Chords for Lionel Richie And Kenny Rogers Lady watch this aswell https://www.youtube.com/watch?v=hqeevfYkuZU
Tempo:
67.95 bpm
Chords used:
C#m
B
F#m
C#
G#m
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
To say I'm excited about being a part is an understatement, to say the least.
But you know, Lionel, first of all, I'm so proud of you.
And I'm so happy for you.
You know, you deserve what you're getting here.
Lionel and I met 32 years ago right here in Las Vegas.
But, you know, I'm so excited about this because, now for those of you who are young, aspiring songwriters
who want to learn how to pitch a song,
Lionel is your guy.
I called him from the Riviera here, and I said,
Lionel, I'd love for you to come over and write a song for me.
And he said, I don't think I have time.
I said, well, it's going to be a part of our greatest hits album.
It'll sell, I think, a minimum of four or five million records.
He says, it's 7 o'clock tomorrow night, okay.
So he came in at 7 o'clock, and we had this little upright rinky-dink piano in the dressing room.
And he starts to play, and then he says, before I do this, I have to tell you,
I pitched this to the Commodores, and they turned it down,
which I thought was an interesting approach to selling a song.
So he sits down, and he starts playing, and he goes,
Wait, and the rest of it,
All he had was the one word.
I said, how could they have turned that word down, I asked him.
So we go in the studio, six months later, we're recording.
I finish the first verse of the song, and I'm sitting looking at the lyric sheets,
and there's not a second verse.
I said, wait a minute, where's Lionel?
I swear to God, he's in the toilet writing the second verse.
They said, he's at his best under pressure.
So I am so excited about being here, you know.
And you're not just a friend of mine, but the song you wrote was truly a changing point in my career.
It's one of the most identifiable songs I've ever done.
I'd love to have you come up and sing it with me if you would.
You
[C#m]
[D#] [B] [C#] [C#m]
[F#m] have made me [B] what I am
[C#m] [C#] I love you
[C#m]
There's [F#m] so many ways [B] I want to say [C#m] I love you
You [F#m] have come into my [B] life
And [C#] made me whole
[C#m] You [F#m] have gone
And [G#m] made me such a fool
[C#m] And [G#m] I'm so lost [F#] in your [C#] love
[F#m] We [G#m] belong together
[C#m] Won't you [G#m] believe in [F#] my [C#] soul
Lady, [C#m] for so many years
[B] I thought I'd never [C#m] find you
You [F#m] have come into [B] my life
And [C#m] made me whole Forever, forever
Let [A] me wait to [B] see you each and [C#m] every morning
[A] Let me hear you whisper [B] softly
[C#m] In the deep night
[F#m] I [G#m] say, oh, my husband
[C#m] [G#m] There's no other [F#] love like our love
[C#]
[F#m] We [G#m] belong together
Waited [C#m] for [G#m] you for [F#] so long
[C#]
Oh, [A] lady, [E]
[B] you're [D#] [E] the only [B] love [C#m] I need.
Yeah.
[E] [A] Sigh me [B] this way.
[E] [B] I want you [C#m] to be here.
[E] Oh, [A] that's my love.
[B] They [E] [B] want you [C#m] to know how.
[B] [A] You're the [G#m] love [F#m] of my life.
[Bm] Hit it again.
[F#] You're my lady.
[G]
[C#m] [F#m] I want you.
[B] [C#] [C#m]
[C#]
But you know, Lionel, first of all, I'm so proud of you.
And I'm so happy for you.
You know, you deserve what you're getting here.
Lionel and I met 32 years ago right here in Las Vegas.
But, you know, I'm so excited about this because, now for those of you who are young, aspiring songwriters
who want to learn how to pitch a song,
Lionel is your guy.
I called him from the Riviera here, and I said,
Lionel, I'd love for you to come over and write a song for me.
And he said, I don't think I have time.
I said, well, it's going to be a part of our greatest hits album.
It'll sell, I think, a minimum of four or five million records.
He says, it's 7 o'clock tomorrow night, okay.
So he came in at 7 o'clock, and we had this little upright rinky-dink piano in the dressing room.
And he starts to play, and then he says, before I do this, I have to tell you,
I pitched this to the Commodores, and they turned it down,
which I thought was an interesting approach to selling a song.
So he sits down, and he starts playing, and he goes,
Wait, and the rest of it,
All he had was the one word.
I said, how could they have turned that word down, I asked him.
So we go in the studio, six months later, we're recording.
I finish the first verse of the song, and I'm sitting looking at the lyric sheets,
and there's not a second verse.
I said, wait a minute, where's Lionel?
I swear to God, he's in the toilet writing the second verse.
They said, he's at his best under pressure.
So I am so excited about being here, you know.
And you're not just a friend of mine, but the song you wrote was truly a changing point in my career.
It's one of the most identifiable songs I've ever done.
I'd love to have you come up and sing it with me if you would.
You
[C#m]
[D#] [B] [C#] [C#m]
[F#m] have made me [B] what I am
[C#m] [C#] I love you
[C#m]
There's [F#m] so many ways [B] I want to say [C#m] I love you
You [F#m] have come into my [B] life
And [C#] made me whole
[C#m] You [F#m] have gone
And [G#m] made me such a fool
[C#m] And [G#m] I'm so lost [F#] in your [C#] love
[F#m] We [G#m] belong together
[C#m] Won't you [G#m] believe in [F#] my [C#] soul
Lady, [C#m] for so many years
[B] I thought I'd never [C#m] find you
You [F#m] have come into [B] my life
And [C#m] made me whole Forever, forever
Let [A] me wait to [B] see you each and [C#m] every morning
[A] Let me hear you whisper [B] softly
[C#m] In the deep night
[F#m] I [G#m] say, oh, my husband
[C#m] [G#m] There's no other [F#] love like our love
[C#]
[F#m] We [G#m] belong together
Waited [C#m] for [G#m] you for [F#] so long
[C#]
Oh, [A] lady, [E]
[B] you're [D#] [E] the only [B] love [C#m] I need.
Yeah.
[E] [A] Sigh me [B] this way.
[E] [B] I want you [C#m] to be here.
[E] Oh, [A] that's my love.
[B] They [E] [B] want you [C#m] to know how.
[B] [A] You're the [G#m] love [F#m] of my life.
[Bm] Hit it again.
[F#] You're my lady.
[G]
[C#m] [F#m] I want you.
[B] [C#] [C#m]
[C#]
Key:
C#m
B
F#m
C#
G#m
C#m
B
F#m
_ _ _ _ _ _ To say I'm excited about being a part is an understatement, to say the least.
But you know, Lionel, first of all, I'm so proud of you.
And I'm so happy for you.
You know, you deserve what you're getting here.
Lionel and I met 32 years ago right here in Las Vegas.
But, _ you know, I'm so excited about this because, now for those of you who are young, aspiring songwriters
who want to learn how to pitch a song,
Lionel is your guy.
I called him from the Riviera here, and I said,
Lionel, I'd love for you to come over and write a song for me.
And he said, I don't think I have time.
I said, well, it's going to be a part of our greatest hits album.
It'll sell, I think, a minimum of four or five million records.
He says, it's 7 o'clock tomorrow night, okay. _
So he came in at 7 o'clock, and we had this little upright rinky-dink piano in the dressing room.
And he starts to play, and then he says, before I do this, I have to tell you,
I pitched this to the Commodores, and they turned it down,
which I thought was an interesting approach to selling a song.
So he sits down, and he starts playing, and he goes,
_ Wait, and _ _ _ _ _ the rest of it, _
All he had was the one word.
I said, how could they have turned that word down, I asked him.
_ So we go in the studio, six months later, we're recording.
I finish the first verse of the song, and I'm sitting looking at the lyric sheets,
and there's not a second verse.
I said, wait a minute, where's Lionel?
I swear to God, he's in the toilet writing the second verse. _ _ _ _
_ _ _ They said, he's at his best under pressure. _
So I am so excited about being here, you know.
And you're not just a friend of mine, but the song you wrote was truly a changing point in my career.
It's one of the most identifiable songs I've ever done.
I'd love to have you come up and sing it with me if you would.
_ _ You _
_ _ _ _ [C#m] _ _ _ _
_ _ _ _ _ _ _ _
_ [D#] _ _ [B] _ [C#] _ _ [C#m] _
[F#m] have made me [B] what I am
_ [C#m] [C#] I love you _
[C#m] _ _ _ _ _ _ _
There's [F#m] so many ways [B] I want to say [C#m] I love you
You [F#m] have come into my [B] life
And _ [C#] made me whole
[C#m] You _ _ _ [F#m] have gone
And [G#m] made me such a fool
[C#m] And [G#m] I'm so lost [F#] in your [C#] love _
[F#m] We _ [G#m] belong together
[C#m] Won't you [G#m] believe in [F#] my [C#] soul _ _
_ _ _ Lady, [C#m] _ for so many years
[B] I thought I'd never [C#m] find you
You [F#m] have come into [B] my life
And _ [C#m] made me whole Forever, _ _ _ _ _ forever
Let [A] me wait to [B] see you each and [C#m] every morning
[A] Let me hear you whisper [B] softly _ _
[C#m] In the deep night _ _ _
[F#m] I _ _ [G#m] say, oh, my husband _
[C#m] _ [G#m] There's no other [F#] love like our love
[C#] _ _
[F#m] _ _ We [G#m] belong together
Waited [C#m] for [G#m] you for [F#] so long
_ [C#] _
_ Oh, [A] lady, _ _ [E] _
[B] _ you're [D#] [E] the only [B] love [C#m] I need.
Yeah.
[E] _ [A] Sigh _ me [B] _ this way.
_ [E] _ [B] I want you [C#m] to be here.
[E] Oh, [A] that's my love. _ _
[B] _ They _ [E] _ [B] want you [C#m] to know how.
[B] _ [A] You're the [G#m] love [F#m] of my life.
_ [Bm] Hit it again.
[F#] You're my lady.
[G] _
[C#m] _ _ _ _ [F#m] I want you.
[B] _ _ [C#] _ [C#m] _ _ _ _ _ _
_ _ _ _ [C#] _ _ _ _
But you know, Lionel, first of all, I'm so proud of you.
And I'm so happy for you.
You know, you deserve what you're getting here.
Lionel and I met 32 years ago right here in Las Vegas.
But, _ you know, I'm so excited about this because, now for those of you who are young, aspiring songwriters
who want to learn how to pitch a song,
Lionel is your guy.
I called him from the Riviera here, and I said,
Lionel, I'd love for you to come over and write a song for me.
And he said, I don't think I have time.
I said, well, it's going to be a part of our greatest hits album.
It'll sell, I think, a minimum of four or five million records.
He says, it's 7 o'clock tomorrow night, okay. _
So he came in at 7 o'clock, and we had this little upright rinky-dink piano in the dressing room.
And he starts to play, and then he says, before I do this, I have to tell you,
I pitched this to the Commodores, and they turned it down,
which I thought was an interesting approach to selling a song.
So he sits down, and he starts playing, and he goes,
_ Wait, and _ _ _ _ _ the rest of it, _
All he had was the one word.
I said, how could they have turned that word down, I asked him.
_ So we go in the studio, six months later, we're recording.
I finish the first verse of the song, and I'm sitting looking at the lyric sheets,
and there's not a second verse.
I said, wait a minute, where's Lionel?
I swear to God, he's in the toilet writing the second verse. _ _ _ _
_ _ _ They said, he's at his best under pressure. _
So I am so excited about being here, you know.
And you're not just a friend of mine, but the song you wrote was truly a changing point in my career.
It's one of the most identifiable songs I've ever done.
I'd love to have you come up and sing it with me if you would.
_ _ You _
_ _ _ _ [C#m] _ _ _ _
_ _ _ _ _ _ _ _
_ [D#] _ _ [B] _ [C#] _ _ [C#m] _
[F#m] have made me [B] what I am
_ [C#m] [C#] I love you _
[C#m] _ _ _ _ _ _ _
There's [F#m] so many ways [B] I want to say [C#m] I love you
You [F#m] have come into my [B] life
And _ [C#] made me whole
[C#m] You _ _ _ [F#m] have gone
And [G#m] made me such a fool
[C#m] And [G#m] I'm so lost [F#] in your [C#] love _
[F#m] We _ [G#m] belong together
[C#m] Won't you [G#m] believe in [F#] my [C#] soul _ _
_ _ _ Lady, [C#m] _ for so many years
[B] I thought I'd never [C#m] find you
You [F#m] have come into [B] my life
And _ [C#m] made me whole Forever, _ _ _ _ _ forever
Let [A] me wait to [B] see you each and [C#m] every morning
[A] Let me hear you whisper [B] softly _ _
[C#m] In the deep night _ _ _
[F#m] I _ _ [G#m] say, oh, my husband _
[C#m] _ [G#m] There's no other [F#] love like our love
[C#] _ _
[F#m] _ _ We [G#m] belong together
Waited [C#m] for [G#m] you for [F#] so long
_ [C#] _
_ Oh, [A] lady, _ _ [E] _
[B] _ you're [D#] [E] the only [B] love [C#m] I need.
Yeah.
[E] _ [A] Sigh _ me [B] _ this way.
_ [E] _ [B] I want you [C#m] to be here.
[E] Oh, [A] that's my love. _ _
[B] _ They _ [E] _ [B] want you [C#m] to know how.
[B] _ [A] You're the [G#m] love [F#m] of my life.
_ [Bm] Hit it again.
[F#] You're my lady.
[G] _
[C#m] _ _ _ _ [F#m] I want you.
[B] _ _ [C#] _ [C#m] _ _ _ _ _ _
_ _ _ _ [C#] _ _ _ _