Chords for Liberace plays Malaguena
Tempo:
126.55 bpm
Chords used:
C#
D
G#
D#
F#m
Tuning:Standard Tuning (EADGBE)Capo:+0fret

Jam Along & Learn...
[F] [N]
There's one [A] thing that tops two of a [B] kind in our business, and that is one of a [G] kind.
and outstanding that [N] there's no one else quite like him.
such magnitude with us tonight.
Liberace.
[D#] [G#] [B] [A#m] [D#]
[G#]
[C#]
There's one [A] thing that tops two of a [B] kind in our business, and that is one of a [G] kind.
and outstanding that [N] there's no one else quite like him.
such magnitude with us tonight.
Liberace.
[D#] [G#] [B] [A#m] [D#]
[G#]
[C#]
100% ➙ 127BPM
C#
D
G#
D#
F#m
C#
D
G#
[F] _ _ _ [N] _ _ _ _
There's one [A] thing that tops two of a [B] kind in our business, and that is one of a [G] kind.
A performer that is so [Am] unique and outstanding that [N] there's no one else quite like him.
We have such a star of such magnitude with us tonight.
Ladies and gentlemen, the inimitable _ Liberace.
[Cm] _ _ _ [Gm] _ _ _
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_ _ [Bm] _ _ _ [D] _ [G#] _ [D] _
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_ _ _ _ _ [N] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ I want you to take a look at this.
I'm gonna take these threads I'm wearing, baby. _ _ _ _ _
_ If _ _ that don't turn you on, you ain't got no switches. _ _ _ _
Well, you want my honest opinion?
Yeah, tell me what you think.
_ If there's anything I can't stand, Sammy, is an overdressed performer. _
_ You used to be so conservative.
What happened? No, no.
The word is reform. _ _ _ _
_ _ _ Lee, look. _
I'll explain it to the goyem later. _ _ _ _ _
In these outfits, we look like a dance team in Tiffany's window.
[A#] Well, let's not waste the jewelry.
I'll [G#] tell you what.
We would make a great [N] dance team, no doubt about it.
Sammy Davis Jr.,
Lee Liberace.
Yeah, I think that's pretty good billing.
It's like the Wilmeston Trio.
Should I get over there, over there?
Why don't you step?
Okie dokie.
I'll start this whole mess off here.
I think I've got something amusing.
You know you've created theatrical suicide. _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [D#] _ _ [G#] _ _ [A#] _
_ _ _ [N] _ _ _ _ _
_ Here _ _ _ _ _ _ _ _ _ _ _ _ _
_ _ we go. _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [D#] _ _
_ _ [Fm] _ _ _ [N] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ You're hearing a white backlash, but that's- _ _ _
Let me see.
I did [B] my two steps and you did that.
I guess when you-
Well, if you [A] can't lick them, join them, baby.
Look [C] out.
[E] _ [D] _ _
_ [D#] _ _ [A#] _ _ [D#] _ _ _
Oh, [Gm] _ [N] that's- [C#] Oh, yeah. _
[G] _ _ [A#] Oh, [N] _ _ _ _
_ _ _ _ _ [F] _ [F#] _ _
[C] _ _ [F#] _ _ [F] _ [A] _ _ _
_ _ [E] _ [A#] _ _ _ [G#m] _ _
[A#] _ _ [C#] _ _ _ _ [N] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [G#] _ _ _
yeah.
[D#] _ _ _ [N] _ _ _
Oh, yeah.
Oh, yeah. _ _ _ _
_ _ _ _ _ Peace. _
_ _ _ _ _ _ _ _
There's one [A] thing that tops two of a [B] kind in our business, and that is one of a [G] kind.
A performer that is so [Am] unique and outstanding that [N] there's no one else quite like him.
We have such a star of such magnitude with us tonight.
Ladies and gentlemen, the inimitable _ Liberace.
[Cm] _ _ _ [Gm] _ _ _
_ [D#] _ [G#] _ [B] _ _ [A#m] _ _ [D#] _
_ _ _ _ _ _ _ _
_ _ _ [G#] _ _ _ _ _
_ _ _ _ [C#] _ _ _ _
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_ [G#] _ _ [D] _ _ _ _ _
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_ _ [D] _ _ _ _ _ _
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_ [F#m] _ _ _ _ [C#] _ _ _
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[B] _ _ _ [Bm] _ _ [D] _ [G#] _ _
[D] _ _ _ _ _ _ _ _
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[F#] _ _ _ [C#] _ _ _ _ _
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[F] _ _ [Bm] _ _ [A] _ [G#] _ _ [D] _
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_ _ _ _ [F#] _ _ [F] _ [C#] _
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_ [D#] _ _ _ [E] _ [D] _ [C#] _ _
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_ _ [Bm] _ _ _ [D] _ [G#] _ [D] _
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[G#] _ [D] _ _ _ _ _ _ _
[C#] _ _ _ [F#m] _ _ _ _ [C#] _
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_ _ _ _ _ _ _ _
_ _ _ _ _ [N] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ I want you to take a look at this.
I'm gonna take these threads I'm wearing, baby. _ _ _ _ _
_ If _ _ that don't turn you on, you ain't got no switches. _ _ _ _
Well, you want my honest opinion?
Yeah, tell me what you think.
_ If there's anything I can't stand, Sammy, is an overdressed performer. _
_ You used to be so conservative.
What happened? No, no.
The word is reform. _ _ _ _
_ _ _ Lee, look. _
I'll explain it to the goyem later. _ _ _ _ _
In these outfits, we look like a dance team in Tiffany's window.
[A#] Well, let's not waste the jewelry.
I'll [G#] tell you what.
We would make a great [N] dance team, no doubt about it.
Sammy Davis Jr.,
Lee Liberace.
Yeah, I think that's pretty good billing.
It's like the Wilmeston Trio.
Should I get over there, over there?
Why don't you step?
Okie dokie.
I'll start this whole mess off here.
I think I've got something amusing.
You know you've created theatrical suicide. _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [D#] _ _ [G#] _ _ [A#] _
_ _ _ [N] _ _ _ _ _
_ Here _ _ _ _ _ _ _ _ _ _ _ _ _
_ _ we go. _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [D#] _ _
_ _ [Fm] _ _ _ [N] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ You're hearing a white backlash, but that's- _ _ _
Let me see.
I did [B] my two steps and you did that.
I guess when you-
Well, if you [A] can't lick them, join them, baby.
Look [C] out.
[E] _ [D] _ _
_ [D#] _ _ [A#] _ _ [D#] _ _ _
Oh, [Gm] _ [N] that's- [C#] Oh, yeah. _
[G] _ _ [A#] Oh, [N] _ _ _ _
_ _ _ _ _ [F] _ [F#] _ _
[C] _ _ [F#] _ _ [F] _ [A] _ _ _
_ _ [E] _ [A#] _ _ _ [G#m] _ _
[A#] _ _ [C#] _ _ _ _ [N] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [G#] _ _ _
yeah.
[D#] _ _ _ [N] _ _ _
Oh, yeah.
Oh, yeah. _ _ _ _
_ _ _ _ _ Peace. _
_ _ _ _ _ _ _ _