Chords for How to Play "Crosscut Saw" - Blues Guitar Lesson

Tempo:
108.7 bpm
Chords used:

C

G

F

Cm

Ab

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
How to Play "Crosscut Saw" - Blues Guitar Lesson chords
Start Jamming...
[C] [D]
[G] [Eb]
[Gm] [Ab] [F] [C]
[B] [C] [Cm]
[Am] [Eb]
[C]
[Bb] Cross-Cut [B] Saw, Albert King.
Hi, I'm Red and I'm here today to help you take a look at
the song Cross-Cut Saw.
[F] It's a rumba, but very often found in blues jams, any place
where you're going to hear the blues, you're very likely to hear the song.
We're in the
key of C, and it's a 1-4-5 pattern, so we have a C-F and a G.
We can use a variety of
chords.
We can use major chords, seventh chords, sixth chords, ninth chords.
There's just
a load of options.
I'm going to demonstrate a few of those options, and I'm going to basically
roll through the track one time.
I'm going to play some rhythm, then I'm going to roll
through it a second time, play some lead, then I'm going to stop and talk about what
I've done.
So here we go.
[Bb] [C]
[Gm] [Cm] [Gm]
[Am] [Gm] [A] [D] [A]
[Bm] [Ab] [Fm] [Cm] [D]
[C] [G]
[Ab] [Dm] [C]
[Eb] [G] [C]
[Bm] [Cm] [D] [E]
[G] [Cm] [Ab]
[C] [E] [N]
[G] [F]
[Eb] [C]
[N]
Okay, so in the rhythm, I was trying to mix it up so I could give [C] you some ideas of different
things.
I started off with a C7, and I was arpeggiating it.
[Gm] You could do this all the
way through the song, or you could start strumming.
You have a lot of different options, like
I said.
You could also use a ninth chord [A] with [Eb]
the sliding six.
It gives it a real sweet
sound.
[B]
[F] For the four, [Cm] [Bb]
[F] [Cm] you could use a ninth chord with sliding six.
Same [F] for the five.
Another option is you could use a seventh chord.
And here's a real cool move that you can do with
a seventh chord.
[G] Five chord.
Watch what I do here now.
Let's get you a little better view.
Okay,
I'm just playing a G7 chord right now.
And what I'm going to do is I'm going to leave this finger
right where it's at, but I'm going to move these two fingers up one fret.
Five [C] chord, four chord.
I'm just playing three notes right now.
[Ab] I'm playing the second, third, and fourth string,
but I made a four [G] or a five-four move
[C] right there.
[G]
[F] [G] Just [C] turns into a seventh chord.
[Ab] [G] So what we've got
is a [C] G7, and then we've got an F7.
[F]
[G] Just a different voicing of it.
Cool move.
As far as the lead stuff
goes, major pentatonic, minor pentatonic, passing tones.
In a rumba, I find that the ones I prefer
the most are the guys like Albert King and definitely Gatemouth Brown.
I mean, these guys
put a lot of humor into their solo, and I think that's important.
Anson Funderburg, Freddie King,
you know, a lot of the Texas guys do that.
They put that humor in there.
But I think that's,
it's an important component.
You can just try to emote that humor somehow, or you can find a lick
that emotes it.
So if you're playing major pentatonic licks, you know, the B.B. King [D] Bach,
[C] you're connecting it to the minor pentatonic.
[B] [Gb] [Cm]
See, I added that sixth in there [Ab] as a passing tone.
[B] [D]
There's your six.
[Ebm] [C]
[Eb] [B]
If you want to add humor and you're looking for a lick, here is a humor lick,
the chicken lick.
I'm right here at the 11th fret on the second string and the 13th fret on the
first string.
[Gm] And I'm going to try to get a little bit of a bright picking thing going on here with
right hand muting happening on my [Gb] thumb.
That little bend up, and that gives it a chicken sound.
[Ebm] The [E] [G] old chicken lick.
So there's some stuff to help you spice up your rumba,
your version of Albert King's
Key:  
C
3211
G
2131
F
134211111
Cm
13421113
Ab
134211114
C
3211
G
2131
F
134211111
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_ _ [C] _ _ _ [D] _ _ _
_ _ _ [G] _ _ _ [Eb] _ _
_ _ [Gm] _ [Ab] _ [F] _ _ _ [C] _
[B] _ [C] _ _ _ [Cm] _ _ _ _
[Am] _ _ _ _ _ _ _ [Eb] _
_ [C] _ _ _ _ _ _ _
[Bb] Cross-Cut [B] Saw, Albert King.
Hi, I'm Red and I'm here today to help you take a look at
the song Cross-Cut Saw.
_ [F] It's a rumba, _ but very often found in _ _ blues jams, any place
where you're going to hear the blues, you're very likely to hear the song.
_ _ We're in the
key of C, and it's a 1-4-5 pattern, so we have a C-F and a G.
_ We can use a variety of
chords.
We can use major chords, seventh chords, sixth chords, ninth chords. _
There's just
_ a load of options. _
_ I'm going to demonstrate a few of those options, _ and I'm going to _ basically
roll through the track one time.
I'm going to play some rhythm, then I'm going to roll
through it a second time, play some lead, then I'm going to stop and talk about what
I've done.
So here we go.
[Bb] _ _ _ _ [C] _ _ _ _
_ _ [Gm] _ _ [Cm] _ [Gm] _ _ _
[Am] _ [Gm] _ _ [A] _ [D] _ [A] _ _ _
[Bm] _ [Ab] _ _ [Fm] _ [Cm] _ _ _ [D] _
[C] _ _ [G] _ _ _ _ _ _
[Ab] _ [Dm] _ _ _ [C] _ _ _ _
[Eb] _ [G] _ [C] _ _ _ _ _ _
[Bm] _ [Cm] _ _ _ _ [D] _ [E] _ _
_ [G] _ [Cm] _ _ _ _ [Ab] _ _
_ _ _ [C] _ _ _ [E] _ [N] _
_ _ _ _ [G] _ _ [F] _ _
[Eb] _ _ [C] _ _ _ _ _ _
[N] _ _ _ _ _ _ _
Okay, so in the rhythm, I was trying to mix it up so I could give [C] you some ideas of different
things.
I started off with a C7, and I was arpeggiating it.
_ _ _ _ _ _ _ _
_ [Gm] You could do this all the
way through the song, _ or you could start strumming.
You have a lot of different options, like
I said.
You could also use a ninth chord _ [A] with [Eb] _ _
the sliding six.
It gives it a real sweet
sound.
_ [B] _
_ _ [F] For the four, [Cm] _ _ [Bb] _ _
[F] _ [Cm] _ _ you could use a ninth chord with sliding six.
Same [F] for the five.
_ Another option is you could use a seventh chord.
And here's a real cool move that you can do with
a seventh chord.
[G] _ _ _ Five chord. _
_ Watch what I do here now.
_ _ Let's get you a little better view.
Okay,
I'm just playing a G7 chord right now.
_ And what I'm going to do is I'm going to leave this finger
right where it's at, but I'm going to move these two fingers up one fret. _ _
Five [C] chord, _ four chord.
I'm just playing three notes right now.
[Ab] I'm playing the second, third, and fourth string,
but I made a four [G] or a five-four move _
[C] right _ there.
_ _ [G] _
[F] _ _ [G] Just [C] _ _ turns into a seventh chord.
_ [Ab] [G] So what we've got
is a _ [C] G7, _ _ _ _ and then we've got an F7.
_ _ [F] _ _
_ [G] Just a different voicing of it.
Cool move. _
_ As far as the lead stuff
goes, _ major pentatonic, minor pentatonic, passing tones.
In a _ _ rumba, I find that the ones I prefer
the most are the guys like Albert King _ and definitely Gatemouth Brown.
I mean, these guys
put a lot of humor into their solo, _ and I think that's important.
Anson Funderburg, Freddie King,
you know, a lot of the Texas guys do that.
They put that humor in there.
But I think that's,
it's an important component.
You can _ just try to emote that humor somehow, or you can find a lick
that emotes it.
So if you're playing major pentatonic licks, you know, the B.B. King [D] Bach, _ _ _ _ _ _ _
[C] _ you're connecting it to the minor pentatonic.
_ _ [B] _ [Gb] _ [Cm] _ _ _
See, I added that sixth in there _ _ [Ab] as a passing tone.
[B] _ _ [D] _ _ _
There's your six.
[Ebm] _ [C] _ _ _ _ _ _
_ [Eb] _ _ [B] _ _ _ _
If you want to add humor and you're looking for a lick, here is a humor lick,
the chicken lick.
_ I'm right here at the 11th fret on the second string _ and the 13th fret on the
first string.
_ [Gm] And I'm going to try to get a little bit of a bright _ picking thing going on here _ _ with
_ _ _ right hand muting happening on my [Gb] thumb. _ _ _ _ _ _ _
_ _ That little bend up, and that gives it a chicken sound.
_ _ [Ebm] _ _ _ _ The [E] _ [G] old chicken lick.
So there's some stuff to help you spice up your rumba,
your version of _ _ _ Albert King's

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