Chords for Joey Alexander (10 year old Jazz pianist)

Tempo:
162.95 bpm
Chords used:

D

C#

C

Bm

G

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Joey Alexander (10 year old Jazz pianist) chords
Start Jamming...
[C#m] [F#] [D#]
[C] [D] [C#m]
[D#m] [D] [C] [F#m] If you haven't seen him live and heard him [G] live [C#] [D] and you just hear that there's a young kid who can play [C#] jazz
There's there's no [Fm] way to prepare you for [Dm] what you're going to experience
[A] [E] [C#] Until you actually [G#] see it [Cm] happen
[Bm] [C#] [Dm]
[G] [D#]
[F#] [Cm] [A#]
[Am] [G] [C#m] [G#m] [C#]
[C] [C#m] [D#m]
[G] [E] He's listening to everything that's happening.
[G#] He plays with [C] dynamics
[G#m] [C#] [G#] He comes in with [D#m] fully [G#] formed arrangements of tunes that he's thought of and he [A#] also comes [D] in totally open to
[Fm] Changing or forgetting those arrangements and coming [Em] up with new ones
[E]
[F#] first thing that [F] blew my mind was we were sitting in [C#] the studio [D] [Bm] [A#] and
There [Bm] was the choice to [G#] have headphones or not
and during that period of time I [B] said, you know, man the kids need [D#] headphones [F#] and
[G#] He said no, I [C] think I'll be okay and [Em] we did a take and it [E] was one of [G#] the most musical things I'd ever heard
[Gm] [E]
[C#] [D] [F] And I said wow, [Bm] this kid is listening to me [A] and Larry [Fm] through glass, you know and [Gm] [D] isolated in studio booths
I said, [D#m] okay I get
[G#] [Gm]
[E] We [C#] really [D] got the [Gm] essence of [C] the music [Bm] together [Cm] beyond [A#] [G#] the
mechanics and the [G] notes and the technique [C#] which he obviously has
Everything that Ulysses and [F#] I [A#m] played [G#m] he was [Gm] reacting
[Em] Which is what I get [C#] from the greatest [D] musicians.
It's so [C] natural for him.
[F#m] He hears it the way we [D#m] hear like
English [E] vocabulary.
We're like [C#] you learn a [C] new word.
He learns that he doesn't only just [Em] learn material
[C#m]
Joey understands then how [Fm] to use the material in [C] a musical [Em] way
It's [G#m] amazing when we [G#] play like I hear [Cm] so [E] many different [C#] influences
[Bm] [D#] [Fm] I [C]
[G#] [C#] [Fm]
[D#] [A] [D] [G] [E]
[C#] [D] [Gm] [C#m]
[C#] [B] love [F#] Monk.
That's my strongest [C#] influence and Herbie Hancock [F#] John Coltrane Algarve [C#] Armstrong
[F#] Howard Silver [C#m] I like
[B] [Fm]
Wynton [C] [Bm] Marsalis, T.
[A#] Corey I like, [B] McCoy [F#] Tyler [G#] and Kenny [D#] Curtin I like [Am] and [Bm]
that's
Becomes [F#] part of me [A#] [C]
playing piano
[Am]
[D] [G]
[C] [G] [C]
I [F#m] [B]
[Em] mean, it's really kind of hard to comprehend
I [C] got it digested a bit, you know, because I [Em] started out playing music [G] fairly young too, you [C] know
but this is a whole [D] other [C] thing, you know, I feel like to [D] have the
The [A] completeness of the so it's so [G] coming together.
So so well and [C] so organically
Doesn't sound [Bm] like it.
There's been a real method
[C] From the love of the music and listening to [Em] it that to me
[A] Connects him with the whole history of this [Em] music that was really taught by playing it not by going to [B] school to learn how to Play [F#] it
[Em] [G] That's a really [Em] important thing about jazz music [D] is that it's a it's an [C] oral tradition the way that the masters learned were
From playing with each other being on the road being [Am] mentored and he didn't even [G] have that
He was just mentored by the records [C] listening to the records over and over [G] again
and he reached a level [C]
far higher [Am] than you know, Matt people [F] who have masters and [E] doctor degrees and
Jazz, you know
[Am] That's [B] that's amazing [Em] to see and that's an amazing story about how powerful [F#] jazz music is
[A]
[G]
[Am] [C]
[Bm] [Em] [G] Maybe I'd have [F#] a mentor.
[Em] I'm still learning every [G] day
[E] But that's music
[G]
You [E] have to keep doing what you [D] do
[C#]
[E] [F#m] [Cm]
[A#m] [A]
[D] [C#]
[D]
[Bm] [C#]
[Bm]
[F#m] [C#] [G#]
We [C#m] were [Fm] all just [D] turned around and inspired [A] by
[Bm] [D#] By Joey and not [Cm] only as an incredible musician and [D] artist [Bm] but as a human being
[C#]
He's been such an [D] [Bm] inspiration to
[F#m] to me as a [C#] musician and [F#m] a person [D] he's one of the most kind and
[G#] focused people [D#] I've ever met
[F] [D] Joey [E]
that's a [Bm] person you're gonna know in the future [C#]
and
for many [D#] years to [Bm]
come
[C#]
I'm playing
[D]
[Bm] my friend cost [B] from [C#] my heart platform
Technique or [D] anything is from the heart [F#] and [G#] that's jazz is from the groove
[A] [D] [D#]
[A] [D#] [A] [D]
[Fm]
[D]
[F#m] [Bm] [Fm]
[D]
[F#m] [G#]
[D]
Key:  
D
1321
C#
12341114
C
3211
Bm
13421112
G
2131
D
1321
C#
12341114
C
3211
Show All Diagrams
Chords
NotesBeta

To learn Joey Alexander - Giant Steps chords, anchor your practice on these foundational sequence of chords - Bm, C#, D, E, C#, D, Gm, Bm, Fm, D and F#m. Set your pace at 81 BPM initially and then sync up with the song's BPM of 163. Considering your vocal pitch and chord choices, adjust the capo in accordance with the key: C# Minor.

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[C#m] _ _ _ _ _ [F#] _ [D#] _ _
_ _ [C] _ _ _ [D] _ _ [C#m] _
_ [D#m] _ _ _ [D] _ _ [C] [F#m] If you haven't seen him live and heard him [G] live [C#] [D] and you just hear that there's a young kid who can play [C#] jazz
There's there's no [Fm] way to prepare you for [Dm] what you're going to experience
[A] _ _ [E] _ [C#] Until you actually [G#] see it [Cm] happen
_ [Bm] _ _ [C#] _ _ _ [Dm] _
_ _ _ [G] _ _ _ _ [D#] _
_ _ [F#] _ _ [Cm] _ [A#] _ _ _
[Am] _ [G] _ _ _ [C#m] _ _ [G#m] _ [C#] _
_ [C] _ _ _ _ [C#m] _ _ [D#m] _
[G] _ [E] He's listening to everything that's happening.
[G#] He plays with [C] dynamics
[G#m] _ [C#] _ [G#] He comes in with [D#m] fully [G#] formed arrangements of tunes that he's thought of and he [A#] also comes [D] in totally open to
[Fm] _ Changing or forgetting those arrangements _ and coming [Em] up with new ones
_ _ [E] _ _
_ [F#] _ first thing that [F] blew my mind was we were sitting in [C#] the studio [D] _ [Bm] [A#] and
There [Bm] was the choice to [G#] have headphones or not
and during that period of time I [B] said, you know, man the kids need [D#] headphones [F#] and
[G#] He said no, I [C] think I'll be okay and [Em] we did a take and it [E] was one of [G#] the most musical things I'd ever heard
[Gm] _ _ [E] _ _
[C#] _ _ [D] _ _ [F] And I said wow, [Bm] this kid is listening to me [A] and Larry [Fm] through glass, you know and [Gm] [D] isolated in studio booths
I said, [D#m] okay I get
_ [G#] _ _ [Gm] _ _
_ [E] We [C#] really [D] got the [Gm] essence of [C] the music [Bm] together [Cm] beyond [A#] [G#] the
mechanics and the [G] notes and the technique [C#] which he obviously has
_ _ Everything that Ulysses and [F#] I [A#m] played [G#m] he was [Gm] reacting
_ [Em] Which is what I get [C#] from the greatest [D] musicians.
_ It's so [C] natural for him.
[F#m] He hears it the way we [D#m] _ hear like
_ English [E] vocabulary.
We're like [C#] you learn a [C] new word.
He learns that he doesn't only just [Em] learn material
[C#m] _
Joey understands then how [Fm] to use the material in [C] a musical [Em] way
It's [G#m] amazing when we [G#] play like I hear [Cm] so [E] many different [C#] influences
[Bm] _ _ [D#] [Fm] I _ _ [C] _ _
_ [G#] _ _ _ [C#] _ _ [Fm] _ _
_ [D#] _ [A] _ [D] _ [G] _ _ [E] _ _
[C#] _ _ [D] _ _ [Gm] _ _ [C#m] _ _
_ [C#] _ [B] _ _ love [F#] Monk.
That's my strongest [C#] influence and Herbie Hancock [F#] John _ Coltrane _ Algarve [C#] Armstrong
_ _ _ _ [F#] Howard Silver [C#m] I like
_ [B] _ _ [Fm] _
Wynton [C] [Bm] Marsalis, T.
[A#] Corey I like, [B] McCoy [F#] Tyler [G#] and Kenny [D#] Curtin I like [Am] and _ [Bm]
that's
_ Becomes [F#] part of me [A#] _ [C] _
playing piano
_ [Am] _ _ _
_ [D] _ _ _ _ [G] _ _ _
_ _ _ [C] _ [G] _ _ _ [C] _
I [F#m] _ _ _ _ [B] _ _
_ _ _ [Em] mean, it's really kind of hard to comprehend
I [C] got it digested a bit, you know, because I [Em] started out playing music [G] fairly young too, you [C] know
but this is a whole [D] other [C] thing, you know, I feel like to [D] have the
_ The [A] completeness of the so it's so [G] coming together.
So so well and [C] so organically
_ Doesn't sound [Bm] like it.
There's been a real method
[C] From the love of the music and listening to [Em] it that to me
[A] Connects him with the whole history of this [Em] music that was really taught by playing it not by going to [B] school to learn how to Play [F#] it _ _
[Em] _ _ _ _ [G] _ That's a really [Em] important thing about jazz music [D] is that it's a it's an [C] oral tradition the way that the masters learned were
From playing with each other being on the road being [Am] mentored and he didn't even [G] have that
He was just mentored by the records [C] listening to the records over and over [G] again
and he reached a level [C]
far higher [Am] than you know, Matt people [F] who have masters and [E] doctor degrees and
Jazz, you know
_ [Am] _ _ _ That's [B] that's amazing [Em] to see and that's an amazing story about how powerful [F#] jazz music is _ _ _ _ _ _
_ _ _ _ _ _ [A] _ _
_ _ _ _ _ [G] _ _ _
_ _ _ _ [Am] _ _ [C] _ _
[Bm] _ _ _ [Em] _ _ _ [G] Maybe I'd have [F#] a mentor.
[Em] I'm still learning _ every [G] day
[E] But that's music
_ [G]
You [E] have to keep doing what you [D] do _
_ [C#] _ _ _ _ _ _ _
[E] _ _ [F#m] _ _ _ _ _ [Cm] _
_ _ _ _ _ _ [A#m] _ [A] _
_ _ _ _ _ _ [D] _ [C#] _
_ _ _ _ _ _ _ [D] _
_ _ _ [Bm] _ _ _ _ [C#] _
_ _ _ _ _ _ [Bm] _ _
[F#m] _ _ [C#] _ _ _ _ [G#] _ _
_ We [C#m] were [Fm] all just [D] turned around and inspired [A] by
[Bm] _ [D#] By Joey and not [Cm] only as an incredible musician and [D] artist [Bm] but as a human being
_ [C#] _ _
_ He's been such an [D] [Bm] inspiration to
_ _ [F#m] to me as a [C#] musician and [F#m] a person _ [D] he's one of the most kind and
[G#] focused people [D#] I've ever met
_ _ [F] _ [D] Joey [E]
that's a [Bm] person you're gonna know in the future [C#] _
and
for many [D#] years to _ [Bm] _
come
_ _ _ _ _ [C#] _ _
_ _ _ I'm playing
[D] _
[Bm] my friend cost [B] from [C#] my heart platform _
_ _ _ _ Technique or [D] anything is from the heart _ _ _ [F#] and [G#] that's jazz is from the groove
_ [A] _ _ _ _ _ _ [D] _ _ _ [D#] _ _
[A] _ _ [D#] _ [A] _ _ _ [D] _ _
_ _ _ _ _ _ [Fm] _ _
_ _ _ _ _ [D] _ _ _
_ [F#m] _ _ [Bm] _ _ [Fm] _ _ _
_ _ _ _ _ [D] _ _ _
_ [F#m] _ [G#] _ _ _ _ _ _
_ _ _ [D] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _

Facts about this song

This song, written by John Coltrane, finds its place within the My Favorite Things album.

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