Chords for Ian Tyson -from the Gravel Road pt 1, meeting up with Sylvia
Tempo:
112.6 bpm
Chords used:
D
G
A
C
Em
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[G]
[N]
I'm with the Heisman's.
This is Heisman's.
How are you my dear?
I'm well, thank you.
So then we started to sing a little bit, and we had this sound, you know, two voices.
Very unique, very different.
You know, [D] so that's half the battle right there.
I am a people,
[G] [D] I came [A] from [D] a place.
I was in [Cm] South Asia, and we [D] sang in the United States.
And then he [A] went [D] to New York.
[N]
Tom Paxson came from Oklahoma.
Ian Insolio came down from Canada.
And Bob Dylan came down from Minnesota.
Well I didn't think he was a genius at first, but then eventually I had to admit it.
Somebody told me the other day, Susan Rolo says that I was the one that introduced Bob Dylan to marijuana.
Yeah, apparently she does.
I don't remember that.
I do.
A dealer, maybe I gave him a joint, I don't know, I can't remember.
Dylan was writing songs left, right, and center.
You know, I mean he just was so prolific.
And I guess that on some level we figured, well if he could write songs, we could write songs.
Yeah, well that's pretty much the way it was.
Your first song was Four Strong Winds.
And that was around the time of the first Hootenanny shows.
I was inspired by Dylan.
He'd sung me a song in Down in the Kettle [G] of Fish.
I [C#] tell people it was blowing in the wind, but I really [N] am not sure.
It could have [C] been, it could have been.
[Em] But I thought, yeah, I can do that.
I wrote it [D] one rainy autumn afternoon.
[C] [G]
[Am] [Em] [D] [G]
[Am] [D]
[G]
[Am] [D]
[G] [C]
[Em] [D]
We were not [G] personally [A#] involved [N] in all his sad girlfriends.
I found him attractive, but I did not really think [D] of him in that way.
It was a working relationship as [D#] far as I was [A] concerned.
And [E] as to what actually happened [C#] to change that, I'm really [D] not quite sure.
[N]
[N]
I'm with the Heisman's.
This is Heisman's.
How are you my dear?
I'm well, thank you.
So then we started to sing a little bit, and we had this sound, you know, two voices.
Very unique, very different.
You know, [D] so that's half the battle right there.
I am a people,
[G] [D] I came [A] from [D] a place.
I was in [Cm] South Asia, and we [D] sang in the United States.
And then he [A] went [D] to New York.
[N]
Tom Paxson came from Oklahoma.
Ian Insolio came down from Canada.
And Bob Dylan came down from Minnesota.
Well I didn't think he was a genius at first, but then eventually I had to admit it.
Somebody told me the other day, Susan Rolo says that I was the one that introduced Bob Dylan to marijuana.
Yeah, apparently she does.
I don't remember that.
I do.
A dealer, maybe I gave him a joint, I don't know, I can't remember.
Dylan was writing songs left, right, and center.
You know, I mean he just was so prolific.
And I guess that on some level we figured, well if he could write songs, we could write songs.
Yeah, well that's pretty much the way it was.
Your first song was Four Strong Winds.
And that was around the time of the first Hootenanny shows.
I was inspired by Dylan.
He'd sung me a song in Down in the Kettle [G] of Fish.
I [C#] tell people it was blowing in the wind, but I really [N] am not sure.
It could have [C] been, it could have been.
[Em] But I thought, yeah, I can do that.
I wrote it [D] one rainy autumn afternoon.
[C] [G]
[Am] [Em] [D] [G]
[Am] [D]
[G]
[Am] [D]
[G] [C]
[Em] [D]
We were not [G] personally [A#] involved [N] in all his sad girlfriends.
I found him attractive, but I did not really think [D] of him in that way.
It was a working relationship as [D#] far as I was [A] concerned.
And [E] as to what actually happened [C#] to change that, I'm really [D] not quite sure.
[N]
Key:
D
G
A
C
Em
D
G
A
[G] _ _ _ _ _ _ _ _
_ [N] _ _ _ _ _ _ _
_ _ _ _ I'm with the _ Heisman's.
This is Heisman's.
How are you my dear? _
_ I'm well, thank you. _ _ _
_ So then we started to sing a little bit, and we had this sound, you know, two voices.
Very unique, very different.
You know, [D] so that's half the battle right there.
I am _ _ _ _ _ a _ _ _ _ _ _ _ _ _ _ _ _ _
_ _ _ people, _ _ _
[G] _ _ _ [D] _ _ _ I came [A] from _ [D] _ a place.
I was in [Cm] South Asia, and we [D] sang in the United States.
And then he _ [A] went _ [D] _ _ _ to New York.
[N]
Tom Paxson came from Oklahoma.
Ian Insolio came down from Canada.
_ And Bob Dylan came down from Minnesota.
_ Well I didn't think he was a genius at first, but then eventually I had to admit it. _ _ _ _ _ _
Somebody told me the other day, Susan Rolo says that I was the one that introduced Bob Dylan to marijuana.
Yeah, apparently she does.
I don't remember that. _ _ _ _ _
I do.
A dealer, _ _ _ _ _ _ _ _ maybe I gave him a joint, I don't know, I can't remember.
Dylan was writing songs left, right, and center.
You know, I mean he just was so prolific.
And I guess that on some level we figured, well if he could write songs, we could write songs.
Yeah, well that's pretty much the way it was.
Your first song was Four Strong Winds.
And that was around the _ _ time of the first Hootenanny shows.
I was inspired by Dylan.
He'd sung me a song in Down in the Kettle [G] of Fish.
I [C#] tell people it was blowing in the wind, but I really [N] am not sure.
It could have [C] been, it could have been.
[Em] But I thought, yeah, I can do that.
I wrote it [D] one rainy autumn afternoon.
_ _ _ [C] _ [G] _ _ _ _
[Am] _ _ _ [Em] _ [D] _ _ [G] _ _
_ _ _ _ _ _ _ _
[Am] _ _ _ _ [D] _ _ _ _
_ _ _ _ [G] _ _ _ _
[Am] _ _ _ _ [D] _ _ _ _
[G] _ _ _ _ [C] _ _ _ _
[Em] _ _ _ _ [D] _ _ _ _
We were not [G] personally _ [A#] involved [N] in all his sad girlfriends.
I found him attractive, but I did not really think [D] of him in that way.
It was a working relationship as [D#] far as I was [A] concerned.
And [E] as to what actually happened [C#] to change that, I'm really [D] not quite sure.
_ _ _ [N] _ _
_ [N] _ _ _ _ _ _ _
_ _ _ _ I'm with the _ Heisman's.
This is Heisman's.
How are you my dear? _
_ I'm well, thank you. _ _ _
_ So then we started to sing a little bit, and we had this sound, you know, two voices.
Very unique, very different.
You know, [D] so that's half the battle right there.
I am _ _ _ _ _ a _ _ _ _ _ _ _ _ _ _ _ _ _
_ _ _ people, _ _ _
[G] _ _ _ [D] _ _ _ I came [A] from _ [D] _ a place.
I was in [Cm] South Asia, and we [D] sang in the United States.
And then he _ [A] went _ [D] _ _ _ to New York.
[N]
Tom Paxson came from Oklahoma.
Ian Insolio came down from Canada.
_ And Bob Dylan came down from Minnesota.
_ Well I didn't think he was a genius at first, but then eventually I had to admit it. _ _ _ _ _ _
Somebody told me the other day, Susan Rolo says that I was the one that introduced Bob Dylan to marijuana.
Yeah, apparently she does.
I don't remember that. _ _ _ _ _
I do.
A dealer, _ _ _ _ _ _ _ _ maybe I gave him a joint, I don't know, I can't remember.
Dylan was writing songs left, right, and center.
You know, I mean he just was so prolific.
And I guess that on some level we figured, well if he could write songs, we could write songs.
Yeah, well that's pretty much the way it was.
Your first song was Four Strong Winds.
And that was around the _ _ time of the first Hootenanny shows.
I was inspired by Dylan.
He'd sung me a song in Down in the Kettle [G] of Fish.
I [C#] tell people it was blowing in the wind, but I really [N] am not sure.
It could have [C] been, it could have been.
[Em] But I thought, yeah, I can do that.
I wrote it [D] one rainy autumn afternoon.
_ _ _ [C] _ [G] _ _ _ _
[Am] _ _ _ [Em] _ [D] _ _ [G] _ _
_ _ _ _ _ _ _ _
[Am] _ _ _ _ [D] _ _ _ _
_ _ _ _ [G] _ _ _ _
[Am] _ _ _ _ [D] _ _ _ _
[G] _ _ _ _ [C] _ _ _ _
[Em] _ _ _ _ [D] _ _ _ _
We were not [G] personally _ [A#] involved [N] in all his sad girlfriends.
I found him attractive, but I did not really think [D] of him in that way.
It was a working relationship as [D#] far as I was [A] concerned.
And [E] as to what actually happened [C#] to change that, I'm really [D] not quite sure.
_ _ _ [N] _ _