Chords for Jimmy Page Inspired Lick (Pt. 1) • Wildwood Guitars
Tempo:
134.5 bpm
Chords used:
A
E
B
G
Em
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[A]
Hey y'all, Gregory Cockery here in the Wildwood Lair.
I did something to my finger here.
See, that's blood.
You know what, that's what rock and roll does to you.
It wounds you.
This is a little Jimmy Page lick I like to do every now and again.
Kind of a permutation of something Jim Page did.
I like Jimmy Page.
Who doesn't?
You know who doesn't like him?
Communists.
Whatever.
So the key of A, I start off with this major pentatonic-y thing.
Key of A.
Up to the second position.
[B] So I [B] start off here on the A string at the fourth fret.
[C#] [A]
Just repeat it an octave up.
[E]
But this is the cool part.
[G] He does stuff like this all the time.
It sounds like
Which, of course, is soul-fetched for a new millennium.
But what I'm doing up here is I'm getting E string here at the tenth fret.
The downstroke.
[Em] And then I'm going to hit the E string again, but I'm going to up-rake it on the E string, B string, and G string.
[E] Hit that G string.
So downstroke on the E string, upstroke on the E string, and then B string.
But when I hit it again, I'm just muting it.
So the rake is muted E string, muted B string, and then G string.
[B]
Then I [F#] go up to here and I do it on the 14th fret on the E string.
[D] And then the 12th fret on the G string.
[A]
Then I do this little chromatic-y thing starting here at the A note up here at the 17th [D#] fret.
Let's go chromatically down.
[D]
[Em] 17, 16, 15.
Same thing [E] on the B string.
[C] Hammer-on pull-off here.
15, 16, and then hitting that 17 on the G.
[G]
[C]
[Am] Bending up that G string at the 17th fret.
Bend it up as much as you want.
[F#]
[A] [E]
Just like that.
Little Jimmy Page fun here in the Wildwood Lair.
Dig [A] it.
Adios.
[A]
Hey y'all, Gregory Cockery here in the Wildwood Lair.
I did something to my finger here.
See, that's blood.
You know what, that's what rock and roll does to you.
It wounds you.
This is a little Jimmy Page lick I like to do every now and again.
Kind of a permutation of something Jim Page did.
I like Jimmy Page.
Who doesn't?
You know who doesn't like him?
Communists.
Whatever.
So the key of A, I start off with this major pentatonic-y thing.
Key of A.
Up to the second position.
[B] So I [B] start off here on the A string at the fourth fret.
[C#] [A]
Just repeat it an octave up.
[E]
But this is the cool part.
[G] He does stuff like this all the time.
It sounds like
Which, of course, is soul-fetched for a new millennium.
But what I'm doing up here is I'm getting E string here at the tenth fret.
The downstroke.
[Em] And then I'm going to hit the E string again, but I'm going to up-rake it on the E string, B string, and G string.
[E] Hit that G string.
So downstroke on the E string, upstroke on the E string, and then B string.
But when I hit it again, I'm just muting it.
So the rake is muted E string, muted B string, and then G string.
[B]
Then I [F#] go up to here and I do it on the 14th fret on the E string.
[D] And then the 12th fret on the G string.
[A]
Then I do this little chromatic-y thing starting here at the A note up here at the 17th [D#] fret.
Let's go chromatically down.
[D]
[Em] 17, 16, 15.
Same thing [E] on the B string.
[C] Hammer-on pull-off here.
15, 16, and then hitting that 17 on the G.
[G]
[C]
[Am] Bending up that G string at the 17th fret.
Bend it up as much as you want.
[F#]
[A] [E]
Just like that.
Little Jimmy Page fun here in the Wildwood Lair.
Dig [A] it.
Adios.
[A]
Key:
A
E
B
G
Em
A
E
B
_ _ _ _ _ _ [A] _ _
_ _ _ _ Hey y'all, Gregory Cockery here in the Wildwood Lair.
I did something to my finger here.
See, that's blood. _
You know what, that's what rock and roll does to you.
It wounds you. _
This is a little Jimmy Page lick I like to do every now and again.
Kind of a permutation of something Jim Page did.
I like Jimmy Page.
Who doesn't?
You know who doesn't like him?
Communists.
_ _ _ _ Whatever. _
So the key of A, I start off with this major pentatonic-y thing. _ _
_ _ _ _ Key of A. _
_ Up to the second position.
[B] _ So I [B] start off here on the A string at the fourth fret.
[C#] _ _ _ [A] _ _
_ _ _ _ _ _ _ _
_ Just repeat it an octave up.
_ [E] _
But this is the cool part.
_ _ _ [G] _ He does stuff like this all the time.
It sounds like_
_ _ Which, of course, is soul-fetched for a new millennium.
But what I'm doing up here is I'm getting E string here at the tenth fret.
_ The downstroke. _ _
[Em] And then I'm going to hit the E string again, but I'm going to up-rake it on the E string, B string, and G string.
_ _ [E] Hit that G string.
_ _ So downstroke on the E string, upstroke on the E string, and then B string.
_ _ _ _ But when I hit it again, I'm just muting it.
So the rake is muted E string, muted B string, and then G string.
_ _ _ _ [B] _
_ _ _ _ Then I [F#] go up to here and I do it on the 14th fret on the E string.
_ _ [D] And then the 12th _ fret on the G string.
_ [A] _ _ _
_ _ _ Then I do this little chromatic-y thing starting here at the A note up here at the 17th [D#] fret.
Let's go chromatically down.
_ _ _ _ [D] _
[Em] 17, 16, 15.
Same thing [E] on the B string. _ _
_ _ _ [C] _ _ Hammer-on pull-off here.
_ _ _ 15, 16, _ _ _ and then hitting that 17 on the G.
[G] _ _
_ _ _ _ _ [C] _ _ _
_ _ [Am] _ _ _ _ Bending up that G string at the 17th fret.
_ _ _ Bend it up as much as you want. _ _ _ _ _ _
_ _ _ _ _ [F#] _ _ _
_ [A] _ _ _ _ _ _ [E] _
_ _ Just like that.
Little Jimmy Page fun here in the Wildwood Lair.
Dig [A] it.
Adios. _ _ _ _
_ _ [A] _ _ _ _ _ _
_ _ _ _ Hey y'all, Gregory Cockery here in the Wildwood Lair.
I did something to my finger here.
See, that's blood. _
You know what, that's what rock and roll does to you.
It wounds you. _
This is a little Jimmy Page lick I like to do every now and again.
Kind of a permutation of something Jim Page did.
I like Jimmy Page.
Who doesn't?
You know who doesn't like him?
Communists.
_ _ _ _ Whatever. _
So the key of A, I start off with this major pentatonic-y thing. _ _
_ _ _ _ Key of A. _
_ Up to the second position.
[B] _ So I [B] start off here on the A string at the fourth fret.
[C#] _ _ _ [A] _ _
_ _ _ _ _ _ _ _
_ Just repeat it an octave up.
_ [E] _
But this is the cool part.
_ _ _ [G] _ He does stuff like this all the time.
It sounds like_
_ _ Which, of course, is soul-fetched for a new millennium.
But what I'm doing up here is I'm getting E string here at the tenth fret.
_ The downstroke. _ _
[Em] And then I'm going to hit the E string again, but I'm going to up-rake it on the E string, B string, and G string.
_ _ [E] Hit that G string.
_ _ So downstroke on the E string, upstroke on the E string, and then B string.
_ _ _ _ But when I hit it again, I'm just muting it.
So the rake is muted E string, muted B string, and then G string.
_ _ _ _ [B] _
_ _ _ _ Then I [F#] go up to here and I do it on the 14th fret on the E string.
_ _ [D] And then the 12th _ fret on the G string.
_ [A] _ _ _
_ _ _ Then I do this little chromatic-y thing starting here at the A note up here at the 17th [D#] fret.
Let's go chromatically down.
_ _ _ _ [D] _
[Em] 17, 16, 15.
Same thing [E] on the B string. _ _
_ _ _ [C] _ _ Hammer-on pull-off here.
_ _ _ 15, 16, _ _ _ and then hitting that 17 on the G.
[G] _ _
_ _ _ _ _ [C] _ _ _
_ _ [Am] _ _ _ _ Bending up that G string at the 17th fret.
_ _ _ Bend it up as much as you want. _ _ _ _ _ _
_ _ _ _ _ [F#] _ _ _
_ [A] _ _ _ _ _ _ [E] _
_ _ Just like that.
Little Jimmy Page fun here in the Wildwood Lair.
Dig [A] it.
Adios. _ _ _ _
_ _ [A] _ _ _ _ _ _