Chords for Joscho Stephan meets...GONZALO BERGARA
Tempo:
120.65 bpm
Chords used:
E
G
D
A
B
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Jam Along & Learn...
[G]
So we have our first guest here [Bb] in the Gypsy Guitar [G] Academy and I'm very glad that it's my good [E] friend Gonzalo Vergara.
[Em]
[A] [D] [Am]
[Gm] [D] [Gm]
Yeah Gonzalo I have some questions for [A] you and I [Bb] hope [E] they're interesting for the people.
[G] [C] [D]
I was 21 years old and it was through that film, the Woody Allen film, Sweet and Lowdown.
You know the movie starts with
[F] Yeah, [G] when day is done.
[E] That's right.
And I was always a big fan of the guitar but with blues it was always very limited.
I wanted to play something else and people would say that's not blues anymore.
So that's what I like about this style, that you could really study music, study the instrument without any limitations.
It was the first style of music that opened the door to an endless universe.
[A] [B]
[E] [A]
[E] [A] [E]
[B] [E]
[B] Because of the reason we have a Gypsy Guitar Academy, [Ab] these would be some questions that are really interesting [Abm] for the people who want to learn this style.
When we talk about practicing, do you have a special routine for practicing?
Do you start with ear training or you do some licks or you do some technical stuff?
I try to practice whatever I know I'm not good at.
So you know, one month could be maybe this hand being a little lighter, maybe this hand being relaxed.
I don't follow that whole thing of learning one lick and putting them in the metronome and doing it faster every day.
I try to concentrate [Ab] on my fault, you know?
[G] So for me that's real practice, not just sit down and play the guitar.
[E]
[C] [Bm]
[G] [Ab]
I follow that rule every time, that no string downstroke, same string alternate.
[E]
[Abm] [Bm] [E] [G] [Abm] [B] [E]
I always finish with a downstroke because I like the accent.
Because you want to have the accent.
Yeah, that's right.
Yeah, yeah, things like this we're talking [D] about here every [E] time in the Academy, that sometimes you have two downs because you want to have this stronger [Abm] accent.
That's right, it's a nicer sound.
So let's say it's just like alternate but starting always with a downstroke when [Dm] you change [G] the string.
[E] That's right.
[Bbm] And finishing with a downstroke.
So it's down, down.
The double down happens [Am] quite a bit.
[Cm] [G] [Bbm] [C] [D] [Gb] [B]
[G] [Dm] [Em]
[E] [Am] [E] [D]
[Em] [E]
So we have our first guest here [Bb] in the Gypsy Guitar [G] Academy and I'm very glad that it's my good [E] friend Gonzalo Vergara.
[Em]
[A] [D] [Am]
[Gm] [D] [Gm]
Yeah Gonzalo I have some questions for [A] you and I [Bb] hope [E] they're interesting for the people.
[G] [C] [D]
I was 21 years old and it was through that film, the Woody Allen film, Sweet and Lowdown.
You know the movie starts with
[F] Yeah, [G] when day is done.
[E] That's right.
And I was always a big fan of the guitar but with blues it was always very limited.
I wanted to play something else and people would say that's not blues anymore.
So that's what I like about this style, that you could really study music, study the instrument without any limitations.
It was the first style of music that opened the door to an endless universe.
[A] [B]
[E] [A]
[E] [A] [E]
[B] [E]
[B] Because of the reason we have a Gypsy Guitar Academy, [Ab] these would be some questions that are really interesting [Abm] for the people who want to learn this style.
When we talk about practicing, do you have a special routine for practicing?
Do you start with ear training or you do some licks or you do some technical stuff?
I try to practice whatever I know I'm not good at.
So you know, one month could be maybe this hand being a little lighter, maybe this hand being relaxed.
I don't follow that whole thing of learning one lick and putting them in the metronome and doing it faster every day.
I try to concentrate [Ab] on my fault, you know?
[G] So for me that's real practice, not just sit down and play the guitar.
[E]
[C] [Bm]
[G] [Ab]
I follow that rule every time, that no string downstroke, same string alternate.
[E]
[Abm] [Bm] [E] [G] [Abm] [B] [E]
I always finish with a downstroke because I like the accent.
Because you want to have the accent.
Yeah, that's right.
Yeah, yeah, things like this we're talking [D] about here every [E] time in the Academy, that sometimes you have two downs because you want to have this stronger [Abm] accent.
That's right, it's a nicer sound.
So let's say it's just like alternate but starting always with a downstroke when [Dm] you change [G] the string.
[E] That's right.
[Bbm] And finishing with a downstroke.
So it's down, down.
The double down happens [Am] quite a bit.
[Cm] [G] [Bbm] [C] [D] [Gb] [B]
[G] [Dm] [Em]
[E] [Am] [E] [D]
[Em] [E]
100% ➙ 121BPM
E
G
D
A
B
E
G
D
[G] _ _ _ _ _ _ _ _
_ So we have our first guest here [Bb] in the Gypsy Guitar [G] Academy and I'm very glad that it's my good [E] friend Gonzalo Vergara.
_ _ _ _ [Em] _ _
[A] _ _ _ _ [D] _ [Am] _ _ _
_ [Gm] _ [D] _ _ _ _ [Gm] _ _
_ Yeah Gonzalo I have some questions for [A] you and I [Bb] hope [E] they're interesting for the people.
[G] _ _ [C] _ _ [D] _
I was 21 years old and it was through that film, the Woody Allen film, Sweet and Lowdown.
You know the movie starts with_
[F] Yeah, [G] when day is done.
[E] That's right.
And I was always a big fan of the guitar but with blues it was always very limited.
I wanted to play something else and people would say that's not blues anymore.
So that's what I like about this style, that you could really study music, study the instrument without any limitations.
_ It was the first style of music that opened the door to an endless universe.
_ _ _ _ [A] _ [B] _
_ _ [E] _ _ _ _ [A] _ _
[E] _ _ _ _ [A] _ _ _ [E] _
_ _ [B] _ _ _ _ [E] _ _
_ _ _ _ _ _ [B] Because of the reason we have a Gypsy Guitar Academy, _ _ [Ab] these would be some questions that are really interesting [Abm] for the people who want to learn this style.
When we talk about practicing, do you have a special routine for practicing?
_ Do you start with ear training or you do some licks or you do some technical stuff?
I try to practice whatever I know I'm not good at.
So you know, one _ month could be maybe this hand being a little lighter, maybe this hand being relaxed. _ _
I don't follow that whole thing of learning one lick and putting them in the metronome and doing it faster every day.
I try to concentrate [Ab] on my fault, you know?
[G] So for me that's real practice, not just sit down and play the guitar.
_ _ [E] _ _ _ _ _
[C] _ _ [Bm] _ _ _ _ _ _
_ _ [G] _ _ _ _ _ [Ab] _
_ _ _ I follow that rule every time, that no string downstroke, same string alternate.
[E] _
[Abm] _ [Bm] _ [E] _ [G] _ _ [Abm] _ [B] _ [E] _
I always finish with a downstroke because I like the accent.
Because you want to have the accent.
Yeah, that's right.
Yeah, yeah, things like this we're talking [D] about here every [E] time in the Academy, that sometimes you have two downs because you want to have this stronger [Abm] accent.
That's right, it's a nicer sound.
So let's say it's just like alternate but starting always with a downstroke when [Dm] you change [G] the string.
[E] That's right.
[Bbm] _ And finishing with a downstroke.
So it's down, down.
The double down happens [Am] quite a bit.
_ _ [Cm] _ [G] _ [Bbm] _ _ [C] _ [D] _ _ _ [Gb] _ _ [B] _
[G] _ _ [Dm] _ _ _ _ [Em] _ _
_ [E] _ _ _ [Am] _ [E] _ _ [D] _
_ _ _ _ [Em] _ _ _ [E] _
_ So we have our first guest here [Bb] in the Gypsy Guitar [G] Academy and I'm very glad that it's my good [E] friend Gonzalo Vergara.
_ _ _ _ [Em] _ _
[A] _ _ _ _ [D] _ [Am] _ _ _
_ [Gm] _ [D] _ _ _ _ [Gm] _ _
_ Yeah Gonzalo I have some questions for [A] you and I [Bb] hope [E] they're interesting for the people.
[G] _ _ [C] _ _ [D] _
I was 21 years old and it was through that film, the Woody Allen film, Sweet and Lowdown.
You know the movie starts with_
[F] Yeah, [G] when day is done.
[E] That's right.
And I was always a big fan of the guitar but with blues it was always very limited.
I wanted to play something else and people would say that's not blues anymore.
So that's what I like about this style, that you could really study music, study the instrument without any limitations.
_ It was the first style of music that opened the door to an endless universe.
_ _ _ _ [A] _ [B] _
_ _ [E] _ _ _ _ [A] _ _
[E] _ _ _ _ [A] _ _ _ [E] _
_ _ [B] _ _ _ _ [E] _ _
_ _ _ _ _ _ [B] Because of the reason we have a Gypsy Guitar Academy, _ _ [Ab] these would be some questions that are really interesting [Abm] for the people who want to learn this style.
When we talk about practicing, do you have a special routine for practicing?
_ Do you start with ear training or you do some licks or you do some technical stuff?
I try to practice whatever I know I'm not good at.
So you know, one _ month could be maybe this hand being a little lighter, maybe this hand being relaxed. _ _
I don't follow that whole thing of learning one lick and putting them in the metronome and doing it faster every day.
I try to concentrate [Ab] on my fault, you know?
[G] So for me that's real practice, not just sit down and play the guitar.
_ _ [E] _ _ _ _ _
[C] _ _ [Bm] _ _ _ _ _ _
_ _ [G] _ _ _ _ _ [Ab] _
_ _ _ I follow that rule every time, that no string downstroke, same string alternate.
[E] _
[Abm] _ [Bm] _ [E] _ [G] _ _ [Abm] _ [B] _ [E] _
I always finish with a downstroke because I like the accent.
Because you want to have the accent.
Yeah, that's right.
Yeah, yeah, things like this we're talking [D] about here every [E] time in the Academy, that sometimes you have two downs because you want to have this stronger [Abm] accent.
That's right, it's a nicer sound.
So let's say it's just like alternate but starting always with a downstroke when [Dm] you change [G] the string.
[E] That's right.
[Bbm] _ And finishing with a downstroke.
So it's down, down.
The double down happens [Am] quite a bit.
_ _ [Cm] _ [G] _ [Bbm] _ _ [C] _ [D] _ _ _ [Gb] _ _ [B] _
[G] _ _ [Dm] _ _ _ _ [Em] _ _
_ [E] _ _ _ [Am] _ [E] _ _ [D] _
_ _ _ _ [Em] _ _ _ [E] _