Chords for Learn to Memorize Fly Me To The Moon via Circle of 5ths

Tempo:
126.65 bpm
Chords used:

G

Dm

Em

Am

A

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Learn to Memorize Fly Me To The Moon via Circle of 5ths chords
Start Jamming...
[A#] Good morning class!
Today we're going to look at the song Fly Me to the Moon and
see the prevalence of the circle of fifths.
It's all over this song.
For ease
of identifying the chords I'm going to play them closed position for the most
part.
Okay, but we're going to start with the key of C and we're going to play Fly
[Am] Me to the Moon.
Okay now watch all the circle here.
It starts with A minor 7.
In fact I want you [A#] to predict the next chord.
A minor [Am] 7 would go to what in the
circle of fifths?
[A#] A would go to a D right?
And [Dm] because we're in the key of C it's
going to be all white notes.
D minor.
[Am] So it's A [Dm] to D minor.
[E] D would go to what
chord in the circle of fifths?
D goes to
that's right G.
[Am] So A minor, [Dm] D minor.
[G] Here's
my G chord.
G of course [Em] goes to C.
[F] C goes to F.
So I just got the first five
chords by knowing my circle of fifths.
A minor, [Dm] D minor, [G] G, [C] C [F] to F.
[A#] Now F should go
to B flat but in this case we go up a half step to [B] B natural.
[Bm] Okay so we do
break the circle of fifths after the first five chords.
However with this new
[B] broken circle, the B chord, we start a new circle.
So B would go to [F]
E [E] right?
There it is E.
[Am] Going to A.
[A]
[G#] A [Dm] goes to D.
[A] G goes
sorry [G] D goes to G.
Okay so [Am] we've
got the first five chords, [Dm] [C] [F] [C] our circle, and then we break the circle by going up a
[Bm] half.
[F] Alright remember F should have gone to B flat.
We went up a half.
So F [G#] now we
break the circle.
[Bm] Here's a B chord.
[Dm] But this starts [Bm] another set of five chords
around the circle.
So [B] B, [E] E, [Am] A, [Dm] D, [G] G, girl.
Now [C] G should go to C but it's [G] gonna go to
E.
So here's
[Em] so we broke it again but now we're gonna do another five chords.
E
[A] goes to A.
[Em]
[F] D to [G] G and [C] to C.
Alright and then [E] we break it.
Go to E and that brings
us back home.
[G] So this piece, this song, Five Meets the Moon, can be seen as or
analyzed as five chords around [Am] the circle of [Dm] fifths.
[C]
[F] Go up a half step from where it
should go and start to do [B] another five.
One, [E] [A] two, three, [Dm] four, [G] five.
Now go down a third
and start another circle of fifths.
Five chords in a row.
[Em] E, [A] one, two, [Dm] three, [G] four,
[F] [Em] five.
And then break it [E] by playing the E dominant chord which takes you of course
back to A [Am] minor.
[Dm] [G] So again if the [Am] classical, classically trained student
were to play all these notes [Dm] [G] [C] all written out they'd have to memorize let's
say a hundred notes.
The amateur jazz pianist has to remember ten chords
roughly.
Professional has to remember, hey this is three sets [E] of circle of fifths.
The first [Am] set [Dm]
[G] [C] [F] [Dm] [G]
[C] [F] and after the fifth chord you go up a half from where you should
go in the [Bm] circle and do another five chords.
[E] There's one, [Am] two, [Dm] three, four, [G] five.
Now I'm
going to break the circle and go down a [Em] third to the E.
Another five [A] chords.
[Dm] [G] [Fm] [C]
And then this breaks the [E] circle.
[A#] So I had three sets of five each time broken but
then we started another set of five.
[Am] So here we go.
[Dm] [G] [C]
[C#] You say well that's
because you played in that key for so long Mark you kind of know that.
Well
yeah I do know the structure of it.
So give me any starting chord and I'll play
Fly Me to the Moon.
Any one.
Okay I can't hear you.
So I'm going to pick one.
[Bm] I
played in a few other keys but I don't play it in this key so this will be
rather easy to follow.
So we start out with, we'll start with a B chord.
So we go
to [Em] E, we go [A] to A,
[D] to D, [G] to G.
That's my first five [Bm] chords.
B, [Em]
[A] A, [D] D, [G] to G.
Now after my
fifth chord I break the circle by a half step.
So [C] instead of going G to C I
go up a half.
Watch.
[Bm] This is all circled.
[Em] [A] [D] [G]
[C#] Now this is my new circle.
Another five chords.
I'm on D flat.
Now we go to G [F#] flat.
Go [Bm] to B boy.
[B] To E.
[Em]
To [A] A.
Break the circle.
I know I
go down a [F#m] third.
F sharp.
Now here's my next set of five.
[B] And [Em]
[A]
[D] the five of my
original [F#] chord would be F sharp because I know I'm going back to B.
[Bm]
[Em] To E, [A] A, [D] to D, [G] G.
Up a half from where I [C#] should go.
Start my new circle.
[F#]
[Bm] [B] [Em] To E.
[A]
[F#m] [B]
[Em] [G]
[A#] [D] I can honestly say I've
never played that in that key but I have complete control of my circle of fifths
and your ear will start to tell you whether [Em] it's major or minor.
There's
another couple of concepts I'll help you with with that which is basically the
seven diatonic seventh chord drill.
But please understand the power of the
circle of fifths.
I reduced that song into three patterns of five measures
each circle of fifths.
So it's five circle of fifths measures.
Break it by a
half step up from where it should go.
[N] Five circle of fifths movement.
Break it by
going down a minor third.
Five more chords and then do the dominant of the
original chord.
Okay?
So I will be able to transpose, modulate, play that song
with no music forever because I've got it conceptually in my mind and that's
what I want for you.
So begin to look for circle of fifths.
They're all over and
they are the key to memorizing music exponentially faster and retaining it
exponentially longer.
Key:  
G
2131
Dm
2311
Em
121
Am
2311
A
1231
G
2131
Dm
2311
Em
121
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[A#] _ Good morning class! _ _
Today we're going to look at the song Fly Me to the Moon and
see the prevalence _ of the circle of fifths.
It's all over this song.
_ For ease
of identifying the chords I'm going to play them closed position for the most
part.
Okay, but we're going to start with the key of C and we're going to play Fly
[Am] Me to the Moon.
Okay now watch all the circle here.
It starts with A minor 7.
_ _ _ _ In fact I want you [A#] to predict _ the _ _ next chord.
A minor [Am] 7 _ _ would go to what in the
circle of fifths?
[A#] A would go to a D right?
And [Dm] because we're in the key of C it's
going to be all white notes.
D minor.
[Am] So it's A _ [Dm] to D minor. _
_ [E] D would go to what
chord in the circle of fifths?
D goes to_
that's right G.
[Am] So A minor, _ [Dm] D minor.
[G] Here's
my G chord.
_ _ _ G of course [Em] goes to C. _
_ [F] C goes to F.
_ _ So I just got the first five
chords by knowing my circle of fifths.
A minor, _ [Dm] D minor, [G] G, [C] C [F] to F.
[A#] Now F should go
to B flat but in this case we go up a half step to [B] B natural.
_ _ _ _ [Bm] Okay so we do
break the circle of fifths after the first five chords.
However with this new
[B] broken circle, the B chord, _ we _ _ start a new circle.
So B would go to [F] _
E _ [E] right?
There it is E.
_ [Am] Going to A.
_ [A] _
[G#] A [Dm] goes to D.
_ _ [A] G goes_
sorry [G] D goes to G.
Okay so [Am] we've
got the first five chords, [Dm] _ _ [C] _ _ [F] _ _ [C] our circle, and then we break the circle by going up a
[Bm] half. _ _
[F] Alright remember F _ should have gone to B flat.
We went up a half.
So F [G#] now we
break the circle.
[Bm] Here's a B chord.
_ [Dm] But this starts [Bm] another set of five chords
around the circle.
So [B] B, _ [E] E, [Am] A, _ [Dm] D, [G] G, girl. _
Now [C] G should go to C but it's [G] gonna go to
E.
So _ here's_
[Em] _ _ so we broke it again but now we're gonna do another five chords.
E
[A] goes to A.
[Em] _
[F] D to [G] G _ and [C] to C.
_ Alright _ and then [E] we break it.
_ Go to E and that brings
us back home.
[G] So this piece, this song, Five Meets the Moon, _ can be seen as or
analyzed as five chords around [Am] the circle of [Dm] fifths.
_ [C] _ _
[F] _ _ _ _ Go up a half step from where it
should go and start to do [B] another five.
One, [E] [A] two, three, [Dm] four, [G] five.
_ _ Now go down a third
and start another circle of fifths.
Five chords in a row.
[Em] E, [A] one, two, [Dm] three, [G] four, _
_ _ [F] _ _ [Em] _ _ five.
And then break it [E] _ by playing the E dominant chord which takes you of course
back to A [Am] minor. _
_ [Dm] _ _ [G] So _ again if the [Am] classical, _ classically trained student
were to play all these notes [Dm] _ [G] _ _ [C] all written out they'd have to memorize let's
say a hundred notes.
The amateur jazz pianist has to remember ten chords
roughly.
Professional has to remember, hey this is three sets [E] of circle of fifths.
The first [Am] set [Dm] _ _
[G] _ [C] _ [F] _ _ _ _ [Dm] _ [G] _
_ [C] _ [F] _ _ and after the fifth chord you go up a half from where you should
go in the [Bm] circle and do another five chords.
[E] There's one, [Am] two, [Dm] three, four, [G] five.
_ _ _ _ Now I'm
going to break the circle and go down a [Em] third to the E.
_ Another five [A] chords.
_ _ [Dm] _ [G] _ _ [Fm] _ [C] _
_ And then this breaks the [E] circle.
[A#] So I had three sets of five _ _ each time broken but
then we started another set of five.
[Am] So here we go.
_ [Dm] _ [G] _ _ [C] _ _
[C#] You say well that's
because you played in that key for so long Mark you kind of know that.
Well
yeah I do know the structure of it.
So give me any starting chord and I'll play
Fly Me to the Moon.
Any one. _ _ _
Okay I can't hear you.
So I'm going to pick one. _ _
_ _ [Bm] I
played in a few other keys but I don't play it in this key so this will be
rather easy to follow.
So we start out with, we'll start with a B chord.
_ _ _ _ So we go
to [Em] E, _ _ _ we go [A] to A, _
_ _ [D] to D, [G] to G. _
_ That's my first five [Bm] chords.
B, _ [Em] _ _
_ _ [A] A, _ [D] _ D, [G] to G.
_ _ _ Now after my
fifth chord I break the circle by a half step.
So [C] instead of going G to C I
go up a half.
Watch.
_ [Bm] _ _ This is all circled.
[Em] _ _ [A] _ _ [D] _ [G] _ _
[C#] _ _ Now this is my new circle.
Another five chords.
I'm on D flat.
_ _ Now we go to G [F#] flat.
_ _ _ Go [Bm] to B boy.
_ _ [B] To E.
[Em] _ _ _
To [A] A. _ _ _ _ _
_ _ Break the circle.
I know I
go down a [F#m] third. _
F sharp.
Now here's my next set of five. _
_ _ [B] And _ _ [Em] _ _
_ _ [A] _ _ _ _ _ _
[D] _ _ _ _ the five of my
original [F#] chord would be F sharp because I know I'm going back to B.
[Bm] _ _
_ [Em] To E, [A] A, [D] to D, [G] G.
_ _ _ _ Up a half from where I [C#] should go.
_ Start my new circle.
_ [F#] _ _ _
[Bm] _ _ _ [B] [Em] To E.
_ [A] _
_ _ _ [F#m] _ _ _ [B] _ _
_ [Em] _ _ _ _ _ [G] _ _
[A#] _ _ [D] _ _ _ _ I can honestly say I've
never played that in that key but I have complete control of my circle of fifths
and your ear will start to tell you whether [Em] it's major or minor.
There's
another couple of concepts I'll help you with with that which is basically the
seven diatonic seventh chord drill.
But please understand _ the power of the
circle of fifths.
I reduced that song into three patterns of five measures
each _ circle of fifths.
_ So it's five circle of fifths measures.
Break it by a
half step up from where it should go.
[N] Five circle of fifths movement.
Break it by
going down a minor third. _
Five _ _ more chords and then do the dominant of the
original chord. _ _ _
Okay?
So I will be able to transpose, modulate, play that song
with no music _ forever because I've got it conceptually in my mind and that's
what I want for you. _
So begin to look for circle of fifths.
They're all over and
they are the key to memorizing music exponentially faster and retaining it
exponentially longer.

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