Chords for how to play 'Albatross on acoustic guitar
Tempo:
96.7 bpm
Chords used:
E
F#
Em
B
C#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[G#] Hi, this is Fleetwood [E] Mac's Albatross on [A] acoustic guitar
With some easy [E] chord shapes.
First of all, I'm starting [G] off with a half G chord
Placing my first finger behind the [E] bottom three strings just behind the third fret and then my middle finger is in front of
The index finger on the third string fourth fret
So I'm getting this
half G sound.
Notice that the capo is [Em] upside down [Fm] and I've just [E] put it on as far as the
Fifth string which is the A string thus leaving the top string free
So you get this nice droning sound throughout your chord progressions.
So we [B] start off with the open A string
[A] We [E] pick it up on the top string
[C#m] [F#] [E]
[F#] [F#] [E]
[F#] [E]
[Em] [E]
You'll [G#] notice a lot of the time what [E] I'm doing is I'm playing the top string open
With this kind of rhythm one and two and three and four
[G#] I'll [G] start off with the open A string which is the fifth [B] string and that gives us the kind of springboard to start the chord
[Em] Transition from third fret
[E] To the second fret.
Notice the [C] second fret is just a D major seventh [Em] chord
Basically one finger barring the bottom three strings
[E] But if you practice that little progression G
down to the D major 7
Also notice that it is a little bit [G#m] earlier on the [E] beat when you go to the second chord, so [A] it's not
[E] it's
Practice maybe just playing the top string open
While you do the chord changes it might make more sense
So
[G#] again, as I said, it starts with the [B] open A string
[E] and back between frets three and two
[A] Now the next bit is [B] an E minor type of [C#m] chord
And [F#]
[E] all the time when you're playing these little [C] note fills
You're trying to get [Gm] back to the top [E] string as soon as you can
To keep that bass string [G] moving and to keep the sound [C] continuous.
[E] So back to the E minor shape for the second [B] section
[C#m] Now [F#] [E] [F#]
[E] [F#] [E] you [G] notice I'm doing a lot of hammer-ons there.
[C#m] So I'm playing [B] the open A string
Hammering down on the second fret
[Em] So I'm [B] playing it once open and then hammering down
[C#] [Em]
Open fourth string [C#] and then back to the second fret fifth [E] string.
So if you just practice [B] that very slowly
[Em] Play it once open hammer down
[B] [C#] [E]
[C#] [F#] [G#] Now slide [E] to the fourth fret fourth string and back down to the second fret fourth string [F#m] again
Getting [C] that nice E minor sound [Em] there with the open E string in the [F#m] background
[C#] If [G#] you try and keep the E minor shape [E] with middle and third fingers in that order
It's [Em] easier to slide up and back and retain your notes [F#] when you return to the E [C] minor chord again.
It's just easier [C#] for changing
I'm [B] [E]
[F#] [E] not using a [G] plectrum by the way.
I'm just using the the back of my index nail
So I'm clenching my
Thumb and index finger together as if I'm holding a plectrum because I've lost so many of them over the years
I've given up buying them.
So now I'm holding what I call the [A#] ghost pick, [G#m] which is literally like [F#m] you're holding a [B] pick
[C#m] Now [F#] [E]
[Bm] there is [A#] another part of [F#] that riff that goes
[E]
[F#] [C#] [B] [G#m] That's gonna move across the fourth to the third strings from 2 [F#] 4 [G#m] and [C#m]
[F#] then [G] you return to base again
[Em]
[F#] Pick [E] up the top string
And then we [C#] slide right up [E] here
Now [F#m] [E]
[F#m]
[Em] [F#m] [E]
[F#m]
[E]
[G#m] [Em] we'll get to that bit later on [E] but just for now keep practicing and alternating your bass strings between a and e
Whilst practicing the first section there between small G and the D major 7 chord.
Have fun with the albatross
I hope it takes off for you and come back again
[G#] And we'll see how we get on if you want me to continue [E] a little bit more of a tutorial on the second section
Up here, please.
Let me know and I'll be glad to do so.
[Gm] Alright, have fun with the albatross
With some easy [E] chord shapes.
First of all, I'm starting [G] off with a half G chord
Placing my first finger behind the [E] bottom three strings just behind the third fret and then my middle finger is in front of
The index finger on the third string fourth fret
So I'm getting this
half G sound.
Notice that the capo is [Em] upside down [Fm] and I've just [E] put it on as far as the
Fifth string which is the A string thus leaving the top string free
So you get this nice droning sound throughout your chord progressions.
So we [B] start off with the open A string
[A] We [E] pick it up on the top string
[C#m] [F#] [E]
[F#] [F#] [E]
[F#] [E]
[Em] [E]
You'll [G#] notice a lot of the time what [E] I'm doing is I'm playing the top string open
With this kind of rhythm one and two and three and four
[G#] I'll [G] start off with the open A string which is the fifth [B] string and that gives us the kind of springboard to start the chord
[Em] Transition from third fret
[E] To the second fret.
Notice the [C] second fret is just a D major seventh [Em] chord
Basically one finger barring the bottom three strings
[E] But if you practice that little progression G
down to the D major 7
Also notice that it is a little bit [G#m] earlier on the [E] beat when you go to the second chord, so [A] it's not
[E] it's
Practice maybe just playing the top string open
While you do the chord changes it might make more sense
So
[G#] again, as I said, it starts with the [B] open A string
[E] and back between frets three and two
[A] Now the next bit is [B] an E minor type of [C#m] chord
And [F#]
[E] all the time when you're playing these little [C] note fills
You're trying to get [Gm] back to the top [E] string as soon as you can
To keep that bass string [G] moving and to keep the sound [C] continuous.
[E] So back to the E minor shape for the second [B] section
[C#m] Now [F#] [E] [F#]
[E] [F#] [E] you [G] notice I'm doing a lot of hammer-ons there.
[C#m] So I'm playing [B] the open A string
Hammering down on the second fret
[Em] So I'm [B] playing it once open and then hammering down
[C#] [Em]
Open fourth string [C#] and then back to the second fret fifth [E] string.
So if you just practice [B] that very slowly
[Em] Play it once open hammer down
[B] [C#] [E]
[C#] [F#] [G#] Now slide [E] to the fourth fret fourth string and back down to the second fret fourth string [F#m] again
Getting [C] that nice E minor sound [Em] there with the open E string in the [F#m] background
[C#] If [G#] you try and keep the E minor shape [E] with middle and third fingers in that order
It's [Em] easier to slide up and back and retain your notes [F#] when you return to the E [C] minor chord again.
It's just easier [C#] for changing
I'm [B] [E]
[F#] [E] not using a [G] plectrum by the way.
I'm just using the the back of my index nail
So I'm clenching my
Thumb and index finger together as if I'm holding a plectrum because I've lost so many of them over the years
I've given up buying them.
So now I'm holding what I call the [A#] ghost pick, [G#m] which is literally like [F#m] you're holding a [B] pick
[C#m] Now [F#] [E]
[Bm] there is [A#] another part of [F#] that riff that goes
[E]
[F#] [C#] [B] [G#m] That's gonna move across the fourth to the third strings from 2 [F#] 4 [G#m] and [C#m]
[F#] then [G] you return to base again
[Em]
[F#] Pick [E] up the top string
And then we [C#] slide right up [E] here
Now [F#m] [E]
[F#m]
[Em] [F#m] [E]
[F#m]
[E]
[G#m] [Em] we'll get to that bit later on [E] but just for now keep practicing and alternating your bass strings between a and e
Whilst practicing the first section there between small G and the D major 7 chord.
Have fun with the albatross
I hope it takes off for you and come back again
[G#] And we'll see how we get on if you want me to continue [E] a little bit more of a tutorial on the second section
Up here, please.
Let me know and I'll be glad to do so.
[Gm] Alright, have fun with the albatross
Key:
E
F#
Em
B
C#
E
F#
Em
_ [G#] Hi, this is Fleetwood [E] Mac's Albatross on [A] acoustic guitar
With some easy [E] chord shapes.
First of all, I'm starting [G] off with a half G chord
Placing my first finger behind the [E] bottom three strings just behind the third fret and then my middle finger is in front of
The index finger on the third string fourth fret
So I'm getting this _
half G sound.
Notice that the capo is [Em] upside down [Fm] and I've just [E] put it on as far as the
Fifth string which is the A string thus leaving the top string free
So you get this nice droning sound throughout your chord progressions.
So we [B] start off with the open A string
[A] We [E] _ pick it up on the top string _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [C#m] _ _ [F#] _ _ [E] _
_ _ [F#] _ [F#] _ _ [E] _ _ _
[F#] _ [E] _ _ _ _ _ _ _
[Em] _ _ _ _ _ [E] _ _ _
You'll _ _ _ _ _ _ _ _ _ _ _ _ _ _
_ _ [G#] notice a lot of the time what [E] I'm doing is I'm playing the top string open
_ With this kind of rhythm one and two and three and four _ _ _ _
_ [G#] _ _ I'll [G] start off with the open A string which is the fifth [B] string and that gives us the kind of springboard to start the chord
_ [Em] Transition from third fret
[E] To the second fret.
Notice the [C] second fret is just a D major seventh [Em] chord
Basically one finger barring the bottom three strings
[E] But if you practice that little progression G _
down to the D major 7
_ Also notice that it is a little bit [G#m] earlier on the [E] beat when you go to the second chord, so [A] it's not
[E] _ _ _ _ it's _
_ Practice maybe just playing the top string open
While you do the chord changes it might make more sense
So _ _
_ _ _ _ _ _ _ _
[G#] again, as I said, it starts with the [B] open A string
[E] and _ _ back between frets three and two _ _ _
[A] Now the next bit is [B] an E minor type of [C#m] chord
And [F#] _ _
[E] all the time when you're playing these little [C] note fills
You're trying to get [Gm] back to the top [E] string as soon as you can
To keep that bass string [G] moving and to keep the sound [C] continuous.
[E] So back to the E minor shape for the second [B] section
[C#m] _ Now [F#] _ _ [E] _ _ _ [F#] _ _ _
[E] _ _ [F#] _ [E] you [G] notice I'm doing a lot of hammer-ons there.
[C#m] _ So I'm playing [B] the open A string
Hammering down on the second fret
[Em] So I'm [B] playing it once open and then hammering down
[C#] _ [Em] _
Open fourth string [C#] and then back to the second fret fifth [E] string.
So if you just practice [B] that very slowly
[Em] Play it once open hammer down
[B] _ [C#] _ [E] _
[C#] _ [F#] _ [G#] Now slide [E] to the fourth fret fourth string and back down to the second fret fourth string [F#m] again
Getting [C] that nice E minor sound [Em] there with the open E string in the [F#m] background
[C#] If _ [G#] you try and keep the E minor shape [E] with middle and third fingers in that order
It's [Em] easier to slide up and back and retain your notes [F#] when you return to the E [C] minor chord again.
It's just easier [C#] for changing
I'm _ [B] _ [E] _ _
_ _ [F#] _ _ _ [E] not using a [G] plectrum by the way.
I'm just using the the back of my index nail
_ So I'm clenching my
Thumb and index finger together as if I'm holding a plectrum because I've lost so many of them over the years
I've given up buying them.
So now I'm holding what I call the [A#] ghost pick, [G#m] which is literally like [F#m] you're holding a [B] pick
[C#m] Now [F#] _ _ [E] _
_ _ [Bm] there is [A#] another part of [F#] that riff that goes
[E] _ _
[F#] _ _ [C#] _ _ [B] _ [G#m] That's gonna move across the fourth to the third strings from 2 [F#] 4 [G#m] and [C#m] _ _
_ [F#] _ _ then [G] you return to base again
[Em]
[F#] Pick [E] _ _ up the top string
And _ _ _ _ _ then we [C#] slide right up [E] here
Now _ _ [F#m] _ [E] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [F#m] _ _ _ _ _ _ _
[Em] _ _ [F#m] _ _ [E] _ _ _ _
_ _ _ _ _ _ _ _
[F#m] _ _ _ _ _ _ _ _
_ _ _ [E] _ _ _ _ _
[G#m] _ [Em] _ _ we'll get to that bit later on [E] but just for now keep practicing and alternating your bass strings between a and e
Whilst practicing the first section there between small G and the D major 7 chord.
Have fun with the albatross
I hope it takes off for you and come back again
[G#] And we'll see how we get on if you want me to continue [E] a little bit more of a tutorial on the second section
Up here, please.
Let me know and _ _ _ _ I'll be glad to do so.
[Gm] Alright, have fun with the albatross _
With some easy [E] chord shapes.
First of all, I'm starting [G] off with a half G chord
Placing my first finger behind the [E] bottom three strings just behind the third fret and then my middle finger is in front of
The index finger on the third string fourth fret
So I'm getting this _
half G sound.
Notice that the capo is [Em] upside down [Fm] and I've just [E] put it on as far as the
Fifth string which is the A string thus leaving the top string free
So you get this nice droning sound throughout your chord progressions.
So we [B] start off with the open A string
[A] We [E] _ pick it up on the top string _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [C#m] _ _ [F#] _ _ [E] _
_ _ [F#] _ [F#] _ _ [E] _ _ _
[F#] _ [E] _ _ _ _ _ _ _
[Em] _ _ _ _ _ [E] _ _ _
You'll _ _ _ _ _ _ _ _ _ _ _ _ _ _
_ _ [G#] notice a lot of the time what [E] I'm doing is I'm playing the top string open
_ With this kind of rhythm one and two and three and four _ _ _ _
_ [G#] _ _ I'll [G] start off with the open A string which is the fifth [B] string and that gives us the kind of springboard to start the chord
_ [Em] Transition from third fret
[E] To the second fret.
Notice the [C] second fret is just a D major seventh [Em] chord
Basically one finger barring the bottom three strings
[E] But if you practice that little progression G _
down to the D major 7
_ Also notice that it is a little bit [G#m] earlier on the [E] beat when you go to the second chord, so [A] it's not
[E] _ _ _ _ it's _
_ Practice maybe just playing the top string open
While you do the chord changes it might make more sense
So _ _
_ _ _ _ _ _ _ _
[G#] again, as I said, it starts with the [B] open A string
[E] and _ _ back between frets three and two _ _ _
[A] Now the next bit is [B] an E minor type of [C#m] chord
And [F#] _ _
[E] all the time when you're playing these little [C] note fills
You're trying to get [Gm] back to the top [E] string as soon as you can
To keep that bass string [G] moving and to keep the sound [C] continuous.
[E] So back to the E minor shape for the second [B] section
[C#m] _ Now [F#] _ _ [E] _ _ _ [F#] _ _ _
[E] _ _ [F#] _ [E] you [G] notice I'm doing a lot of hammer-ons there.
[C#m] _ So I'm playing [B] the open A string
Hammering down on the second fret
[Em] So I'm [B] playing it once open and then hammering down
[C#] _ [Em] _
Open fourth string [C#] and then back to the second fret fifth [E] string.
So if you just practice [B] that very slowly
[Em] Play it once open hammer down
[B] _ [C#] _ [E] _
[C#] _ [F#] _ [G#] Now slide [E] to the fourth fret fourth string and back down to the second fret fourth string [F#m] again
Getting [C] that nice E minor sound [Em] there with the open E string in the [F#m] background
[C#] If _ [G#] you try and keep the E minor shape [E] with middle and third fingers in that order
It's [Em] easier to slide up and back and retain your notes [F#] when you return to the E [C] minor chord again.
It's just easier [C#] for changing
I'm _ [B] _ [E] _ _
_ _ [F#] _ _ _ [E] not using a [G] plectrum by the way.
I'm just using the the back of my index nail
_ So I'm clenching my
Thumb and index finger together as if I'm holding a plectrum because I've lost so many of them over the years
I've given up buying them.
So now I'm holding what I call the [A#] ghost pick, [G#m] which is literally like [F#m] you're holding a [B] pick
[C#m] Now [F#] _ _ [E] _
_ _ [Bm] there is [A#] another part of [F#] that riff that goes
[E] _ _
[F#] _ _ [C#] _ _ [B] _ [G#m] That's gonna move across the fourth to the third strings from 2 [F#] 4 [G#m] and [C#m] _ _
_ [F#] _ _ then [G] you return to base again
[Em]
[F#] Pick [E] _ _ up the top string
And _ _ _ _ _ then we [C#] slide right up [E] here
Now _ _ [F#m] _ [E] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [F#m] _ _ _ _ _ _ _
[Em] _ _ [F#m] _ _ [E] _ _ _ _
_ _ _ _ _ _ _ _
[F#m] _ _ _ _ _ _ _ _
_ _ _ [E] _ _ _ _ _
[G#m] _ [Em] _ _ we'll get to that bit later on [E] but just for now keep practicing and alternating your bass strings between a and e
Whilst practicing the first section there between small G and the D major 7 chord.
Have fun with the albatross
I hope it takes off for you and come back again
[G#] And we'll see how we get on if you want me to continue [E] a little bit more of a tutorial on the second section
Up here, please.
Let me know and _ _ _ _ I'll be glad to do so.
[Gm] Alright, have fun with the albatross _