Chords for John Renbourn Teaches "Sandwood Down to Kyle" (Pt 2 of 2)
Tempo:
120.2 bpm
Chords used:
D
Dm
C
Gm
G
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[G] Well, that's an example [D] of a song that seems to work well
With an accompaniment playing in Davy Grahame's tuning dadgad
Well as far as I know Dave Gould of the man that wrote the song
Plays the guitar in regular tuning and didn't use that tuning for this particular accompaniment
The song is in fact if [Dm] you break it down in the [D] basically D minor scale notes of the song which would be
[Dm] the
G E F [G] natural [D] G [Bb] A B flat [F] [D] C D and
For the introduction although I [G] don't think of it as a [D] raga so much.
I like to play around
for a little while just outlining the [E] the notes of the tune there and
[D] I like the interplay a little bit between the [Gm] the flat [D] six and the fifth there
[G]
[Dm] [D]
Um
Well, it's just endless possibilities in this tuning provided
You keep the two strings open on the top and a bit of action on the bass you [Dm] can
There's [G]
[Dm] [D]
[Dm] [E] [D] room to play on the middle strings.
You can even
[Dm]
[D] Venture up on those strings there or bring in like low [Gm] bass bends
In [Am] [D]
the song itself I use one of [Ab] those string [D] bends just as a link phrase here
[Dm] the [Gm]
[A] [Gm] [C] [D]
top string bends down
[G]
[A] [Gm] [C] [D] Those chords that are running around there are basically a D [C] minor with a C in the [Bb] root B flat chord
[C] Like to see [D] which is the same notes as I was using for the introduction and the main notes that are in the melody
as I say there's plenty of room to [Dm] experiment and play around using breaks in the song and
[E] [Dm] [Am] [D]
[C] [Gm] [A] Textural changes as well even the top string which is
Ringing away there can be used gradually to kind of just bring out some [Fm] sort of tone
[D] Just [C]
[Gm] [A] [D]
[Gm] [Dm] [A] rings pretty well
[D] It's been a pleasure playing for you
Let's run through this tune together in the main sections on the split screen.
So
[Dm] [Gm] [Dm]
[Gm] [C] [D] we're going for the opening phrase now
[Dm] [G] The [A] tag [Gm] the link [C] [D] this roll it a few times just bend the string down
[Dm] [Gm] [A]
[Gm] [C] [D] First is up and down.
Did it go?
[Dm] Yeah, [Gm] [A]
[Gm] [C] [D] so the song is on [F] Monday
[A] [Am] While [D] [C] [Bb] words [D] for [G] to see G [C]-minus
[D] I [C] met a man
[G] [D] [Am]
Did [Bb] [C] [D]
[F] [C] even see
[D]
[Am] [Bb] [C]
[D] [Dm] [G] [A]
[Gm] [C] You [D] can play this little link the [Gm] bass notes [A] just [Gm] [C] [D] on the bottom phrase
bass [F] [G] [A] so runs [Gm] up
[C] [D]
[Am] [D] [Am] Voice [D] [C] [Gm] [C] goes up [D] parts go down Believe [C] me
[D] [Am]
She [Bb] [C] [D]
[F] [C] [G] [D]
might or [Am] he might
[Bb] [C] Well,
[D] [Dm] [G] [A]
[Bb] [C] [D]
[Dm] [G] let's [A] [Gm]
just experiment [D] the third string
[Bb] [D] Using most of the scale
[Dm]
[G] [D] [Bb] [D] See [Dm] [D]
what happens if we go [Dm] up then [D] down
[C] [D] [G] [Dm] [Am] [Dm]
[G] [Dm] [G]
[Dm] [D] [A]
Hmm go out on [D] a pattern using [F] the top string [Gm] [Bb] [Am]
[D] quiet on the face
[Gm] [Am] [D]
[Dm] [G] [Am] [Gm]
[C] [G] [F] [D]
[F] [G] [D] [G]
[Dm]
With an accompaniment playing in Davy Grahame's tuning dadgad
Well as far as I know Dave Gould of the man that wrote the song
Plays the guitar in regular tuning and didn't use that tuning for this particular accompaniment
The song is in fact if [Dm] you break it down in the [D] basically D minor scale notes of the song which would be
[Dm] the
G E F [G] natural [D] G [Bb] A B flat [F] [D] C D and
For the introduction although I [G] don't think of it as a [D] raga so much.
I like to play around
for a little while just outlining the [E] the notes of the tune there and
[D] I like the interplay a little bit between the [Gm] the flat [D] six and the fifth there
[G]
[Dm] [D]
Um
Well, it's just endless possibilities in this tuning provided
You keep the two strings open on the top and a bit of action on the bass you [Dm] can
There's [G]
[Dm] [D]
[Dm] [E] [D] room to play on the middle strings.
You can even
[Dm]
[D] Venture up on those strings there or bring in like low [Gm] bass bends
In [Am] [D]
the song itself I use one of [Ab] those string [D] bends just as a link phrase here
[Dm] the [Gm]
[A] [Gm] [C] [D]
top string bends down
[G]
[A] [Gm] [C] [D] Those chords that are running around there are basically a D [C] minor with a C in the [Bb] root B flat chord
[C] Like to see [D] which is the same notes as I was using for the introduction and the main notes that are in the melody
as I say there's plenty of room to [Dm] experiment and play around using breaks in the song and
[E] [Dm] [Am] [D]
[C] [Gm] [A] Textural changes as well even the top string which is
Ringing away there can be used gradually to kind of just bring out some [Fm] sort of tone
[D] Just [C]
[Gm] [A] [D]
[Gm] [Dm] [A] rings pretty well
[D] It's been a pleasure playing for you
Let's run through this tune together in the main sections on the split screen.
So
[Dm] [Gm] [Dm]
[Gm] [C] [D] we're going for the opening phrase now
[Dm] [G] The [A] tag [Gm] the link [C] [D] this roll it a few times just bend the string down
[Dm] [Gm] [A]
[Gm] [C] [D] First is up and down.
Did it go?
[Dm] Yeah, [Gm] [A]
[Gm] [C] [D] so the song is on [F] Monday
[A] [Am] While [D] [C] [Bb] words [D] for [G] to see G [C]-minus
[D] I [C] met a man
[G] [D] [Am]
Did [Bb] [C] [D]
[F] [C] even see
[D]
[Am] [Bb] [C]
[D] [Dm] [G] [A]
[Gm] [C] You [D] can play this little link the [Gm] bass notes [A] just [Gm] [C] [D] on the bottom phrase
bass [F] [G] [A] so runs [Gm] up
[C] [D]
[Am] [D] [Am] Voice [D] [C] [Gm] [C] goes up [D] parts go down Believe [C] me
[D] [Am]
She [Bb] [C] [D]
[F] [C] [G] [D]
might or [Am] he might
[Bb] [C] Well,
[D] [Dm] [G] [A]
[Bb] [C] [D]
[Dm] [G] let's [A] [Gm]
just experiment [D] the third string
[Bb] [D] Using most of the scale
[Dm]
[G] [D] [Bb] [D] See [Dm] [D]
what happens if we go [Dm] up then [D] down
[C] [D] [G] [Dm] [Am] [Dm]
[G] [Dm] [G]
[Dm] [D] [A]
Hmm go out on [D] a pattern using [F] the top string [Gm] [Bb] [Am]
[D] quiet on the face
[Gm] [Am] [D]
[Dm] [G] [Am] [Gm]
[C] [G] [F] [D]
[F] [G] [D] [G]
[Dm]
Key:
D
Dm
C
Gm
G
D
Dm
C
[G] Well, that's an example [D] of a song that seems to work well
With an accompaniment playing in Davy Grahame's tuning dadgad
Well as far as I know Dave Gould of the man that wrote the song
Plays the guitar in regular tuning and didn't use that tuning for this particular accompaniment _ _
_ The _ _ song is in fact if [Dm] you break it down in the [D] basically D minor scale notes of the song which would be
_ [Dm] the
G E F [G] natural [D] G [Bb] A B flat [F] [D] C D _ and
For the introduction although I [G] don't think of it as a [D] raga so much.
I like to play around
for a little while just outlining the [E] the notes of the tune there and
[D] I like the interplay a little bit between the _ [Gm] the flat [D] six and the fifth there
[G] _ _
_ [Dm] _ _ [D] _ _ _ _ _
_ Um
_ _ Well, it's just endless possibilities in this tuning provided
You keep the two strings open on the top and a bit of action on the bass you [Dm] can
There's [G] _
[Dm] _ _ [D] _ _ _ _ _ _
[Dm] _ _ _ [E] _ [D] _ room to play on the middle strings.
You can even
_ _ [Dm] _ _
_ _ _ [D] Venture up on those strings there or bring in like low [Gm] bass _ bends _
In _ _ [Am] _ _ [D] _ _
_ the song itself I use one of [Ab] those string [D] bends just as a link phrase here
[Dm] the [Gm] _ _
[A] _ _ [Gm] _ _ _ [C] _ [D] _ _
top string bends down
_ _ [G] _ _
_ [A] _ [Gm] _ _ _ [C] _ [D] Those chords that are running around there are basically a D [C] minor with a C in the [Bb] root B flat chord
[C] Like to see [D] which is the same notes as I was using for the introduction and the main notes that are in the melody
as _ I say there's plenty of room to [Dm] experiment and play around using breaks in the song and
_ _ _ [E] _ [Dm] _ [Am] _ _ [D] _
[C] _ _ [Gm] _ _ [A] Textural changes as well even the top string which is _ _ _
Ringing away there can be used gradually to kind of just bring out some [Fm] sort of tone
[D] Just _ _ [C] _ _
_ _ [Gm] _ _ _ [A] _ _ [D] _
_ _ _ _ _ _ _ _
[Gm] _ _ _ [Dm] [A] rings pretty well
[D] _ It's been a pleasure playing for you _
Let's run through this tune together in the main sections on the split screen.
So _ _ _ _ _
_ _ _ [Dm] _ [Gm] _ _ [Dm] _ _
[Gm] _ _ [C] _ _ [D] _ we're going for the opening phrase now
_ [Dm] _ [G] The [A] tag [Gm] the link _ [C] _ [D] this roll it a few times just bend the string down
[Dm] _ [Gm] _ _ [A] _ _
[Gm] _ _ _ [C] _ [D] _ First is up and down.
Did it go?
[Dm] Yeah, [Gm] _ _ [A] _ _
[Gm] _ _ _ [C] [D] so the song is on [F] Monday
_ [A] _ [Am] _ While [D] _ [C] [Bb] words [D] for [G] to see G [C]-minus _
[D] I [C] met a man
[G] _ [D] _ _ [Am] _
Did _ [Bb] _ [C] _ _ _ [D] _
_ _ [F] _ [C] even see
_ [D] _
_ [Am] _ _ _ _ [Bb] _ _ [C] _
_ [D] _ _ _ [Dm] _ [G] _ _ [A] _
[Gm] _ _ _ [C] You [D] can play this little link the [Gm] bass notes [A] just [Gm] _ _ _ [C] _ [D] _ on the bottom phrase
bass [F] _ [G] _ [A] so runs [Gm] up
_ [C] _ _ [D] _ _ _ _
_ [Am] _ _ [D] _ [Am] _ _ Voice [D] _ [C] _ [Gm] _ _ _ [C] goes up [D] parts go down Believe [C] me
[D] _ _ _ [Am] _
She [Bb] _ _ [C] _ _ [D] _ _
_ _ [F] _ _ [C] _ _ [G] _ [D]
might or [Am] he might
_ _ [Bb] _ [C] Well, _
[D] _ _ _ [Dm] _ [G] _ _ [A] _ _
[Bb] _ _ [C] _ _ [D] _ _ _ _
_ _ _ [Dm] _ [G] let's [A] _ [Gm] _
_ just experiment [D] the third string
_ _ _ [Bb] _ [D] Using _ _ _ _ most of the scale
_ [Dm] _
[G] _ [D] _ [Bb] _ [D] See [Dm] _ _ [D] _
_ what happens if we go [Dm] up then [D] down
[C] _ [D] _ [G] _ [Dm] _ [Am] _ [Dm] _ _ _
[G] _ _ _ _ _ [Dm] _ _ [G] _
[Dm] _ _ _ _ [D] _ _ [A] _
Hmm go out on [D] a pattern using [F] the top string [Gm] _ [Bb] _ _ [Am] _ _ _
[D] quiet on the face
_ _ _ _ _ [Gm] _ _ _ _ [Am] _ _ _ [D] _ _
_ [Dm] _ [G] _ _ _ [Am] _ [Gm] _ _
[C] _ _ [G] _ [F] _ [D] _ _ _ _
[F] _ _ [G] _ [D] _ _ _ _ [G] _
_ _ _ _ [Dm] _ _ _ _
With an accompaniment playing in Davy Grahame's tuning dadgad
Well as far as I know Dave Gould of the man that wrote the song
Plays the guitar in regular tuning and didn't use that tuning for this particular accompaniment _ _
_ The _ _ song is in fact if [Dm] you break it down in the [D] basically D minor scale notes of the song which would be
_ [Dm] the
G E F [G] natural [D] G [Bb] A B flat [F] [D] C D _ and
For the introduction although I [G] don't think of it as a [D] raga so much.
I like to play around
for a little while just outlining the [E] the notes of the tune there and
[D] I like the interplay a little bit between the _ [Gm] the flat [D] six and the fifth there
[G] _ _
_ [Dm] _ _ [D] _ _ _ _ _
_ Um
_ _ Well, it's just endless possibilities in this tuning provided
You keep the two strings open on the top and a bit of action on the bass you [Dm] can
There's [G] _
[Dm] _ _ [D] _ _ _ _ _ _
[Dm] _ _ _ [E] _ [D] _ room to play on the middle strings.
You can even
_ _ [Dm] _ _
_ _ _ [D] Venture up on those strings there or bring in like low [Gm] bass _ bends _
In _ _ [Am] _ _ [D] _ _
_ the song itself I use one of [Ab] those string [D] bends just as a link phrase here
[Dm] the [Gm] _ _
[A] _ _ [Gm] _ _ _ [C] _ [D] _ _
top string bends down
_ _ [G] _ _
_ [A] _ [Gm] _ _ _ [C] _ [D] Those chords that are running around there are basically a D [C] minor with a C in the [Bb] root B flat chord
[C] Like to see [D] which is the same notes as I was using for the introduction and the main notes that are in the melody
as _ I say there's plenty of room to [Dm] experiment and play around using breaks in the song and
_ _ _ [E] _ [Dm] _ [Am] _ _ [D] _
[C] _ _ [Gm] _ _ [A] Textural changes as well even the top string which is _ _ _
Ringing away there can be used gradually to kind of just bring out some [Fm] sort of tone
[D] Just _ _ [C] _ _
_ _ [Gm] _ _ _ [A] _ _ [D] _
_ _ _ _ _ _ _ _
[Gm] _ _ _ [Dm] [A] rings pretty well
[D] _ It's been a pleasure playing for you _
Let's run through this tune together in the main sections on the split screen.
So _ _ _ _ _
_ _ _ [Dm] _ [Gm] _ _ [Dm] _ _
[Gm] _ _ [C] _ _ [D] _ we're going for the opening phrase now
_ [Dm] _ [G] The [A] tag [Gm] the link _ [C] _ [D] this roll it a few times just bend the string down
[Dm] _ [Gm] _ _ [A] _ _
[Gm] _ _ _ [C] _ [D] _ First is up and down.
Did it go?
[Dm] Yeah, [Gm] _ _ [A] _ _
[Gm] _ _ _ [C] [D] so the song is on [F] Monday
_ [A] _ [Am] _ While [D] _ [C] [Bb] words [D] for [G] to see G [C]-minus _
[D] I [C] met a man
[G] _ [D] _ _ [Am] _
Did _ [Bb] _ [C] _ _ _ [D] _
_ _ [F] _ [C] even see
_ [D] _
_ [Am] _ _ _ _ [Bb] _ _ [C] _
_ [D] _ _ _ [Dm] _ [G] _ _ [A] _
[Gm] _ _ _ [C] You [D] can play this little link the [Gm] bass notes [A] just [Gm] _ _ _ [C] _ [D] _ on the bottom phrase
bass [F] _ [G] _ [A] so runs [Gm] up
_ [C] _ _ [D] _ _ _ _
_ [Am] _ _ [D] _ [Am] _ _ Voice [D] _ [C] _ [Gm] _ _ _ [C] goes up [D] parts go down Believe [C] me
[D] _ _ _ [Am] _
She [Bb] _ _ [C] _ _ [D] _ _
_ _ [F] _ _ [C] _ _ [G] _ [D]
might or [Am] he might
_ _ [Bb] _ [C] Well, _
[D] _ _ _ [Dm] _ [G] _ _ [A] _ _
[Bb] _ _ [C] _ _ [D] _ _ _ _
_ _ _ [Dm] _ [G] let's [A] _ [Gm] _
_ just experiment [D] the third string
_ _ _ [Bb] _ [D] Using _ _ _ _ most of the scale
_ [Dm] _
[G] _ [D] _ [Bb] _ [D] See [Dm] _ _ [D] _
_ what happens if we go [Dm] up then [D] down
[C] _ [D] _ [G] _ [Dm] _ [Am] _ [Dm] _ _ _
[G] _ _ _ _ _ [Dm] _ _ [G] _
[Dm] _ _ _ _ [D] _ _ [A] _
Hmm go out on [D] a pattern using [F] the top string [Gm] _ [Bb] _ _ [Am] _ _ _
[D] quiet on the face
_ _ _ _ _ [Gm] _ _ _ _ [Am] _ _ _ [D] _ _
_ [Dm] _ [G] _ _ _ [Am] _ [Gm] _ _
[C] _ _ [G] _ [F] _ [D] _ _ _ _
[F] _ _ [G] _ [D] _ _ _ _ [G] _
_ _ _ _ [Dm] _ _ _ _