Chords for Jesus Lover of my Soul
Tempo:
142 bpm
Chords used:
G
C
D
Em
B
Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Start Jamming...
What's up guys?
Hillsong United.
Song is called Jesus Lover of My Soul.
It's in G
major.
I'm gonna try a few different things with this [D] song.
There's a lot of
descending type of stuff happening in the left hand [C] but there's a bunch of
different things you can do to make it interesting.
So Jesus G chord G D G A B D
and then I [F#] go lover of this [Am] is an a an F sharp [A] minor 7 with a flattened fifth.
I
know [F#] that's scary.
[Am] So we just say F sharp split but it's F [F#m] sharp E A [Am] and C C
natural.
Alright that's the fifth that got flat.
Lover of my [B] soul to a B7 [C] with a
flattened ninth.
[B] So B A C natural again [B] D sharp F sharp and A.
Cool?
It's used a lot in
the song.
Sometimes we invert [D#m] it and put it put the D sharp in the bass instead
of the B.
So but that's already getting [G] ahead.
Jesus
[Am] lover of my [B] soul.
That's the
B7 to the [Em] E minor.
Jesus [G] I will [C] never let you [D] go.
So that that is a [Em] E minor
right?
[D] Over the D.
[C] Will never let.
That's a C major.
Plano C major.
You could add a
seventh if you want.
Never let you [D] go.
To a D sus 11 which translates to a C [C] triad
over [D] D.
In this case I have G [C] C E instead of C E G but either one works.
Never let you go.
Resolve it on the O okay?
Don't put the D chord beforehand.
And then we do it [G] again.
You've taken me [F#] from the miry clay.
[C#] [B] [Em]
Set [G] my feet upon the
rock [C] C and now [C] I know [D] to [G] the G.
I love you [D] to the D chord.
Now this I treat
really do treat this as a D chord rather than an F sharp split.
So that's
going to be [F#] F sharps in the bass.
[D] A D and A again.
[G] So I need right in the melody.
I
need [D#m] and then this is that diminished chord that I just mentioned a little
while ago.
It's basically [D#m]
a D sharp diminished.
D sharp F [B] sharp A and [D#m] C and
I have D sharps in my bass.
Okay so one more [G] time.
I love you.
[D] I need [E] you.
That
falls or raises up to the E.
E minor.
B E [Em] and G.
Cool?
Though my [D] world may fall.
Which is interesting if the notes fall.
[E] The E goes to D [G] and the lyrics says
fall.
They're interesting.
[C] I'll never let.
So C major.
Never let you go.
C and then
move the D up [C] with the C chord above it.
Go [D] and [G] then top again.
My savior.
My
closest friend.
[D#m]
Diminished chord to the [Em] E minor.
I [G] will worship you [C] until the [D] very [G] end.
Cool?
So one little note here about root movement.
You have G and then it goes to
[F#] the F sharp [B] to the B7 with a flat 9 [Em] to the E minor.
This happens [E] so many times.
It's really a device particularly in pop music where you go one.
I call this one.
Okay G chord song is G and G so G is one and then we go to F sharp which [F#] would be
seven
[B] to the B7 which would be three [C] [Em] to the six.
So that gives us a harmonic
formula if you will that [G] is a conventional formula and that's one seven three six and
it's used in other songs too like when I think about the Lord.
When I think about [F#] the Lord.
[B] [Em] How he raised me.
How he.
[D] And then it also does a similar thing once it gets to the E
it continues to descend [G] and that's one.
This is kind of song where you have this descending
bass line.
Yeah so I hope you could tune into that next time you hear that one to [F#] the seven
to [B] the three [Em] to the six.
Cool?
[G] Other things you can do instead of [C] the C major which is the four
of G you [Gm] can often substitute the two chord for the four and that's [G] Piano Ninja hint number maybe
[A#] 14 now.
[C]
So if we go my savior
[F#] my [B] closest friend
[Em] I [G] will worship you [Am] until that's an A minor so we
can use A minor instead [C] of until you can use two instead of four.
So [G] two five one instead of four
five one and that's also a harmonic convention that is very very very very common.
So jamming
out now.
Jesus lover of [Em] my soul.
[B] [Em] [G] Jesus [C] I will never let you [A] go.
[G] You've taken me [F#] from the my reclaim.
[A] [B] [Em] [G] Set my feet upon a [C] rock and now I [D] know.
[G]
I need a little [D]
widening of the chords.
[Em] Makes it [G] just sound bigger like you're opening [C] up your heart to the Lord or something.
[G]
My savior [D]
my closest [D#m] friend [Em]
I will [Em] check the two until [Am] [G] the very [C] end.
[G] Oh big huge hint another one another one [Am] two three [C] four five.
This works on a [Em] tag okay that means so
when [Am] you want to wrap a [G] song up [C] you can put these little
[G] tags that just go around until you know gives [Am] it a chance to really settle.
[C]
[Am] [D] [G]
Hillsong United.
Song is called Jesus Lover of My Soul.
It's in G
major.
I'm gonna try a few different things with this [D] song.
There's a lot of
descending type of stuff happening in the left hand [C] but there's a bunch of
different things you can do to make it interesting.
So Jesus G chord G D G A B D
and then I [F#] go lover of this [Am] is an a an F sharp [A] minor 7 with a flattened fifth.
I
know [F#] that's scary.
[Am] So we just say F sharp split but it's F [F#m] sharp E A [Am] and C C
natural.
Alright that's the fifth that got flat.
Lover of my [B] soul to a B7 [C] with a
flattened ninth.
[B] So B A C natural again [B] D sharp F sharp and A.
Cool?
It's used a lot in
the song.
Sometimes we invert [D#m] it and put it put the D sharp in the bass instead
of the B.
So but that's already getting [G] ahead.
Jesus
[Am] lover of my [B] soul.
That's the
B7 to the [Em] E minor.
Jesus [G] I will [C] never let you [D] go.
So that that is a [Em] E minor
right?
[D] Over the D.
[C] Will never let.
That's a C major.
Plano C major.
You could add a
seventh if you want.
Never let you [D] go.
To a D sus 11 which translates to a C [C] triad
over [D] D.
In this case I have G [C] C E instead of C E G but either one works.
Never let you go.
Resolve it on the O okay?
Don't put the D chord beforehand.
And then we do it [G] again.
You've taken me [F#] from the miry clay.
[C#] [B] [Em]
Set [G] my feet upon the
rock [C] C and now [C] I know [D] to [G] the G.
I love you [D] to the D chord.
Now this I treat
really do treat this as a D chord rather than an F sharp split.
So that's
going to be [F#] F sharps in the bass.
[D] A D and A again.
[G] So I need right in the melody.
I
need [D#m] and then this is that diminished chord that I just mentioned a little
while ago.
It's basically [D#m]
a D sharp diminished.
D sharp F [B] sharp A and [D#m] C and
I have D sharps in my bass.
Okay so one more [G] time.
I love you.
[D] I need [E] you.
That
falls or raises up to the E.
E minor.
B E [Em] and G.
Cool?
Though my [D] world may fall.
Which is interesting if the notes fall.
[E] The E goes to D [G] and the lyrics says
fall.
They're interesting.
[C] I'll never let.
So C major.
Never let you go.
C and then
move the D up [C] with the C chord above it.
Go [D] and [G] then top again.
My savior.
My
closest friend.
[D#m]
Diminished chord to the [Em] E minor.
I [G] will worship you [C] until the [D] very [G] end.
Cool?
So one little note here about root movement.
You have G and then it goes to
[F#] the F sharp [B] to the B7 with a flat 9 [Em] to the E minor.
This happens [E] so many times.
It's really a device particularly in pop music where you go one.
I call this one.
Okay G chord song is G and G so G is one and then we go to F sharp which [F#] would be
seven
[B] to the B7 which would be three [C] [Em] to the six.
So that gives us a harmonic
formula if you will that [G] is a conventional formula and that's one seven three six and
it's used in other songs too like when I think about the Lord.
When I think about [F#] the Lord.
[B] [Em] How he raised me.
How he.
[D] And then it also does a similar thing once it gets to the E
it continues to descend [G] and that's one.
This is kind of song where you have this descending
bass line.
Yeah so I hope you could tune into that next time you hear that one to [F#] the seven
to [B] the three [Em] to the six.
Cool?
[G] Other things you can do instead of [C] the C major which is the four
of G you [Gm] can often substitute the two chord for the four and that's [G] Piano Ninja hint number maybe
[A#] 14 now.
[C]
So if we go my savior
[F#] my [B] closest friend
[Em] I [G] will worship you [Am] until that's an A minor so we
can use A minor instead [C] of until you can use two instead of four.
So [G] two five one instead of four
five one and that's also a harmonic convention that is very very very very common.
So jamming
out now.
Jesus lover of [Em] my soul.
[B] [Em] [G] Jesus [C] I will never let you [A] go.
[G] You've taken me [F#] from the my reclaim.
[A] [B] [Em] [G] Set my feet upon a [C] rock and now I [D] know.
[G]
I need a little [D]
widening of the chords.
[Em] Makes it [G] just sound bigger like you're opening [C] up your heart to the Lord or something.
[G]
My savior [D]
my closest [D#m] friend [Em]
I will [Em] check the two until [Am] [G] the very [C] end.
[G] Oh big huge hint another one another one [Am] two three [C] four five.
This works on a [Em] tag okay that means so
when [Am] you want to wrap a [G] song up [C] you can put these little
[G] tags that just go around until you know gives [Am] it a chance to really settle.
[C]
[Am] [D] [G]
Key:
G
C
D
Em
B
G
C
D
_ What's up guys?
Hillsong United. _
Song is called Jesus Lover of My Soul.
It's in G
major.
I'm gonna try a few different things with this [D] song.
There's a lot of _ _
descending type of stuff happening in the left hand [C] but there's a bunch of
different things you can do to make it interesting.
So _ Jesus _ G chord G D G A B D
and then I [F#] go lover of this [Am] is an a an F sharp [A] minor 7 with a flattened fifth.
I
know [F#] that's scary.
[Am] So we just say F sharp split but it's F [F#m] sharp E A [Am] and C C
natural.
Alright that's the fifth that got flat.
_ Lover of my _ [B] soul _ to a B7 _ [C] with a
flattened ninth.
[B] So B A C natural again _ [B] D sharp F sharp and A.
_ Cool?
It's used a lot in
the song.
_ Sometimes we invert [D#m] it and put it _ put the D sharp in the bass instead
of the B.
So but that's already getting [G] ahead.
_ Jesus _ _ _
_ [Am] lover of my [B] _ soul.
That's the
B7 to the [Em] E minor. _
Jesus [G] _ I will [C] never let you [D] go.
So that that is _ _ _ a [Em] _ E minor
right?
_ _ _ _ [D] Over the D.
_ [C] Will never let.
That's a C major.
Plano C major.
You could add a
seventh if you want.
Never let you [D] go.
To a D sus 11 which translates to a C [C] triad
over [D] D.
In this case I have G [C] C E instead of C E G but either one works.
Never let you go.
_ Resolve it on the O okay?
Don't put the D chord beforehand. _ _
And then we do it [G] again.
You've taken me _ _ [F#] from the miry clay.
[C#] _ _ [B] _ _ [Em] _ _
Set [G] my feet upon the
rock [C] C and now [C] I know [D] to [G] the G.
_ I love you [D] to the D chord.
Now this I treat
really do treat this as a D chord rather than an F sharp split.
So that's
going to be [F#] F sharps in the bass.
[D] A D and A again.
[G] So _ _ I need right in the melody.
_ _ I
need [D#m] and then _ this is that diminished chord that I just mentioned a little
while ago.
It's basically [D#m]
a D sharp diminished.
_ D sharp F [B] sharp A and [D#m] C and
I have D sharps in my bass.
_ Okay so one more [G] time.
_ I love _ you.
[D] _ I _ need _ [E] you.
That
falls or raises up to the E.
E minor.
B E [Em] and G.
Cool?
_ Though my [D] world may fall.
Which is interesting if the notes fall. _
[E] The E goes to D [G] _ and the lyrics says
fall.
They're interesting.
_ [C] I'll never let.
So C major.
Never let you go.
C and then
move the D up _ [C] _ with the C chord above it.
Go _ [D] _ and [G] then top again.
My _ savior. _
_ My
closest _ friend.
[D#m] _
_ _ Diminished chord to the [Em] E minor.
I [G] will worship you [C] until the [D] very _ _ _ [G] end.
Cool?
So one little note here about root movement.
_ You have G and then it goes to
[F#] the F sharp [B] to the _ _ B7 _ with a flat 9 [Em] to the E minor.
This happens [E] so many times.
It's really a device _ particularly in pop music where you go one.
I call this one.
Okay G chord song is G and G so G is one and then we go to F sharp which [F#] would be
seven _
[B] to the B7 which would be three [C] [Em] to the six.
So that gives us a _ harmonic
formula if you will that [G] is a conventional formula and that's one seven three six and
_ it's used in other songs too like when I think about the Lord.
When I think about [F#] the Lord.
_ [B] _ [Em] How he raised me.
How he.
[D] And then it also does a similar thing once it gets to the E
it continues to descend [G] and that's one.
This is kind of song where you have this descending
bass line.
_ _ _ Yeah so I hope you could _ tune into that next time you hear that one to [F#] the seven
to [B] the three [Em] to the six. _ _ _ _
Cool?
[G] Other things you can do _ _ instead of [C] the C major which is the four
of G you [Gm] can often substitute the two chord for the four and that's [G] Piano Ninja hint number maybe
[A#] 14 now.
_ _ [C] _ _
So if we go my _ savior _
[F#] my _ [B] closest friend _
_ [Em] _ I [G] will worship you [Am] until _ that's an A minor so we
can use A minor instead [C] of until _ you can use two instead of four. _
_ _ _ So [G] two five one instead of four
five one and that's also a harmonic convention that is very very very very common.
So jamming
out now. _
_ _ _ Jesus _ _ _ _ lover of [Em] my _ soul.
[B] _ [Em] _ _ _ [G] Jesus _ _ [C] I will never let you [A] go. _
_ [G] _ _ _ You've taken _ me _ _ [F#] from the my reclaim.
[A] _ _ [B] _ _ [Em] _ _ [G] Set my feet upon a [C] rock and now I [D] know.
_ _ _ [G] _ _ _
I need a little [D] _ _
_ widening of the chords.
[Em] _ Makes it [G] just sound bigger like you're opening [C] up your heart to the Lord or something.
_ _ _ [G] _ _ _
My _ savior _ [D] _
my closest [D#m] _ _ friend [Em] _
_ I will [Em] check the two until [Am] [G] the very [C] end. _ _ _
[G] _ Oh big huge hint another one another one [Am] two _ three [C] four five.
_ _ This works on a [Em] tag okay that means so
when [Am] you want to wrap a [G] song up _ [C] you can put these little
[G] tags that just go around until you know gives [Am] it a chance to really settle.
_ [C] _
_ [Am] _ _ _ [D] _ _ [G] _ _
_ _ _ _ _ _ _ _
Hillsong United. _
Song is called Jesus Lover of My Soul.
It's in G
major.
I'm gonna try a few different things with this [D] song.
There's a lot of _ _
descending type of stuff happening in the left hand [C] but there's a bunch of
different things you can do to make it interesting.
So _ Jesus _ G chord G D G A B D
and then I [F#] go lover of this [Am] is an a an F sharp [A] minor 7 with a flattened fifth.
I
know [F#] that's scary.
[Am] So we just say F sharp split but it's F [F#m] sharp E A [Am] and C C
natural.
Alright that's the fifth that got flat.
_ Lover of my _ [B] soul _ to a B7 _ [C] with a
flattened ninth.
[B] So B A C natural again _ [B] D sharp F sharp and A.
_ Cool?
It's used a lot in
the song.
_ Sometimes we invert [D#m] it and put it _ put the D sharp in the bass instead
of the B.
So but that's already getting [G] ahead.
_ Jesus _ _ _
_ [Am] lover of my [B] _ soul.
That's the
B7 to the [Em] E minor. _
Jesus [G] _ I will [C] never let you [D] go.
So that that is _ _ _ a [Em] _ E minor
right?
_ _ _ _ [D] Over the D.
_ [C] Will never let.
That's a C major.
Plano C major.
You could add a
seventh if you want.
Never let you [D] go.
To a D sus 11 which translates to a C [C] triad
over [D] D.
In this case I have G [C] C E instead of C E G but either one works.
Never let you go.
_ Resolve it on the O okay?
Don't put the D chord beforehand. _ _
And then we do it [G] again.
You've taken me _ _ [F#] from the miry clay.
[C#] _ _ [B] _ _ [Em] _ _
Set [G] my feet upon the
rock [C] C and now [C] I know [D] to [G] the G.
_ I love you [D] to the D chord.
Now this I treat
really do treat this as a D chord rather than an F sharp split.
So that's
going to be [F#] F sharps in the bass.
[D] A D and A again.
[G] So _ _ I need right in the melody.
_ _ I
need [D#m] and then _ this is that diminished chord that I just mentioned a little
while ago.
It's basically [D#m]
a D sharp diminished.
_ D sharp F [B] sharp A and [D#m] C and
I have D sharps in my bass.
_ Okay so one more [G] time.
_ I love _ you.
[D] _ I _ need _ [E] you.
That
falls or raises up to the E.
E minor.
B E [Em] and G.
Cool?
_ Though my [D] world may fall.
Which is interesting if the notes fall. _
[E] The E goes to D [G] _ and the lyrics says
fall.
They're interesting.
_ [C] I'll never let.
So C major.
Never let you go.
C and then
move the D up _ [C] _ with the C chord above it.
Go _ [D] _ and [G] then top again.
My _ savior. _
_ My
closest _ friend.
[D#m] _
_ _ Diminished chord to the [Em] E minor.
I [G] will worship you [C] until the [D] very _ _ _ [G] end.
Cool?
So one little note here about root movement.
_ You have G and then it goes to
[F#] the F sharp [B] to the _ _ B7 _ with a flat 9 [Em] to the E minor.
This happens [E] so many times.
It's really a device _ particularly in pop music where you go one.
I call this one.
Okay G chord song is G and G so G is one and then we go to F sharp which [F#] would be
seven _
[B] to the B7 which would be three [C] [Em] to the six.
So that gives us a _ harmonic
formula if you will that [G] is a conventional formula and that's one seven three six and
_ it's used in other songs too like when I think about the Lord.
When I think about [F#] the Lord.
_ [B] _ [Em] How he raised me.
How he.
[D] And then it also does a similar thing once it gets to the E
it continues to descend [G] and that's one.
This is kind of song where you have this descending
bass line.
_ _ _ Yeah so I hope you could _ tune into that next time you hear that one to [F#] the seven
to [B] the three [Em] to the six. _ _ _ _
Cool?
[G] Other things you can do _ _ instead of [C] the C major which is the four
of G you [Gm] can often substitute the two chord for the four and that's [G] Piano Ninja hint number maybe
[A#] 14 now.
_ _ [C] _ _
So if we go my _ savior _
[F#] my _ [B] closest friend _
_ [Em] _ I [G] will worship you [Am] until _ that's an A minor so we
can use A minor instead [C] of until _ you can use two instead of four. _
_ _ _ So [G] two five one instead of four
five one and that's also a harmonic convention that is very very very very common.
So jamming
out now. _
_ _ _ Jesus _ _ _ _ lover of [Em] my _ soul.
[B] _ [Em] _ _ _ [G] Jesus _ _ [C] I will never let you [A] go. _
_ [G] _ _ _ You've taken _ me _ _ [F#] from the my reclaim.
[A] _ _ [B] _ _ [Em] _ _ [G] Set my feet upon a [C] rock and now I [D] know.
_ _ _ [G] _ _ _
I need a little [D] _ _
_ widening of the chords.
[Em] _ Makes it [G] just sound bigger like you're opening [C] up your heart to the Lord or something.
_ _ _ [G] _ _ _
My _ savior _ [D] _
my closest [D#m] _ _ friend [Em] _
_ I will [Em] check the two until [Am] [G] the very [C] end. _ _ _
[G] _ Oh big huge hint another one another one [Am] two _ three [C] four five.
_ _ This works on a [Em] tag okay that means so
when [Am] you want to wrap a [G] song up _ [C] you can put these little
[G] tags that just go around until you know gives [Am] it a chance to really settle.
_ [C] _
_ [Am] _ _ _ [D] _ _ [G] _ _
_ _ _ _ _ _ _ _