Chords for Liberace plays Malaguena
Tempo:
126.55 bpm
Chords used:
C#
D
G#
D#
F#m
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[F] [N]
There's one [A] thing that tops two of a [B] kind in our business, and that is one of a [G] kind.
A performer that is so [Am] unique and outstanding that [N] there's no one else quite like him.
We have such a star of such magnitude with us tonight.
Ladies and gentlemen, the inimitable Liberace.
[Cm] [Gm]
[D#] [G#] [B] [A#m] [D#]
[G#]
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[F#m] [C#]
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[D]
[G#] [D]
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[D]
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[F#m] [C#]
[F#m] [C#]
[B] [Bm] [D] [G#]
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[F] [Bm] [A] [G#] [D]
[F#] [F] [C#]
[D#] [E] [D] [C#]
[D#] [E] [C#]
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[D] [C#]
[N]
I want you to take a look at this.
I'm gonna take these threads I'm wearing, baby.
If that don't turn you on, you ain't got no switches.
Well, you want my honest opinion?
Yeah, tell me what you think.
If there's anything I can't stand, Sammy, is an overdressed performer.
You used to be so conservative.
What happened? No, no.
The word is reform.
Lee, look.
I'll explain it to the goyem later.
In these outfits, we look like a dance team in Tiffany's window.
[A#] Well, let's not waste the jewelry.
I'll [G#] tell you what.
We would make a great [N] dance team, no doubt about it.
Sammy Davis Jr.,
Lee Liberace.
Yeah, I think that's pretty good billing.
It's like the Wilmeston Trio.
Should I get over there, over there?
Why don't you step?
Okie dokie.
I'll start this whole mess off here.
I think I've got something amusing.
You know you've created theatrical suicide.
[D#] [G#] [A#]
[N]
Here we go.
[D#]
[Fm] [N]
You're hearing a white backlash, but that's-
Let me see.
I did [B] my two steps and you did that.
I guess when you-
Well, if you [A] can't lick them, join them, baby.
Look [C] out.
[E] [D]
[D#] [A#] [D#]
Oh, [Gm] [N] that's- [C#] Oh, yeah.
[G] [A#] Oh, [N]
[F] [F#]
[C] [F#] [F] [A]
[E] [A#] [G#m]
[A#] [C#] [N]
[G#]
yeah.
[D#] [N]
Oh, yeah.
Oh, yeah.
Peace.
There's one [A] thing that tops two of a [B] kind in our business, and that is one of a [G] kind.
A performer that is so [Am] unique and outstanding that [N] there's no one else quite like him.
We have such a star of such magnitude with us tonight.
Ladies and gentlemen, the inimitable Liberace.
[Cm] [Gm]
[D#] [G#] [B] [A#m] [D#]
[G#]
[C#]
[F#m] [C#]
[D] [C#]
[D]
[G#] [D]
[C#]
[D]
[C#]
[D] [C#]
[F#m] [C#]
[F#m] [C#]
[B] [Bm] [D] [G#]
[D]
[F#] [C#]
[F] [Bm] [A] [G#] [D]
[F#] [F] [C#]
[D#] [E] [D] [C#]
[D#] [E] [C#]
[F#m] [G#] [D] [C#]
[D] [C#]
[D] [C#]
[D] [C#]
[D] [C#]
[D] [C#] [D]
[C#]
[Bm] [D]
[F#m]
[C#]
[Bm] [D] [G#] [D]
[G#] [D]
[C#] [F#m] [C#]
[D] [C#]
[N]
I want you to take a look at this.
I'm gonna take these threads I'm wearing, baby.
If that don't turn you on, you ain't got no switches.
Well, you want my honest opinion?
Yeah, tell me what you think.
If there's anything I can't stand, Sammy, is an overdressed performer.
You used to be so conservative.
What happened? No, no.
The word is reform.
Lee, look.
I'll explain it to the goyem later.
In these outfits, we look like a dance team in Tiffany's window.
[A#] Well, let's not waste the jewelry.
I'll [G#] tell you what.
We would make a great [N] dance team, no doubt about it.
Sammy Davis Jr.,
Lee Liberace.
Yeah, I think that's pretty good billing.
It's like the Wilmeston Trio.
Should I get over there, over there?
Why don't you step?
Okie dokie.
I'll start this whole mess off here.
I think I've got something amusing.
You know you've created theatrical suicide.
[D#] [G#] [A#]
[N]
Here we go.
[D#]
[Fm] [N]
You're hearing a white backlash, but that's-
Let me see.
I did [B] my two steps and you did that.
I guess when you-
Well, if you [A] can't lick them, join them, baby.
Look [C] out.
[E] [D]
[D#] [A#] [D#]
Oh, [Gm] [N] that's- [C#] Oh, yeah.
[G] [A#] Oh, [N]
[F] [F#]
[C] [F#] [F] [A]
[E] [A#] [G#m]
[A#] [C#] [N]
[G#]
yeah.
[D#] [N]
Oh, yeah.
Oh, yeah.
Peace.
Key:
C#
D
G#
D#
F#m
C#
D
G#
[F] _ _ _ [N] _ _ _ _
There's one [A] thing that tops two of a [B] kind in our business, and that is one of a [G] kind.
A performer that is so [Am] unique and outstanding that [N] there's no one else quite like him.
We have such a star of such magnitude with us tonight.
Ladies and gentlemen, the inimitable _ Liberace.
[Cm] _ _ _ [Gm] _ _ _
_ [D#] _ [G#] _ [B] _ _ [A#m] _ _ [D#] _
_ _ _ _ _ _ _ _
_ _ _ [G#] _ _ _ _ _
_ _ _ _ [C#] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [F#m] _ _ _ [C#] _ _
_ _ _ _ _ _ _ _
_ [D] _ _ _ _ [C#] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [D] _
_ [G#] _ _ [D] _ _ _ _ _
_ _ _ _ _ [C#] _ _ _
_ _ _ _ _ _ _ _
_ _ [D] _ _ _ _ _ _
_ _ _ _ _ _ _ [C#] _
_ _ _ _ _ _ _ _
_ _ _ _ [D] _ _ [C#] _ _
_ _ [F#m] _ _ _ _ [C#] _ _
_ [F#m] _ _ _ _ [C#] _ _ _
_ _ _ _ _ _ _ _
[B] _ _ _ [Bm] _ _ [D] _ [G#] _ _
[D] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[F#] _ _ _ [C#] _ _ _ _ _
_ _ _ _ _ _ _ _
[F] _ _ [Bm] _ _ [A] _ [G#] _ _ [D] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [F#] _ _ [F] _ [C#] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [D#] _ _ _ [E] _ [D] _ [C#] _ _
_ _ [D#] _ _ _ [E] _ [C#] _ _
_ _ [F#m] _ _ [G#] _ [D] _ [C#] _ _
_ _ _ [D] _ _ _ [C#] _ _
_ _ [D] _ _ _ _ [C#] _ _
_ _ [D] _ _ _ _ [C#] _ _
_ [D] _ _ _ [C#] _ _ _ _
[D] _ _ _ [C#] _ _ _ [D] _ _
_ _ [C#] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [Bm] _ [D] _ _ _ _ _ _
_ _ _ _ _ _ _ [F#m] _
_ [C#] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [Bm] _ _ _ [D] _ [G#] _ [D] _
_ _ _ _ _ _ _ _
[G#] _ [D] _ _ _ _ _ _ _
[C#] _ _ _ [F#m] _ _ _ _ [C#] _
_ _ [D] _ _ _ [C#] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [N] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ I want you to take a look at this.
I'm gonna take these threads I'm wearing, baby. _ _ _ _ _
_ If _ _ that don't turn you on, you ain't got no switches. _ _ _ _
Well, you want my honest opinion?
Yeah, tell me what you think.
_ If there's anything I can't stand, Sammy, is an overdressed performer. _
_ You used to be so conservative.
What happened? No, no.
The word is reform. _ _ _ _
_ _ _ Lee, look. _
I'll explain it to the goyem later. _ _ _ _ _
In these outfits, we look like a dance team in Tiffany's window.
[A#] Well, let's not waste the jewelry.
I'll [G#] tell you what.
We would make a great [N] dance team, no doubt about it.
Sammy Davis Jr.,
Lee Liberace.
Yeah, I think that's pretty good billing.
It's like the Wilmeston Trio.
Should I get over there, over there?
Why don't you step?
Okie dokie.
I'll start this whole mess off here.
I think I've got something amusing.
You know you've created theatrical suicide. _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [D#] _ _ [G#] _ _ [A#] _
_ _ _ [N] _ _ _ _ _
_ Here _ _ _ _ _ _ _ _ _ _ _ _ _
_ _ we go. _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [D#] _ _
_ _ [Fm] _ _ _ [N] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ You're hearing a white backlash, but that's- _ _ _
Let me see.
I did [B] my two steps and you did that.
I guess when you-
Well, if you [A] can't lick them, join them, baby.
Look [C] out.
[E] _ [D] _ _
_ [D#] _ _ [A#] _ _ [D#] _ _ _
Oh, [Gm] _ [N] that's- [C#] Oh, yeah. _
[G] _ _ [A#] Oh, [N] _ _ _ _
_ _ _ _ _ [F] _ [F#] _ _
[C] _ _ [F#] _ _ [F] _ [A] _ _ _
_ _ [E] _ [A#] _ _ _ [G#m] _ _
[A#] _ _ [C#] _ _ _ _ [N] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [G#] _ _ _
yeah.
[D#] _ _ _ [N] _ _ _
Oh, yeah.
Oh, yeah. _ _ _ _
_ _ _ _ _ Peace. _
_ _ _ _ _ _ _ _
There's one [A] thing that tops two of a [B] kind in our business, and that is one of a [G] kind.
A performer that is so [Am] unique and outstanding that [N] there's no one else quite like him.
We have such a star of such magnitude with us tonight.
Ladies and gentlemen, the inimitable _ Liberace.
[Cm] _ _ _ [Gm] _ _ _
_ [D#] _ [G#] _ [B] _ _ [A#m] _ _ [D#] _
_ _ _ _ _ _ _ _
_ _ _ [G#] _ _ _ _ _
_ _ _ _ [C#] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [F#m] _ _ _ [C#] _ _
_ _ _ _ _ _ _ _
_ [D] _ _ _ _ [C#] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [D] _
_ [G#] _ _ [D] _ _ _ _ _
_ _ _ _ _ [C#] _ _ _
_ _ _ _ _ _ _ _
_ _ [D] _ _ _ _ _ _
_ _ _ _ _ _ _ [C#] _
_ _ _ _ _ _ _ _
_ _ _ _ [D] _ _ [C#] _ _
_ _ [F#m] _ _ _ _ [C#] _ _
_ [F#m] _ _ _ _ [C#] _ _ _
_ _ _ _ _ _ _ _
[B] _ _ _ [Bm] _ _ [D] _ [G#] _ _
[D] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[F#] _ _ _ [C#] _ _ _ _ _
_ _ _ _ _ _ _ _
[F] _ _ [Bm] _ _ [A] _ [G#] _ _ [D] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [F#] _ _ [F] _ [C#] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [D#] _ _ _ [E] _ [D] _ [C#] _ _
_ _ [D#] _ _ _ [E] _ [C#] _ _
_ _ [F#m] _ _ [G#] _ [D] _ [C#] _ _
_ _ _ [D] _ _ _ [C#] _ _
_ _ [D] _ _ _ _ [C#] _ _
_ _ [D] _ _ _ _ [C#] _ _
_ [D] _ _ _ [C#] _ _ _ _
[D] _ _ _ [C#] _ _ _ [D] _ _
_ _ [C#] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [Bm] _ [D] _ _ _ _ _ _
_ _ _ _ _ _ _ [F#m] _
_ [C#] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [Bm] _ _ _ [D] _ [G#] _ [D] _
_ _ _ _ _ _ _ _
[G#] _ [D] _ _ _ _ _ _ _
[C#] _ _ _ [F#m] _ _ _ _ [C#] _
_ _ [D] _ _ _ [C#] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [N] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ I want you to take a look at this.
I'm gonna take these threads I'm wearing, baby. _ _ _ _ _
_ If _ _ that don't turn you on, you ain't got no switches. _ _ _ _
Well, you want my honest opinion?
Yeah, tell me what you think.
_ If there's anything I can't stand, Sammy, is an overdressed performer. _
_ You used to be so conservative.
What happened? No, no.
The word is reform. _ _ _ _
_ _ _ Lee, look. _
I'll explain it to the goyem later. _ _ _ _ _
In these outfits, we look like a dance team in Tiffany's window.
[A#] Well, let's not waste the jewelry.
I'll [G#] tell you what.
We would make a great [N] dance team, no doubt about it.
Sammy Davis Jr.,
Lee Liberace.
Yeah, I think that's pretty good billing.
It's like the Wilmeston Trio.
Should I get over there, over there?
Why don't you step?
Okie dokie.
I'll start this whole mess off here.
I think I've got something amusing.
You know you've created theatrical suicide. _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [D#] _ _ [G#] _ _ [A#] _
_ _ _ [N] _ _ _ _ _
_ Here _ _ _ _ _ _ _ _ _ _ _ _ _
_ _ we go. _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [D#] _ _
_ _ [Fm] _ _ _ [N] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ You're hearing a white backlash, but that's- _ _ _
Let me see.
I did [B] my two steps and you did that.
I guess when you-
Well, if you [A] can't lick them, join them, baby.
Look [C] out.
[E] _ [D] _ _
_ [D#] _ _ [A#] _ _ [D#] _ _ _
Oh, [Gm] _ [N] that's- [C#] Oh, yeah. _
[G] _ _ [A#] Oh, [N] _ _ _ _
_ _ _ _ _ [F] _ [F#] _ _
[C] _ _ [F#] _ _ [F] _ [A] _ _ _
_ _ [E] _ [A#] _ _ _ [G#m] _ _
[A#] _ _ [C#] _ _ _ _ [N] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [G#] _ _ _
yeah.
[D#] _ _ _ [N] _ _ _
Oh, yeah.
Oh, yeah. _ _ _ _
_ _ _ _ _ Peace. _
_ _ _ _ _ _ _ _