Chords for Jean-Michel Jarre, Hans Zimmer - Jean-Michel Jarre with Hans Zimmer Track Story
Tempo:
119.15 bpm
Chords used:
F
C
Am
G
E
Tuning:Standard Tuning (EADGBE)Capo:+0fret

Jam Along & Learn...
[C]
[F]
[Am]
[C] Whatever [Gm] year Oxygen came out, you know, so that was the first time I heard Jean-Michel's music and [G] obviously instantly
because it was exactly
It was completely revolutionary of course then and it was obviously just the right period, you know, he completely
the, let's use the German word, zeitgeist.
he was a major influence on me.
[F]
[Am]
[C] Whatever [Gm] year Oxygen came out, you know, so that was the first time I heard Jean-Michel's music and [G] obviously instantly
because it was exactly
It was completely revolutionary of course then and it was obviously just the right period, you know, he completely
the, let's use the German word, zeitgeist.
he was a major influence on me.
100% ➙ 119BPM
F
C
Am
G
E
F
C
Am
_ _ _ _ _ _ _ _
_ _ _ [C] _ _ _ _ _
_ _ _ [F] _ _ _ _ _
_ [Am] _ _ _ _ _ _ _
_ _ _ _ _ [C] _ Whatever [Gm] year Oxygen came out, you know, so that was the first time I heard Jean-Michel's music and [G] obviously instantly
fell in love with it because it was exactly
the music I love. _
_ _ _ _ _ _ _
It was completely revolutionary of course then and it was obviously just the right period, you know, he completely
_ captured the, let's use the German word, zeitgeist.
_ And he was a major influence on me.
I don't think there's an electronic [Am] musician that isn't influenced by him. _ _ _ _
_ [C] _ _ _ _ _ _ _
_ _ _ [G] Hans Zimmer is the great composer we know.
He's the one who [F] introduced electronic music in Hollywood
by fusing it with [Am] symphonic orchestra. _
_ _ A couple of years [C] ago or something like this, I mean he just, he phoned and said, you know,
would you like to do something together?
[G] And of course I said instantly said yes.
I felt incredibly honored.
[F] By being asked, you know, by even
being asked to be in the, [Am] not just the [F] same room, but the same project.
We met and he played me [E] his idea and he gave me a score, [Am] etc. _ _ _
_ _ _ _ _ [C] _ _
For me, composing music is [G] doing the soundtrack that everyone can use for
creating their own [F] movie in their mind.
When you are watching a landscape,
you can see, for instance, [Am] the leaves of the trees moving at a certain speed, having, for instance, some [C] waves also moving at a
totally different tempo.
Birds in the sky [G] flying also at a different speed, people walking also at a different tempo and
all these random rhythmic elements [F] are part of a perfect harmonious landscape.
So that was the idea behind Electris. _ _
When I speak English, I have a German accent.
When I write [C] music, I have a German accent.
_ We have a European sense of harmony.
[G] America and Japan,
I mean, created the hardware on which Europeans [F] made so much music.
We do follow on in a long line of European [Am] composers. _ _ _ _ _
Half of the project is Hans Zimmer's [C] fantastic studio in Santa Monica in California and
the rest here in Paris [G] in this studio.
A true collaboration needs the presence [F] of people in the same place. _ _ _ _ _ _ _
[Am] _ _ You know, there's a balance between
technology [C] and the creativity.
It really, it really supports the creativity.
[G] And things can move faster.
You don't just lose your idea because you're waiting for the tape machine to write it back.
[F] _ _ _
_ [F] _ _ The future [Am] we hoped for is now. _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [E] _ _ _
_ _ _ _ _ _ [N] _ _
_ _ _ [C] _ _ _ _ _
_ _ _ [F] _ _ _ _ _
_ [Am] _ _ _ _ _ _ _
_ _ _ _ _ [C] _ Whatever [Gm] year Oxygen came out, you know, so that was the first time I heard Jean-Michel's music and [G] obviously instantly
fell in love with it because it was exactly
the music I love. _
_ _ _ _ _ _ _
It was completely revolutionary of course then and it was obviously just the right period, you know, he completely
_ captured the, let's use the German word, zeitgeist.
_ And he was a major influence on me.
I don't think there's an electronic [Am] musician that isn't influenced by him. _ _ _ _
_ [C] _ _ _ _ _ _ _
_ _ _ [G] Hans Zimmer is the great composer we know.
He's the one who [F] introduced electronic music in Hollywood
by fusing it with [Am] symphonic orchestra. _
_ _ A couple of years [C] ago or something like this, I mean he just, he phoned and said, you know,
would you like to do something together?
[G] And of course I said instantly said yes.
I felt incredibly honored.
[F] By being asked, you know, by even
being asked to be in the, [Am] not just the [F] same room, but the same project.
We met and he played me [E] his idea and he gave me a score, [Am] etc. _ _ _
_ _ _ _ _ [C] _ _
For me, composing music is [G] doing the soundtrack that everyone can use for
creating their own [F] movie in their mind.
When you are watching a landscape,
you can see, for instance, [Am] the leaves of the trees moving at a certain speed, having, for instance, some [C] waves also moving at a
totally different tempo.
Birds in the sky [G] flying also at a different speed, people walking also at a different tempo and
all these random rhythmic elements [F] are part of a perfect harmonious landscape.
So that was the idea behind Electris. _ _
When I speak English, I have a German accent.
When I write [C] music, I have a German accent.
_ We have a European sense of harmony.
[G] America and Japan,
I mean, created the hardware on which Europeans [F] made so much music.
We do follow on in a long line of European [Am] composers. _ _ _ _ _
Half of the project is Hans Zimmer's [C] fantastic studio in Santa Monica in California and
the rest here in Paris [G] in this studio.
A true collaboration needs the presence [F] of people in the same place. _ _ _ _ _ _ _
[Am] _ _ You know, there's a balance between
technology [C] and the creativity.
It really, it really supports the creativity.
[G] And things can move faster.
You don't just lose your idea because you're waiting for the tape machine to write it back.
[F] _ _ _
_ [F] _ _ The future [Am] we hoped for is now. _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [E] _ _ _
_ _ _ _ _ _ [N] _ _