Chords for Joscho Stephan: Django vs. Yngwie Arpeggios

It's clear also that there are specific mechanical things that you do to promote the smoothness.
And this, the flexed wrist, the turning movement is one of them.
I've seen you do that also in arpeggio type licks where the descending arpeggio, there's
a double downstroke in there.
It's on the top three strings where you have the pinky and then you_
Something like this. _
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_ _ _ _ _ _ [B] _ _
[Dm] _ _ _ [F] _ _ _ [Dm] _ _
_ [Gb] _ _ [Dm] _ _ _ [A] _ _
This is a typical lick where I use [Eb] two different techniques.
This is [Dm] the real gypsy technique.
So that means you have down, up, down, and then three downs.
[A] Of course with breaststroke, some more [Dm] sweep. _ _ _ _ _ _
_ [D] _ And [A] of course there is also a limit.
Let's say you can play like [Em] this, [Dm] relaxed, _ _ _ _ _ _
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_ _ _ _ _ _ _ _
[Eb] and not [Ab] faster.
And then I move it really into a different hand.
I play something [Dm] like this. _ _ _ _ _ _
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_ _ _ _ _ _ [D] How [N] did you figure out the second method?
_ _ To be honest, just by trying this lick in different ways.
Did you ever listen to metal players?
Because that's the Yngwie method.
That's how he does it.
Yeah, to be honest, it's funny.
I really never listened to a lot of metal players.
And I don't really listen to Yngwie Malmsteen or Eddie Van Halen.
Of course I know these guys.
I remember that I listened a bit to Joe Zatriano and Steve Harvey when I was younger.
But I was never really checking them out.
And that shows you _ _ that music, also the technique, is connected.
[Dm] _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ [N] _ _