Chords for How to Play "Sweet Home Chicago" - Blues Guitar Lesson - Bar Room Blues
Tempo:
116.4 bpm
Chords used:
D
A
G
C
E
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[F#m]
[C] [A] [C]
[E] [F#m] [B]
[A] [D#] [C] [D] [Cm] [C] [A]
[G] [F#]
[C] [A]
[G] [C#] [F#]
[A] [E]
[D#] Hi, [N] I'm Red and I'm here today to help you take a look at Sweet Home Chicago, written
by Robert Johnson.
And as legend would have it, Robert Johnson went down to the crossroads and sold his soul
to the devil so he could be a great blues man.
Well I'm here today to tell you you don't have to do that.
You just have to work hard, apply yourself, and submerge yourself into the blues.
Like Jimi Hendrix said, the blues [F#] is easy to play, but it's hard to feel.
And the point is that even though it's a very simple music to play, it's critical to get
the right feeling.
Now what I'm going to do is I'm going to roll through the track, I'm going to demonstrate
two different rhythm options.
This way if you're at a jam session and somebody's playing that standard blues pattern, you'll
have another option to use.
I'll also do some lead and I'll show you a little bit about what I was doing lead wise,
explain to you what I'm doing.
So here we go.
Let's start with the rhythm and then we'll move on to the lead.
[E] [D#] [Am]
[G] [C] [D] [C#]
[Bm] [Em]
[B] [Em] [D] [Am]
[Am] [Bm] [Am] [D] [B]
[Am] [D] [C]
[C] [F] [Bm] [A#m] [Am]
[D] [C] [B] [E]
[A] [Am] [A]
[G] [A] [G] [A]
[G] [D] [D] [G] [D]
[G] [A]
[F#m] [E] [D]
[G] [A] [Am] [A]
Alright, [G] now [C] what I was doing there, on the first time through I was playing 9th chords.
Let me go ahead and zoom in a little bit and get you just a little better view of what
I'm doing here.
Alright, now I was playing 9th chords.
I'm using an A9 and I'm just doing a little rhythmic thing here with my right [Em] side.
[C] [Em]
[C] I was also doing sliding [D] 6ths.
[C#]
I'm doing that on the 2nd and 4th string.
[C]
[E] [D] Now for the 4 chord, [Am] I'm playing a 9th chord right here and I can do sliding 6ths here.
[D]
[C#] Back to the 1 chord.
And then for the [G#] 5 chord, I've got an E9.
[Cm] But if you notice, what I did was I went F9 to E9, [A#] then
[D#] Eb9 to D9 [Am]
[D] [Em] and then I tagged [E] the 5.
Okay, now the other rhythm option is the standard old blues rhythm.
[A]
[G] [A]
[G] [A]
[G] [A] [G] [D]
[G] [D] [G] [D] So [E] we had A, D and then we have an [A] E.
[E] And [A] you'll notice that when I go from the A up to the D
[D]
Notice I used [F] this finger as a guide finger.
And then same thing, when I went up to the E, if you don't have to move your fingers, don't move them.
Don't take them off [B] the fretboard.
Use them as guide fingers.
Okay, now let's do a little bit of lead.
[D] I'm going to be [E] playing
[D] in [A] minor pentatonic, A minor [E] pentatonic, [G#m] A major pentatonic.
[F#m] [E]
[D]
[E] [D]
[C] [F#m] [A]
[D] [C#] [G] [E] [D#] [Am]
[Em] [A] [E]
[C#] [N] Alright.
So basically what I'm doing there is A minor pentatonic [C] 6th string root.
[F#] I'm also
[D] staying in A minor pentatonic.
[G] And
[Em] [Am] [Bm] then I'm in A major pentatonic, back
[C] to minor pentatonic.
You notice how the two, the major pentatonic and the minor pentatonic, [Bm] I'm connecting the two.
[Cm] [Bm]
I [F] walk myself from one pentatonic to the other.
And these are things that you want to do, is try to find ways to connect the scales when you're playing in scales.
But, it's also important to think melodically more than you're thinking scales.
So I hope this helps you to polish up your version of Sweet Home Chicago.
And I'll be bringing you another lesson next week with another song.
[C] [A] [C]
[E] [F#m] [B]
[A] [D#] [C] [D] [Cm] [C] [A]
[G] [F#]
[C] [A]
[G] [C#] [F#]
[A] [E]
[D#] Hi, [N] I'm Red and I'm here today to help you take a look at Sweet Home Chicago, written
by Robert Johnson.
And as legend would have it, Robert Johnson went down to the crossroads and sold his soul
to the devil so he could be a great blues man.
Well I'm here today to tell you you don't have to do that.
You just have to work hard, apply yourself, and submerge yourself into the blues.
Like Jimi Hendrix said, the blues [F#] is easy to play, but it's hard to feel.
And the point is that even though it's a very simple music to play, it's critical to get
the right feeling.
Now what I'm going to do is I'm going to roll through the track, I'm going to demonstrate
two different rhythm options.
This way if you're at a jam session and somebody's playing that standard blues pattern, you'll
have another option to use.
I'll also do some lead and I'll show you a little bit about what I was doing lead wise,
explain to you what I'm doing.
So here we go.
Let's start with the rhythm and then we'll move on to the lead.
[E] [D#] [Am]
[G] [C] [D] [C#]
[Bm] [Em]
[B] [Em] [D] [Am]
[Am] [Bm] [Am] [D] [B]
[Am] [D] [C]
[C] [F] [Bm] [A#m] [Am]
[D] [C] [B] [E]
[A] [Am] [A]
[G] [A] [G] [A]
[G] [D] [D] [G] [D]
[G] [A]
[F#m] [E] [D]
[G] [A] [Am] [A]
Alright, [G] now [C] what I was doing there, on the first time through I was playing 9th chords.
Let me go ahead and zoom in a little bit and get you just a little better view of what
I'm doing here.
Alright, now I was playing 9th chords.
I'm using an A9 and I'm just doing a little rhythmic thing here with my right [Em] side.
[C] [Em]
[C] I was also doing sliding [D] 6ths.
[C#]
I'm doing that on the 2nd and 4th string.
[C]
[E] [D] Now for the 4 chord, [Am] I'm playing a 9th chord right here and I can do sliding 6ths here.
[D]
[C#] Back to the 1 chord.
And then for the [G#] 5 chord, I've got an E9.
[Cm] But if you notice, what I did was I went F9 to E9, [A#] then
[D#] Eb9 to D9 [Am]
[D] [Em] and then I tagged [E] the 5.
Okay, now the other rhythm option is the standard old blues rhythm.
[A]
[G] [A]
[G] [A]
[G] [A] [G] [D]
[G] [D] [G] [D] So [E] we had A, D and then we have an [A] E.
[E] And [A] you'll notice that when I go from the A up to the D
[D]
Notice I used [F] this finger as a guide finger.
And then same thing, when I went up to the E, if you don't have to move your fingers, don't move them.
Don't take them off [B] the fretboard.
Use them as guide fingers.
Okay, now let's do a little bit of lead.
[D] I'm going to be [E] playing
[D] in [A] minor pentatonic, A minor [E] pentatonic, [G#m] A major pentatonic.
[F#m] [E]
[D]
[E] [D]
[C] [F#m] [A]
[D] [C#] [G] [E] [D#] [Am]
[Em] [A] [E]
[C#] [N] Alright.
So basically what I'm doing there is A minor pentatonic [C] 6th string root.
[F#] I'm also
[D] staying in A minor pentatonic.
[G] And
[Em] [Am] [Bm] then I'm in A major pentatonic, back
[C] to minor pentatonic.
You notice how the two, the major pentatonic and the minor pentatonic, [Bm] I'm connecting the two.
[Cm] [Bm]
I [F] walk myself from one pentatonic to the other.
And these are things that you want to do, is try to find ways to connect the scales when you're playing in scales.
But, it's also important to think melodically more than you're thinking scales.
So I hope this helps you to polish up your version of Sweet Home Chicago.
And I'll be bringing you another lesson next week with another song.
Key:
D
A
G
C
E
D
A
G
_ _ _ [F#m] _ _ _ _ _
[C] _ _ [A] _ _ [C] _ _ _ _
[E] _ [F#m] _ _ _ _ _ _ [B] _
[A] _ _ [D#] _ [C] _ [D] _ [Cm] _ [C] _ [A] _
[G] _ _ [F#] _ _ _ _ _ _
_ [C] _ [A] _ _ _ _ _ _
[G] _ _ _ [C#] _ _ [F#] _ _ _
_ [A] _ _ _ _ _ [E] _ _
[D#] Hi, [N] I'm Red and I'm here today to help you take a look at Sweet Home Chicago, _ _ written
by Robert Johnson.
_ And as legend would have it, Robert Johnson went down to the crossroads and sold his soul
to the devil so he could be a great blues man.
_ Well I'm here today to tell you you don't have to do that.
You just have to work hard, apply yourself, _ and submerge yourself into the blues.
Like Jimi Hendrix said, _ _ the blues [F#] is easy to play, but it's hard to feel.
And the point is that even though it's a very simple music to play, it's critical to get
the right feeling. _ _
_ _ _ Now what I'm going to do is I'm going to roll through the track, I'm going to demonstrate
two different rhythm options.
_ This way if you're at a jam session and somebody's playing that standard _ blues pattern, _ _ you'll
have another option to use.
I'll also do some lead and I'll show you a little bit about what I was doing lead wise,
explain to you what I'm doing.
So here we go.
_ Let's start with the rhythm and then we'll move on to the lead. _ _ _
_ _ _ [E] _ _ _ [D#] _ [Am] _
_ _ [G] _ [C] _ _ _ [D] _ [C#] _
[Bm] _ _ _ [Em] _ _ _ _ _
[B] _ [Em] _ [D] _ [Am] _ _ _ _ _
[Am] _ _ [Bm] _ [Am] _ _ [D] _ _ [B] _
[Am] _ _ [D] _ [C] _ _ _ _ _
[C] _ _ [F] _ [Bm] _ _ [A#m] _ [Am] _ _
_ _ [D] _ [C] _ _ [B] _ [E] _ _
_ _ [A] _ _ [Am] _ [A] _ _ _
[G] _ [A] _ _ _ [G] _ [A] _ _ _
[G] _ _ _ _ [D] _ [D] _ [G] _ [D] _
_ [G] _ [A] _ _ _ _ _ _
[F#m] _ [E] _ _ _ [D] _ _ _ _
[G] _ [A] _ _ [Am] _ [A] _ _ _
Alright, [G] _ now [C] _ what I was doing there, _ _ _ on the first _ _ time _ through I was playing 9th chords.
Let me _ go ahead and zoom in a little bit and get you just a little better _ view of what
I'm doing here. _ _ _ _ _ _
_ _ _ _ _ _ Alright, _ _ now I was playing 9th chords.
_ I'm using an A9 and I'm just doing a little rhythmic thing here with my right [Em] side.
_ _ [C] _ [Em] _
_ _ [C] _ _ _ I was also doing sliding [D] 6ths.
[C#] _ _ _ _ _
_ I'm doing that on the 2nd and 4th string.
[C] _
_ _ [E] _ _ _ _ [D] Now for the 4 chord, [Am] I'm playing a 9th chord right here and I can do sliding 6ths here.
[D] _ _ _
_ [C#] _ _ Back to the 1 chord.
And then for the [G#] 5 chord, _ _ _ I've got an E9.
[Cm] But if you notice, what I did was I went _ _ F9 to E9, _ [A#] _ _ then _
_ _ _ [D#] _ _ Eb9 to D9 _ [Am] _ _ _ _ _
[D] _ [Em] _ _ and then I tagged [E] the 5. _
_ _ Okay, now the other _ rhythm option _ is _ the standard old _ blues rhythm.
[A] _ _
_ _ _ _ [G] _ [A] _ _ _
_ _ [G] _ [A] _ _ _ _ _
[G] _ [A] _ _ _ _ [G] _ _ [D] _
_ _ [G] _ [D] _ _ [G] _ [D] So [E] we had A, D and then we have an [A] E.
[E] _ _ _ And [A] you'll notice that when I go from the A _ up _ _ _ _ to the _ _ _ _ _ _ D_
_ _ [D] _ _ _
Notice I used [F] this finger as a guide finger.
_ _ And then same thing, when I went up to the E, _ _ _ if you don't have to move your fingers, don't move them.
Don't take them off [B] the fretboard.
Use them as guide fingers.
_ _ Okay, now let's do a little bit of lead. _ _ _ _
_ _ [D] I'm going to be [E] playing _ _ _
[D] in [A] _ _ _ minor pentatonic, A minor [E] pentatonic, [G#m] A major pentatonic.
[F#m] _ [E] _ _
[D] _ _ _ _ _ _ _ _
_ [E] _ [D] _ _ _ _ _ _
_ [C] _ _ [F#m] _ _ _ [A] _ _
[D] _ [C#] _ [G] _ [E] _ [D#] _ _ [Am] _ _
_ [Em] _ [A] _ _ _ _ _ [E] _
_ _ [C#] _ [N] _ Alright. _ _
_ _ So basically what I'm doing there is A minor _ pentatonic [C] 6th string root. _ _ _
[F#] _ _ _ _ I'm also _
[D] staying in A minor pentatonic.
[G] And _
[Em] _ [Am] _ [Bm] _ _ _ then I'm in A major pentatonic, back _ _
[C] _ _ _ to minor pentatonic.
You notice how the two, the major pentatonic and the minor pentatonic, [Bm] I'm connecting the two. _ _ _ _ _
_ _ _ _ [Cm] _ _ [Bm] _ _
_ I [F] walk myself from one pentatonic to the other.
And these are things that you want to do, is try to find ways _ to connect _ the scales when you're playing in scales.
But, it's also important to _ think _ melodically more than you're thinking scales.
So I hope this helps you _ to _ polish up your version _ of Sweet Home Chicago.
_ And I'll be bringing you another lesson next week with another song. _
[C] _ _ [A] _ _ [C] _ _ _ _
[E] _ [F#m] _ _ _ _ _ _ [B] _
[A] _ _ [D#] _ [C] _ [D] _ [Cm] _ [C] _ [A] _
[G] _ _ [F#] _ _ _ _ _ _
_ [C] _ [A] _ _ _ _ _ _
[G] _ _ _ [C#] _ _ [F#] _ _ _
_ [A] _ _ _ _ _ [E] _ _
[D#] Hi, [N] I'm Red and I'm here today to help you take a look at Sweet Home Chicago, _ _ written
by Robert Johnson.
_ And as legend would have it, Robert Johnson went down to the crossroads and sold his soul
to the devil so he could be a great blues man.
_ Well I'm here today to tell you you don't have to do that.
You just have to work hard, apply yourself, _ and submerge yourself into the blues.
Like Jimi Hendrix said, _ _ the blues [F#] is easy to play, but it's hard to feel.
And the point is that even though it's a very simple music to play, it's critical to get
the right feeling. _ _
_ _ _ Now what I'm going to do is I'm going to roll through the track, I'm going to demonstrate
two different rhythm options.
_ This way if you're at a jam session and somebody's playing that standard _ blues pattern, _ _ you'll
have another option to use.
I'll also do some lead and I'll show you a little bit about what I was doing lead wise,
explain to you what I'm doing.
So here we go.
_ Let's start with the rhythm and then we'll move on to the lead. _ _ _
_ _ _ [E] _ _ _ [D#] _ [Am] _
_ _ [G] _ [C] _ _ _ [D] _ [C#] _
[Bm] _ _ _ [Em] _ _ _ _ _
[B] _ [Em] _ [D] _ [Am] _ _ _ _ _
[Am] _ _ [Bm] _ [Am] _ _ [D] _ _ [B] _
[Am] _ _ [D] _ [C] _ _ _ _ _
[C] _ _ [F] _ [Bm] _ _ [A#m] _ [Am] _ _
_ _ [D] _ [C] _ _ [B] _ [E] _ _
_ _ [A] _ _ [Am] _ [A] _ _ _
[G] _ [A] _ _ _ [G] _ [A] _ _ _
[G] _ _ _ _ [D] _ [D] _ [G] _ [D] _
_ [G] _ [A] _ _ _ _ _ _
[F#m] _ [E] _ _ _ [D] _ _ _ _
[G] _ [A] _ _ [Am] _ [A] _ _ _
Alright, [G] _ now [C] _ what I was doing there, _ _ _ on the first _ _ time _ through I was playing 9th chords.
Let me _ go ahead and zoom in a little bit and get you just a little better _ view of what
I'm doing here. _ _ _ _ _ _
_ _ _ _ _ _ Alright, _ _ now I was playing 9th chords.
_ I'm using an A9 and I'm just doing a little rhythmic thing here with my right [Em] side.
_ _ [C] _ [Em] _
_ _ [C] _ _ _ I was also doing sliding [D] 6ths.
[C#] _ _ _ _ _
_ I'm doing that on the 2nd and 4th string.
[C] _
_ _ [E] _ _ _ _ [D] Now for the 4 chord, [Am] I'm playing a 9th chord right here and I can do sliding 6ths here.
[D] _ _ _
_ [C#] _ _ Back to the 1 chord.
And then for the [G#] 5 chord, _ _ _ I've got an E9.
[Cm] But if you notice, what I did was I went _ _ F9 to E9, _ [A#] _ _ then _
_ _ _ [D#] _ _ Eb9 to D9 _ [Am] _ _ _ _ _
[D] _ [Em] _ _ and then I tagged [E] the 5. _
_ _ Okay, now the other _ rhythm option _ is _ the standard old _ blues rhythm.
[A] _ _
_ _ _ _ [G] _ [A] _ _ _
_ _ [G] _ [A] _ _ _ _ _
[G] _ [A] _ _ _ _ [G] _ _ [D] _
_ _ [G] _ [D] _ _ [G] _ [D] So [E] we had A, D and then we have an [A] E.
[E] _ _ _ And [A] you'll notice that when I go from the A _ up _ _ _ _ to the _ _ _ _ _ _ D_
_ _ [D] _ _ _
Notice I used [F] this finger as a guide finger.
_ _ And then same thing, when I went up to the E, _ _ _ if you don't have to move your fingers, don't move them.
Don't take them off [B] the fretboard.
Use them as guide fingers.
_ _ Okay, now let's do a little bit of lead. _ _ _ _
_ _ [D] I'm going to be [E] playing _ _ _
[D] in [A] _ _ _ minor pentatonic, A minor [E] pentatonic, [G#m] A major pentatonic.
[F#m] _ [E] _ _
[D] _ _ _ _ _ _ _ _
_ [E] _ [D] _ _ _ _ _ _
_ [C] _ _ [F#m] _ _ _ [A] _ _
[D] _ [C#] _ [G] _ [E] _ [D#] _ _ [Am] _ _
_ [Em] _ [A] _ _ _ _ _ [E] _
_ _ [C#] _ [N] _ Alright. _ _
_ _ So basically what I'm doing there is A minor _ pentatonic [C] 6th string root. _ _ _
[F#] _ _ _ _ I'm also _
[D] staying in A minor pentatonic.
[G] And _
[Em] _ [Am] _ [Bm] _ _ _ then I'm in A major pentatonic, back _ _
[C] _ _ _ to minor pentatonic.
You notice how the two, the major pentatonic and the minor pentatonic, [Bm] I'm connecting the two. _ _ _ _ _
_ _ _ _ [Cm] _ _ [Bm] _ _
_ I [F] walk myself from one pentatonic to the other.
And these are things that you want to do, is try to find ways _ to connect _ the scales when you're playing in scales.
But, it's also important to _ think _ melodically more than you're thinking scales.
So I hope this helps you _ to _ polish up your version _ of Sweet Home Chicago.
_ And I'll be bringing you another lesson next week with another song. _