tune.
_ And what's cool about this is, you know, we have this real standard [Ab] sort of blues boogie
woogie [C] thing _ [A] _ _
_ [Dbm] _ and we're playing with some jazzier notes that kind of really grab the ear, particularly
when we're landing on them, you know, in very, you know, on the downbeat of _ the chord.
So we start [Eb] off with, [C] _
[Cm] _ right, so it's just sort of a C major _ arpeggio, _ [Ab] but we're landing on
that [Am] 6th, which is the A.
_ And then we slide in [Cm] here and we have this series of three bends
on the flat 3 and we're kind of bending it only a quarter tone, _ _ _ [Ab] you know.
[Eb] I'm not bending
it all the [A] way up _ [E] to the major 3rd.
I want the minor 3rd somewhere in between because
it's kind of dirty sounding.
[C] _ _ _ _ [Cm] _ _ [Am] _ _
[G] _ And then we have this [Am] hammer-on pull-off _ [Cm] _ that outlines, you
know, picks up some cool [Fm] jazzy chord tones, the [Am] 9, _ 6, [Em] to the 5.
[C] And then _ [Bbm] _ _ [Eb] _ _ [A] _ _ _
[Bb] this line that
takes us _ through the dominant 7 [A] [G] to [Cm] _ _ [A] _
the [Cm] major 3rd, [A] _ which is A, of the 4 chord.
So it's a
bit of a long line.
Let me play it through [Eb] for you slowly _ and we'll _ _ look at it one last
time.
[C] _ _ _ _ _
_ [Cm] _ _ _ _ _ _ [Bbm] _
_ _ [Cm] _ _ [A] _ _ _ _
[B] Okay, so that takes [A] us all the way from the 1 to the 4 chord, landing _ on the major
3rd of the 4 chord, which is A, [Cm] _ major 3rd of F.
[E] So it's all about targeting chord [A] tones
here.
It's all about landing on the 6 when we begin _ and weaving in and out.
We're weaving
in, we're [Cm] weaving, _ we got minor here, minor [A] 3rd, we [G] got some jazzy licks, got [Am] 9, _ [G] 6, and
then [Bb] _
dominant 7, [E] _ [Bbm] _ _ [Eb] _ and then this hammer-on from the minor 3rd to the major 3rd.
[Cm] _
[A] _ _ And then we
just [C] walk [A] down into the [Cm] major 3rd of the F.
_ _ I just wanted to point something out.
I think
this _ _ is a key kind of, this hammer-on pull-off from major 3rd to minor 3rd is a key kind
of sound in this style.
_ _ [A] _ _ [Fm] So you may just want to play with [Cm] that a minute. _ _ _ _ _ _
_ _ _ [A] _ _ Okay? _
[Cm] _ _ [A] And then
for the 4 chord, we have this little double stop _ [Am] _ _ [E] _ _ _
_ and [Bbm] the tune is moving so quick, we're
back _ _ on the 7 of the 1 by the time that lick is over.
So all that [A] is is _ _ _ _ [D] this, which is
outlining [A] the strong tones of F7, which is A [Eb] and E flat, which is the major 3rd and [A] the
dominant 7. _ _ _
Little bend.
_ You don't want to bend too [Ebm] much.
[A] Sound weird.
_ _ _ [Am] _ _ _ [E] _ _
_ And landing again
on that [C] dominant 7 of C.
_ And then [Eb] we bring it home [Cm] with, _ _ [C] _ _ [G] _ _ [Eb] _
[C] _ _ [Cm] _ [Am] _ _ _ [C] so what we have there is we're
[Dm] playing _ [Cm] through the [C] 5, 4, 1 changes.
[Cm] _ _ [E] _ _
And that first lick _ is _ a kind of a quarter step bend
[C] on the E flat to [F] E, which is, [Bbm]
you know, if we're thinking of the G chord, [F] it's kind of
an altered sound.
[G] _ _ It's a sharp [F] 5 of G, [Dm] right?
Because in a G9, _ [Gm] the high E string is the
5 [F] and we're adding the sharp 5, which again is kind of an outside _ tone.
But it's also
right within the blues box of C, so _ _ that's where we're [A] getting it from.
[Cm] _ _ _ [Am] _ _ [C] _ _
[Cm] And then for
the 4, [G] _ _ _ [Eb] _
[C] [Ab] we're just walking down.
At this point, [Cm] I'm kind of thinking of _ the blues box.
I'm
not really thinking too much of an F7 chord, although it really does outline an F7 [C] chord
well.
[A] _ _ _
You know, because [F] here's our _ F7 arpeggio here _ and we're just walking down [C] from the
5 [Gm]
to the [A] 4 to the 3 [Db] to the 2.
[F]
And then there's the root of F.
_ _ _ [A] _
[F] _ [Cm] _ [C] _ And then we're bringing it
back [Eb] home, just minor 3rd of [E] C to major [C] 3rd, root, [Cm] _ [Am] _ _ and tag it again with that.
[Eb] So let me
play through the whole thing slowly so you can follow along.
Here we go.
_ [C] _ _ _ _
_ _ _ [Eb] _ _ _ [C] _ _
_ [G] _ _ _ [Cm] _ _ _ [A] _
_ _ _ _ _ [C] _ [A] _ [C] _
_ _ _ _ _ _ [Cm] _ _
[Am] _ _ [C] _ [Bbm] _ _ [Eb] _ [C] _ _
[Cm] _ [Am] _ _ _ _ _ _
In chorus 2, we're going to look at some T-bone style chromatic licks and we're also going
to move up to a higher